Word from the Sippy Cups that they'll be included in a feature on Neal Pollack on ABC's Nightline tonight (Thursday). Or maybe tomorrow. Watch the piece and be bombarded, I'm sure, with your quota of the phrase "hipster parent" for the month/year/lifetime.
Given that our son is currently enjoying waking up before 5 AM on a not-irregular basis and that, Luddites as we are, we don't have TiVo, I'm really hoping that videoplayer in the upper-right-hand corner will have this new segment on tomorrow.
Everyone Who Likes Preschool Fundraisers, Raise Their Hand
Thought so.
Since before we joined it, our kids' co-operative preschool has eschewed a yearly fundraiser for a flat "fundraiser fee." Now, why they just don't increase the actual tuition by 10 bucks a month is beyond me, but that's probably just a clear indication of why I don't have a bright future in sales.
And given the virtual 24/7 fundraising our daughter is now asked to participate in through her (public school) kindergarten ("Mom, they say we need to order pizza tonight or they can't keep our music teacher"), I can assure you that the simple check-writing the preschool approach entails is a vastly superior approach. (Again. Not a retailer.)
Having said that, if my neighborhood preschool actually put together a spring fair that included, among other things, sets from The Hollow Trees, the Squeegees, and Ellen & Matt, I'd probably go. Which means, if I lived in Silver Lake and my kid(s) attended the Neighborhood Nursery School, I'd probably attend their Spring Fair on Saturday May 19.
As a side note, the "about" section for the fair says "No Bounce Houses, no corporate sponsors and no plastic bottles." Now, I'm with 'em on the plastic bottles, but why does NNS hate bounce houses so much? Bounce houses rule.
Also, "no corporate sponsors?" Does that mean there are preschool fundraisers in LA that have corporate sponsors? Do companies fight to sponsor the pony rides?
Like I said, Not. A. Retailer.
I'm Not Bill Graham. Yet.
I don't really want to be a concert producer.
I just want a cool concert poster with my name (or this website's name) on it.
Well, I'm still not a concert producer -- and there's nary a poster in sight -- but I'm helping my great neighborhood record store host a show this weekend.
Stinkweeds Record Exchange is holding a Saturday Singalong this Saturday (May 5th). They did a small number of kid-friendly singalong shows a while back at their old Tempe location, but with my instigation, they're restarting the series. Saturday Singalong version 2.0, I guess. And it happens to be during Stinkweeds' 20th Anniversary celebration (as well as the 1st Anniversary of their next-door neighbor, Frances), so there will be a definite party vibe going on. (Well, above and beyond the fact that it's Cinco de Mayo, which is about 2 or 3 years away from overtaking St. Patrick's Day as the national drinking holiday.)
So if you're in the Phoenix area, stop by at 11 AM Saturday for an hour of free music from Dario's Magic Bus. (Sorry, no Myspace page or website. How retro.) Weather promises to be not so hot (in a good way), and they have a lovely and slightly shaded patio. Do join us.
It's All About May
Even with a broadband connection, the internet can actually be painfully slow. There have been a number of (mostly Internet-related) projects I've looked forward to talking about here for quite some time, but haven't been able to because the progress of those projects has been, well, 2-AM-get-the-baby-back-to-sleep-lullaby-like slow.
A flurry of e-mails over the past week or two, however, leads me to believe that I'll be able to talk about many of those projects here in the next month.
And, yes, I'll get back to posting reviews and the long-awaited Top 5 Kids Songs of All Time very shortly.
Review: Alphabet Parade / Rainbow Lemonade - Melanie Dill
Sometimes you hear about older CDs, and you think, "Huh. That sounds kinda cool, but, you know, there's so much good stuff coming out now that I'll just have to let it slide."
That was me with Alphabet Parade and Rainbow Lemonade, from Kansas-based Melanie Dill. The CDs sounded interesting, but swamped as I was (and am) with newer music, I never got around to getting copies. Until recently, when I happened to receive a set.
So my task here, then, is try to convince you to not make the same mistake I did.
Melanie Dill released her first record, Alphabet Parade in 1998. As you might expect from the title, there are a number of alphabet-related songs on the CD, most notably the parade itself, which over three tracks introduces all 26 letters and gives them each a little bit of character. (My favorite is "Big P, little p, rapping down the street / Going puh-puh-puh-p-p-puh-puh to everyone he meets," in a rapped style, of course.) But the alphabet thing isn't overdone, and there are lots of other topics of interest to preschoolers, such as discovery ("Look out the Window"), money (a barbershopped "Pennies, Nickles, Dimes and Quarters"), and colors ("Unripe Tomato"). The songs are a combination of traditional melodies and original songs.
Musically, most of the tracks are done in a simple folk style, though there are enough variations to keep things interesting, such as "Emily's Song," which deserves to be heard on your child's favorite merry-go-round. There are also a number of spoken-word tracks with musical accompaniment. Dill has an appealing, clear voice, but plenty of others share the vocal and instrumental duties (29 others, by my count, including Randy Kaplan). The kids' voices here (including that of Dill's daughter, Siel) are integral to the music. They're smartly incorporated into the music and sound like real kids who've had just a little bit of vocal training, enough to make the vocals pleasant but by no means too much to become grating. Let's put it this way, if you don't like the way the kids' voices sound here, you will never like kids' voices on record.
Flash-forward to 2002, when Dill releases Rainbow Lemonade, a worthy follow-up to Parade. The basic approach is the same as before, but the musical palette is broader. 60 musicians (many of whom, judging by last name, are related to Dill) plus an entire kindergarten class show up here with Dill, and the result is a fun blending of musical genres, from the hoppy and folky original "Baiba's Bungalow" to "Left and Right," which sounds like it was pulled straight out of a 1950s educational movie. "The Skeeter Song" is a bluesy number, while "Seaside" and "I-L-O-V-E-Y-O-U" have gentle beach melodies.
Sometimes the genres are mixed in the same song -- "After the Rain," interrupts a slow, lush song about the end of a rainstorm with a punky interlude about mud. The kids' voices return, as do the spoken-word pieces. One of my favorites of these is "Explore," which underscores the kids' talk about exploration with a jazzy musical number.
Given the topics here, these CDs will be of most interest to kids ages 2 through 6. You can hear some of the tracks from the nearly-identical-in-length-36-minute albums at Dill's website.
These CDs are nothing less than Sesame Street episodes from back in their free-form days before everything got all scheduled on that show. They hop genres and subjects seemingly at a whim, but their overall structure and execution is very well thought-out. I like both of them equally, and would be hard-pressed to recommend one over the other. If you have young kids in your household, I think they (and you) would really like these CDs. Definitely recommended.
Melanie Dill released her first record, Alphabet Parade in 1998. As you might expect from the title, there are a number of alphabet-related songs on the CD, most notably the parade itself, which over three tracks introduces all 26 letters and gives them each a little bit of character. (My favorite is "Big P, little p, rapping down the street / Going puh-puh-puh-p-p-puh-puh to everyone he meets," in a rapped style, of course.) But the alphabet thing isn't overdone, and there are lots of other topics of interest to preschoolers, such as discovery ("Look out the Window"), money (a barbershopped "Pennies, Nickles, Dimes and Quarters"), and colors ("Unripe Tomato"). The songs are a combination of traditional melodies and original songs.
Musically, most of the tracks are done in a simple folk style, though there are enough variations to keep things interesting, such as "Emily's Song," which deserves to be heard on your child's favorite merry-go-round. There are also a number of spoken-word tracks with musical accompaniment. Dill has an appealing, clear voice, but plenty of others share the vocal and instrumental duties (29 others, by my count, including Randy Kaplan). The kids' voices here (including that of Dill's daughter, Siel) are integral to the music. They're smartly incorporated into the music and sound like real kids who've had just a little bit of vocal training, enough to make the vocals pleasant but by no means too much to become grating. Let's put it this way, if you don't like the way the kids' voices sound here, you will never like kids' voices on record.
Flash-forward to 2002, when Dill releases Rainbow Lemonade, a worthy follow-up to Parade. The basic approach is the same as before, but the musical palette is broader. 60 musicians (many of whom, judging by last name, are related to Dill) plus an entire kindergarten class show up here with Dill, and the result is a fun blending of musical genres, from the hoppy and folky original "Baiba's Bungalow" to "Left and Right," which sounds like it was pulled straight out of a 1950s educational movie. "The Skeeter Song" is a bluesy number, while "Seaside" and "I-L-O-V-E-Y-O-U" have gentle beach melodies.
Sometimes the genres are mixed in the same song -- "After the Rain," interrupts a slow, lush song about the end of a rainstorm with a punky interlude about mud. The kids' voices return, as do the spoken-word pieces. One of my favorites of these is "Explore," which underscores the kids' talk about exploration with a jazzy musical number.
Given the topics here, these CDs will be of most interest to kids ages 2 through 6. You can hear some of the tracks from the nearly-identical-in-length-36-minute albums at Dill's website.
These CDs are nothing less than Sesame Street episodes from back in their free-form days before everything got all scheduled on that show. They hop genres and subjects seemingly at a whim, but their overall structure and execution is very well thought-out. I like both of them equally, and would be hard-pressed to recommend one over the other. If you have young kids in your household, I think they (and you) would really like these CDs. Definitely recommended.Concert Review: Dan Zanes - Rialto Theatre, Tucson
I've been to a lot of great concerts in my life -- Bruce Springsteen, Buddy Guy, U2. One of the key factors is the feeling that the crowd is having a shared experience -- amazement at Bruce's endurance, Guy's prowess, or U2's yearning. But that communal experience is one that ends up being focused on the performer(s) on stage (or not, as Guy ended up his concert jamming on the sidewalk in front of the Cats Cradle in Chapel Hill (back when it was in Chapel Hill) while his band played on inside).
The wonder of a Dan Zanes concert, then, is that he produces a very communal experience that isn't so focused on him. Instead, the community itself is the communal experience...
