Kids Write the Darnedest Songs

You might be avoiding your NPR station this week (just pledge already!), but if you are, you would've missed a nice 7-minute interview with Kid Pan Alley founder Paul Reisler on this morning's Morning Edition. I love this quote from the piece: "In general, when I've worked with high school kids, the songs are not as good as the elementary kids because they're thinking linearly and logically as opposed to in image and metaphor." Linearly and logically? No wonder I'm a lousy songwriter. (Here's my review of the Kid Pan Alley CD.)

Review: Calling All Kids - CandyBand

CallingAllKids.jpgOne of the downsides to the recent increase in attention paid to kids' music -- what, there are downsides? -- is a proliferation of music that uses kids' songs as jokes, applying traditional songs to non-traditional song forms. The albums aren't so much for the kids as they are for the adults. CandyBand plays punk music for kids and their recently-released fourth album, Calling All Kids is a fine example of why this band rises above the kids-music-as-source-of-amusement genre to make kids' music worth listening to. To begin with, the Detroit-area band actually rocks. Paula Messner (or, er, "Almond Joy") has nifty guitar work throughout the album, particularly on songs like "Simon Says" and the "Eenie Meenie Song." And the rhythm section of Anita Kelly and Tammy Ristau, along with Daniela Burckhardt's vocals, are strong, too. None of which would matter if the songs weren't any fun or any good, but a lot of them are. For the most part, the band is writing its own songs at this point. While there might not be something as great previous CandyBand songs like "Ken Lost His Head" or "Get Up Already," families will definitely have fun with the bouncy "Octopus On My Head" (the chorus of "I've got an octopus on head / It's messing up my hair / It's sleeping in my ear / I've got an octopus on my head / And I hope it won't make breakfast of me" will live your head for a loooong time). "It's Your Birthday" is deservedly destined for many 5-year-old birthday party mix CDs. And the band re-records an older tune, "Monsters," except this time they go all "American Idiot" on us and add strings from the Detroit Symphony Civic Youth Ensembles. Kids ages 3 through 7 will probably enjoy the songs here the most. In true punk fashion, the album is brief, running through its 10 tracks in less than 22 minutes. You can hear the first couple tracks here. CandyBand is a great example of kids' artists who are melding their non-traditional kids' genres to kids' themes and songs in ways that respect kids while providing something for the parents to latch onto as well. If your family sits on the rock side of the pop-rock divide, you'll particularly enjoy Calling All Kids, but even if you don't have the complete Clash and Green Day discography, it's an album worth checking out. Recommended.

KidVid Tournament 2007 Quarterfinals: "Willy Was A Whale" (1) vs. "Toenail Moon" (3)

The third quarterfinal matchups sees "Willy Was A Whale" from Justin Roberts, the #1 seed in the Woody Guthrie Region against "Toenail Moon" - Wee Hairy Beasties, the #3 seed. Vote in the comments below. Rules: Video with most votes wins. One vote per e-mail address, please. Votes due by Tuesday 11 PM-ish East Coast time. "Willy Was A Whale" - Justin Roberts "Toenail Moon" - Wee Hairy Beasties

Miss Mary Mack Pays 99 Cents To See the Elephants Jump Over the Fence

Ella Jenkins, First Lady of Children's Music, who's been recording music for kids for 50 years, has sadly been virtually absent from music downloading. Until now. You can now get, oh, about 500 Ella Jenkins songs at the Smithsonian's Global Sound website. And the songs will soon make their way to other music download sites (such as familiar ones starting with the letter "i" or "e"). And while you're tooling around that website, make sure you check out this page and the "Children's Music" program (#16). It's a quality, 54-minute introduction to Smithsonian Folkways' kids' collection -- it includes not only the classics (Ella -- with an interview to boot, Woody, Lead Belly, Pete) but some other unfamiliar stuff, like an awesome "Brown Girl in the Ring" by Lord Invader and the Calypso Orchestra about 22 minutes in. Worth checking out if you've got the time.

Review in Brief: The Broken Record - Twink

TheBrokenRecord.jpgTake a toy instrument-obsessed guy, mix in some classic kiddie records, and through in a whole both of sampling technology, and what do you get? Twink. The brainchild of Mike Langlie, Twink is his project for mixing together samples from kiddie records a good half-century old with modern samples and drum loop. Langlie's third Twink album, The Broken Record (2005), showcases the results. Sadly, this is one of those ideas that doesn't sound quite as cool as it sounds, if you know what I mean. In other words, I had high hopes that the recontextualized sounds would result in something eminently listenable, sort of a Odelay for the kids. And, you know, sometimes it works out exactly like that. "Pussy Cat" is a nifty tune, mixing a whole bunch of kitty-related lyrics with a Tin Pan melody on top of a bunch of drum beats. I also liked "Hip Hopera," which as you might expect from the title sets "March of the Toreadors" to a hip-hop beat. But more often than not, the funky mixtures don't hold up so well as songs in repeated listenings. So many different snippets are crammed in that the songs themselves don't hold together well. The spoken-word tracks are not particularly compelling. The tracks are interesting, perhaps, intellectually, and it might be fun to play "spot the snippet" with your kids, but as a listening experience, it's a definited mixed bag. The album is definitely an all-ages affair, but I think younger kids, ages 2 through 6, might enjoy it more so than others. You can hear samples from all of Twink's albums at Langlie's Music page. Langlie's putting together a full band for his upcoming album, so I've got higher hopes for that album. I think it might have some of the consistency between tracks that this album doesn't really have. While The Broken Record shows a very creative mind at work, it doesn't necessarily compel the listener's ongoing attention in the long run.

KidVid Tournament 2007 Quarterfinals: "Pieces of 8ight" (1) vs. "Ya Gotta Have Pep" (3)

The second quarterfinal matchup of KidVid Tournament 2007 features the final in the Ella Jenkins Region, pitting the #1 seed "Pieces of 8ight" from Captain Bogg & Salty against the #3 seed, "Ya Gotta Have Pep" from John Lithgow. Vote in the comments below. Rules: Video with most votes wins. One vote per e-mail address, please. Votes due by Friday 11 PM-ish East Coast time. "Pieces of 8ight" - Captain Bogg & Salty "Ya Gotta Have Pep" - John Lithgow Click here here to choose the format you want to watch on Razor & Tie's website or click below: