And every audience is different and every audience, the vibe is different and influences what the show becomes and it's a marvelous dialogue because there is that push and pull. There are artists that stick to a set list, but to me that's missing half the fun. To me the fun of it is that if you're in tune with the audience, they help lead the artist.Over the course of six Ralph's World albums, Ralph Covert has written more really good songs for kids and their families than probably any other artist. So it's not that much of a surprise that Disney recently signed Covert up to release those albums and his next album. It's also not much of a surprise that he's touring House of Blues venues and other classic rock venues this spring. Covert took some time out of his schedule a couple weeks ago to chat with me about his tour, performing, writing songs, and watching his daughter grow older. All that while worrying about a lost tour banner. (You'll have to read on...) Zooglobble: Thank you for taking the time with me for a few minutes about this tour. So you just played the House of Blues and the Fillmore in San Francisco -- what was that like? Ralph Covert: Oh my gosh, it was a blast. Both shows went great. The Fillmore, I mean, how cool does it get? It was really neat because one of the reasons we've tried so hard to do stuff like this tour where we've tried to keep the rock 'n' roll vibe in the Ralph's World show and bring it to these rock 'n' roll venues is so that parents and kids can have that shared experience. It's cool for the parents because it still has that authentic rock 'n' feel and it's cool for the kids because they get to go somewhere they never would get to go. And at the Fillmore the parents were excited to be there and the kids were excited about having their first concert at the Fillmore, and the band's excited... One of the stage managers said he felt it was the best show they had there all year. Musically, it was great, but even more important than that, every audience member walked out with a smile and every staff member was grinning from ear to ear for the entire show. Are you doing anything different on this tour? I know you've played some larger venues in the past (such as Ravinia and the Jamarama tour) but are you doing anything different since you're playing larger houses and more traditional rock venues? Well, Jamarama tour was one of these packaged tours with a bunch of different acts with their little slot. Most of the other acts were pretty much more in the traditional kids' pop thing where they're playing the tracks. They're entertaining the kids but they're not doing it by playing real instruments and playing rock. There are some that are doing that and I think that's great -- that's part of the whole new wave we're part of. But the Jamarama tour is very much about that other packaged thing. What we're doing, really at the heart of it, it's a rock concert experience for kids. To that end, it's exciting to take that kind of rock 'n' roll energy to a big venue, to a rock venue like the House of Blues, like the Fillmore, because we obviously know from many years of social and cultural experience that rock shows are pretty fun. [Laughs] Is that a sociological statement there? It is a sociological statement -- rock shows are fun.
Little Monsters, Big Expectations
So with the collapse of V2 Records, one might be wondering what the future of Little Monster Records is.
I have word that Little Monster Records will be announcing a new home soon, which I'm very excited about, because even though I found their Beatles release underwhelming, I'm increasingly excited about the rest of their release schedule.
To wit: yesterday's WNYC Soundcheck, which included Little Monster's Kevin Salem. About 10 minutes in they play a portion of the title track to their upcoming Let's Go Everywhere CD, and it's nothing less than what would you get if you combined Johnny Cash (specifically "I've Been Everywhere") and jazz funk. In a good way. In an awesome way. Folks, John Lurie is performing on the album -- this is going to be interesting at the very least and could be great.
To wit, part deux: Well, sadly, I don't have a part deux, because Ralph and Ralph have deleted a blog post where they talked about their goals for the new album. But now it's gone (or they've deleted their old myspace page with the post) and I can't really say anything other than "I read it, and it made me excited to hear even more tracks than what's on their myspace page. Knew I should've posted it at the time...
Multimedia Notes From All Over
I know that bar on the right side of the main homepage is a bit on the long side, but it's time for some updates...
Planet KidVid is a new enterprise from longtime Friend of Zooglobble Monty Harper and kids' musician Mr. Billy. If they keep up with the posts, this could be a website that causes lots of families to go over their allocated "screen time."
The Harper family is evidently trying to take over the web as Monty's wife Lisa and her daughter Evalyn have established the Kids Music Planet podcast. What is slightly different about this podcast from many other kids' music radio shows is that they play multiple selections from a few albums. So if for some reason my review of an album isn't clear enough you can decide for yourself. ;-)
Belinda and Hova finally seem to have settled on a new internet location for their Greasy Kid Stuff playlists. If you go to their website, you can also find out all about their Mar. 18th "Grease Ball" with Captain Bogg & Salty, The Jellydots, and The Sprockettes. You can also hear They Might Be Giants' penned-just-for-Belinda-and-Hova "Greasy Kid Stuff."
I've also added Fred Koch's new children's music-related blog to the sidebar. Fred is another longtime listener and reviewer of kids music and I'm glad to see him start up a blog.
Regular readers will certainly be aware of Amy's appearance on WNYC's Soundcheck on Tuesday. Amy made a lot of excellent points (and ones I mostly agree with) and is to be commended for always sounding coherent, a not at all easy thing to do live on the air. Listen to the 20-minute segment here.
Finally, children's media publicist (and, well, fan) Beth Blenz-Clucas talked about a couple of her clients and other kids' musicians and topics on Vicky and Jen's Grammy-related podcast. The podcast also includes discussions with Richard Perlmutter (he's working on Beethoven's Wig 4, apparently), Dan Zanes, and Ezra Idlet from Trout Fishing in America. (Beth was also kind enough to mention this website as a good resource...)
Shows Possibly Worth Driving Through Ten-Foot Snowdrifts For
By the end of March those of us in Phoenix are typically slathering on sunscreen and complaining that summer and 110-degree weather can't be far away. The fading days of spring would be made considerably more tolerable if we had a few Elizabeth Mitchell concerts to attend.
Unfortunately for us, Mitchell lives in New York state and as a result those folks get some sweet music to go along with their March (and April) snowstorms.
To wit: Mitchell and Uncle Rock will be playing at Levon Helm's awesome Midnight Ramble series on March 31st. The good news for the kids is that it's not at midnight, but rather at 2 PM. The bad news is that it's already sold out. (Unless you have tickets, in which case I ask you not to lord it over us.)
But fear not, Mitchell fans, for she's also helping to organize a Family Concert Series at the High Meadow School. Besides the wonderful Hayes Greenfield doing his Jazz-A-Ma-Tazz program, the series also features Peter Schickele, creator of PDQ Bach. (Classical geek note: I once owned the PDQ Bach "autobiography." Hi-larious.)
Oh, and Mitchell's playing a show with Dog on Fleas on April 15th. That would be worth driving through a snowdrift of some sort, to be sure.
Do the Gilmore Girls Use Squeegees?
Apparently yes.
Word from the California-based band The Squeegees that their song "Making Noises" will be included in the Tuesday, Feb. 20th episode of Gilmore Girls. One wonders if it will be played straight or if it will be the subject of some arch pop-cultural reference. (I was under the impression that a great deal of that show resulted in an arch pop-cultural reference, but perhaps I'm wrong.)
In any case, you can hear a sample of the track here. I think it's somewhat atypical of the band's self-titled debut (on which the song is found) -- the squeaky voice reminds me a little bit of those funky alien dolls from Toy Story and Toy Story 2.
[Update: Download the video here.]
Review: My Green Kite - Peter Himmelman
It is probably accurate, though way too simple, to characterize Peter Himmelman as a "singer-songwriter." Meaning, I've always thought of "person with a guitar singing very personal songs" when I think of "singer-songwriter," and while Himmelman does sing some very personal songs, "person with a guitar" is not at all a fair description of what Himmelman does musically.
One listen to My Green Kite, Himmelman's fourth album for kids and families, and his first for Rounder Records, will make that abundantly clear. The album, released tomorrow, continues Himmelman's wildly creative approach to both music and lyrics. But unlike, say, My Fabulous Plum, which had some strong songs, but was so all over the map that it was hard to get into the album, on Kite Himmelman has dialed back that anything-goes approach just enough to create an album of slightly-more-accessible songs. The result is fabulous.
More so than most kids' lyricists, Himmelman has a gift for putting a new frame on an old picture. On the opening track "Feet", for example, Himmelman creates a Sgt. Pepper's-like ode to, well, feet, encouraging the listener to consider their own feet. (In the liner notes, Himmelman says, "Sometimes people forget about their feet. They are so used to thinking about their eyes, or their ears, or their hair.") Himmelman asks the '80s-synth-pop question "Have You Every Really Looked At An Egg?" and, well, I probably haven't. (So thank you, Peter.)
Himmelman also tells fantastical and imaginative stories, such as on the great pop-rocker title track, about a kite that just keeps flying higher and higher. "Another Bite of Hay" is the best kids' song about that didn't make it on to Bruce Springsteen's early albums. (That it happens to feature a bull, a cow, and a mule seems incidental in nature.) But Himmelman doesn't ignore realistic lyrics either, nailing parental indecisiveness on the Van Morrison-like "Maybe Is A Bad Word" and penning a sweet tribute to his father on "My Father's An Accountant." (And the slow rap "Nothin' To Say" is just fun wordplay.)
I think kids ages 5-9 are most likely to respond to the song subjects and lyrics here. You can hear samples at any major internet retailer (it's good to have Rounder's distribution network!)
This is a fantastic album, chock-full of great tunes and production, with lyrics that sometimes speak directly to kids' daily lives and other times fire their imaginations. It'll make you smile and make you think. I know it's early in the year, but with My Green Kite Peter Himmelman has recorded an album on my short list of favorite albums for 2007. Highly recommended.
