Yes, I'm Back. Get Ready, People.

I spent the weekend playing in the snow, but it's time to get caught up on some stuff. I've got reviews of some great new stuff, plus lots more. And if you haven't thrown your hat into the ring for the four Free Ralph's World tickets, you have until Thursday night to do so. Go ahead -- make me jealous there's not a House of Blues location near Phoenix.

Review in Brief: Never Mind the Rain - Tracey Eldridge

NeverMindTheRain.jpgNever Mind the Rain is the debut album from DC-area musician Tracey Eldridge, but she's been making kids music for a couple decades now. Perhaps that helps explain the evident care and craft that's gone into the CD, a collection of kids' pop originals that traverses many musical styles, from the big band sounds of "Tommy Builds a Band / Tommy's Big Parade" (which mixes in snippets of "When the Saints Go Marching In") to the boogie woogie of "Buzzy Bumblebee." Eldridge will occasionally include spoken-word intros to songs, and on some songs she's clearly try to teach something about the world at large. It's all well-done, but not everybody will groove to that approach, so that's my warning for ya. Personally, I preferred the slightly more offbeat and less message-oriented songs, like the goofy "Corn Chips" (a tribute to the very goofy Slim Gaillard, known for his song "Potato Chips," among others), "Oh, Zydeco" (on which Eldridge channels fellow DC-area musician Mary Chapin Carpenter), or "Beware of the Wily 'Ol Crocodile," where Eldridge cedes lead vocals on a very Grinchian track to her producer and musical partner Mookie Siegel. The songs are most appropriate for kids ages 3 through 7. You can hear samples at Eldridge's website or the album's CDBaby page. I know my audience well enough to know that this album won't be the favorite of every family looking for new music. But Never Mind the Rain is a collection of, well, sunny, positive, and occasionally educational kids music of every genre and there will be a few families that find that combination wonderful.

Contest: Win Ralph's World / House of Blues Tour Tickets

Sure, you've had your chance to win tickets for the upcoming Ralph's World tour of House of Blues venues across the United States. But you haven't had a chance to provide Ralph suggestions as to what he should play during this, the first tour of a kids music artist in House of Blues venues (including San Francisco's Fillmore and Portland's Aladdin Theatre). Kinda cool, no? So, here are the rules. By 8 PM MST Thursday, January 25, in the comments below list which city you'd like to see Ralph's World in and the three songs your family would like to see the band play. (If you want to explain why, go ahead!) The winner will be picked at random and notified at the e-mail address you provide when you make the comment. The winner will receive 4 tickets to the concert of his or her choice on the tour below. Four tickets! Sweet! If you don't win (or even if you do), you can get more info on the tour and order tickets by clicking on the link below. rw_437x60.jpg 2/3/2007 House of Blues Anaheim, CA 2/4/2007 Fillmore San Francisco,CA 2/10/2007 House of Blues San Diego, CA 2/11/2007 Aladdin Theatre Portland,OR 2/17/2007 House of Blues West Hollywood,CA 2/18/2007 Moore Theatre Seattle,WA 2/24/2007 House of Blues Las Vegas,NV 2/25/2007 Boulder Theater Boulder, CO 3/3/2007 House of Blues Chicago, IL 3/4/2007 Somerville Theatre Somerville,MA 3/10/2007 House of Blues Cleveland,OH 3/11/2007 Theatre of Living Arts Philadelphia,PA 3/17/2007 House of Blues - Orlando Lake Buena Vista, FL 3/18/2007 Variety Playhouse Atlanta, GA 3/24/2007 House of Blues - Music Hall New Orleans,LA 3/25/2007 The Pageant St. Louis, MO

Review: Taxi - David Weinstone (Music for Aardvarks and Other Mammals)

Taxi.jpgNearly ten years ago, New York City musician (and parent) David Weinstone, dissatisfied with assorted kids music programs, decides to start one of his own. The result, Music For Aardvarks and Other Mammals, became a popular program in its own right in New York City, even expanding beyond New York City. Over those nearly ten, Weinstone's put together 10 CDs of original material to accompany the classes. This week sees the release of Taxi, one of three compilations of material from the first 10 CDs. (It reflects favorites of both Weinstone and class attendees.) I decided deliberately to listen to Taxi without finding out more about how the songs were used in MFA classes because I think the purpose of these CDs is to introduce the music to a much wider audience -- people like me who've never stepped foot inside a MFA class. So the question becomes, how does this hold up as an album? And the answer is, pretty good. Weinstone is definitely willing to write directly to kids' interests -- getting candy at the end of a doctor's visit in "Lollipop Doc" or the eternal fascination of the belly button in "Belly Button Song". But that wouldn't mean much if he weren't able to wrap those topics in appealing lyrics and a diverse range of musical styles. "Dirt," for example, folds lines such as "I like dirt. / Dirt's what I dig. / I like pokin' around, / with a big old twig" into a loping, brass-band march. "Have You Seen My Nose?" mixes silly lyrics about discovering one's nose (and mouth) with a laid-back Brazilian melody. "Big Boom Whacker" is a nonsensical synth-heavy tune that survives an Ah-nuld reference. My favorite track, "Ruby's Friends," is a folky waltz about pretending. (And I haven't even mentioned the Santana riff.) This isn't to say you can't tell the album's music class origins. Songs such as "Big Old Tree" and "Tango" have class participation and movement written all over them. And the "Hello" and "Goodbye" songs -- required for any kids music class -- are here, too. (They're perfectly fine to listen to.) But they don't overwhelm the album -- you could listen to them having never attended an MFA class and not feel puzzled. I think the album's most appropriate for kids ages 2 through 7. You can hear snippets of all the songs at the album's CDBaby page. While there are no songs here that absolutely stand out as immediate kids' songs classics, Taxi is a strong collection of kid-appropriate and parent-friendly songs. Whether you're hearing these repeatedly between MFA classes or occasionally in the CD changer, you'll probably find them worth your family's time. Recommended.

Readers Who Need Readers: Tom Glazer

A reader has sent me this request:
"As a kid my sister and I had many of Tom Glazer's records ("Music Ones and Twos", "Let's Sing Finger Plays" and a few others) but I have been unable to find any CDs by Tom Glazer for my twin daughters. I know he is dead now. But who owns the rights to his old recordings and are they available?"
I really only knew Tom Glazer as the performer on three of the Singing Science records from the late 1950's/early 1960's. (If you are a They Might Be Giants fan, you must immediately click on the link above.) I've ordered a couple of the disks off eBay, and got something which was, well, it didn't look like it was a fully authorized version. (Whether it did or did not pass intellectual property requirements I will leave to other, more qualified kids' music writers to determine.) This guy may be able to help the reader, but how about you... any thoughts? (Bonus link: Time magazine's recommendations for the best in kids' music... in 1960.)