If you're here because of the nice article in the Sunday Morning Call, welcome. Thanks for stopping by -- we love guests. There's a whole bunch of stuff accessible from the links on the right (plus a search box there on the upper right-hand side), but here are some direct links to articles here on:
Ralph's World
Laurie Berkner
Dan Zanes (includes full-length interview)
Milkshake
Brady Rymer
They Might Be Giants
Trout Fishing in America
To read more about Frances England, go here -- to go directly to a review of her fine Fascinating Creatures CD, go here.
Want to find out more about the "Fids and Kamily" poll? Go directly to its website.
And, finally, here are links to the other kids' music sites mentioned in article -- Kids Music That Rocks, (Sm)all Ages, and The Lovely Mrs. Davis Tells You What To Think. More kids' music-related sites are there on the right -- I'd point out Spare the Rock, Spoil the Child, a Massachusetts-based radio program with weekly podcasts on which you can hear a lot kids and kids-friendly tunes.
And if you're a long-time reader here, the YAKMA (Yet Another Kids' Music Article) is worth your time for the breadth of quotations and news -- the next They Might Be Giants kids' CD, Here Come The 1-2-3s, for example, is now slotted for a Fall 2007 release.
Review: I Can Do It By Myself! - AudraRox
Based in New York City and led by mother of two Audra Tsanos, AudraRox strikes a punk pose -- a leather-jacketed, hair-streaked elementary school student poses on the cover of their debut album I Can Do It By Myself!, released earlier this month. But make no mistake, their music is more pop than punk.
Which is by no means a put-down when the pop is as finely tuned as it is here. One of the stand-out tracks is a 2-minute slice of power-pop goodness called "Tired," which sounds a bit like the Replacements (if the Replacements had three women doing vocals). On the New Wave-styled titled track, Tsanos channels the Missing Persons' Dale Bozzio. The band also runs through other styles -- country ("I Hope My Mama Says YES!"), funky blues ("Where's My Shoes Blues"), disco, etc -- and sounds great doing 'em all. And not only does the band sound great, they all have assorted songwriting credits on the album.
Lyrically, the album tackles typical 6-year-old concerns -- the effects of rough-housing ("All My Toys Are Broken") or begging for a little extra parental indulgence ("I Hope My Mama Says YES!"). The songs are mostly written in the first person, so the young listeners will grasp on easily, but there are enough sly bits to hook the parents. I was particularly amused by how the band turned the plaintive phrase "everybody's havin' more fun than we are" into a whole song that ever so gently chides the child that uses it. And the only thing better than a 7-minute song about procrastination ("I'm gonna button my coat so I don't catch a cold / I'll do it in a minute, but first, I'll sing the chorus" -- how very meta) is a good 7-minute song about procrastination.
Given the lyrical focus, it's targeted right at kids ages 4 through 8. You can hear samples at the CDBaby page for the album.
In its willingness to explore a whole bunch of pop and rock styles, I Can Do It By Myself reminds me -- in a good way -- of Ralph's World albums. It's energetic and lots of fun, speaking to kids without ignoring the parents in the back of the room. Recommended.Ralph Covert and Eric Herman, Together At Last
No, not on record, but the one and only Ralph Covert of Ralph's World spoke with Eric Herman recently. Go here to hear the interview, which includes Covert's thoughts on songwriting, concert venues, and what he wants to be when he grows up. (He also has a made-for-the-Tonight-Show anecdote maybe 8-10 minutes into the interview worth the time just by itself.)
Not That The World Needs Another Year-End Music Poll
But this one is new. In case you hadn't heard, there's a new poll in town -- Fids and Kamily -- the first of its kind for kids and family music. I, the Lovely Mrs. Davis, and Bill "Spare the Rock" Childs are coordinating the effort, which will have people dealing with kids' music on a daily basis picking their favorites from the past year.
The name is inspired by the Village Voice's "Pazz & Jop" poll -- maybe this year some brave critic in that poll will put a "kids' music" album in their Top 10 (there are a number I could suggest). If we get that far, perhaps this poll won't be necessary. But until then... stay tuned.
Review: Animal Crackers - Wee Hairy Beasties
When Bloodshot Records' classic kids and family music compilation The Bottle Let Me Down was released in 2002, it was, well, something of a novelty. Adult artists -- edgy ones, even -- doing kids' music? What was perhaps surprising was just how darn good the collection was.
Now it's 2006 and adult artists doing kids' music, while not yet passe', is certainly not a novelty, not when every rocker with kids underfoot may be thinking that there's an audience out there that's waiting to be served. So it hardly seems necessary to note that the Wee Hairy Beasties, whose debut album Animal Crackers will be released next week, actually consist of musicians with a long history of playing in places far seedier than your local day care center -- Jon Langford and Sally Timms, of the punk band the Mekons; Kelly Hogan; and Devil in a Woodpile.
It also is much less surprising than it would have been four years ago that this album is more fun than a barrel full of monkeys. Or ants. OK, it's way more fun than a barrelful of ants. Barrelfuls of ants are never fun, but the rewrite of the Bo Diddley classic "I'm a M.A.N.," which is turned into "I'm an A.N.T." definitely is. "Housefly Blues" introduces young listeners to the problems of the common housefly. Langford's distinctive and slightly raspy voice is a great fit for the zippy "Ragtime Duck." And so on, through a whole range of country, bluegrass, and swing arrangements. My favorite track on the CD is "Cyril the Karaoke Squirrel," on which Hogan's sly vocal delivery and the '60s-era arrangement draws the listener into a story about intolerance which, as you might expect from Bloodshot Records, doesn't end quite the way you'd expect.
I'm going to put an age range of 3 to 8 for the 33-minute album, thanks to the animal subject matter, which always goes over big with preschoolers. You can download the leadoff track, the ragged-sounding (in a good way) and lots-of-fun "Wee Hairy Beasties" and pre-order the album at its Bloodshot page.
Make no mistake, Animal Crackers is a kids' album. But it's made with love and enthusiasm and will engage kids while making the parents smile. And if you had any affinity for The Bottle Let Me Down, you shouldn't hesitate at all to get this album. Definitely recommended.Review: Electric Storyland - The Sippy Cups
Sad about the closure of CBGB's? Have no fear, The Sippy Cups are here with Electric Storyland.
On their first album, 2005's Kids Rock For Peas, the San Francisco-based band took a bunch of '60s and '70s-era tunes (some famous, some less so), tweaked them as necessary to make them kid-friendly, and played them live in front of an appreciative audience of preschoolers, grade-schoolers, and their parents. Making the album and band more than just a one-off joke ("I Wanna Be Elated," get it? Ha!) was the band's energy, enthusiasm, and sense of humor (pitched at both kids and adults). What could have become very old very quickly was given fresh life.
Electric Storyland takes a slightly different approach, eschewing cover songs for a set of 14 original songs. But the album has every bit of the debut's energy, enthusiasm, and humor, with songs that draw inspiration from the '60s and '70s, but are definitely original. Take "Use Your Words," one of very few tracks that have anything remotely resembling a "message," about how articulating feelings rather than simply acting on them is a preferred way of dealing with frustration ("The world will be greater / If you use your words"). It's a fun, uptempo song that has the faintest echoes of, say, Steppenwolf's "Magic Carpet Ride." But most songs are content to paint pictures, such as the Jimi Hendrix-esque sounds of "Drinking From the Sky" or what I'm assuming is an early Floyd tribute (as indicated by the "Money"-esque clinking of change at song's start) in "How To Build A Dog." And lest you think the Cups are stuck in the music of 30 years ago, a couple songs (the excellent "Springtime Fantastic" and "Flower Tower") have hints of the Replacements and the Gin Blossoms and guitar power-pop less than 30 years old.
I can't think of too many downsides. The album did feel a bit long at 51 minutes, but that's a minor quibble -- the songs are all pretty good. I'm one of those people who doesn't like skits with my music, but the characters here (familiar to those who've heard the band's first two CDs, plus a new one, "Major Minor") are amusing and their skits brief.
The album is pitched at a slightly older crowd perhaps than the first CD, think ages 4 through 10. You can listen to sound clips and buy the album at its CDBaby page or at its iTunes page.
Electric Storyland is a strong step forward for The Sippy Cups -- it's a winning album retaining the spirit of music from 30 years ago or more but giving it its own youthful energy. Instead of bemoaning CBGB's demise, listen to the Sippy Cups. Definitely recommended.
