No, not on record, but the one and only Ralph Covert of Ralph's World spoke with Eric Herman recently. Go here to hear the interview, which includes Covert's thoughts on songwriting, concert venues, and what he wants to be when he grows up. (He also has a made-for-the-Tonight-Show anecdote maybe 8-10 minutes into the interview worth the time just by itself.)
Not That The World Needs Another Year-End Music Poll
But this one is new. In case you hadn't heard, there's a new poll in town -- Fids and Kamily -- the first of its kind for kids and family music. I, the Lovely Mrs. Davis, and Bill "Spare the Rock" Childs are coordinating the effort, which will have people dealing with kids' music on a daily basis picking their favorites from the past year.
The name is inspired by the Village Voice's "Pazz & Jop" poll -- maybe this year some brave critic in that poll will put a "kids' music" album in their Top 10 (there are a number I could suggest). If we get that far, perhaps this poll won't be necessary. But until then... stay tuned.
Review: Animal Crackers - Wee Hairy Beasties
When Bloodshot Records' classic kids and family music compilation The Bottle Let Me Down was released in 2002, it was, well, something of a novelty. Adult artists -- edgy ones, even -- doing kids' music? What was perhaps surprising was just how darn good the collection was.
Now it's 2006 and adult artists doing kids' music, while not yet passe', is certainly not a novelty, not when every rocker with kids underfoot may be thinking that there's an audience out there that's waiting to be served. So it hardly seems necessary to note that the Wee Hairy Beasties, whose debut album Animal Crackers will be released next week, actually consist of musicians with a long history of playing in places far seedier than your local day care center -- Jon Langford and Sally Timms, of the punk band the Mekons; Kelly Hogan; and Devil in a Woodpile.
It also is much less surprising than it would have been four years ago that this album is more fun than a barrel full of monkeys. Or ants. OK, it's way more fun than a barrelful of ants. Barrelfuls of ants are never fun, but the rewrite of the Bo Diddley classic "I'm a M.A.N.," which is turned into "I'm an A.N.T." definitely is. "Housefly Blues" introduces young listeners to the problems of the common housefly. Langford's distinctive and slightly raspy voice is a great fit for the zippy "Ragtime Duck." And so on, through a whole range of country, bluegrass, and swing arrangements. My favorite track on the CD is "Cyril the Karaoke Squirrel," on which Hogan's sly vocal delivery and the '60s-era arrangement draws the listener into a story about intolerance which, as you might expect from Bloodshot Records, doesn't end quite the way you'd expect.
I'm going to put an age range of 3 to 8 for the 33-minute album, thanks to the animal subject matter, which always goes over big with preschoolers. You can download the leadoff track, the ragged-sounding (in a good way) and lots-of-fun "Wee Hairy Beasties" and pre-order the album at its Bloodshot page.
Make no mistake, Animal Crackers is a kids' album. But it's made with love and enthusiasm and will engage kids while making the parents smile. And if you had any affinity for The Bottle Let Me Down, you shouldn't hesitate at all to get this album. Definitely recommended.Review: Electric Storyland - The Sippy Cups
Sad about the closure of CBGB's? Have no fear, The Sippy Cups are here with Electric Storyland.
On their first album, 2005's Kids Rock For Peas, the San Francisco-based band took a bunch of '60s and '70s-era tunes (some famous, some less so), tweaked them as necessary to make them kid-friendly, and played them live in front of an appreciative audience of preschoolers, grade-schoolers, and their parents. Making the album and band more than just a one-off joke ("I Wanna Be Elated," get it? Ha!) was the band's energy, enthusiasm, and sense of humor (pitched at both kids and adults). What could have become very old very quickly was given fresh life.
Electric Storyland takes a slightly different approach, eschewing cover songs for a set of 14 original songs. But the album has every bit of the debut's energy, enthusiasm, and humor, with songs that draw inspiration from the '60s and '70s, but are definitely original. Take "Use Your Words," one of very few tracks that have anything remotely resembling a "message," about how articulating feelings rather than simply acting on them is a preferred way of dealing with frustration ("The world will be greater / If you use your words"). It's a fun, uptempo song that has the faintest echoes of, say, Steppenwolf's "Magic Carpet Ride." But most songs are content to paint pictures, such as the Jimi Hendrix-esque sounds of "Drinking From the Sky" or what I'm assuming is an early Floyd tribute (as indicated by the "Money"-esque clinking of change at song's start) in "How To Build A Dog." And lest you think the Cups are stuck in the music of 30 years ago, a couple songs (the excellent "Springtime Fantastic" and "Flower Tower") have hints of the Replacements and the Gin Blossoms and guitar power-pop less than 30 years old.
I can't think of too many downsides. The album did feel a bit long at 51 minutes, but that's a minor quibble -- the songs are all pretty good. I'm one of those people who doesn't like skits with my music, but the characters here (familiar to those who've heard the band's first two CDs, plus a new one, "Major Minor") are amusing and their skits brief.
The album is pitched at a slightly older crowd perhaps than the first CD, think ages 4 through 10. You can listen to sound clips and buy the album at its CDBaby page or at its iTunes page.
Electric Storyland is a strong step forward for The Sippy Cups -- it's a winning album retaining the spirit of music from 30 years ago or more but giving it its own youthful energy. Instead of bemoaning CBGB's demise, listen to the Sippy Cups. Definitely recommended.Interview: Robbie Schaefer
Kids, for the most part, haven't yet learned not to laugh at themselves and the world around them. That's a really good and healthy place to be and as a performer and songwriter I feel a responsibility (and desire) to meet them there. Human beings are strange creatures--we should enjoy that.Songs For Kids Like Us is one of the goofier records to be released in 2006, but in a good way. Robbie Schaefer, mastermind of the album, recently answered a few questions showed that the good humor on his CD comes naturally. Read on to find out about banging pots and pans, what songs on his album were factually based (including some that might surprise you), and the enduring popularity of KISS. (And thanks to Robbie for taking the time to answer these questions.) What are your earliest memories of listening to music? Playing music? My earliest memories of listening to music are with my grandparents. My grandfather is an accomplished pianist and cellist and he would sit at the piano and play (sometimes with me on his lap) while my grandmother leaned against the piano and sang. Those are very warm memories. Reportedly, I was an excellent pot and pan musician as a toddler. I'd pull them out of the kitchen cabinets and start banging away. I believe I was particularly proficient on the 14" sauté pan and the 3 qt. boiler. You'd have thought my parents would have figured a few things out and moved the pots and pans to the cabinets above the counter---guess I’m thankful that they didn't. You have had a long and successful career playing in the band you helped form, Eddie From Ohio. How did you get from that to putting out a kids' album?
Review: New Orleans Playground (Putumayo) - Various Artists
It's safe to say that the fine folks at Putumayo Kids aren't putting together a collection called, say, "Phoenix Playground," or even "Chicago Playground." Phoenix has a decent musical history for a city so young, and Chicago's musical history is tremendous, but New Orleans is probably the only American city with a musical background robust enough to provide so many songs to choose from while offering a distinct-enough sound to make the mix-tape at which Putumayo excels sound good.
While touching on many strains in New Orleans music, New Orleans Playground (to be released on Tuesday) relies most heavily on the side of rhythm and blues. With a number of classic songs on the collection (most notably Lee Dorsey's "Ya Ya" and Fats Domino's "Whole Lotta Lovin'"), the adults may be forgiven for thinking that they've accidentally turned on the radio and "KOOL 97, Classic Oldies!" (See also Dr. John's bouncy-yet-mellow "Row Row Row Your Boat" and Buckwheat Zydeco's massive reworking of "Skip To My Lou" into "Skip To My Blues" for familiar voices.) But there are enough much less familiar artists and songs to make the collection not feel stale. I particularly liked Charmaine Neville's "Second Line," a fun tribute about New Orleans' brass band tradition. Credit goes to Putumayo for not always picking an obvious artist -- it was nice not to hear a more-famous Neville brother on the collection, and they chose the unknown-to-me Hack Bartholomew for a rendition of "When The Saints Go Marching In." It's too bad, however, that the collection mostly ignores New Orleans' strong jazz tradition -- while it's hinted at on some of the more brassy tracks, this collection needed a jazz track from the birthplace of jazz.
If you didn't have the familiar Putumayo illustrations, you wouldn't necessarily know that this collection was targeted at kids (only one or two tracks are really kid-focused), but let's say that kids ages 3 through 9 are most likely to enjoy it. You can hear some samples at Putumayo's album page.
This collection is a gentle if incomplete introduction to New Orleans music. Expertly compiled and arranged, both parents and kids will enjoy it. Recommended.
