So How Did That Singing Party Go Anyway?

A couple of readers have asked how my singing party for my birthday went, and before it's closer to my next birthday than the one just past and I can recall nothing from it -- a hazard of adding one more year to my age -- I thought I'd mention it briefly. So I put together a list of about 15 or so songs collected from websites (Dan Zanes has lyrics and chords for most of his songs) and books (Rise Up Singing is indeed a great book for that), made about a dozen copies, and waited for the crowd. We ended up with maybe 12-14 adults and another half-dozen kids. After eating hot dogs and cold cuts and drinking a not immoderate supply of beer and wine (uh, that would be the adults only) in the unseasonably moderate Arizona evening, we trooped inside into the living room. There I felt a bit like a bandleader shouting out "and-a-1-and-a-2," except that my ability to simultaneously read chords and lyrics, plunk out a melody and chord lines, and actually look at the crowd is, well, if not disastrous, certainly well below that of your average bandleader. What songs went over well? At our daughter's request, we started off with "Do-Re-Mi" from The Sound of Music, which our daughter loves and is familiar enough for everyone to join in on, even without lyrics. "Pay Me My Money Down," though most were unfamiliar with it, has a fun chorus and went over well. "Polly Wolly Doodle" is easy and familiar. I was surprised at the popularity of "Waltzing Matilda" -- it was also fun to see the recognition of what actually happens in the song lyrics, which is a lot easier to determine if you're reading the lyrics and not trying to listen to someone with a mouth full of Vegemite. And, yes, everyone loves the Beatles -- "Yellow Submarine" was a big hit. What didn't go so well? "If I Had a $1,000,000" went over like a lead balloon. I have a feeling that nobody would have understood a tossing the macaroni and cheese reference, let alone have actually done it. The kids had maybe a 2-song attention span before they all retreated to another part of the house where they could play in peace while the adults belted out their songs. What would I do differently next time? Solicit requests ahead of time so that everybody was given the chance to sing one song they really liked and knew. Make sure that there was another instrument there -- our guitar players couldn't make it. And even though I'd tried making the font larger in the "songbooks," I'd probably go even larger next time. So there you have it -- in the end, we had a blast, and everyone agreed that we should do it again, sooner rather than later. The evening was best summed up by a guest who swore that she wasn't going to do any singing, then admitted as she left that "I really didn't expect to sing as much as I did." You should try it yourself. (But leave the Barenaked Ladies lyrics on the internet.)

Radio, Radio

Heads up, people. Elizabeth Mitchell will be on the second hour of NPR's All Things Considered today (Friday). Go here later today for the link to the story. Good on her. Update: NPR interview here. My review of You Are My Little Bird here. And everything Elizabeth Mitchell here at the website (including my reviews of her other CDs for kids and families) here. And, if you're new here, once you finish with all that, explore a bit -- there's lots of other great music to be found here.

An Era Ends

Greasy Kid Stuff was kids music looooong before kids music was cool. For eleven years, Belinda and Hova have played a whole bunch of music expressly for kids and stuff that they just thought kids might like. (They also put out two compilation albums that I will get around to reviewing one day.) And now, this -- tomorrow, Oct. 7th, from 10 AM 'til noon, is the last Greasy Kid Stuff show on WFMU. The page explains why (and leaves open the possibility for the show reappearing in some other form), but rather than quoting, just read the heartfelt note at the homepage yourself. So after you listen to Bill, listen to Belinda and Hova. And go forth, e-mail them, tell them thanks for blazing the trail and give 'em one last suggestion.

Award Season is Around the Bend...

Those East Coast and Midwestern bloggers beat me to the punch, but congratulations to Frances England for winning a Oppenheim Platinum award for her fabulous debut Fascinating Creatures. (And, on a completely unrelated note, every time I hear about the Oppenheim awards, I keep on wanting to call it the Oppenheimer awards, thanks mostly to the Old 97's, who had a great track by that name off their 1999 CD Fight Songs. Unfortunately, that track's not available at their website, but you can hear samples from that album and others here.

How Do You Like Dem Apples, Gustafer?

News is slowly trickling out about V2/Artemis Records' new kids music imprint, Little Monster Records. And so far, they're batting 1.000. (See? It's baseball playoff time, and I made a baseball reference? Get it? Yeah, OK.) Not only have they signed up Gustafer Yellowgold, as previously rumored (they'll be re-releasing Gustafer Yellowgold's Wide Wild World DVD in March), they've also signed Robert Schneider, leader of the indie rock band The Apples in Stereo. Schneider's alter ego Robbert Bobbert and the Bubble Machine (with the year's best PR line -- "If the number of B's in a name represented fun, Robbert Bobbert & The Bubble Machine have cornered the market!") will release an album for Little Monster in spring 2007. They'll be performing together at Joe's Pub in New York City on Saturday, Nov. 4. Should be a blast -- if you're in NYC, go.

I've Got the Munchies for Kids' Music

We've been talking a lot about adult rockers' recording music for kids, but sometimes the path goes in the other direction. The Showtime drama Weeds has featured not one but two pieces of kids' music in its second season -- "Little Monkey" from Gwendolyn and the Good Time Gang and "Crazy Dazy" by Chris Ligon (featured on the Bloodshot Records' excellent The Bottle Let Me Down compliation). In fact, Gwendolyn and co-conspirator Brandon Jay are the co-composers for the season, so I believe music supervisor Gary Calamar had inside knowledge when he wrote of Gwendolyn's reaction to the use of "Little Monkey" in the episode.
"You should have seen Ms Gwendolyn's face when she saw Silas and Megan monkeying around to her song. I don't believe this is what she had in mind when she wrote it. Makes me smile!"
Gwendolyn also contributed another song to the show, "Happy Clappy Birthday," which, until recently, was on the show's Myspace page. It was almost a satire of cutesy kids' music until the final verses took a more... downbeat view. (You can listen -- or attempt to listen, as the player gave me some difficulties -- to all these tracks, or at least the first 15, happy seconds of "Happy Clappy Birthday" by following this link.) What other kids' songs would you love get broader exposure?