Laboring To Finish This Post...

It's late, and thanks to a monsoon thunderstorm wreaking havoc with the internet connection, it's later than I wanted this to be, so I'll be brief... First, I have two posts coming up early this week that I'm very excited about. One involves virtually no work on my part (no, that's not why I'm excited about it) and is a sequel of sorts to a prior post. The other involves quite a bit of work on my part and, well, I don't want to spoil it. Just don't miss it. Second, I wanted to make sure I highlighted some stuff around the web I've been meaning to link to... 1. Reader Gwyneth has started a Kids in Atlanta website highlighting kids-related musical events in Atlanta. It's very thorough, and I think it's a great example of what people can do to make it easy for the public to find out about kids' musicians. 2. Reader Suzanne (I thiiiiink) Gwyneth also is now operating a "Live365" radio station entitled "Gooney Bird Radio" , playing some artists familiar to this website, along with the occasional foreign language and poetry. 3. Thanks to The Lovely Mrs. Davis, who mentioned this site to Christopher Noxon, author of Rejuvenile and its associated blog, and thanks to Noxon for noticing. (Go back to the old site, and you can find the reviews for Gwendolyn and the Good Time Gang and Captain Bogg and Salty, both of which draw mention in Noxon's book. They'll get posted here soon, too. Really.) You can read Mrs. Davis' review of the book here. And finally, thanks to both Charity and the JAMband and Joe McDermott, who both linked here recently. McDermott, incidentally, just won the Children's section of the John Lennon Songwriting Contest for "Great Big World" (no, not the Hoodwinked version) and will have a new album coming out soon. OK, and really finally, Milkshake and Rebecca Frezza videos for PBS Kids here. There. That oughta hold ya. Come back soon, though, I promise it'll be worth it.

Review: Hoodwinked Original Motion Picture Soundtrack - Various Artists

HoodwinkedOST.jpgWhen did I know how seriously I'd started to take this whole "kids and family music" thing?When I spent $25 for an out-of-print kids' music CD -- to be specific, the Hoodwinked Original Motion Picture Soundtrack.Now normally I'd just chalk it up to the semi-obsessional nature of being a niche expert, but I'm used to hearing -- and reviewing -- albums that with print runs of just 1,000 copies.What in the name of the Pulp Fiction soundtrack is going on, then, when a soundtrack of a movie produced by the Weinstein Company goes out of print six months after its release? Especially when it's as good as this one. There are three songs on here which are in my top ten kids' songs of the year, two of them in my top ten songs of the year, period.And they're all completely different."Great Big World," which I've raved about before, has a fantastic '60s-esque sound with a Phil Spector "Wall of Sound" production and crystal clear vocals from Anne Hathaway."Bounce" is an old school rap whose lyrics sound pretty nonsensical (if albeit pleasing to the ear) until you see the movie, after which they make sense (the song rolls over the closing credits).And "Red is Blue" is a stunning ballad which works both within the movie, representing character Red's interior monologue, and outside of it.Listening to the song in the movie, I thought, they have Ben Folds down cold.And then in the closing credits, I noticed that Ben Folds sang the freakin' song!Though he didn't write it, he did add the piano hook -- it's definitely the best Ben Folds soundtrack song of 2006. The rest of the songs cover most of the past 30 years sonically -- "Critters Have Feeling" could've been on the Cars' Heartbeat City, "The Real G" has a Limp Bizkit rock-rap sound (in a good way), "Glow" has a bit of an Elton John feel, and "Eva Deanna" is a very fine Pixies rip-off.Most of the credit for the awesomeness of the soundtrack has to go to co-director and songwriter Todd Edwards, who wrote 9 songs here.The rock tracks here have a very Pretty Woman soundtrack feel, where you know that some of the songs' interest will fade over time, but it's still a fine collection of songs. Now the question remains, is this a good album to recommend for listening with kids?Well, yes and no.Yes, because there are so many good songs here.No, because I'm not sure the kids will necessarily connect to the songs (aside from the "hey, I remember that song in the movie!" effect, which may be enough).In addition, while there's nothing wrong with the score, its placement scattered throughout the disk may be more distracting than enlightening. I'd peg the age-appropriateness of the album at ages 5 through 10.You can see music videos for three of the songs (including the catchy "Critters Have Feelings") at the movie's website.I'd also note that the album also includes song notes from Edwards and complete lyrics.So all you people searching the website for the lyrics, just buy the album!(And if you need to know where to get the CD at a reasonable (i.e., not $50) price, drop me a line.) You don't need to have enjoyed the movie -- or even to have seen the movie -- to enjoy the Hoowinked soundtrack (though it'll add a little bit to your enjoyment).I definitely recommend this album, but it's not so much for your kids as it is for yourself.Your kids are likely to get tired of it long before you do.

A Tale of Two Cities

Last weekend, New York was, er, deluged with rain, putting Brady Rymer's Jamboree with his band, Elizabeth Mitchell, and Hayes Greenfield at risk. Luckily, it sounds like it was one fabulous time. Meanwhile, Charity and the JAMband played at the Getty Center in front of about 800 people, Charity reports. Apparently it was sunny, though that's par for the course in L.A....

Please Release Me: September 2006 Edition

After a busy August calendar, things slow down a little bit in September: Sept. 1: Mommy Says No! - Asylum Street Spankers (thanks, Bill, for the heads up) Sept. 5: Snowdance - Erin Lee & Marci Sept. 12: My Best Day (live album) - Trout Fishing in America Sept. 12: Bright Spaces 2 - Various Artists (Dan Zanes-compiled benefit album) And of course, there are always August releases I missed and October releases to look forward to.

Review: LMNO Music (Pink) - Enzo Garcia

enzogarcia9.jpgIf Smithsonian Folkways is looking for another kids' musician to join Elizabeth Mitchell on the label, I've got a suggestion: how about Enzo Garcia? His latest album, LMNO Music (Pink) (2006), has echoes of Folkways standbys Woody Guthrie, Pete Seeger, and Ella Jenkins, but makes the mostly traditional songs sound his own. The San Francisco-based Garcia runs a music program, LMNO Music, for pre-elementary-aged kids and the album gives the listener some indication of what the classes might be like -- Garcia encouraging the crowd in a round of "Row Your Boat," or the hand-play of his original "Let's Make Pizza." In this sense, it's a very Ella-like record. On the other hand, Garcia's distinct voice and his banjo playing will remind the listener of Pete Seeger. And on the, er, other hand, his willingness to sing a cappella will remind others of Woody Guthrie. And for those of you with four hands, Garcia isn't content just to record traditional folk and kids' songs -- the album's standout song is the hypnotic "Hold My Hand," for which it took me several listens absorbing the layers of sound before I fully comprehended that it's another listener participation song. The album is about as ambitious instrumentally as it is possible for a single artist to get -- the tinkling toy piano on "Oh, Oh the Sunshine," is about par for the course. While dependent on guitars and banjos to ground the songs, Garcia is a sound collagist, picking a choosing instruments to fill out the sound. If there's an oddness (in a good sense) to the music on the album, it's helped along by musical guest Ralph Carney, who's also recorded with another stellar sound collagist, Tom Waits. The songs here are best for kids ages 2 through 6, though the creative approaches to familiar tunes throughout the album make it accessible to kids older than 6. You can sample tracks at the album's CDBaby page. Garcia's willingness to extend the boundaries of what traditional music and new folk and kids music might sound like differentiates him from many solo artists. It's time for a new generation of kids' musicians willing to claim these folk songs as there own. Are you listening, Folkways? Recommended.