Major Population Centers Have All The Luck...

This weekend... New York? Brady Rymer's Family Jamboree on Sunday, with Brady Rymer, Elizabeth Mitchell, and Hayes Greenfield, on Long Island. Los Angeles? Getty Concerts for Kids on Saturday and Sunday, with Charity and the JAMband, at the incredibly lovely Getty Center. Chicago? Jammin' at the Zoo tonight, with Tally Hall, the Bad Examples, and They Might Be Giants at the very nice Lincoln Park Zoo. (Thanks, Clea, for the reminder!) As for me, I'm doing our family's workday for the coop preschool. Wheelbarrows and shovels, whee!

Review: Marvelous Day! - SteveSongs

Let me begin by saying that I had heard "Marvelous Day!" the song long before I heard Marvelous Day! the album. And the song... well, it just sounded like one of those pull-out-all-the-stops attempts at a hit that just, well, didn't work. Too forcibly goofy, too many kids in the chorus, too much or too little of something -- whatever the case, I didn't like it. So I approached the SteveSongs' album, their fifth, originally released in 2005 and rereleased this week by Rounder Records, with trepidation. Which is another way of saying I skipped the opening (title) track and held my breath. Well, I needn't have been so worried. For the most part, the album will have broad appeal to families. SteveSongs' namesake, New England-based Steve Roslonek, and his bandmates, primarily Anand Nayak, have crafted some fabulous pop melodies here. "Elephant Hide and Seek" is an uptempo ska-inflected tune while "Sprytle the Turtle" is one of many solid kids' pop songs here. My favorite track on the album is a song called "Ducks Hatching," which Roslonek and Nayak co-wrote with "Mrs. Grimsley's 3rd grade class." OK, they're not exactly George Harrison to Roslonek and Nayak's Lennon/McCartney, but the resulting song, about a classroom waiting for some duck eggs to hatch, has got a killer chorus and great usage of a kids' chorus to build out the sound. (It is, by far, the best song you will ever hear with the word "incubator" in it.) Lyrically, the songs target the kids fairly directly. Rather than writing songs that might fully engage the adults listening, Roslonek and his partners prefer to throw in funny asides and puns to tickle the adults' funny bone. "Fast Monkey," a silly song about contrasts, has a cartoony-voiced something-or-other called (I think) "Silly Minilli" who would drive me nuts if it weren't for the fact that his asides are quite amusing, almost echoing the thoughts of the adults listening. (He appears briefly on a couple other songs, too.) The lyrics are well-done and large-hearted, but they're definitely of much greater interest to your kids than to the adults. The band has a nice sound for the pop melodies, but Danger, Will Robinson! there are lots of (talented) kids' voices on this disk, sometimes taking leading roles. Your kids may enjoy this but you may grow weary of them. (The voices, not your kids, silly.) Kids ages 5 through 9 will most appreciate the songs (and lyrics) on the album. You can listen to samples from the 52-minute album here. Marvelous Day! is filled with strong melodies and fun, uplifting lyrics. There are enough moments of adult interest to sustain multiple listenings, which is good, because your kids will probably want to listen to this a lot. Recommended, if only for your kids' sake.

Review: The Johnny Cash Children's Album

Johnny Cash's most famous songs are his most tormented -- "I shot a man in Reno / Just to watch him die," sings the prisoner in his "Folsom Prison Blues" -- which means he's not exactly at the top of the list of artists who scream out "children's music" to the public. (We're still waiting for the Metallica and Smashing Pumpkins kids' CDs, too.) But contrary to the legend that surrounded the Man in Black, Cash never actually served time in prison and in 1975 Cash released the Johnny Cash Children's Album, a motley collection of kids-accessible tunes recorded in the early '70s. In 2006 Sony re-released the album for the first time on CD, with liner notes from Cash's son John Carter Cash and 4 bonus tracks. The 37-minute album, while retaining some of the trademark Cash sound (Cash's powerful voice is still there, the shuffling "freight train" instrumentals make occasional appearances), doesn't have a single track that a Johnny Cash fan would consider essential. In fact, one of the best tracks on the disk, "Little Green Fountain," is a brief and snappy a cappella duet with June Carter Cash that doesn't sound anything like his more famous work. "One and One Makes Two" is a sweet song about sharing one's time and love, while his cover of "Grandfather's Clock" is quite good. But for every decent track there's another track that's just plain weird. The odd bear-raising philosophy outlined in "Tiger Whitehead," the overly maudlin "Old Shep" (clearly "Old Yeller" didn't scan as well), the jokey spoken-word "Why Is A Fire Engine Red" -- none of them are worth more than a couple spins. Kids ages 3 through 7 will probably appreciate this album the most. But if you're a Johnny Cash fan and you want your kids to appreciate Cash, you're probably better off putting in your own "adult" disks. Whether or not you fast-forward past "Ring of Fire" is up to you.

Belle and Sebastian's Children's Compilation Gets A Website or Two

I cannot stop Belle and Sebastian's relentless assault on me, I can only hope to contain it. Despite attempting to keep my expectations low for their upcoming children's compilation, entitled Colours Are Brighter, all evidence suggests that it may turn out to be quite good. The latest evidence can be found on the newly-established website for Colours Are Brighter. A decent track from Snow Patrol, "I Am An Astronaut" and an awesome "Go Go Ninja Dinosaur" from Four Tet. And if you go to the album's Myspace page you can hear the Four Tet song again as well as a goofy monkey-based track, which, though listed as Kathryn Williams' "Night Baking," is clearly Belle and Sebastian's own contribution "The Monkeys Are Breaking Out the Zoo." The album, a benefit for Save The Children, is scheduled to be released in the UK on Monday, Oct. 16th. (Those goofy Brits and their Monday release dates! That's why we fought the Revolutionary War, of course, to buy our new releases on Tuesday. One if by land, two if by sea, three if you want the latest from Babyshambles.) You can preorder at Amazon.co.uk here.

Review: Kid Pan Alley (Nashville) - Various Artists

kidpanalley2.jpgI'm not usually one to be swayed by the cause behind an album, but when the first sentence of an album's press release includes a statement that "kids need to know they can be creators and not just consumers," that can exert a strong pull on me. With his Kid Pan Alley program, Musician Paul Reisler has gone into schools around the country to create songs with more than 10,000 schoolchildren. The album in question, Kid Pan Alley (originally released in 2004 and rereleased next Tuesday on Compass Records) and was the result of collaboration between Nashville schoolkids and the city's songwriting community. Nashville is arguably the most vibrant songwriting community in the country (where is its Brill Building, one wonders), and so there were some exciting possibilities from combining that talent and experience with the viewpoint of youth. Produced in combination with the Nashville Chamber Orchestra, the album is a rich collection of styles, from R&B to power-pop to bluegrass to, yes, country. The strongest tracks are those where the artist was well-known enough to allow the songwriters to craft it in the artist's particular style. Kix Brooks' "Cartoons" is a great song in the slick country-pop vein while the strutting "Freaky Friday" is given a fun rendition by Delbert McClinton (it's a great kids' Halloween song out there, one that begs a "Thriller"-style video). "Whispering in Spanish" is given a '60s string-laden ballad treatment, one that Raul Malo is familiar with. And there are less familiar artists (to me, at least) who turn in some performances -- the power-pop "No Fair" performed by Will Hoge will probably ring true to a lot of 6-year-olds. Other tracks ("Little Drop of Water," for example) take a much less direct lyrical approach, showing the influence of the professional songwriters. There are other good songs, but the sheer diversity of musical styles works against the album as an album. I understand the desire to get as many of the tracks recorded and onto the CD, but at 18 tracks and 58 minutes in length, there are some tracks that could probably have been cut. ("Extra Hand," for example, while a nice little bluegrass tune, sounds out of place amongst the poppy and often orchestrally-enhanced pieces.) The album will probably be of most interest to kids ages 5 through 10. You can listen to clips at Amazon or at the original release's CDBaby page. This is not the most cohesive of albums. But as a collection of always intriguing and sometimes amazing songs, with the knowledge that kids helped make this album, Kid Pan Alley commands the listener's attention. Recommended.