[Looking for Justin Roberts' Today show appearance? Go here for the link and check out the Justin Roberts links on the right for more Justin reviews.]
Since I couldn't actually attend Kidzapalooza/Lollapalooza, I thought I'd do the next best thing -- have somebody else file a report for me. The first of the two reports comes from Jackie Schimmel, who plays bass for Justin Roberts. Jackie's been reading Zooglobble for awhile now, and I thought she'd be a great person to give a "behind-the-scenes" perspective from Kidzaplooza. And she does, in spades. It's long, but it was a long day.
Many, many thanks to Jackie for taking the time to write this and for letting me publish it...
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Hi! My name is Jackie Schimmel, and I play bass in Justin Roberts’ band, The Not Ready for Naptime Players. I first met Justin through our mutual friend, Liam Davis, and I started playing with Justin in February 1998. I’m on all of Justin’s cds except for his very first one, Great Big Sun. The Not Ready for Naptime Players have played A LOT of shows together over the years, and we have a great line-up for today’s show: Justin, Liam, me, Dave Winer on trumpet, melodica, percussion (and the BIG SHOES), and Gerald Dowd (who also plays with Liam in his “grown-up” band, Frisbie) on drums.
Lollapalooza is unlike any show we've ever played before. For one thing, at most of our shows, we're the only band on the bill. When we've played at other festivals, they've been specifically for kids (so the other performers have been folks like Hi-5 and They Might Be Giants). Appearing at a festival which is primarily for adults is definitely a first for us. Lollapalooza is an incredibly well organized event -- every single person we encounter over the course of the day is friendly, knowledgeable and thoroughly professional – and the Kidz Stage performers were treated like royalty. I really can't say enough about what a great experience it was!
Here's a timeline of my day:
7:00 AM: Time to get up!
When you play in a rock band for kids, you have the exact opposite schedule from a regular rock band: instead of getting to the venue at 8 pm, sound checking at 9 PM and going on at 11 PM, we do all of those things 12 hours earlier. One of the good things about this schedule is that we don't stagger home at 3 AM smelling like cigarettes. Another good thing is that we aren't exhausted this morning the way the rock stars playing on the other stages appear to be!
A Whole Mess of Kids Stuff
Thanks to Devon, who points out a whole bunch of Washington Post kids' arts-related articles, including an interview with and recommendations from Dan Zanes. I've got a Jose-Luis Orozco CD -- I've listened to it a few times, but I'll have to go back and listen with fresh ears.
Review: Here We Go - Melissa
If I had a dollar for every time my name was spelled incorrectly, we'd have replaced the flooring in our house long ago. So I understand the decision by Los Angeles-based musician Melissa Szilagyi to drop her surname and perform simply as Melissa. It's also very pop-star-like. Her debut kids' music album Here We Go (2006), to be released next week, is 29 minutes of preschooler-friendly acoustic pop that sounds not a little like kids' music star Laurie Berkner. Whimsical stories ("Have You Ever Seen?"), interactive songs (the sea horses counting down from 5 to 1 on "The Seahorse Song"), and subjects of great concern to 3- and 4-year-olds ("Going on a Trip," "Chocolate Ice Cream.") Add to that Melissa's warm voice and sharp additional instrumentation (guitar, mandolin, harmonica, assorted percussion) from New York-based musician Beau Elliott, and the album is a perfectly good little collection of songs. The originals are well-crafted; the few traditional songs are innovatively arranged. It's not quite at Laurie's level, though, for a couple reasons. First, Berkner's songs have a river of good humor flowing through them; these songs, though by no means humorless, don't have enough of those moments of loopiness that keep parents sane while listening to Berkner's music. Second, you realize how important Berkner's band -- the bass and the piano -- are to her albums. Here We Go would have benefitted greatly from even a couple songs with a full band. The album is most appropriate for kids age 2 through 7. Listen to clips here or here. I'm recommending this -- it's a well-done and enjoyable album. (And I'm hoping Melissa finds even more talented musicians for her second album!)It's There. I'm Not.
Kidzapalooza and Lollapalooza, that is. Weather looks to be a little warm in Chicago, but nothing like last week, luckily.
I hope to have a couple artists posting "on-the-scene" reports. No, I did not copy the idea from Bill. (Think of it as a case of "great minds think alike.") I'm not gonna get your hopes too high because I don't know exactly when the reports will get posted. By Labor Day, at least.
And, no, Gnarls Barkley is not one of the artists. Though now that I write it, that would've been "Crazy." (Ducks frying pan from audience.)
And, c'mon, everybody else is covering it, why not a Kidzapalooza musician?
Review: The Great Adventures of Mr. David - Mr. David
Sometimes it's easy to review kids' music -- a little of bit of this, sounds like that, there are songs about food. Then an album like The Great Adventures of Mr. David (2006) comes along, making the task much more difficult. Whatever it is (and it's many things, sometimes all at once), this is not a typical kids' album.
The second album for kids from San Jose-based musician David Alexandrou, who performs as Mr. David, The Great Adventures has, as you'd expect from the title, a number of songs about adventures and travels. But these aren't typical adventures. The very first line of the album, on the winding Bob Dylan-esque track "Sea Song," is "Golden brown peanut butter fell from the sky." And then it gets odder. (Yes, the narrator quickly gets to the sea. The sea serves as the location for other songs -- "Surf's Up All Around the World," "In the Storm Fighting the Octopus," and the Beatlesque "I'm A Fish." There's a sense of wonder and absurdity in the lyrics that sets it apart from the concrete lyrics of many other artists. Not that one is necessarily better than the other, but this is definitely the road less-traveled lyrically.
The lyrics would just make the album slightly unusual if it weren't paired with a fabulous musical approach. Instrumentally, the album employs, among other things, horns, dulcimer, washboard, and ukelele. It's very Dan Zanes-ian in that regard. Mr. David also has a rough voice reminiscent of Zanes, but is also willing to use voice almost as an instrument, as at the end of the terrific "Surf's Up All Around the World," which sounds like the Beach Boys-meet-Laurie Anderson, or the instrumentals "Dream Away; Sail Away" or "Dancing with Peter Pan," which have a touch of Peter Gabriel in them. There's also the Jane's Addiction-goes-mariachi of "La Cucaracha" or the blues-rock of "Rock 'N' Roll." Even when something doesn't work (the medley of nursery rhymes), at least it's different.
The album probably would interest kids ages 3 through 9, though different songs would interest different kids. You can hear "I'm A Fish" here or samples of all the songs at the album's CDBaby page.
Even though I've made a lot of comparisons here, as a whole this album sounds like nothing else you've heard all year. It's got a sense of wonder and playfulness that will interest kids (and their adults) for a long time. Definitely recommended.They Might Be Sparing The Rock
No, actually, they will. Bill at Spare the Rock tells the story of They Might Be Giants wanting to record a song for his broadcast. That is beyond cool, that's like, I don't Bill-and-Ella Lee Supertaster-cool, or something.
And in other They Might Be Giants news, their Dial-A-Song website has been relaunched with news that they're recording "adults" and "kids" albums back-to-back, with both albums scheduled for release in 2007. No "Here Come the 1-2-3s," as has been rumored, in 2006, I guess. (Thanks to the good people at This Might Be A Wiki for the heads up.)
