Me and Julio Dancing Down By the Schoolyard

Via the New York Times, a story about how many NYC schoolkids celebrate spring by dancing on the playground.
No one is quite sure when New York City children began celebrating spring by dancing in schoolyards, their teachers leading them, often awkwardly, through the steps, their proud parents gathered round, snapping pictures and clapping along. It is a peculiar urban rite — called Dance Festival in most of the city, and May Fete on Staten Island — that has been around, it seems, for as long as the public school system itself.
And they're worried about this tradition failing? How could an enterprising company not have stepped forward already and offered to sponsor this thing citywide? Why hasn't this spread throughout the country? Couldn't you imagine a Pancake Mountain-coordinated day in Washington, DC? Chica-go-go in Chicago? Setting aside the fact that we'd have to dance around the May Pole in March here in the desert Southwest to avoid burning our hands on the May Pole, this would be great here, too. You could play local artists -- OK, perhaps not every Prince or Replacements song would be great for the Twin Cities, but there'd be a few from each. You could play international artists, too. Oldies, new stuff, whatever. If any of you New York readers care to describe in more detail how exactly this works (how long does this take, is this really as cool as it sounds, or is it more pathetic in execution), I'd love to hear it.

This Week: More Thematic Drift

More cool stuff coming up this week -- reviews, interviews, and the like -- but no coherent theme, except perhaps a broadening of the site's scope to look at albums released before, say, seven minutes ago. If you missed my reviews of Keith Munslow's Accidentally (on purpose) and Josephine Cameron's Close Your Eyes, check 'em out. The latter is the first "Review in Brief" here on the site, designed to get to the point with fewer semi-obscure references. And thanks, too, to Fran for linking to my article on things I'd like to see more and less of in kids' music. Thanks as always for reading, e-mailing, submitting, and commenting.

Review: Little Red Wagon - Timmy Abell

LittleRedWagon.jpgI doubt Lester Bangs used the word "gentle" to describe music in his reviews, but he probably didn't write reviews of kids music too often. There's no better word, however, to describe Timmy Abell's 2005 album Little Red Wagon. On his fourth music album (he has recorded albums of stories as well), the North Carolina-based Abell blends modern folk songs of his own with traditional folk songs familiar to many. If there is any unifying component to the album it is the sense of, well, gentleness that pervades the songs in both treatment and theme. Abell is an accomplished musician, and one of the pleasures of listening to the album is the nifty playing of both Abell (who plays banjo, guitar, and hammered dulcimer, among other instruments, on the album) and the other musicians. The musicianship is particularly noticeable on the traditional (and silly) "Turkey in the Straw" and the brief but sweet Abell original "Rounded Glass Jig," with what I believe to the hammered dulcimer making a beautiful sound on the latter. No matter whether uptempo ("Turkey" or "I'm My Own Grandpa") or subdued ("Jig" or the pleasant title track), the songs exude a sense of calm. Over an entire album, it may be a little too much gentleness, but there's a sense of unity to the songs. Not all of the lyrics are specifically kid-focused, but those that are have some style to them. "Going To Grandma's" weaves various modes of transportation into a zippy little (and true) narrative about the many different types of vehicles used to get from one distant place to another. "Secrets" is a textbook example of how to write a children's song with moral content, illustrating the point rather than lecturing the listener. The song combines a nifty metaphorical chorus ("A cat in a bag becomes very uncomfortable / Birds in a cage become eager to fly") with verses about the progress of a secret through the narrator's circle of acquaintances to show what happens to secrets rather than saying "Secrets Are Bad!" It's a neatly effective track. Like many folk albums, there's nothing that would prevent playing this album for very young kids, but lyrically it's probably most appealing to kids 4 through 8. You can hear samples and read lyrics for the album here (click on the Little Red Wagon album cover) and purchase the album either at Abell's website or other retailers (online or iTunes). As noted above, the album is a very gentle folk album, and if you don't think that will appeal to you, there's nothing on the album that would change your mind. But I've heard Abell compared to a younger Pete Seeger and I think that the comparison is a pretty good one. Abell's clear voice and use of the folk tradition are reminiscent of Seeger in his prime. The album is a pleasant retreat from more active, more modern kids' music. Recommended.

Links: Father of Two

A few links to toss out the day before Father's Day. See if you can guess the common theme. Bill, father of two, has SteveSongs in studio and has pictures of them and Milkshake to prove it. (Yeah, yeah, SteveSongs was prerecorded...) Chag, father of two, has an amusing dadblog at Cynical Dad. In the all-important sports-world scoreboard, his affinity for the Yankees (a negative for me) is far outweighed by his affinity for the North Carolina Tar Heels (big thumbs up). Thanks also to Brady Rymer, father of two, who mentioned my interview with him in his newsletter this week. (Sign up at his homepage.) Oh, and I, father of two, have updated my "Songs for Dads" post. Enjoy your Father's Day, y'all, father or not.

Review In Brief: Close Your Eyes - Josephine Cameron

Josephine Cameron's 2005 release Close Your Eyes isn't really a kids' music album, but at its core it's an album of lullabies both traditional and original, and that's enough to a merit a review here. Based in Maine, singer-songwriter Cameron has a winsome voice reminiscent of Susanna Hoffs -- it's not my perfect voice for lullabies, but Cameron's phrasing and the understated jazzy instrumentals (piano, a little guitar, occasional drums) serve the songs nicely. The CD starts out a bit too loud and emphatic for proper lullabying, though Cameron's duet with Anna Vodicka on a medley of All Night All Day/Swing Low (Sweet Chariot) is enjoyable nonetheless. Starting with track #5, "Dream a Little Dream," however, Cameron puts together a mellow set of melodies, concluding with a lovely wordless "Lullaby" (co-written by Cameron and her producer Anthony Walton). (You can here clips of most tracks here and of the title track here.) Close Your Eyes is a nice choice and recommended for listeners seeking a lullabies album that avoids the standard fare and arrangements.

Songs For Dad

(Revised June 16, 2006) While there are a few songs for moms, the list of songs for fathers is pretty short. So short, I considered putting Rankin' Don's "Father Goose" songs from Dan Zanes & Friends albums on the list. While fathers are sometimes characters in kids' music (the RTTs' "April 14th," Keith Munslow's "Accidentally"), they're rarely the subject. Here, then, is the short list -- if you have additions, please note them in the comments. -- "Daddy-O," off Frances England's Fascinating Creatures -- "My Dad!," off Alex and the Kaleidoscope Band's Kaleidoscope Songs, Vol 1 -- "Cat's in the Cradle," Harry Chapin (just kidding!) -- "I'm So Glad To Be A Dad," off Dennis Caraher's Bow Wow Baby -- "My Daddy Is Scratchy," off Jamie Broza's My Daddy Is Scratchy (thanks to Fran for the reminder) -- "My Daddy (Flies a Ship in the Sky)," off the Daddy-O! Daddy Woody Guthrie tribute -- "Courtship of Eddie's Father" (see comments) -- "Dad" by Father Goose (comments) -- "Thank you, Daddy" (comments) -- "The Coffee Song," by Ralph's World, off At The Bottom of the Sea. (Yeah, I used it for the mom's list, but a reader reminded me it mentions D...A...D.D.Y.) A reader also recommended Daddies Sing GoodNight: A Fathers' Collection of Sleepytime Songs, which isn't really a collection of songs about dads, but close enough... And, a few for the adults (from commenters and e-mailers)... -- "My Dad (My Pa)" by Nancy Sinatra -- "Bein' a Dad" by Loudon Wainwright III -- "The Kids Are Alright" by The Who -- "Slow Turnin," "Your Dad Did," and "Stolen Moments" - John Hiatt -- "Still Fighting It," Ben Folds ("You're so much like me / I'm sorry.")