Review: Catch That Train! - Dan Zanes and Friends

[To Dan Zanes and Salon.com readers -- greetings and thanks for stopping by. And check out the main site for tons more music for kids and adults. No, that's not an oxymoron.] The short review of Catch That Train!, Dan Zanes' 2006 release and his fifth album specifically for kids and families is that it's like his previous family music album, but more so -- more musically diverse, more lyrical, more... everything. The long review is... well... the thing is, after listening to this album so many times, I didn't want to write the short review, which might otherwise have just said, "It's like every other Dan Zanes CD -- it's great." So I went back to his first family music album, 2000's Rocket Ship Beach, to see if I could notice progression in Zanes' music that is harder to see from just looking at his last album, House Party. And a couple things struck me as I listened to his first and his latest CDs. The first thing that struck me was how Zanes has gradually broadened his musical horizons since 2000. Six years ago, the debut's most adventurous musical step could very well have been the appearance of Father Goose (Rankin' Don) and his dancehall stylings. On Catch That Train!, Rankin' Don's appearance on "Choo-Choo-Ch-Boogie" almost feels safe compared to the rest of the album. The Blind Boys of Alabama on the gospel "Welcome Table," the Rubi Theater Company on the strutting "Walkin' the Dog," the forward-thinking Kronos Quartet on the retelling of the psycho-pet story "Grey Goose" -- they all come from diverse musical places and yet fit in perfectly on this disk. It's as if Zanes has released his very own Putumayo collection. Which is not to say that the stuff that's been around since Rocket Ship Beach -- Rankin' Don, the duet with Barbara Brousal ("Mariposa Ole," in Spanish, of course), and the duet with a female singer-songwriter (Natalie Merchant on the lovely "Loch Lomond") -- isn't there, and isn't great. Because it is. The other thing that struck me was that the first CD seemed to me a collection of songs that Zanes really liked. The latest CD does seem to have a thematic cohesiveness to it, and it's not about trains. It's about community. "When we ride / We ride together," Zanes has written on the title track, and there is a strong sense of doing things together that runs through the album. Inclusiveness ("All God's children gonna sit together," from "Welcome Table"), neighborliness ("High and low, people that we know / They say 'Hey there,' and 'How’ve you been?'," from "Wander in the Summer Wind"), and a welcoming neighborhood ("Wherever you’re from / Know that you’re welcome / If you want to bring your family ‘round / To this moonlit town," on the album closer "Moonlit Town.") Quite possibly my favorite song on the album is Zanes' "While the Music Is Playing," about wanting to linger in the neighborhood into the night, listening to all the different music in the air.
People gather all around the square People laughing in the evening air Swirls and mingles with the songs that brought us there That brought us all there.
If that's not Zanes' ideal world in a nutshell, I'm not sure what is. The midtempo tune mixes a wistful chorus, brass band, and a backup singer count which eventually must reach double-digits to posit a world where community is paramount. (Its placement smack-dab in the middle of the album just before the pro-working-man "I Don't Want Your Millions Mister" can't be just random.) With Zanes entering the fray over a proposed Brooklyn development, these are no longer idle concerns for him. As with all Dan Zanes albums, Catch That Train is for people of every age. But if I had to narrow down the age range, I'd call it ages 5 through 10. You can hear samples, etc., by following the links at Zanes' Catch That Train! page. In the end, if you're at all a fan of Dan Zanes' music, you'll enjoy this album. (And if you're in the minority who don't, this album won't change your mind.) Catch That Train! is Zanes' strongest album to date, a celebration in music of the joys of family, community, and music itself. Highly recommended. [May 19, 2006 Update] Now that I've had the full copy of the CD and packaging for a few days, rather than just an advance promo copy, I wanted to add a few additional comments to the review. 1) The packaging is quite nice -- Zanes has replaced the book format of his previous kids' CDs with more of a foldout design similar to which he employed on Parades and Panoramas. The entire design is thought out quite well (the title, "Catch That Train!," is actually the very end of a sentence that runs through the entire physical package). 2) Lyrics! Chords! The presence of these two things in the liner notes only makes the absence of them in previous albums that much more stark. Again, Zanes had started doing this with Parades and Panoramas and Sea Music, but their presence here is very welcome (especially for an artist so enamored of public singing). And, Zanes' comments in the liner notes are useful, too. (Not to mention finding out little things like Warren Zanes plays guitar on "Mariposa Ole.") 3) The video for "Catch That Train!" is OK, but nothing special. Dan Zanes plays around in his apartment while a tiny little animated train drives around. The scene where Zanes looks at a comb by his sink, then shakes his head as if to say, "naaaah," did make me laugh, though. So, there you have it. And if you don't (have it), why not?

"Because Dan Zanes would sure make one funny-looking Wiggle"

I was browsing the Parents Choice website just yesterday, and this article concerning the selections of their Spring 2006 music award-winners hadn't been posted yet. Devon points it out today. (Look for more reviews of some of the albums on the list in the weeks ahead right here.) Also of note is an interview with XM Kids' Director of Children's Programming Kenny Curtis, who comments on the current state of children's music. My favorite part of the whole piece:
PC: Any Other Reason To Keep Promoting High Quality Kids Music? KC: Because Dan Zanes would sure make one funny-looking Wiggle.
Finally, I had meant to post this anyway -- Richard Perlmutter of Beethoven's Wig fame has 10 tips on "How To Get (and Keep) Your Child Excited About Classical Music." It's a good article, worth a read, but I would argue that his tips apply to all music, not just classical: Start With Music Mix It Up See Music Identify Instruments Make Connections Dig In Take Music Lessons Listen With Them Make Up Songs Do It Again (Repetition, Repetition, Repetition) There is absolutely nothing in that list that should be restricted to classical music alone.

I Hear The Kids (Music Artists) Love This MySpace Thing

Did you know Gustafer Yellowgold has his own MySpace page? And blog? Who knew he was a Ween and Sun Kil Moon fan? And does he have latent cheese anger? (The blog, while not inappropriate, is really for the adults, not for the kids.) You can also check out his music page, from which you can stream 3 songs, including a new track, "Rocket Shoes," which is a sparse, melodic track reminiscent of the first DVD's songs. Stills from the upcoming DVD are also available. Incidentally, the Hollow Trees also have a MySpace page. But it's not quite as... different... as the Yellowgold pages.

Songs for Moms

Here's a list of songs for mothers or songs about mothers, in no particular order. I've avoided lullabies (songs by moms, typically), as well as songs about general parentual units, or songs about moms and dads. If a song isn't on the list, it's because of one of the three "O"s: Oversight (I knew about the song and just forgot), Omission (I knew about the song and chose to exclude it), or Obtuseness (I didn't know about the song at all). I expect the third category to be fairly large, so feel free to add your suggestions in the comments section. And most (if not all) of these CDs are reviewed here, so if you're not familiar with a CD, look at the review sidebar to the right. (By the way, Fran had the same idea and got there first, but between the two of us, I think we ought to come up with a decent mix CDs.) ****************** "Mama Don't Allow" -- numerous versions; try Brady Rymer's version off of Every Day Is a Birthday "Mama Hug" -- Brady Rymer, Every Day Is a Birthday "Mama Is Sad" -- Justin Roberts, Yellow Bus (it's a song about divorce, so I'm guessing it's not gonna go on too many mix tapes) "Five Little Ducks" -- try version on the Old Town School of Folk Music's Songs For Wiggleworms "Thank You Mommy" -- The RTTs, Turn It Up Mommy! "The Coffee Song" -- Ralph's World, At the Bottom of the Sea (not really about moms specifically, but it was the first song that came to my wife's mind when I mentioned the topic of the post) "Hush Little Baby" -- try version on the Old Town School of Folk Music's Wiggleworms Love You, though it's just as often that Dad is the person buying baby that billy goat "Mother and I" -- Bill Thomas (and a Circle of Friends), Time Can Be So Magic

Review: I Am Your New Music Teacher - Parker Bent

With many children's music albums struggling to crack the 30-minute mark, defining the length of a children's music EP is a tricky proposition. At just under 19 minutes long, the 2005 debut album from Los Angeles-based musician Parker Bent is either a long EP or a really short full album. Still, Bent packs a surprisingly diverse group of songs into the short runtime. Bent is a preschool music teacher in Beverly Hills, California, and his subjects -- the alphabet, numbers, or pets, for example -- will be very familiar to preschoolers or their parents. One of my favorite songs on the album is the gentle pop-rock tune "I Wanna Go Home," about a preschooler who's reached his or her sensory limit, is tired, and just wants to go home. My other favorite track is "Count On," whose melody and fuzzy-guitar-and-handclap instrumentation reminds me of the rootsier "Tuesday Night Music Club"-era Sheryl Crow. The vocal harmonizing on the brief acappella leadoff track "AAA" is totally different from the the above songs, but a nice bit of musical styling nonetheless. The humorous storytelling stylings of "I Am Your New Music Teacher" may be over the heads of the 3-year-olds in the audience, but with Bent playing the role of a controlling music teacher, his snarled lyrics, "We will not have any singing / We will not have any dancing / Instead I thought we'd spend / The entire music class / With everybody sitting in timeout" made me smile. The entire album has a gentle, albeit sly, sense of humor. The album will probably be of most interest to kids age 3 to 6. You can hear samples of the CD and purchase it at Bent's CDBaby page. It's also available on iTunes Music Store. Regular readers of this website will probably find at least one or two tracks worth checking out on the album. Even with its short length, the album shows Bent's promise as a children's songwriter and musician. Should Bent ever decide to release a double album (at, say, 38 minutes in length), it could be very, very good.

New Ralph's World Song Streaming Online. Sort Of.

What do you get when you cross Piglet (Winnie-the-Pooh's best friend) with a snippet of the new Ralph's World song for Winnie the Pooh? Sniglets, of course! Sorry, couldn't resist. In any case, the website runs a clip of the new Winnie-the-Pooh song from Ralph's World. To me, it sounds a little more like the early Ralph's World stuff (in particular, "Animal Friends" off his debut). Oh, and the page gives confirmation that the new Ralph's World DVD/CD set will be released this fall. I'd heard/seen that elsewhere, but it's nice to get confirmation on that. Hat tip to the Semi-Official Ralph's World Message Board for the pointer.