Review: Giddyup! - Buck Howdy

The Virginia-based Buck Howdy bills himself as "The King of Kids' Cowboy Music." While that might sound like an example of "big fish/small pond," his 2005 album Giddyup! does nothing to make someone doubt that claim and might even gain some fans outside the genre. Let's start with the best-known song, "Baked Beans." It's a silly story about gastrointestinal distress on the range that would grow old very quick if it weren't so expertly crafted. I mean, between listening to the album and satellite radio, I've heard the song 15-20 times at least -- a song about "cutting the cheese", for goodness' sake -- and it's still tolerable. (Which is a good thing, because I'd imagine 5-year-old boys would want to listen to the song 15-20 times. In a row. Every day. For, like, six months.) That song is tolerable over repeated playings in large part because the musicianship is top-notch. Howdy's small band plays western swing, bluegrass, and traditional country tunes with precision. Howdy has an appealing voice with just enough twang. The album just sounds great. The album is split evenly between Howdy originals and covers. If you're worried that the whole album is jokey, don't be. With the exception "Baked Beans" and "My Favorite Kind of Bugs," the originals are straightforward cowboy songs (albeit targeted at 6-year-old cowpokes). Some of the covers work well (Jimmy Dean's "Big Bad John"); others, while not bad, left me with a "why bother?" feeling ("Hokey Pokey"). Those of you buying the album for the Trout Fishing in America performances will likely be disappointed, as they don't make much of an impression in their songs ("S'mores," "Giddyup!"). Laurie Berkner's appearance is another matter -- her duet with Howdy on Dale Evans' "Happy Trails" is sweet and makes you wonder where Berkner has been hiding that fabulous voice on her own CDs. "Happy Trails" is one of my two favorite songs on the album; the other is the last "Bonus Track." To reveal too much about the song would ruin the surprise, so I'll just say that it's a song that will likely amuse the 6-year-olds and possibly make the adults laugh out loud. Giddyup! is probably best for kids aged 4 through 10. It's available in the usual online and offline suspects. If you want to listen to most of the album (though, sadly, not my two favorite tracks), you can listen to the tracks here. Unless you or your kids have a genetic twang deficiency, you will probably find something to like in the album. Recommended.

You Got Johnny Cash In My Children's Music...

... No, you got children's music in my Johnny Cash! People, people, people -- compromise is possible in these times of discord and strife. I present to you the Johnny Cash Children's Album. I hereby admit to being only a casual fan of Mr. Cash's music, but this album intrigues me... "But I wiped snot on a man in Reno once / Just to watch him cry..." (No, really, kid, it's a song about trains. You love trains. Let's go watch Thomas.)

We (Also Heart) Cool Moms

Thanks to the ladies at Cool Mom Picks, who along with highlighting Clea and the Lovely Mrs. Davis, recommended this fair blog for children's-related music reviews. Unlike the ladies recommending and being recommended, I am neither cool nor a mom, but nobody's perfect, right? If you're new to the site, welcome. Wander around or start here for a small guide to the site. (And I never would have known that there are different qualities of glitter. You learn something new every day. Can we get some sort of law mandating the use of higher-quality glitter at birthday parties? Please?)

Song of the Day: Great Big World - Anne Hathaway

(Because "Song-of-the-Whenever-I-Get-Around-To-It" isn't nearly as catchy...) The Little Red Riding Hood spoof Hoodwinked wasn't a huge hit -- wink-and-you-miss-it, you might say. (In any case, I winked, and I missed it.) But I've heard "Great Big World" a few times, and it's almost enough to make me want to see the movie. It's the typical "intro" musical song, where a character sets the stage, so to speak, for the events to follow. These seemed to be a lot bigger in the animated Disney musicals of the early 1990s ("Belle" from Beauty and the Beast is the best example, a textbook example really, of how to write one of these tunes.) Lyrically, "Great Big World" talks about just that, an apropos subject for a lead character who I'm assuming is about to walk into the woods. (Without having seen Hoodwinked, I don't know if it sets the stage visually as well as "Belle" does in its movie.) Sonically, "Great Big World" harkens back to those big bright poppy tunes of the 1960s, with a massive wall of sound, especially on the chorus. But it's Hathaway's delivery that fully sells me on the song. Hathaway has a clear voice that isn't perfect or pitch-corrected to death (at least, it doesn't sound that way to me). And she delivers the lyrics with a slightly sarcastic attitude that makes me smile ("They say that goodies / Make the world / Go round"). The combination of the retro-pop and Hathaway's voice reminds me of the Bangles in their late-80s heyday. Good song all the way 'round. You can hear a sample of "Great Big World" (and every other track from Hoodwinked's soundtrack here). You can see some Bangles videos, including the sorta "Great Big World"-esque (but not really) "Walk Like an Egyptian" here. (Go on, you know you want to.) And there are hundreds of sites where you can get mp3's from the Beauty and the Beast soundtrack, but you really ought to just see the movie if you haven't already. It's by far my favorite animated Disney musical (excluding those from the wizards at Pixar, of course.) And now, thanks to my daughter, I'm watching it repeatedly once more.

We (Heart) Justin

You don't often get to see your own name and website referenced in an e-mail from a musician you really like. So thank you, Justin Roberts, for the kind words in your recent mailing list note (if you haven't done so yet, you can sign up here). Regardless of whether you came here because of Justin's e-mail or because of some entirely random internet search, you can get a little overview of the site here. Thanks for stopping by.

Review: Fascinating Creatures - Frances England

FascinatingCreatures.jpgI initially approached Frances England's 2006 debut album Fascinating Creatures as if I were playing a game of "spot-the-influence." Did I hear Elizabeth Mitchell (who recorded a low-key and lo-fi debut CD a number of years ago)? Did I hear Cat Power or Yo La Tengo, a couple artists England herself cites an influences? And after a couple spin-throughs, I thought that to play that game was unfair to England, who has recorded one of the most adventurous children's music albums in some time, quite unlike anything out there at the moment. England wrote all 13 songs on the album and recorded it with her husband's cousin Billy Riggs. Lyrically, England covers the 4-year-old waterfront -- tricycles ("Tricycle"); trains, trucks, boats and airplanes ("Where Do They Go?"); and the fun of a blueberry pancake breakfast ("Blueberry Pancakes") -- without talking down to the listener. These aren't new topics for children's music, but lines like "Tell me where do all the big boats go? / As they crash against the wild, dark sea / With containers stacked both high and low / The captain steers towards land and safety" aren't a typical children's music lyric. Musically, the first half of the CD is a low-key affair, primarily acoustic guitars and light percussion. But on "Charlie Parker," the middle song on the album, that the album kicks into a higher gear, adding electric guitar and drums. It's a little odd to hear a rock song about jazz greats (albeit with some scat singing), but it works. The next song, "Digging in the Dirt," about gardening (natch), is an even fuzzier rock song. Eventually the CD winds down again, returning to acoustic guitar and England's voice. Although England's voice reminds me a little bit of the nasally twang of folksinger Iris DeMent (particularly on "Where Do They Go?"), it wasn't until I heard England rock out that I figured out who she reminded me most of -- Tanya Donnelly in her Belly years, alternative rock in which Donnelly's voice was used as another instrument along with the wall of guitar sound. England yodels, yips, and in general provides the musical variation on the simple instrumental backup. The album isn't perfect -- the mix of instruments on the rock songs sounded a bit muddied to my ears, for example. And England can sometimes try to fit too many syllables into a lyric. (One of my favorite songs on the CD, the closer "Little Bright Star," doesn't do that, and shines -- pun unintended -- for it.) But that's quibbling. Fascinating Creatures is a good album, a very promising debut. (My wife likes it, and she's a much harsher critic of these kids CDs than I am.) It's probably best for kids age 2 through 7. Right now the CD is available through CD Baby, where you can hear samples of each track. Finally, the copy I received was attractively packaged in a slimline case and burned on a nicely printed CDR, which may or may not be the version available for purchase. Those of you looking for a more complete package as with CDs from more established artists may be surprised. But what my copy lacked in heft it more than made up for in the feeling that here was something that I could say was the start of something big, like it was a little secret known to only a few. But I don't think this CD or Ms. England will stay secret for long. Recommended.