So last night, my nighttime reading with my daughter included Kevin Henkes' Jessica, which revolves around a kindergartner's imaginary friend.
And this morning, I heard a track off of Justin Roberts' Meltdown! called "Our Imaginary Rhino," which revolves around a youngster's (perhaps in kindergarten, perhaps not) imaginary rhino, natch. It's a catchy power-pop song with a few "na-na-nas" to make for enjoyable singalong action.
You'll be able to listen to samples of every song at Amazon next week when the album is released; for now go here to listen to samples of a half-dozen songs plus a full version of "My Brother Did It," another pleasing power-pop song.
(Truth be told, I prefer Henkes' books about mice to his books about, gasp, real people. Lilly's Purple Plastic Purse is note-perfect, if books can indeed be note-perfect.)
Links: Step Up To The Sidebar
As you can tell during your daily visits to this fine website (and you are visiting daily, right?), the sidebar is under more construction than Central Avenue during light rail construction. (Sorry for the local Phoenix reference, y'all.)
Slowly but surely, I've been adding review and artist links to the sidebar, with more (links and reviews) coming daily. I've also been adding other links of note.
I started this blog 18 months or more ago because there wasn't much on the Internet on children's music. That's changed somewhat -- it's still hit-and-miss, but that's better than miss-and-miss. While there are more links coming, I did want to point out three recent additions of relatively new blogs:
- Head, Knees, Shoulders, and all that... is a blog written by Devon, a teacher of music to young kids in Japan. His blog has a bit of pedagogical bent, but never to the point of dullness or incomprehension. He has also helped record a children's music CD, which gives him an(other) interesting perspective.
- (Sm)all Ages is written by Clea, novelist (among other things), who imparts an indie-music perspective on kids' music. My favorite parts of the blog (despite her impeccable indie-music taste) are her occasional thematic lists of songs -- click here if you're a hand-clappin' fan.
- The Lovely Mrs. Davis Tells You What To Think is written by, er, the Lovely Mrs. Davis, natch. She covers a wide range of kiddie media on her blog. And although as a parent, she should know that just because you ask politely doesn't always mean you get what you want, in this case, yes, you may add me to your blogroll -- thanks for asking.
Review: The Great Green Squishy Mean Concert CD - Monty Harper
"Don't judge a book by its cover," goes an adage I tend to ignore when it comes to CDs. The aura of competence regarding album covers and inserts is often an indication of the competence of the music and production itself, particularly in children's music.
So this CD, with its cover picture a giant mouth that brings nothing to mind more than, "Let There Be Lips!" (that's a Rocky Horror Picture Show reference there, folks), worried me.
Thankfully, in this case, the old adage is actually true. Monty Harper's 2005 album, The Great Green Squishy Mean Concert CD, is a fun and occasionally funny album. (It certainly exceeded my cover-based expectations.) For his fourth CD, the Oklahoma-based Harper recorded three concerts with his "Thrice Upon a Time Band" in front audiences of kids and parents. The concept brings a couple strengths to the CD: 1) the full band (guitars, bass, drums) sounds really good, and 2) the audience participation songs have an audience to participate. Both make the CD very lively.
Harper writes straight-ahead rock (think "classic rock") tunes with a sense of humor and an occasional tendency toward "educational" lyrics. My favorite songs on the CD are the two songs leading off the album, "Loose Tooth," a cute pop-rocker about, er, a loose tooth, and "The Great Green Squishy Mean Bibliovore," with crunchy guitars (and lead character). While I tend to prefer his more story-based songs (like the two above), his "educational" songs aren't bad either -- young kids will probably eat up (pun mostly intended) "You're a Dinosaur," which introduces a whole bunch of dinosaurs in song. (It's one of 5 reptile/dinosaur songs on the CD, so if that's your child's thing, definitely check it out. I'm pretty sure it's the only album in the world with two songs about horned toads.)
The CD also comes with some CD-ROM bonuses -- I did like the two healthy-eating-based songs, "I Go Bananas," and "Gimme Vegetables," the latter of which had a very '80s synth-pop texture wholly unlike the concert itself. (Both are fun -- if Harper ever releases a B-sides/rarities disk, these seem like perfect candidates. Because I don't think I'm ever actually going to listen to the CD at the computer....)
I'd recommend the CD for kids aged 4 through 9. You can find it through the usual suspects (artist's website, CDBaby, Amazon, with samples available at the latter two). If you're looking for a CD of rockin' kids songs, check it out.
News: Other Releases, Releases-To-Be
I hear you saying, "You and your "news." You're all Justin Roberts Meltdown this, and Laurie Berkner Starbucks that! How 'bout mixing it up for a change?"
And you're right, I have neglected other artist news recently. My bad. So here you go, three (mostly) fresh tidbits of info for ya...
1. Brady Rymer's 4th album has been out for a month now. Every Day Is A Birthday was released on February 10, 2006 and in addition to the regular songs, the album also includes what is intriguingly referred to as a "collection of brain-teasing, creative musical activities at the end of the album." Sounds like it'd be not-so-hot shuffled on an iPod, but kinda cool with the kids. (Also, Rymer's website is really cool.)
2. Eric Herman is preparing his 3rd album Snow Day for a late spring/early summer 2006 release. Go to the link above for info on pre-orders. His site also has some computer games, which I hear are all the rage these days.
3. Finally, Monty Harper also has an album coming out this summer -- Paws, Claws, Scales & Tales will have songs revolving "around the themes of pets and reading." Though lyrics are available, I think I'd rather be surprised to see how many songs deal with reading pets.
So there you go.
So You Want To Submit An Album For Review?
(Last updated May 23, 2006 -- updates in italics)
In between whimsically and/or sarcastically rewriting press releases from children's music artists, I also review albums in a mostly eager manner. You might wonder how, as an international superagent, I find the time to review these CDs -- OK, I'm not really an international superagent, but I am a father of two, and international superagents have nothing on parents -- and the answer is, I'm not sure. I just know that I like listening to good kids' music and telling others about it.
I have already received a few albums from artists seeking a review from this site, and I figure it's time for me to actually outline the Official Zooglobble Album Review Policy. (This was pre-NPR -- strike "a few," insert "lots and lots of".) I'm going to call it "OZARP" just so I can do web searches for "OZARP" in a few days and see what turns up.
There are just two rules in the OZARP, though I've added some additional guidance.
#1 -- All albums submitted for review shall include complete artwork and an ISBN (barcode).
Basically, I want to review the CD as the actual end user will receive it, and with proof that somebody out there could conceivably buy it. So please, no CD-Rs, no CDs without the case and any inserts.
Two modifications based on a whole bunch of experience now...
1. CD-Rs sold at CDBaby are A-OK. I understand better now some of the economics of producing a CD and understand that some people may not have the upfront cash to do a fancy pressing. Like I said, if it's sold through CDBaby, it's fine by me.
2. Advance promotional copies (CD-R or otherwise) of albums yet-to-be-released are also OK. I like receiving lyrics/liner notes along with the promo CD, too, though that can be electronically. And I still prefer to see the finished product (even if I've already received the promo copy) -- I do find the physical product to be important to how the end user interacts with the music.
Beyond that, I would encourage artists who are considering submitting their album(s) for review consider the preferences, attitudes, and biases already reflected in the ever-increasing list of reviews on the site. I've never made any pretense to be a music educator trying to find the "perfect" or most developmentally appropriate CD for a child -- I'm a parent with two young kids (though, as They Might Be Giants would note, every moment they're getting older) and I love music. And while I don't entirely disagree with Barney Gumble's approach to life ("I'm not a picky man, Homer. Braaaaaah."), there are going to be certain CDs I probably won't like.
Additional promotional materials are not required with the CD, though I'll look at whatever else you send. It almost goes without saying these days, but a website link is especially helpful. If it's a yet-to-be-released album, a scheduled release date is also helpful.
#2 -- Quotations of two sentences or less on artists' websites or other promotional materials or by other websites/magazines do not require permission from the site owner. Quotations longer than two sentences, or any quotations attached to products actually sold to others, require express permission from the site owner.
OK, I realize the very last part of #2 is not common, but I know that artists will quote reviews on websites, promotional materials, and even on CD wrappers/covers. I'm just covering myself in the event that somebody wants to quote me on the latter. I'm not expecting a lot of letters from that provision.
Other than that, I'll try to notify you shortly before or after I post a review of an album you've submitted. We always appreciate links to the review or the website generally, but no links are required.
Please don't ask me when a review of the album you submitted will be up -- I'm a busy, busy man. The order in which I review CDs on the site is a complicated and patented algorithm that involves how much I like the CD, how long it's been since I last reviewed an album of yours, and whether you employed a penny whistle on your CD -- in other words, it all depends. Rest assured that if I really like your CD, I'll want to tell people about it sooner rather than later, "sooner" and "later" being relative terms around here.
If you do e-mail me asking about the status of a CD review (e.g., because you want to make sure I actually received the CD(s), and I totally understand that), you'll probably get a pleasant e-mail saying I haven't made up my mind yet, regardless of whether I've got a pretty good idea that I'm reviewing it next week or never. Rest assured, however, that I do, as promised, listen to every CD I get multiple times before I decide whether to review it. I know you've put a lot of effort into producing it, and I respect that.
So that's it. Pretty simple, I think. If you are a children's music artist, PR person, or assorted hanger-on, and you're interested, use that link in the upper-right-hand corner to contact me and we'll go on from there (e.g., I'll send you my mailing address).
Review: Alphabet Songs Vol. II (Ivan Idea) - Steve Weeks
This review really revs up when the reader reconsiders her readily held notions regarding the realism referred to in this record...
OK, I admit it, it's hard to write (or "rite," to continue the motif) reviews by focusing on a single letter. And so it begs the question, why would an artist set up such an obstacle?
For that very reason, I had some trepidation upon my initial spin of Steve Weeks' 2004 album Alphabet Songs Vol. II (Ivan Idea). Each of the nine songs focuses on a single letter, I through Q, and I feared lyrics stretched beyond anything remotely resembling (stop it!) enjoyment. Luckily, the CD passes the enjoyment test with flying colors. The lyrics themselves focus on a single letter, but generally not in a way to call attention to them. (Only if you're listening closely will you notice all the words starting with the appropriate letter.)
On the CD's best songs, the letters seem almost secondary. "Kiki Kangaroo" is a bouncy song about a kangaroo with a mind of its own, "Look, Look!" a midtempo rocker about noticing what's all around, and, my favorite, "Monkeys" is an amusing, laid-back track about, well, monkeys. (The song, which includes a completely gratuitous "Sound of Music" reference, has a very Jack Johnson-like vibe, which is a little ironic given Johnson's work on the Curious George soundtrack.) Some songs tend to show the effort of focusing on a single letter a little more (see letters "N" and "Q"), but there isn't a weak track on the album.
The album is nicely produced -- fun acoustic guitar work, with some funky percussion tracks and even an occasional banjo. The songs are mostly gently uptempo folk-inflected rock. To put the album in adult terms, I'd describe it as Barenaked Ladies meets Phish. (Weeks' voice even reminds me of one of the Ladies' singers.)
I'd recommend the album for children aged 5 through 9. It's a fun album (or, to end the motif, "really rockin'") and would probably work in a school setting (though it'd work outside of such a setting, too). You can get the album through the usual online retailing suspects and through Weeks' website.