Review: The Time Machine - The Sippy Cups

TheTimeMachine.jpgThe kids music resurgence has been relatively brief, and so we haven't necessarily had the time to watch too many bands mature and change their sounds over time. An exception is the Bay Area band The Sippy Cups. They started out doing nothing but covers, primarily of '60s and '70s psychedelic tunes. They then moved to mostly original '60s and '70s-sounding psychedelic tunes. It's only been on their last couple albums that they've developed a fuller sound (and added some skits to the mix). All of which has been to the good. Their latest album The Time Machine is at times both their most conventional-sounding and also their most adventurous. Although it's not quite a concept album, there a number of songs about about growing up (hence the title). As a result, based on subject matter alone, this definitely their most typical "kids album." Of course, I happen to like some of those songs the best. The power-poppy "My Angry Voice" describes anger in easily accessible phrases ("Breathing fast / My heart is racing / I won't look you in the eyes / What's that sound? / It's someone shouting / That sounds like me / What a surprise") while "Don't Remove the Groove" ameliorates whatever preachiness a song about environmental warming might contain by being, well, groovy and turning it into a "freeze dance" song. "Seven Is The New 14" will likely go over heads of the 14-, er, 7-year-olds the song is targeted at, but its amusing spin on "age is nothing but a number" will draw chuckles from the parents. For those of you originally drawn to the band for its original more psychedelic sounds won't be disappointed -- the title track and concluding track "Awake" (the latter clocking in at 6 minutes) are definitely could've been recorded 35 or 40 years ago, while "One Day Soon" is an excellent pastiche of Sgt. Pepper's-era Beatles. If there's a downside to the songwriting here it's that at times I felt like they were relying too heavily on the metaphorical imagery to the detriment of more sharply describing the experience of growing up. The worst tracks here are still better than 60% of the songs in the genre, but their excellent songs make the just adequate ones stand out. (As for the skits, I like 'em, and I typically haaaate skits, but I realize that your mileage may vary.) The 44-minute album is most appropriate for kids ages 5 through 9. You can listen to some tracks here or samples at the album's CDBaby page. The Sippy Cups have developed into one of the most adventurous kids bands on today's scene. With a strong catalog of songs and an energetic live show, they seem set to be around making music for years to come. The Time Machine is, appropriately enough, evidence of their continuing evolution, and shows that growing up is usually a pretty good thing. Definitely recommended.

Review: Field Trip - Recess Monkey

FieldTrip.jpgIt's hard to write a review about Field Trip, the recently-released fifth album from Seattle's Recess Monkey. Not because it's bad, mind you, just the opposite -- it's just that the band's run of great albums and songs has been going on for so long now that it's getting more difficult to find new and interesting ways of saying "these guys are really good -- your family should listen to 'em." From the two-minute simple Beatles-esque "Fort" to the fanciful power-pop of "Marshmallow Farm" to the sweet "Sack Lunch" the album starts off with great pop tunes and doesn't really ever stop. "Sack Lunch" manages the odd trick of not only writing a song from the perspective of a kid's sack lunch but also making it stand as some sort of metaphor for a really powerful love. (It also does so with the Northwest Boychoir singing the phrase "sack lunch" chorally, which makes me smile every time.) On the album goes, through '80s dance of "Haven't Got a Pet Yet" and the funk of "Hot Chocolate." Recess Monkey has always been willing to approach the "novelty song" line much more than a lot of bands, and I can't say it always pays off -- the spaghetti western of "Ice Pack" is just OK and did the world need a song (no matter how catchy) about lice ("L.I.C.E.")? (The answer is no.) But that song is sandwiched between a tender love song ("Tiny Telephone") and the best kids song Elvis Costello never wrote -- "The Teens," which is ostensibly about difficulties in counting past ten but will get parents nodding about their kids' forthcoming teenaged years. The most exciting thing to the long-term listener of the band is that expansion of world view -- figuring out how to encompass more experiences of older listeners without sacrificing their core audience of young school-aged kids. The album is still primarily targeted at kids aged 4 through 9. You can listen to samples from the 41-minutes album here. So, yeah, Field Trip is another excellent string of songs from Recess Monkey. If you're a fan, you'll love it. If you're not a fan, though you'll probably be a bit mystified by the John Vanderslice bit at the very end, this is as good a place to start as any, as it's their best album yet. In the end, all I can say is that these guys are really good -- your family should listen to 'em. Highly recommended.

Itty-Bitty Review: Banjo To Beatbox - Cathy Fink & Marcy Marxer (with Christylez Bacon)

BanjoToBeatbox.jpgI hesitate to call the DC-area-based duo Cathy Fink & Marcy Marxer elder statesmen of the kids music genre because they're neither, you know, elderly nor male. But they've been doing the family music thing for about 25 years now. Which is why it's pretty great that their collaborator on their latest album Banjo to Beatbox is, well, not even 25 years old. Christylez Bacon is a DC-area hip hop artist; here, he adds his beatboxing and rhyming skills to Cathy & Marcy's banjo and folk stylings. On the album's best tracks, like the resetting of the traditional "Soup, Soup," the combination thrills, pointing the way to a 21st century folk music sound. That song, along with with "Hip Hop Humpty Dumpty," takes full advantage of the collaborators' strengths. The other songs here are enjoyable (I also quite like their take on "New River Train"), but those two are the standouts. You can listen to clips of the album (best probably for kids ages 4 through 9) here. (They're calling it an EP, but at 30 minutes, who knows what "EP" means any more.) I've always liked Fink and Marxer's wilingness to collaborate outside what somebody else might perceive to be their genre -- their collaboration with Texas polka group Brave Combo All Wound Up! is an excellent album. I don't think Banjo to Beatbox reaches those heights -- it seems a little more stylistically limited to me -- but I hope that Cathy Fink and Marcy Marxer continue to make music every now and then with Christylez Bacon because there are parts of this album that are pretty exhilerating. Recommended.

Review: John and Mark's Children's Record - John Upchurch and Mark Greenberg

JohnAndMarksChildrensAlbum.jpgAt the risk of over-simplification, I think there are five kinds of kids music albums: 1.  Explicitly educational music (for the most part, left undiscussed here), 2.  Renditions of traditional kids songs (e.g., Raffi, early Laurie Berkner), 3.  Rock/pop/folk songs with kid-focused lyrics (Ralph's World, Justin Roberts, later Laurie Berkner, tons more), 4.  Music geared at the whole family simultaneously (Dan Zanes, Elizabeth Mitchell). 5.... Well, the fifth type looks a bit askew at the kids music genre.  If it doesn't quite subvert the genre, it doesn't quite buy into it, either.  They Might Be Giants, who could easily fit into the rock/pop/folk category above, fit here, as do albums from folks like Duplex and the Quiet Two.  You can also lump in every album that attempts to fit the kids song peg into an adult hole (traditional kids songs... done in electronica!) or the adult peg into the kids music hole (ahem, I'm looking at you, Rockabye Baby).  I wouldn't want a kids music library consisting of nothing but albums from this category, but their quirkiness is a welcome change, even from nothing but excellent albums in the other categories. For those of you looking for an album in that fifth category, I can't commend John and Mark's Children's Record to you highly enough.  The album is the creation of John Upchurch and Mark Greenberg, who played together in the Coctails many years ago and now find themselves each father to three kids.  The album was inspired, of course, by life with their kids, but the result sounds like little else you will hear this year. "The Lawnmower" kicks off the album with a kid's lament that he might be trapped inside the house all summer long since the grass has grown so high before chugging into a country-folk tune which will have you humming "the lawnmower goes off / and the lawnmower goes on" and the killer couplet "I can rest well assured / of a lawn well-manicured."  It's the kids music album equivalent of "you had me at 'hello'."  From there the album moves into "A Counting Error," which beyond its lyrical subversion (to tell you more would ruin the surprise) has funky "Mahna Mahna"-style vocalizing, whistling, and sax interspersed.  I can't think of a more striking kids song all year. "Pat, the Alligator Lady" is an odd little song about a lady who, Greenberg says, ran a rescue shelter for odd animals in an 80-year-old Victorian house.  "The Elephant Leads the Way" is a poppy banjo-accented number followed up by "People Have Good Reasons," which sounds like it lost its way from another album made just for adults -- the spoken-word carousel tune is amusing, but it's the album's one false step as kids'll probably be mystified ("It is very VERY important / So precautions that they've taken are all warranted / And accepted / as a rule of law"). And on it goes.  I have no idea what the titular shoes are of "Honey Boots," and the lyrics consist primarily of "I've got my honey boots on," but that's one of the joys of this collection -- not everything is spelled out.  "Colors" is about, yes, colors, but it's as if Shel Silverstein wrote a poem about colors and asked Sufjan Stevens to write song to along with it.  The album mellows as it draws to a close, ending with a lullaby ("Until the Dawn") and a slow instrumental ("In My Blue House"). The album is about 35 minutes long and most appropriate for kids ages 2 through 7; you can download a couple tracks -- including the sublime "A Counting Error" -- here.  You can download the entire album from iTunes or eMusic.  But I should mention the album packaging (designed by former Coctail member Archer Prewitt) is beautiful and well worth the additional shipping cost (the album costs the same in physical format as through iTunes). As you can tell by now, I think this album is fabulous.  It is a bit odd perhaps, but I've figured out over time that what separates the great "odd" albums from the annoying ones is love -- that people love the genre and the kids in their lives and they're making music borne out of their own musical and personal experiences.  John and Mark's Children's Record reflects that love in spades.  It's one of my favorite albums of the year.  Highly recommended.

Review in Brief: Family Photograph - The Dreyer Family Band

FamlyPhotograph.jpgGiving Family Photograph, the first album from the bi-coastal Dreyer Family Band, a brief review is hard, because you're not likely to hear a kids music album more stuffed with so many feelings this year. The product of the families of Matt and Craig Dreyer, the album gives voice to all of the good times and bad times most families go through. In many ways, it's completely typical family music territory -- lots of songs about love and creativity and animals playing music ("Totem Party," the closest thing the album has to a traditional folk song on its collection of 17 originals). But a few other songs serve as counterweight to the lovey-dovey stuff, and make those songs' emotions feel earned. When was the last time you heard a song (from a kids' point of view) talk about wanting to hit someone, especially a sibling or a friend, but that's exactly what the Johnny Cash-styled "Mad" covers. Or the '60s soul of "You Get What You Get," which adds music to all those things parents say (or want to say) to their child on those highly-stressed days ("It's a get what I got hope you like it day / If you don't just keep it to yourself today"). The music covers a wide range of styles, but has its locus in funky soul music. It's like a long-lost kids album from 35 years ago. It felt a little long for my tastes, though if you asked me exactly which 4 songs I'd drop to make it a trim 33 minutes rather than the 43 minutes it actually is, I'd be at a loss to do so. The album will probably be most appreciated by kids ages 3 through 8, though the real target audience is those kids' parents -- if the kids like it, that's a bonus. You can hear some tracks at the band's website (click on "listen") or samples at the album's CD Baby page. Listening to Family Photograph feels a little bit like looking through a family album of highly personal photos; sometimes the photos are fuzzy or seem to have meaning that escapes the casual listener, but at times these snapshots have captured something magical. Recommended.

Review: Family Time - Ziggy Marley

FamilyTime.jpgI'll start this review of Family Time, the first kids music album from Ziggy Marley, by saying that I'm not a big reggae fan. So, when I put my review copy into the CD player my expectations were low. Saying that the album exceeded my expectations, then, would be somewhat like damning with faint praise. So let me put it this way: Family Time is a lot of fun, regardless of what music your family likes. Unsurprisingly, there's a pleasant, laid-back vibe to the album which is one of its greatest strengths. "I Love You Too," for example, with Marley's mom Rita and his sister Cedella, won't change the world but its simple groove will probably put a smile on your face. "Take Me To Jamaica" features a fun duet between Marley and reggae legend Toots Hibbert. And my favorite moment on whole CD might just be when Marley's daughter joins in on the singing on the title track. It certainly isn't polished, but it's exactly that feeling of recording amongst friends and family that takes this album so far. As for the rest of the guest stars, some of it works, some of it doesn't so much. Generally, I liked the female singers -- it's hard to go wrong with two of the best voices in the kids music genre, and Elizabeth Mitchell and Laurie Berkner don't disappoint on their tracks. The male guest stars, not so much -- it's not that Willie Nelson and Paul Simon are bad, just that they don't really add much to the track. And the placement of not one but two Jamie Lee Curtis narrations (one Marley's, one hers) back-to-back at the end of the disk is just plain odd. (Interspersed earlier in the disk, and it might have worked...) The 45-minute album might be targeted to kids ages 3 through 7, but I think a lot of adult fans will find the album eminently listenable as well. You can find samples throughout the internet, the title track on his Myspace page. Ziggy Marley has said that he hoped to make Family Time an album which could be passed down from generation to generation. And while I don't know if it's a timeless classic, there's no doubt that it's worthy of some repeat play. Definitely recommended.