Review: Thank You For Joining the Happy Club - Billy Kelly

Here's a sign of how oddball a CD is: when you cover a Talking Heads song on your kids' album, and it might just be the least weird song on there. Thank You For Joining the Happy Club is an oddball CD, and I mean that as a high form of praise. It's the debut kids' CD from central Pennsylvania's Billy Kelly, and it's totally winning in its goofiness. How goofy? Try this, a snippet of animation for "People Really Like Milk":

And it goes on like that ("People really like drinking / From a really big thing that goes moo"), getting sillier all the while. It is a novelty song, perhaps, but it is a perfectly-constructed and produced one, possibly my favorite song of the year. The rest of the CD follows that pop-rock template, if not quite reaching those giddy heights. The title track invites you to "tell your dog the join the happy club" (with a perfectly timed woof) while having the background singers provide the "doo-doo-doos" after Kelly sings that "there aren't any dues." While the hyper (and genre-jumping) "I Don't Know!" sounds like early They Might Be Giants, most have the tracks have a warmer, usually joyous Barenaked Ladies vibe, particularly on songs like "Springtime: It's My Favorite" and "(Let Me Tell You) What I Like About You." And, yes, there's a Talking Heads chestnut, "Don't Worry About the Government," which in its straightforward reading is OK for kids, if a bit mystifying for them. (Hey, at least it's not "Stay Up Late.") Kelly and his band, the Blah Blah Blahs, make an appealing sound together; I particularly enjoyed the guitar work, which reminded me a bit of Adrian Belew in spots. Now, there's no good reason to have two self-referential songs about song construction -- one is plenty for a kids' album (one is probably plenty for any album). And Kelly has a tendency to resort to spelling in his lyrics. (I'll admit, though, that the song title "S-N-O-W-M-A-N (Snowman!)" is pretty funny.) You take the good with the overdone good, I suppose. The album will be most appreciated by kids ages 6 through 10. You can hear several songs from the 32-minute album at Kelly's Myspace page. For now you can purchase the album here. Thank You for Joining the Happy Club is an album for slightly older kids, those who enjoy snappy wordplay and goofy imagery. I could see younger kids being puzzled by the hullabaloo and it's a bit too cute by half at points, but I think there are going to be some families who absolutely love love love this disk. Join the Happy Club? Sure, I did -- I might even run for president. Definitely recommended.

Review: My Name Is Chicken Joe (Book/CD Set) - Trout Fishing in America

With about 30 years of recording behind them, Trout Fishing in America have a back catalog that is plenty large enough with which to start doing some interesting things. To wit, My Name Is Chicken Joe, the first book collaboration the duo of Keith Grimwood and Ezra Idlet have done with The Secret Mountain publishing company. The collection is out this week and it essentially is a "best of" collection of some of Trout's wordier, folkier tracks. The "star," so to speak, of the 11-track collection is "Chicken Joe," which gets its lyrics (about animals with non-sensical names like the cat named "Chicken Joe") illustrated over a couple dozen pages. The illustrations by Stephane Jorisch remind me of gonzo illustrator Ralph Steadman with about 90% less gonzo. (There is no other way to describe them than "cute.") Lyrics to the other ten tracks each get a couple pages of illustration as well. But we're mostly about the music here. The 11 tracks -- all previously-released -- include a number of excellent Trout Fishing tracks, not just the title track, but also "My Best Day," "It's A Puzzle," and "Fill It Up." For the most part, the selections tend toward the folkier (notwithstanding the rocking "I Can Dance" and the klezmer-touched "Boiled Okra and Spinach"). It's a fine collection, but it by no means is a complete Trout Fishing "Best Of." The collection lacks Trout classics such as "18 Wheels on a Big Rig," "Three Little Ducks," and "The Window," but those are songs that depend upon interaction between Grimwood and Idlet and not so much on the lyrics. Written down on paper, those latter songs wouldn't be so interesting -- it's Trout's classic live stage banter that makes those songs favorites to many listeners. The songs here are songs on which the lyrics themselves take center stage. The songs will be of most interest to kids ages 5 through 9. (The book, maybe a little younger.) You can hear clips of the 33-minute album wherever books/CDs are sold online (or watch this video of the title track). If you're interested, you can also buy the CD just by itself, but with the book barely costing more than the CD, I say go for the book. (I should note that book itself is of high quality -- typically the books in these book/CD arrangements have a pretty cheap feel to them, but not this one.) Longtime Trout Fishing in America fans will likely appreciate the book My Name Is Chicken Joe because it marries some delightful illustrations to a sweet Trout song, though may be disappointed by the lack of even a single new track. I'd recommend it more to newcomers to the band, who may appreciate the book more for that "best of" quality. Here's hoping, though, it leads to a couple more books (and, by extension, a couple more greatest hits volumes).

Itty-Bitty Review: Honey, Sugar Baby Mine - The Von Swing Family

The story of Brooklyn's Libby Shapiro isn't terribly novel at this point. As she puts it in her PR materials:

Throw a rock and hit a musician in Brooklyn, it is true. And [she's] yet another professional musician living in that fine borough who spent her life making music for adults, who, once she had a family, started singing for and with the kids the songs she loved and sang as a child...

Whatever points Shapiro loses for originality, though, she picks up in putting together a winning collection of kids' favorites (with a few curveballs mixed in) on her debut album as "Wanda Von Swing" on the Von Swing Family's Honey, Sugar Baby Mine. The band puts a Cajun/zydeco stamp on some of the traditional songs such as "Skip To My Lou" and "Crawdad," putting piano, accordion, guitar, and stand-up bass to good use. All the songs feature Shapiro's distinctive and full-bodied voice, which sometimes comes close to overpowering the simpler toddler songs, but on songs like "Buffalo Gals/Red Haired Boy" and Shapiro's original "Shake It, Baby, Shake It," it makes for a good match. And it's impossible not to like an album that ends with a gently rollicking cover of Hank Williams' "Jambalaya." The album will appeal most to kids ages 2 through 7. You can hear samples of the tracks at the album's CDBaby page. Honey, Sugar Baby Mine is what might've happened had Dan Zanes swung through Louisiana many years ago as he was starting to think about music for families. It's just good kids and family music, American roots style. Recommended.

Itty-Bitty Review: Goodie Bag - The Hipwaders

Rather than record a full-length follow-up to their fine 2007 collection Educated Kid, the Bay Area band The Hipwaders decided to save a little money and record just an EP, Goodie Bag, released last week. The band packs in quite a bit of music into the 16-minute EP and while there's nothing as completely amazing as the title track to their Educated Kid disk, there's a lot here to enjoy. From the crunchy power-pop snippet "Birthday Ruckus" to the jazzy punk "Field Trip" to the XTC-punk of "Things You Want," the band covers a lot of musical territory and chords you don't hear so much of in the genre. They're not recording "Jazz Odyssey" by any means, but songwriter and guitarist Tito Uquillas likes to write songs celebrating the imagination or creativity -- "My New Camera" or "What's That Noise?," for example -- and the trio's music never fits a cookie-cutter pop mold. Fellow Bay Area musician Gunnar Madsen also makes an appearance on the title track, the goofiest track here. The album will appeal most to kids ages 4 through 9. You can hear clips at the album's CDBaby page or hear full clips plus lead Hipwader Tito's thoughts on the EP here. As far as goodie bags go, this particular one would be an excellent stuffer at your kids' next party. A tiny but recommended collection of songs.

Review: Pink! - Rocknoceros

I've been listening a lot to Pink, the third album from the DC-area band Rocknoceros, set to be released this week, and it's probably probably appropriate that I've been doing so while giving the upcoming Recess Monkey album a few spins. I've said before that the two bands share similarities in my mind -- besides the obvious fact that they're both trios, they also share a sense of humor, earnestness that isn't cloying, and rabid fanbases in their hometowns. Like Recess Monkey, Rocknoceros also writes some excellent songs, and that continues to be true on this latest release. The album starts with the exuberant title track, perhaps the most hyper song in the band's oeuvre. You're plunged right into the album, kids are shouting the chorus, and you're wondering if maybe the band should cut back to a couple espresso shots a day. But rest assured that sanity returns -- "The Train Song" could've been written 60 years ago in its gentle swing and explanation of the different parts of the train. The fabulous "Playground" is a missing Byrds kids song, and "Big Wheel" is a crunchy Southern rocker with the irresistible refrain "How far can a Big Wheel ride?" Some songs, like "Lucky Lindy" downright take their time getting to where they want to go. (I can do without "Virginia," the song, if not the state, but given how big the band's fanbase is, I'm just waiting for "DC" or "Maryland" on the next album.) Like the previous two Rocknoceros albums, Pink! is geared at primarily a preschool, early-elementary crowd. There is no small amount of advice-giving as on "Put Your Hat On," "Nappin' Time," and (for the parents) "Don't Give Up" but it's put over with such tunefulness that it will stand up to repeated parental listens. The band sounds remarkably full-bodied for being just a trio, and the album sounds great sonically. You can hear that sonic quality throughout the whole album, but especially on the final track "Always Tell Your Grandma," which is every bit as reserved as "Pink" is exuberant. The a capella harmonizing on the 2-minute track of advice-telling (tell you grandma you love her -- tell your parents you love 'em) ends up sounding almost like a hymn. That sounds ponderous and awful, but it's one of my favorite tracks of the year thus far. The album is most appropriate for kids ages 3 through 8. You can hear samples from the 39-minute album at its CDBaby page (as well as a few live cuts at Rocknoceros' main page). While there isn't an absolute classic song like "Big Head" or "Pluto" and the band's humor is a little more muted on this offering, Pink! is definitely the band's most consistent and fullest-sounding album yet. It's only a matter of time before the band starts conquering other states besides Virginia -- there are many other states who could use a new state song. Definitely recommended.

Itty-Bitty Review: A Frog Named Sam - Ben Rudnick & Friends

I wouldn't say that Ben Rudnick & Friends march to their own drummer -- their music for kids and families isn't too far out of the mainstream, particularly for those families whose tastes run to the folk/jamband side of the genre. But they seem more than willing to play songs that they want to play, and if they happen to interest the kids, so be it. Their latest album, the recently-released A Frog Named Sam, is almost 2 EPs smooshed together. The first EP, so to speak, the first 6 songs, features songs that would sound more familiar on a typical kids' disk -- the "frog out of water" story "A Frog Named Sam," "Race Car" (which does a good job of conveying the thrill of pre-NASCAR racing), and "I Need A Hand." The last song is recycled from a previous Rudnick album, but who cares, because it's the goofiest track you'll hear all month. The second EP, the last 5 tracks, are where the band pretty much decides they're bored with the kids' stuff and decide instead to record a folk music album; if the kids like it, so much the better. Now, anyone who responds positively to the phrase "Dan Zanes" will recognize the tracks -- "Erie Canal," "Old Joe Clark," even the original "The Santa Fe," written by band member John Zevos. They don't take many chances with the arrangement -- no Father Goose on "Old Joe Clark," for example -- but Rudnick and Friends have the slickest folk sound in the kids music field, so it's certainly a pleasant-enough spin. Kids ages 3 through 7 will enjoy the album most of all; you can listen to samples of the 33-minute album at its CDBaby page. If you're looking for shiny, poppy family music, Ben Rudnick probably isn't your man, but for a more earthy and rootsy take on music new and old, I think you'll like A Frog Named Sam. Recommended.