Review: Road Trip - Girl Authority

RoadTrip.jpgThere are two kinds of critic-proof kids' music albums. The first kind are albums from, say, Barney or the Wiggles or Baby Einstein. Setting aside whatever you (or, more importantly, I) think of the artistic merits of their music (and it's not necessarily what you think), clearly critical opinion won't move the sales meter one iota, up or down. (Note: I'd love to see what Oprah would do with kids' music, though.) The second kind is an album such as this one, Road Trip, the second album from the Boston-area group Girl Authority, released earlier this week. Now, seeing as their first album has reportedly sold more than 100,000 albums -- if not High School Musical-type sales, certainly more than enough to hold their own with the Dan Zanes and Laurie Berkners of the world -- there's something of the first kind of critic-proof-ness in here. But the bigger reason this album is critic-proof is this: Your kids can -- and do -- buy this album. Listen, if every parent who claims to be sick of the Wiggles just stopped buying their CDs, their sales would drop dramatically. Why? Because 3-year-olds aren't walking into their local Target, plunking down their credit card, and buying the latest CD. This album, however, isn't targeted at you (or me). It's targeted at your 9-year-old daughter. Who, while she probably doesn't have a credit card (unless you've got a waaay different approach to parenting than I have), does probably have an allowance and could pick this up at the mall or ask you to get it the next time you order something online. And, let's face it, you're probably not going to listen to the CD very much as she'll listen to it in her room or with headphones on. Still, you (or some well-meaning relative) might be interested in knowing, well, is it any good?

Review in Brief: Phredderiffic - Phredd

Phredderiffic.jpgPhredderiffic is the third album for kids from the uni-monikered artist whose six-letter name starts with the letter "P." No, Prince does not have two other kids' albums. This 2005 album is from Fred McNaughton, also known as, yes, Phredd. While there is no cover of "Starfish and Coffee" on the disk, there are a number of fun tunes here -- the sweet Beach Boys-esque lament for warm weather "Sled Dogs" and the countryfied "My First Haircut" (with the lament "Where in the world did they put all my hair?") in particular stand out. A number of songs also would lend themselves well to kids' movement, particularly the one minute of nonsense in "Zoobah Zoobah Diggity Zoom" or the silly Australian-accented (literally) "Stuffy Hunt." Other tracks do wear out their welcome -- I do not need to hear the reggae'd "Meet the Trolls" or the industrial "William Watermelon" ever again. (I would note for those of you with small collections of coffee-related songs, "If Coffee Smells So Good, Why Does It Taste So Bad?" is an amusing sea shanty.) Without making too big of a deal of it, it's important that I point out track 5, "I Choose Love." This isn't the first album with religious references I've reviewed, and probably won't be the last, but since it's definitely an uncommon occurrence 'round here, I feel obligated to mention this. If you heard the disk without knowing anything about Phredd, you'd probably be a bit (or a lot) surprised to hear the phrase "God is love" woven into the chorus at the end of the song -- it's only a tenuous fit with the song itself, and nothing before (or after) really prepares you for it. If you're not prepared for it, it's a very "What the...?" moment that will have you scrambling for the CD packaging wondering if you missed something. Kids ages 3 through 8 will probably enjoy this 39-minute album the most. You can hear samples at the album's CDBaby page or at his media page. With his poppy tunes, silly lyrics, and skilled blend of programmed keyboards and real instruments (particularly the ukelele), Phredderiffic is a little bit Eric Herman, a little bit Steve Weeks, and an itty-bitty bit Veggie Tales. It's not a uniformly strong album, but fans of the above artists will likely find something to enjoy here.

Review: The SqueeGees - The SqueeGees

TheSqueegees.jpgThe advantage to the reviewer of an 18-minute CD, such as the 2006 self-titled debut from Southern California-based duo The SqueeGees, is that you can listen to the album a lot before putting fingers to keyboard to write a review. The result of those repeated plays, however, is that some of the odd edges of this CD get rubbed away. Which is too bad, because it's those odd edges that help the CD stand out. Take "Ivan the Terrible," for example, which leads off with the lyrics "His beard is long, his eyes are wild / He terrorizes the town." It encourages the listener to growl. But after hearing it eight, ten times, it no longer seems so outlandish (even for a song in which we find out Ivan is not quite so terrible). Too bad, really. In fact, it's the conventional lyrics here that are sort of dry -- it's when co-singer/songwriters Samantha Tobey and Roman Bluem don't worry about the "point" of the song that the songs are at their most vibrant (the listing of fruits in "Apples, Oranges, & Peaches," all the different sounds in "The Elements"). Musically, the duo pack a lot into what is pretty basic folk-rock. A lot of this has to do with the vocals -- Tobey has a clear and distinct voice that is very inviting, while Bluem has a dry vocal sensibility. (That sensibility fits perfectly with "The Ol' WWW" -- "Saw a picture of a jet on the internet / The ol' WWW / Bid on a Chia pet on the internet / The ol' WWW" -- which will probably go way over the head of the target audience but will amuse their parents.) But they also craft some nice melodies --- "Nala the Chihuahua" is particularly ear-wormy. Despite the claim on the CD cover that the CD is for "ages 0 - adult," I think kids ages 2 through 6 are most likely to enjoy it. You can download a couple tracks and listen to samples of others here, and there's always their Myspace page or CD Baby album page. The SqueeGees is an album which takes a slightly skewed approach to fairly typical children's music material. The album is sadly too brief, but it does make me curious as to what they will come up with next. I hope it's even odder than this CD.

Review: Dance for the Sun (Yoga Songs for Kids) - Kira Willey

DanceForTheSun.jpgYou think kids' music has taken off (again) in the past few years? Think about yoga. Seems like whatever available retail space isn't being taken up by a pharmacy is being occupied by a yoga studio. The idea of "yoga songs for kids," therefore, could very easily be one exploited for a quick buck, resulting in a horrible-sounding, goopy mess. Imagine my surprise, then, when I found Kira Willey's Dance for the Sun (Yoga Songs for Kids), released in late 2006 to be, well, not horrible-sounding at all. In fact, it's kinda fun. Even if you (or your kids) don't do yoga. (I should note for the record here that I'm in the "we have yoga DVDs at home that we still use on a mostly regular basis" camp, which means I like practicing it but have no deep and abiding need to take classes.) Musically, the CD definitely exceeded my expectations. Willey did some performing in nightclubs (no, not of her yoga music) in New York City before becoming a certified yoga instructor and writing songs to use in her classes there. So rather than feeling like the songs were rushed together, they feel organic, like these were actually the best of the bunch. In particular, "Surfer Mama" is a great little doo-wop influenced surfing pop tune that would sound great on any album. You would never know it was a yoga-related song if there weren't yoga moves illustrated in the colorful liner notes. Willey's brother Tom Shields, who sings bass on "Surfer Mama" also sings on "Caterpillar Caterpillar," turning the song's title into a neat little counterpoint to the lyrics. The instrumentation is fairly simple on the mostly folk-rock tracks throughout, which draws attention to Willey's clear voice, though some tracks bring in a few more instruments (Willey plays the fiddle and is accompanied on clarinet and saxophone on the poppy "Midnight Moonlight," for example). If you're looking for reference points, think of a slightly folkier, more abstract Frances England. Very few songs actually have a direct yoga reference in the lyrics -- the title track, for example, goes through the "Sun Salutation" series of poses. Willey could have called this album Movement Songs for Kids or just some other random title. I'm a visual learner, so the 40-minute-or-so "live" yoga class that follows the half-hour of studio tracks didn't really do much for me other than to think that a yoga class with Willey would be lots of fun -- she interacts quite well with the kids. The CD is most appropriate for kids ages 3 through 7. You can hear samples of most of the tracks here. Whether or not Dance for the Sun is a good album for helping your kids learn yoga depends on what kind of learner your kids (and you) are. But this album stands up on its own merits -- pleasant, occasionally poppy songs that encourage movement, even if it's just swaying along. Recommended.

Review: Tabletop People Vol. 1 & 2 - Session Americana

TableTopPeopleVol1and2.jpgLost amid all the talk of hootenannies lately is this crucial point: They're not always all that interesting for the audience. Sure, it can be a blast playing music with friends, challenging one another, exploring new music. Sometimes magic happens for musician and listener alike. But sometimes all you're left with is "Jazz Odyssey," of little interest to the people listening. Tabletop People Vol. 1 & 2 (2005) is an album that grew out of a hootenanny and became a CD that many readers and families out there will absolutely love. The core of Session Americana consists of six Boston-area musicians with many other gigs; the band itself is known for their roots-rock jams in increasingly large local venues. They recorded the album in the same way they play their shows -- gathered in a circle, with guests joining in. The band's long experience playing live shines through on the CD -- the music is accomplished but with a looseness that makes the joy (and, occasionally, sadness) stand out. The album starts off with with an invigorating bluegrass take on "Boats Up the River," so propulsive that one of the band members shouts "Don't stop now!" midway through. And they don't, from a rootsy take on Jonathan Richman's "Party in the Woods" (led by former Richman bandmate Asa Brebner) to a gently swinging "Merzidotes" to the best version of "Froggy Went A-Courtin'" on record (emphasizing the "uh-HUH" part gives it a great singalong feel). And that's just the first CD. Yes, in the spirit of Wilco's great Being There album, this 59-minute album is split into two CDs. The second CD is listed as more introspective, a distinction that is somewhat hard to hear (there are introspective tracks on the first CD, too), but the split does make it easier to take just a 30-minute CD break. The second CD includes the languid indie-pop "Floppy Tulips," a rockin' alt-country' "Mr. Rabbit" (which, well, would have fit perfectly on Being There or A.M., musically at least), and the final two songs "Point of No Return" and "Trouble Wheel." These last two are not kids' songs by any stretch of the imagination -- they're the songs you hear at the end of the night when the kids, exhausted from dancing and playing around, are asleep in your lap just before you head home. The album's appropriate for listeners age 2 and up, although there are going to be certain songs that the youngsters won't get -- not inappropriate, just not really geared for 'em. You can hear samples of all the tracks at the album's CD Baby page, but I'd recommend going to both their Myspace page as well as their own album page. Each have the same three (full tracks), but the former also includes "Mr. Rabbit" and the latter also includes "Boats in the River." Fans of Dan Zanes, Dog on Fleas, and Elizabeth Mitchell will especially hold this album dear, but so will a bunch of other listeners. Sometimes hootenannies leave the listener a little flat, but at times they can be graced by magic. Tabletop People Vol. 1 & 2 falls in the latter category. Highly recommended.

Review: LMNO Music (Green) - Enzo Garcia

EnzoGarciaGreen.jpgOver the course of just a few years, San Francisco-based Enzo Garcia has released nine albums of original and occasionally quirky folk reworkings of traditional and original kids' songs. The recently re-released Green is a good example of Garcia's work. One of the primary things I find so appealing about the series is the fact that electronic keyboards, which in many artists' hands is the great bane of children's music, are long absent. Instead, on tracks such as "What Do You Do?," Garcia employs a toy piano. I'm not necessarily a huge toy piano fan, but Garcia's fondness for using instruments you don't typically hear (on albums of any kind) means getting to hear familiar songs in unfamiliar ways. And so on "This Old Man," Garcia is joined by Tom Waits' occasional side man (and budding kids' musician in his own right) Ralph Carney on slide clarinet. Garcia and Carney also team up on a rousing "Drunken Sailor," which spares no lyrics in the tale of the punishments for the inebriated crewmate, Garcia's rolling of the "r's" on "rusty razor" echoing Carney's tenor sax. There's no track on here that's quite as engrossing as "Hold My Hand" on his Pink CD, but the round on the traditional "My Paddle's Keen and Bright" comes close. (I also liked Garcia's "Dee Dee.") Even more than Pink, Green will be most enjoyed if you participate along with the music. The disks were created to accompany Garcia's weekly music classes, and so if you move around (or accompany with shakers and tambourines) the music here, you'll get the most out of the album. The songs here are most appropriate for kids ages 1 through 6. You can hear samples at the album's CD Baby page. Enzo Garcia is right in the middle of the great folk music tradition that encourages music-makers to take traditional tunes and make them their own. On Green, Garcia continues to help families hear old tunes in new ways (and maybe even start to make them their own). It's as good as any Garcia album to introduce you to his music. Recommended. [Note: Bryan at The Pokey Pup notes that they're currently running a special offer where if you buy Green you can get LMNO (Red) for free. Easy-peasy. Click here for more...]