Review: My Green Kite - Peter Himmelman

MyGreenKite.jpgIt is probably accurate, though way too simple, to characterize Peter Himmelman as a "singer-songwriter." Meaning, I've always thought of "person with a guitar singing very personal songs" when I think of "singer-songwriter," and while Himmelman does sing some very personal songs, "person with a guitar" is not at all a fair description of what Himmelman does musically. One listen to My Green Kite, Himmelman's fourth album for kids and families, and his first for Rounder Records, will make that abundantly clear. The album, released tomorrow, continues Himmelman's wildly creative approach to both music and lyrics. But unlike, say, My Fabulous Plum, which had some strong songs, but was so all over the map that it was hard to get into the album, on Kite Himmelman has dialed back that anything-goes approach just enough to create an album of slightly-more-accessible songs. The result is fabulous. More so than most kids' lyricists, Himmelman has a gift for putting a new frame on an old picture. On the opening track "Feet", for example, Himmelman creates a Sgt. Pepper's-like ode to, well, feet, encouraging the listener to consider their own feet. (In the liner notes, Himmelman says, "Sometimes people forget about their feet. They are so used to thinking about their eyes, or their ears, or their hair.") Himmelman asks the '80s-synth-pop question "Have You Every Really Looked At An Egg?" and, well, I probably haven't. (So thank you, Peter.) Himmelman also tells fantastical and imaginative stories, such as on the great pop-rocker title track, about a kite that just keeps flying higher and higher. "Another Bite of Hay" is the best kids' song about that didn't make it on to Bruce Springsteen's early albums. (That it happens to feature a bull, a cow, and a mule seems incidental in nature.) But Himmelman doesn't ignore realistic lyrics either, nailing parental indecisiveness on the Van Morrison-like "Maybe Is A Bad Word" and penning a sweet tribute to his father on "My Father's An Accountant." (And the slow rap "Nothin' To Say" is just fun wordplay.) I think kids ages 5-9 are most likely to respond to the song subjects and lyrics here. You can hear samples at any major internet retailer (it's good to have Rounder's distribution network!) This is a fantastic album, chock-full of great tunes and production, with lyrics that sometimes speak directly to kids' daily lives and other times fire their imaginations. It'll make you smile and make you think. I know it's early in the year, but with My Green Kite Peter Himmelman has recorded an album on my short list of favorite albums for 2007. Highly recommended.

Review: Fins and Grins - Johnette Downing

FinsAndGrins.jpgI appreciate artists like Johnette Downing who have carved out careers making kids' music in genres other than the dominant rock and pop genres. Based in New Orleans, Downing understandably draws upon the rich musical gumbo of the region, using Cajun, Creole and Zydeco as her musical inspiration. Released nationally this week, Downing's sixth kids album, Fins and Grins, is a fine example of Downing's musical approach. For subject matter, Downing looks to the sea, singing songs about penguins, stingrays, and (naturally) l'ecrevisse, more commonly known as the crawfish. Musically, the album is a great collection of melodies, supported by Downing's sweet voice and strong band. But the album has a strong interactive and educational component, and how you feel about the CD will depend in large part on how interactive and educational you like your CDs. Many preschoolers will like songs like the gently boogie-ing "Clamshell Clap," which encourages lots of clapping, natch, or the "Amazon ABC's," which lists Amazon animals well-known and not. If you're not looking for educational songs, you might appreciate the Zydeco of "L'ecrevisse" while not caring much for the lesson about the crawfish in the lyrics. Some songs do stand well on their own, the traditional folk song (with rewritten lyrics) "The Circle of Life" and the album closer (with a sweet fiddle accompaniment) "Turtles" being two prime examples. I think kids ages 4 through 8 will most appreciate the lyrical content here (the musical content is definitely all-ages). You can hear samples at the album's CD Baby page or hear a couple tracks at Downing's music page. In the end, despite the solid musical composition, the somewhat narrow lyrical focus and approach of Fins and Grins probably keeps it from being everyone's cup of tea. If, however, you are looking for a kid-friendly collection of New Orleans-flavored music or are a librarian or preschool/elementary school teacher looking for some aquatic-themed music as part of (or to lead) a lesson, then this album will make an excellent addition to your collection.

Review: Get Up & Dance! - Gwendolyn and the Good Time Gang

GetUpAndDance.jpgTalk about double lives -- Los Angeles-area-based Gwendolyn Sanford spends some of her time scoring the second season of the Showtime series Weeds, while simultaneously performing music for preschoolers as the uni-monikered Gwendolyn in Gwendolyn and the Good Time Gang. It is very much to Gwendolyn's credit that her second album for kids, Get Up and Dance!, released late last month, is entirely irony-free. Somehow, though, the songs are eager without turning off the parents. For example, kids will enjoy her exhortation to "bounce and bounce and bounce" (ad nauseam) "around" on the leadoff title track, while parents will smile wanly at the recognition of the fact that this, yes, is exactly how their child moves. But somewhere in the course of the song, the music opens up, adding handclaps and becoming sonically interesting (without losing the kids). The rest of the album is like that, too -- the super funky "Eensy Weensy Spider," the disco freeze-dance of "Red Means Stop," and the best song never recorded for Grammar Rock!, "I Can Read." The listing of vegetables "Out in My Garden" is reminiscent -- in a good way -- of their debut album's "My Anatomy." I also appreciate the fact that the album doesn't end with a typical kids-album-closer slow song, but instead with the peppy "Sunny Day." It fits perfectly here. She's having fun performing her songs, which are targeted right at 3- and 4-year-olds, and it shows here (you can almost hear the laughter on a couple of tracks). The band's sound has expanded since their self-titled debut album, and, like their Northern California counterparts The Sippy Cups, are especially mining the sounds of 30 to 40 years ago for inspiration. The band (which includes her Weeds scoring partner Brandon Jay) sounds great. Nowhere to be found are the "characters" from the first CD (which is A-OK by me), though Gwendolyn's high-pitched voice and occasional spoken-word intros may turn off a few exceedingly finicky listeners. The 27-minute album is most appropriate for kids ages 2 through 6. You can hear samples either at Gwendolyn's Listen page or at the album's CDBaby page. Save for a track or two, this is probably not an album you would listen to by yourself. But Get Up & Dance! will be one of those albums you'll be happy to pull out at your kids' request. They'll think it's great, and the energy and enthusiasm on the album will pull you in, too. Definitely recommended.

Review: Sam's Rot'n Pot'n Pan Band - Sam's Rot'n Pot'n Pan Band

SamsRotnPotnPanBand.jpgAs way of introduction to the self-titled 2005 debut from Vancouver, British Columbia's, Sam's Rot'n Pot'n Pan Band, I should note that Vancouver is my favorite city in the world. This is probably due to the fact that my dad was born and raised there and our not infrequent travels there as I grew up. One of my great memories of the city is going to Expo '86, Vancouver's World Fair. What I remember most about Expo '86 is the Shuffle Demons, a jazzy saxophone-driven band who, believe it or not, are still going strong (check out their Myspace page), but who, that summer, were still pretty much street musicians. I thought they were awesome. If Vancouver held its World Fair 20 years later (and I was maybe ten years younger than I was in 1986), I would hold Sam's Rot'n Pot'n Pan Band in the same regard. Their 34 minute album is, I suspect, less an album than it is a collection of their greatest hits playing at festivals and markets. (If they lived in the States, they could tweak their act to tour around the country at Renaissance Festivals.) "The Treasure Map," a 4-minute pirate story is pretty good on record, but I can totally imagine how captivating it might be live. Same with the jokey "Opera Man," which does earn bonus points for including a selection from "Carmen." Which isn't to say that there aren't some great standalone tracks here. The first track, "A Turtle Named Roy" covers the essence of turtles, memories of childhood, explanation of what a 45 is, and a celebration of one of the great voices in American pop records, and all in about three minutes. The next track, "Your Parents Eat Your Candy," is a rollicking blues reminiscent of the Boston band Morphine, and is a confirmation of every kid's suspicions about their parents. After those two tracks, the rest of the album suffers a little bit in comparison. (I should also point out "Accounting Singalong," though, which is nothing but a 30-second musical joke, but a pretty darn funny one.) The trio are adept with their instruments, and the semi-regular use of kids' voices is handled well. I think kids ages 3 through 8 are most likely to enjoy the album. You can hear samples (and buy the album, for those of you not lucky enough to live in Vancouver), at the band's website (follow the treasure map to "Samples," where you can also watch videos for "Treasure Map" that confirm my suspicion that the song would be awesome live). So there you go. It's an album that lists among the instruments "suitcase," "doodads," and (my favorite, and immediately obvious when you hear it) "handfarts." As a result, while I recognize that my affinity for the album may be clouded by other personal affinities, Sam's Rot'n Pot'n Pan Band is a collection of fun recordings that I suspect serves as a good souvenir of what must be a hoot-and-a-half of a performance. Recommended.

Review: Mommy Says No! - Asylum Street Spankers

MommySaysNo.jpgLongtime fixtures of the Austin music scene (with fans in the U.S. and abroad), the Asylum Street Spankers would probably rank low on the list of bands you'd expect to see turning out a kids' album. Any band that counts EPs entitled Dirty Ditties and Nasty Novelties as part of their discography clearly hasn't made their name by recording albums suitable for use in your kid's preschool. So it's not unreasonable to ask -- is Mommy Says No!, their first family-friendly kids album, really family-friendly or for kids? The answer is yes, sort of, mostly. The band, who have made their name playing a broad range of musical genres using acoustic instrumentation, apply that same formula to a more benign set of song topics. Learning to ride a bicycle ("Training Wheel Rag"), wondering about being an adult ("When I Grow Up"), or being afraid of the dark ("Don't Turn Out the Light") -- these are all standard subject matter for kids music. But rather than setting those topics to pop fare, they turn them into a swinging rag (with some killer fiddle), funky New Orleans brass-band strut, and a sweet pop tune interrupted by some "Thriller"-like vocals. Whatever the style, throughout the album, the band sounds great. What distinguishes the album from most in the genre is its winking sense of humor, which at times ignores the kids and aims straight at the parents and at times may give parents pause. More benignly is Christina Marrs' "Be Like You," a sweet little ditty with toy piano and a background chorus of the guys in the band sounding like SNL's old "Unfrozen Cavemen Lawyers." Wammo's "You Only Love Me For My Lunchbox" may have some of the more nervous parents in the crowd skipping for the next track as Wammo leads the rest of the band through a set of tongue-twisters that ends with one more apropos for the over-21 crowd. The band's bluegrass cover of Nirvana's "Sliver" is downright awesome, though lyrically ("Mom and dad went to a show / they dropped me off at Grandpa Joe's / I kicked and screamed, said please no / Grandma take me home") is hardly the paean to childhood a lot of parents want. (Whether kids appreciate the familiarity of the situation is another matter.) With all due respect to Trout Fishing in America's "Alien in My Nose," I shouldn't let this review go on without noting the best song about snot ever written, the wildly amusing "Boogers" -- it strikes the perfect balance between juvenile humor for the kids and sly references (Quiet Riot -- haven't thought about them for years) for the adults. So, I'm pegging the age range at between 4 and 9 years of age, though a couple of the songs on the 46-minute album do seem pegged somewhat above the 4-year-old mark. The album's been available at the Spankers' website since August 2006, but is getting a proper release next week. You can hear a medley of songs there or go to major internet retailers to hear snippets. In the end, sometimes the band is referred to as, simply, "The Spankers." Whether you think that's a particularly good or bad name for a band recording an album for kids will go a long way toward determining whether you like the album. Some mommies will say "no" to Mommy Says No!. A sizeable minority of families won't like it all. But I think most people who are reading this review here will find it a hoot, energetic enough and tuned into kids' lives for the kids, while entertaining for their elders. Definitely recommended.

Review: A Curious Glimpse of Michigan - Hipp, Kammeraad, and Friends

CuriousGlimpseOfMichigan.jpgI lived in Minnesota for a portion of my "tween" years (though they didn't call them that then), and not only do I still have the Minnesota-shaped cutting board from my seventh-grade woodworking class to prove it, I still remember spending a portion of fifth grade learning all about Minnesota. Now, I don't know if in these testing-crazed times states still spend time learning about their own states' geography and history, but in case the schoolchildren of Michigan no longer get class time to do so for their state, might I recommend A Curious Glimpse of Michigan? (See also here.) Based on the book by Kevin and Stephanie Kammeraad and Ryan Hipp, the album features 49 tracks from a lots of musicians including Hipp, the Kammeraads, ScribbleMonster, and Danny Adlerman. As you might suspect with so many tracks and so many musicians, the music here is all over the map stylistically and enjoyably. In spirit, it reminded me a little bit of They Might Be Giants albums, especially Apollo 18, which included a series of brief song snippets which could be played together as "Fingertips" or played randomly throughout the CD. Truth be told, the album might almost be worth the price just for ScribbleMonster's "I Wish I Lived In Michigan," 2 1/2 minutes of family-friendly power pop that, six months after I first heard it, I still haven't tired of. Almost makes me wish I lived in Michigan, just so I could say I lived in a state that inspired that song. (Wow, that song and Sufjan Stevens. Not bad, Michigan, not bad at all.) But beyond that, there are some other sweet tracks -- the funky "Over 635 Cities" channels Mike Doughty from Soul Coughing while Dany Adlerman & Friends' contribution "Cousin Jacks" sounds simultaneously early 20th and early 21st century. As for ScribbleMonster's "The Fur Trade?," they answer their own question ("Fur! Fur! Fur!"). And I liked the Schoolhouse Rock! blatant ripoff loving homage of "Capital City, Capitol Building." At over 61 minutes in length, the album is a bit too much to absorb in one sitting. Not that any of it's bad, it's just... long. But it (like the book itself) is a fun thing to dip into here and there. I think kids ages 4 through 10 will most enjoy the album. You can here samples of each and every 49 tracks at the album's CDBaby page or 4 complete tracks (including "I Wish I Lived In Michigan" and "The Fur Trade?") at ScribbleMonster's Myspace page. A Curious Glimpse of Michigan is a hoot to listen to, and -- dare I say it -- a little educational. It's fun regardless whether you live in Michigan, wish you lived there, or have only had a brief layover in Detroit. Recommended. (Note: Bill at Spare the Rock, Spoil the Child may still have a copy or two to give away.)