Review: Dreamers of Dreams - Erin Flynn with the Co-Op Band

It’s hard work reinterpreting classic kids’ tunes -- it takes imagination and a little bit of brazenness. Originally released in 2004, Erin Flynn’s debut Dreamers of Dreamshas enough of both. Flynn, who now teaches at the Old Town School of Folk Music in Chicago (and appeared on their Wiggleworms Love You album), recorded the album in Philadelphia with a large and talented Co-Op Band, giving her freedom to take musical chances. My favorite reinterpretation is their version of the classic “Mary Mack,” which starts off slowly and gradually picks up speed before becoming a full-on punk version. In “Twinkle,” Flynn uses “Twinkle Twinkle Little Star” as a jumping-off point for original music (reminiscent of Guster) and sky-centric lyrics. The original songs, while decent, collectively may be too earnest for the adults and too abstract in places for younger kids. (I tried but couldn’t resist, however, the best song the Partridge Family never sang, “Join In With a Song.”) The 40-minute album employs many musical styles -- the punky “Mary Mack,” for example, or country and bluegrass on the “Train” medley -- but most commonly has a folky, jam-band feel, thanks especially to the adept percussion work. The album is best for kids age 3 through 7, with sound clips (and the album) available at the album's CDBaby page. Fans of Elizabeth Mitchell, Brady Rymer, and Frances England will find much to like on this collection, particularly the fabulous reinterpretations. Recommended.

Review: Here We Go - Melissa

If I had a dollar for every time my name was spelled incorrectly, we'd have replaced the flooring in our house long ago. So I understand the decision by Los Angeles-based musician Melissa Szilagyi to drop her surname and perform simply as Melissa. It's also very pop-star-like. Her debut kids' music album Here We Go (2006), to be released next week, is 29 minutes of preschooler-friendly acoustic pop that sounds not a little like kids' music star Laurie Berkner. Whimsical stories ("Have You Ever Seen?"), interactive songs (the sea horses counting down from 5 to 1 on "The Seahorse Song"), and subjects of great concern to 3- and 4-year-olds ("Going on a Trip," "Chocolate Ice Cream.") Add to that Melissa's warm voice and sharp additional instrumentation (guitar, mandolin, harmonica, assorted percussion) from New York-based musician Beau Elliott, and the album is a perfectly good little collection of songs. The originals are well-crafted; the few traditional songs are innovatively arranged. It's not quite at Laurie's level, though, for a couple reasons. First, Berkner's songs have a river of good humor flowing through them; these songs, though by no means humorless, don't have enough of those moments of loopiness that keep parents sane while listening to Berkner's music. Second, you realize how important Berkner's band -- the bass and the piano -- are to her albums. Here We Go would have benefitted greatly from even a couple songs with a full band. The album is most appropriate for kids age 2 through 7. Listen to clips here or here. I'm recommending this -- it's a well-done and enjoyable album. (And I'm hoping Melissa finds even more talented musicians for her second album!)

Review: The Great Adventures of Mr. David - Mr. David

Sometimes it's easy to review kids' music -- a little of bit of this, sounds like that, there are songs about food. Then an album like The Great Adventures of Mr. David (2006) comes along, making the task much more difficult. Whatever it is (and it's many things, sometimes all at once), this is not a typical kids' album. The second album for kids from San Jose-based musician David Alexandrou, who performs as Mr. David, The Great Adventures has, as you'd expect from the title, a number of songs about adventures and travels. But these aren't typical adventures. The very first line of the album, on the winding Bob Dylan-esque track "Sea Song," is "Golden brown peanut butter fell from the sky." And then it gets odder. (Yes, the narrator quickly gets to the sea. The sea serves as the location for other songs -- "Surf's Up All Around the World," "In the Storm Fighting the Octopus," and the Beatlesque "I'm A Fish." There's a sense of wonder and absurdity in the lyrics that sets it apart from the concrete lyrics of many other artists. Not that one is necessarily better than the other, but this is definitely the road less-traveled lyrically. The lyrics would just make the album slightly unusual if it weren't paired with a fabulous musical approach. Instrumentally, the album employs, among other things, horns, dulcimer, washboard, and ukelele. It's very Dan Zanes-ian in that regard. Mr. David also has a rough voice reminiscent of Zanes, but is also willing to use voice almost as an instrument, as at the end of the terrific "Surf's Up All Around the World," which sounds like the Beach Boys-meet-Laurie Anderson, or the instrumentals "Dream Away; Sail Away" or "Dancing with Peter Pan," which have a touch of Peter Gabriel in them. There's also the Jane's Addiction-goes-mariachi of "La Cucaracha" or the blues-rock of "Rock 'N' Roll." Even when something doesn't work (the medley of nursery rhymes), at least it's different. The album probably would interest kids ages 3 through 9, though different songs would interest different kids. You can hear "I'm A Fish" here or samples of all the songs at the album's CDBaby page. Even though I've made a lot of comparisons here, as a whole this album sounds like nothing else you've heard all year. It's got a sense of wonder and playfulness that will interest kids (and their adults) for a long time. Definitely recommended.

Review: Great Big Sun - Justin Roberts

The great risk in going back and listening to an artist's early work is that you won't like it as much as the later work that drew you to the artist in the first place, thereby also diminishing your original enthusiasm. Thankfully, that didn't happen for me when I listened to Justin Roberts' 1997 kids' music debut, Great Big Sun. It is, however, a different animal from Roberts' later work. Unlike Roberts' later work, especially his stellar 2006 Meltdown!, Great Big Sun is a stripped-down work musically. Mellow guitar, some bass, some drums, the occasional tuba -- "Our Imaginary Rhino," this ain't. Instead, folk-pop songs such as "Little Raindrop," "Great Big Sun," and "3 Lil Pigs" take center stage. "Apple Tree" is such a dead ringer for James Taylor's work that Taylor could sue for royalties (or ask Roberts for permission to cover it). Only on a couple songs does he break out of the mold of the rest of the album, "A B C D E," an original pop-reggae take on an alphabet song, and my favorite, the folk/punk-rocker "Do You Wanna Go?," which sounds a little out of place here amidst the mellower cuts. Lyrically, the album also differs from Roberts' subsequent albums in that the targeted age range is definitely younger. This is a result, no doubt, of Roberts' previous work as a preschool teacher. The alphabet, numbers, body parts (OK, brain parts), the three little pigs -- these are of great interest to 3- and 4-year-olds and perhaps less to older kids. And the impish characters that populate many of Roberts' later songs only appear once here, sort of, in the sweet, tuba-accented "Everything Else Starts With 'E'." Given the slightly less mature subject matter, I'll put the age range here at 3 to 7. You can hear samples at the usual online sampling places. Make no mistake, Great Big Sun is a sweet and tuneful collection of songs. (Indeed, Roberts has commented how some people "still love the simplicity" of the album.) It's not the guitar-pop of his later work, but it stands proudly in its own right -- it's an important part of Roberts' work. Recommended.

Review: Parades and Panoramas: 25 Songs Collected by Carl Sandburg - Dan Zanes and Friends

Dan Zanes' 2004 album Parades and Panoramas: 25 Songs Collected by Carl Sandburg is not, strictly speaking, a "kids music" album. This collection of songs from The American Songbag, compiled and published by the poet Carl Sandburg in 1927 does not always have the friendly vibe found on Zanes' five kids-related CDs. But it is a "family music" album in the best way -- it encourages families to listen, and occasionally sing, together. Recorded with the same large and talented cast of characters Zanes has recorded his last few albums with, the album takes the Sandburg's collected songs and gives them new life. Musically, this isn't the rave-up (mostly) of Bruce Springsteen's Seeger Session album, nor is it quite as modern as the two Billy Bragg-Wilco Mermaid Avenue collections, but there are a few songs given a modern touch, such as "All Night Long," on which Rankin' Don recites the words of French painter Millet, or the midtempo rocker "The Midnight Train," about which Zanes notes, "I couldn't believe that it wasn't being played by every rock and roll band in New York." The songs themselves are a history lesson. "Titanic," which tells the story of that fateful ship, is given a sprightly reading. Zanes and his brother-in-law Donald Saaf have a nice duet on "The E-ri-e," which tells a story about a different fateful ship. The California Gold Rush is given a nice banjo accompaniment on "California." All of which wouldn't be much more than a nice historical collection if it weren't for the sheer fun of some of these arrangements. The recurring tuba, fiddle, and many other fabulous instruments make the album a joy to listen to. At 65 minutes in length, the album is sometimes a bit much for one sitting, and the liner notes, while fabulously detailed, are sometimes rendered in fonts that make it harder than necessary to read. But those are really minor quibbles. Like with all of Zanes' CDs, this one is appropriate for many ages. However, given the storytelling nature of many of these songs, I think kids ages 5 and up would probably get the most out of the album. You can hear samples, read lyrics and chords here. I find Parades and Panoramas best exemplified by the rollicking "The Son of a Gambolier," a drinking song sung by a kid (with accompaniment reaching double-digits). It speaks both to the rough start of this country and to the sheer fun of communal singing. You're bound to find some song that strikes you similarly and you may, like me, be inspired to track down the Songbag that inspired Zanes to see what other delights the other 255 songs hold. Definitely recommended.

Review: What's Eatin' Yosi? - Yosi

Scene: Two guys proceed through a Las Vegas buffet line. Let's call them, for sake of comprehension, Larry and Darryl. Larry: So, uh, what are you getting there? Darryl: I thought I might get that -- erp! -- new Yosi CD. Larry: In a buffet line? Since when do they have kids' CDs in a Vegas buffet line? Darryl: Haven't you heard? Kids' music is all the rage now. And Vegas is never one to miss out on a trend if it means some extra cash. So, yes, I'm getting the new Yosi CD, What's Eatin' Yosi?. Well, that and the crepes. Larry: Oh, the crepes are excellent. I recommend the deviled eggs, too. Darryl: Yeah, so anyway, this is like his fourth album and -- ooooh, are those California rolls? Gimme six of those! Anyway, get this, it's a theme album. All about food. Larry: A food album. Which we're talking about while we're in a buffet line. In Vegas, which never met a theme it couldn't turn into a hotel. Imagine that. Darryl: Stop with the snark, Larry. Yes. 16 tracks and 45 minutes about almost entirely about food. Larry: It's like your dream album, Darryl. Darryl: You're a bitter man, Larry. Try eating a little more, you'll be happier. Yeah, I'll have everything in that omelette. Larry: So do all the songs sound the same? Darryl: No, not at all. There's a rocking tune about "Chicken Noodle Soup," ("Oh, yeaaaahhhh") while "Bulbes" is done in a klezmer style... hey, where are the baked potatoes? Larry: Over there. Any songs you want to recommend to me? (Uh, no thanks, I'll pass on the Jello.) Darryl: Well, I really like the Zydeco stylings of the album opener, "Let's Get Cookin'," the punk thrash version of "On Top of Spaghetti," and his duet with Brady Rymer on Rymer's rootsy "Fresh Brown Eggs." Larry: And what should I stay away from? Darryl: Y'know, that "Schlurpknopf" story song really got on my nerves. And so did the opera-esque "It's a Pizza." Anything overly cute. But you know what? Larry: I'm not a mind-reader, so no. What? Darryl: It's possible to eat too much food. Like all this stuff here looks good -- ooh, chocolate pecan pie! -- but once you sit down and eat it in one setting, it seems a bit much. Ironically, my favorite song on the entire album is the album closer, "I Just Love You," which is the one song not about food. It's a gentle midtempo ragtime song. And it's so... refreshing... after fifteen straight very literal songs in a row about food -- even good ones -- to hear something not about food. Larry: So once I get back to my incredibly cramped hotel room, where could I get some samples? Darryl: Well, you could try the album's CDBaby page or for full versions of several songs, Yosi's page. Larry: Sounds like the album's probably -- BRA-AACK! Excuse me! -- best for kids ages 5 through 9? Darryl: Yep. What's Eatin' Yosi? might make you feel stuffed by the end, but there's enough good music on there worth listening to. I recommend it. Now, where's that French waffle line?...