Marcel Dzama

In 2003, They Might Be Giants teamed up with illustrator Marcel Dzama to produce Bed Bed Bed, an illustrated book with an accompanying CD of four original TMBG songs. Why it took me, an avowed TMBG fan, until 2006 to get the collection, still puzzles me. But since we're in the season of gift-giving, it seemed like an appropriate time to review it. The songs in the CD and book are supposedly ordered in a way to transition the reader to sleep. While I understand the theory (the first two songs are uptempo, the second two are not), it would work better if the first two songs weren't, well, quite so good. "Impossible," about a child who's been "impossible," deftly explores the double meaning of the word and mixes in new words such as "octo-fish." The best track, "Happy Doesn't Have to Have an Ending," is a good song to have in mind generally, but especially as you start thinking about bed. But the 12-minute CD doesn't finish up as well. The lullaby "Idlewild" is OK, but the reworked "Bed Bed Bed" from their No! disk is a misfire, as it replaces the awesome "A Day In The Life"-esque theatrics of the album version with a plodding tuba-accented version. I like tubas, even and especially in my They Might Be Giants, but this doesn't work so well. Marcel Dzama's are artful and, as befitting a TMBG project, delightfully skewed (I particularly liked the pet octopus), but having the song lyrics draped across the page doesn't work so well for reading. (And I should note that the pages are regular paper pages, so those families accustomed to reading board books to their 2-year-old TMBG fans may have some difficulties here.) Like most TMBG works, this is pretty much an all-ages affair, but I think it's most appropriate for kids ages 3 through 8. You can watch the "Idlewild" video at the GiantKid website. It's hard to recommend the book just for the brief EP or just the drawings, but Bed Bed Bed would make one fine gift for a family with a They Might Be Giants fan in the household (no matter what age).

Review in Brief: Josh Levine for Kids - Josh Levine

When playing toddler standards, simplicity works wonders, but it's also nice to take a slightly different approach from the hundreds of recordings that have preceded you. Josh Levine for Kids, from New York City musician Josh Levine stands out from most by mixing in some Latin songs in with the English-language standards (and sometimes reworking those). For example, Levine turns the "Alphabet Song" and the "Hokey Pokey" into gentle mambos. (I liked the slight but snappy "I Am a Pumpkin," featuring the Venezuelan cuatro, in particular.) On the Latin side, the slinky "Tiburon" ("Shark") showcases Levine's keyboard work and "Mi Cuerpo Hace Musica" has nice percussion work from Levine and Guillermo Cardenas. Levine also lends his alto to his own music accompanying Edith Segal's "A Real Bouquet," a sweet song in praise of diversity. Though the album encourages movement on the part of the listener, in general it exudes the mellow vibe of a lazy, sun-drenched afternoon. I kept on having "Getz/Gilberto" flashbacks -- I wasn't expecting "The Girl from Ipanema," really, but there's a certain timelessness to the jazzy Latin rhythms that will keep it from aging. I think the 22-minute album's most appropriate for kids ages 2 through 7. You can hear samples at Josh's music for kids page. Whether you're looking for some slightly different takes on toddler favorites, to broaden your family's musical palette, or just for a nice, low-key 20-minute timeout, Josh Levine For Kids is a good place to start. Recommended.

Review: Hootenanny - Johnny Bregar

After hearing his debut kids' CD Stomp Yer Feet!, I saddled the Seattle-based musician Johnny Bregar with perhaps an unfortunate tag -- the next Raffi. I considered it a compliment, thinking of Bregar's gifted voice and occasionally soulful reinterpretation of preschooler classics, but there are enough people out there who have such a knee-jerk reaction to the mere mention of Raffi's name that I didn't expect it to be a marketing gold mine. On his second album for kids, the just-released Hootenanny, Bregar neatly escapes the "next Raffi" tag by pitching his songs at a slightly older crowd. Gone are toddler classics such as "If You're Happy and You Know It" or "I've Been Working on the Railroad," in are folk classics for a slightly older crowd -- the revved-up album opener "Old Dan Tucker" or the straight-up folk last track "Eastbound Freight Train." The younger kids aren't completely ignored -- somewhere Dr. John is crossing "Miss Mary Mack" off his songs-to-record list because Bregar's soulful version will work just as well -- but this time they're the exception and not the rule. I also like his gently bouncing version of "Don't Fence Me In," with an occasional kids' chorus that suggests the lyrics don't just apply to adult cowboys. Bregar puts a few more original songs on the new album, and for the most part, they're very good. Songs like "Best Friend" and "Airplane" speak to aspirations of five-year-olds. If there's a drawback to the songs, which sound great, is that they're all very Adult Album Alternative-sounding. As opposed to the goofiness of, say, "Pancakes" or "Blah de la" off Stomp Yer Feet!, the songs here are all very polished and may or may not capture kids' fancies. The album's musicianship is always first-rate, and Bregar has a great voice, one of those things you don't appreciate unless you've heard a lot of kids' music and realize that there aren't that many kids' musicians with great voices. He sounds ever so slightly like Bruce Springsteen and a lot like Justin Currie, the lead singer for the '90s pop band Del Amitri -- in fact, there's even a hint of Del Amitri's sound in the album. (Should I start the rumor that Bregar is actually Currie's alter ego?) The album's most appropriate for kids ages 3 through 8. You can hear clips from both of Bregar's albums here. Hootenanny is another strong album from Johnny Bregar, with many songs kids and their adults can enjoy. If it doesn't quite reach the heights of Stomp Yer Feet!, that's only because that album set the bar so high, and if you were scared by the "next Raffi" tag, it's OK to come back -- Bregar's now setting his own path worth following. Definitely recommended.

Review: Five Cent Piece - Randy Kaplan

Another week, another bluegrass-inflected album for kids from New York City. Unlike Astrograss' more esoteric approach, Randy Kaplan folds in more traditional approaches to bluegrass on his first kids' CD, Five Cent Piece, released in November. Which isn't to say there isn't some oddness of other kinds on the album. Kaplan has released five CDs for adults, but has also taught and played for kids often. His debut CD is a mix of well-chosen (and often reworked) covers and skewed originals. Artists covered include Jonathan Richman (the winsome "I'm A Little Dinosaur"), Arlo Guthrie ("Motorcycle Song"), and Elizabeth Cotton (the timeless "Freight Train") among others. One of the best tracks on the disk is "Grape Juice Hesitation Blues," his reworking of the traditional "Hesitation Blues," which features some great Don't Let the Pigeon Drive the Bus-style interplay between Kaplan and a ragged chorus of kids. The originals are a little odder, featuring songs about sharks in the bathtub (the spacy "Shampoo Me"), pesky mosquitos (the bluesy "Mosquito Song"), and, well, "Roaches," which features little squeally roachlike-sounds in the background. For the most part, Kaplan plays it straight and lets the music do the talking -- indeed, one of the best things about the album is the terrific musicianship, especially when they're playing traditional songs such as "Freight Train" or "Over the Rainbow." But Kaplan likes to tell stories, and so a number of songs include spoken word portions including... wait for it... "You Can't Always Get What You Want." Yes, my friends, the Stones cut has been put on a kids and family album, a decision so shocking that my wife, whose interest in music doesn't quite match mine, sputtered, "But, but, that's a classic!" For those who are worried, don't be, Kaplan has crafted a 10-minute story using only the occasional chorus for punctuation. As adventurous as the album is, it's not perfect. "Mostly Yellow (Big Bird's Song)" is a lovely but sad song about Big Bird's inner life that as amusing as it is for the parents, really doesn't fit on an album that regular (young) viewers of Sesame Street would listen to. And at a length of just under an hour, it's just too long -- the tracks aren't bad, but it's overwhelming when heard in one piece. "Mostly Yellow" aside, this is a good album for kids ages 3 through 8. You can hear samples at the album's CD Baby page. With his mixture of somewhat different arrangements traditional bluegrass and folk instrumentation, affinity for storytelling, and wide choice of covers, Randy Kaplan comes off as sort of a combination of Enzo Garcia, Bill Harley, and Elizabeth Mitchell. On Five Cent Piece, Kaplan has fashioned one of the more unusual kids and family albums of the year, good for chilly winter afternoons or late summer days. Recommended.

Review in Brief: We Wanna Rock! - Thaddeus Rex

A former participant on the PBS show The Kids Zone, Illinois-based Thaddeus Rex now performs over 200 concerts each year, many of them for schools. On his second album for kids, We Wanna Rock!, released earlier this month, Thaddeus Rex tackles subjects of concern to elementary school students -- fear of moving, spending time with family, or getting dog poop stuck on the shoe (admittedly, probably not the most common concern of most people). The best songs speak straight to kids -- the palpable fear of moving to a new place in the pop-rock "I Don't Want to Go," or trying not to think about not going to sleep in "The Moon Is Rising." Unfortunately, there are relatively few compelling musical backgrounds to the lyrics. Occasionally some interesting musical motifs occur -- the sinewy melody and bass line on the folk-rocker "Slimy Green & Kind of Funny" (with words from fifth-grader Lauren Walton) -- but they're the exception, not the rule. Thaddeus has a slightly odd singing voice that makes me think he's trapped between a rocker's voice and a Broadway voice, and whatever the case, I don't think the songs showcase his voice well. The album's most appropriate for kids ages 5 through 8, and you can hear samples at Thaddeus Rex's website (click on "T-Rex's Jukebox"). There are lots of lesson plans available for T-Rex songs, and so your kids may find themselves enjoying the songs, should he perform in an assembly. But you, the parent, will probably take a pass on repeated spins.

Review: Alphabet Songs Vol. 3 (Rabbit Run) - Steve Weeks

Colorado-based musician Steve Weeks takes a decidedly different approach on his third kids' album, Rabbit Run, as he retells the classic 1960 novel by John Updike... for kids! Uh, no. Released earlier this month, Alphabet Songs Vol. 3 (Rabbit Run) is actually the final in Weeks' series of CDs drawing inspiration from the alphabet as its lyrical source. With 9 songs, one each for letters R through Z, Weeks adheres to the theme to varying degrees. The opening title track features Weeks' nifty bluegrass playing accompanying a story of how water flows from the smallest of tributaries (the "Rabbit Run") all the way to the ocean. The theme of interconnectedness is one that Weeks comes back to on other songs on the disk, such as Barenaked Ladies-styled-rap on "Someday" or the sweet mid-tempo folker "Yellowjacket," which had darn well better be on the next Putumayo Folk Playground collection, should one be in the works. (I also need to mention "Up!," another favorite of mind, a very positive slice of kids' folk-pop.) Not every song works well. At 6 1/2 minutes long, "Take the Tinkertown Trolley" goes on too long, which wouldn't be bad if the musical accompaniment didn't sound a little cheesy. (Weeks plays every instrument by himself on the disk -- this song shows the potential limitations of such an approach. I tended to prefer his slightly simpler, more bluegrass-y tunes.) And while I give Weeks credit for going whole hog on "Xavier Xerxes Xenophane X," and certainly setting a record for most words starting with the "x" sound on a single song, it doesn't really hold up to repeated listenings. It's as if he decided that was it for the alphabet theme, as "Yellowjacket" and the African-accented "Zed and Zoey" have very few "Y's" and "Z's" in them. The length and story-telling nature of many of the songs (what better way to get words starting with a desired letter than to create names?) makes the 42-minute CD most appropriate for kids ages 6 through 10. You can samples at the album's CD Baby page. With a few less-than-perfect tracks, I don't think this will be quite the classic Rabbit, Run was as a novel. Still, there are enough strong tracks on Alphabet Songs Vol. 3 to make it a CD worth your investigation. And now that Weeks has completed his alpha-odyssey, he's hopefully figured what works best for him and is free to go wherever his muse leads. As the narrator sings at the end of "Zed and Zoey," "this is not the end." I hope not. Recommended.