Review: Bright Spaces 2 - Various Artists (Dan Zanes)

BrightSpaces2.jpgThere are two basic approaches to putting together a genre-specific compilation of music, approaches which for brevity's and wit's sake, I call Putumayo vs. Rough Guides. The former approach may not necessarily be an exhaustive look at a genre, but it sure results in a pleasant thirty-to-sixty-minute mix of music to someone unfamiliar with the genre. The latter approach is as much history lesson as mixtape and while you might not listen to it often, unless your expertise is such that you might have been asked to compile one of these yourself, you're bound to find something new and something really fabulous. Bright Spaces 2 is Dan Zanes' Rough Guide to Family Folk Music. Zanes compiled this 2006 collection, released last week, on behalf of the Bright Horizons Foundation. The Foundation sponsors the "Bright Spaces" program, which puts playrooms in shelters for children in crisis situations. He calls this collection a "musical scrapbook," and like many a scrapbook, it's a collection of snapshots (in this case, songs) that have significance to Zanes. His scrapbook might not be your scrapbook, but he's certainly taken a lot of pictures of family folk music. Zanes pulls from artists young and old, famous and not. And unless your collection of family folk music is, oh, a thousand albums full, many of the tracks are likely to be new to you. Boston's Session Americana turns in a fabulously languid version of "Merzidotes," which is followed by "L'cha Dodi," a 16th century Jewish tune recorded by Craig Taubman. The Deighton Family, a real "family band" for whom Zanes has had many a good word, leads off the album with a happy "When You're Smilin'." And Zanes re-records his hit "Jump Up" with New York band Astrograss, putting a more muscular bluegrassy accompaniment to his tune -- I wouldn't buy the album just for that version, but it's good in its own right and different than the original. There are probably few tunes you already have in your collection -- Elizabeth Mitchell's version of "Little Sack of Sugar" and the Garcia/Grisman rendition of "Hopalong Peter" are the two most likely. If there's any downside to the collection is that it lacks some of the musical diversity that makes Zanes' own albums such adventures to listen to. The songs here fit more in the folk music mold, and if that's not your bag, you may be underwhelmed. As an album of family folk music, it's really appropriate for all ages, though the tiniest ones may not be too interested. Call it ages 2 through 10. You can purchase the album at Amazon as well as on this page. You can hear the Astrograss/Dan Zanes track here. In calling this the "Rough Guide to Family Folk Music," I've probably understated the mixtape qualities of Bright Spaces 2. There are good and excellent tracks collected here, and, if you have any affinity for Zanes' music-making, will without a doubt send you spinning off in at least one new direction you've not gone before. Recommended.

Review: Hot Air Balloon - Vanessa Trien

HotAirBalloon.jpgBoston-based folk-pop artist Vanessa Trien's debut kids' album, Hot Air Balloon (2006), is one of those albums for which your opinion depends upon your tolerance of earnestness in kids' music. There are plenty of adults dipping their toes into the ocean of kids' music for whom everything sounds like the old Simpsons group "Hooray For Everything" -- relentlessly peppy. And for those adults, their appreciation of this album may take awhile. Part of the reason for this is that Trien, who's also recorded for adults, has loaded the peppiest songs at the front of the CD. Sometimes the songs strike a nice balance -- the gorgeous leadoff pop ballad "Hello World," the bluegrass of "Good Morning!" And sometimes they veer over the line (or my line, at least), such as on the semi-rapped "Backward Alphabet Craze" or the cutesy reggae "Bluenanas and Bananaberries." But all of a sudden, on track 8, "Wyona Wide," Trien strings together four songs that seem to come from an entirely different album. It's as if the first seven tracks were for the four-year-olds (and 3 of them were indeed written for a Montessori school at which Trien taught) and the last four were written for seven-year-olds. They're a little less peppy, and include the strong bluegrass tune "End of the Line" (probably my favorite cut on the album, and the least kid-centric) and the sun-dappled pop tune "Island in the Sun." One constant, however, is the solid musicianship on the album -- it sounds fabulous. The 37-minute album is best for kids ages 3 through 8. You can listen to samples from the album here. Those of you who have an earnestness intolerance should stay away from the CD. But if you're looking for a folkier Milkshake, or for solidly-arranged and played folk-pop kids music, Hot Air Balloon is worth a spin.

Review: The Bottle Let Me Down: Songs for Bumpy Wagon Rides - Various Artists

BottleLetMeDown.jpgChicago's Bloodshot Records is known for for their insurgent country, or some other name for music that sounds like country but sounds nothing like Nashville. With their 2002 compilation The Bottle Let Me Down: Songs for Bumpy Wagon Rides, Bloodshot could easily have staked their claim to "insurgent kids music." (Or, even more marbly-mouthed, "y'all-kid-ternative.") With a broad range of "adult" artists (from Alejandro Escovedo to Freakwater to Nora O'Connor and Steve Frisbie -- partner in Frisbie with Justin Roberts accomplice Liam Davis) and a collection of both kids' classics and originals, it's hard to summarize the 26-track, 63-minute album. But the one word that keeps coming back to me as I think of the CD is fun. On many kids' albums from "adult" artists, you get the feeling that the musicians are deigning to play this "kids' music," and it shows in a song that, well, isn't much fun to listen to. Not here -- the musicians are having fun playing these funds, and it shows. The Waco Brothers' spirited take on the folk classic, "The Fox," and the Asylum Street Spankers' punked-up bluegrass version of "I Am My Own Grandpa" shows no signs of "well, let's make a track for the kiddies." They're making tracks that any music fan would appreciate, kids not excluded. The Cornell Hurd Band's original "Don't Wipe Your Face On Your Shirt," is an amusing plea for respectability most parents will relate to, while Escovedo's live version of his "Sad & Dreamy (The Big 1-0)" (with the chorus of "I'm the big 1-0 / Candy just doesn't taste as sweet anymore") will ring bells with the tween set. Like you would expect from an album produced by an "insurgent country" record label, many of the tracks are not sanitized. Carolyn Mark's fun retelling of "The Three Billy Goats Gruff" doesn't sand off the rough edges of the story, for example, and Devil in a Woodpile's swampy cover of Mississippi John Hurd's "Funky Butt," is just what you might expect from the song title. And while most tracks stay safely on the parental side of appropriateness, Robbie Fulks' "Godfrey" (about an sickly, unemployed magician) and Freakwater's inneuendo-filled "Little Red Riding Hood" are probably way on that other side. The parents themselves will probably like those songs while thinking repeatedly, "Should I fast-forward? I should probably fast-forward. Right? Tell me I'm right." Some of the tracks are appropriate for kids as young as three, though the album is appropriate for kids who are as old as 10 as well. You can hear samples at any major online retailer. In the end, this is a solid album with no weak tracks. Your kids won't even know that they're being exposed to a great collection of bands and songs, they'll just love these energetic renditions. And so will you. It's probably the best compilation of adult-musicians-doing-kids-music out there; its status as a minor classic (or even a major one) is deserved. Highly recommended.

Review: The Sunny Side of the Street

SunnySideStreet.jpgI work with someone who has a goal of learning something new, however small, every day. In that spirit, what I learned from "Getting To Know You," the opening track on John Lithgow's third album for kids, The Sunny Side of the Street (2006), is that his last name is pronounced as rhyming with "Miss Go" rather than "Hoosegow," which is how I'd always heard it in my head. So that, however small, was what I learned upon first listen. What I knew already going in, and what the album shows repeatedly, is that Lithgow is a fabulous performer. His theatrical background is perfect for these songs, written for vaudeville or musicals in the '20s and '30s. On the best tracks, such as "Baby!" or "Ya Gotta Have Pep," Lithgow lets loose with theatrical abandon (I love the "whampa..." Lithgow unleashes in the middle of what has heretofore been a very mellow duet with Maude Maggart on "Baby!"). Lithgow has a sweet duet with Sherie Rene Scott on the closing track "Lullabye In Ragtime." The tunes are a nice selection of familiar and less-well-known, and the frisky orchestration is stellar, making the songs sound, while not modern, not 80 years old, either. Downsides? Well, the duet with Madeleine Peyroux on "On the Sunny Side of the Street" (which I had hopes for) never really gels. It's interrupted by a bunch of kids, which is akin to asking Monet to paint some pretty cathedrals and then having some 7-year-olds from Rouen come in to make some improvements to the canvas. The kids chorus is fine, and in some cases gives Lithgow somebody (or many somebodies) to play off of, but my favorite tracks are those where the kids don't appear. And while some of the less-well-known songs are a joy to discover ("I Always Say Hello To A Flower"), others are much less interesting ("I'm A Manatee.") I'm gonna peg this album as being of greatest interest for kids 3 to 7, though obviously most of these songs were originally written for adults and people of all ages. You can hear samples of the 37-minute album at the usual online suspects and see Lithgow's antics in the video for "Ya Gotta Have Pep". The album will not change the mind of anyone who doesn't care how bright the lights are on Broadway -- if you are a rockist, you will not like this. Lithgow has recorded some fabulous renditions of these tunes, however, and while it's probably not going to be your favorite album, it's definitely worth trying at least once. Think of it as learning something new, musically at least.

Listen To This: Ben Fairfield

"Listen To This" is my brand-new category for music that doesn't really fit a review format but deserves a mention. I'm going to inaugurate it with music from Ben Fairfield, an artist out of Hawaii who, he says on his website, was inspired by the NPR story that drew many of you here. (I am sure that it was Justin Roberts and Brady Rymer who inspired him, not me or Melissa Block.) Fairfield's music is acoustic guitar-accompanied folk-pop covering such kid-friendly topics as dogs, penguins, and homework. Lyrically, he's got an environmental/ecological bent, so if your kids interested in that, these tunes are perfect. He's not above silliness (his conversion of Shel Silverstein's "The Homework Machine" into song) or sweetness ("Goodnight"), though. (The friendliness of the first track, "Hello," may, however, puzzle some kids who've had Stranger Danger drilled into their heads.) The combination is somewhat a combination of Johnny Bregar and Jack Johnson. (Those are just the two artists whose musical and lyrical concerns struck me as familiar here.) As a collection of songs, it doesn't work quite as well because of the relative same-ness of approaches, but the individual tracks are pretty strong. Try listening to "Hello," "It's Men That Try To Run the Universe," and "Goodnight" for a representative sample. And drop him a line and tell him to get the CD pressed and to start working on the next batch of songs pronto.

Review: My Best Day - Trout Fishing In America

MyBestDay.jpgYou don't see too many kids' music acts with a live album. Trout Fishing In America has, with the release of My Best Day (2006) today, two. That fact speaks to Trout's longevity (30 years as a duo and 7 family recordings in addition to other recordings for adults) and their popularity as a live act. My Best Day is a Greatest Hits collection to an extent. Long-time favorites such as the calypso-styled "My Hair Had a Party Last Night" mingle with new favorites such as "Alien In My Nose" (an absolutely disgusting track -- your 7-year-olds will love it). While those songs (and others) show off Ezra Idlet's and Keith Grimwood's sillier side, slightly straighter songs such as the sweet "Fill It Up" and "Alberta Postcard" fit more squarely in a folk-pop tradition that would sound great at any folk festival, kids-associated or not. The two new songs, "I've Got A Friend (and He Won't Be Quiet)" and "My Pants Fell Down," are pretty good additions to the Trout canon -- I particularly liked "My Pants Fell Down" (the title says it all, and, yes, your 7-year-olds will love it). Both the new songs (and "Alien" and the title track) were written in songwriting workshops with kids. Having said all that, the banter and interaction that would be lots of fun if you were actually at the concert gets to be a bit repetitive if you're listening to the CD. "Simon Says" gets tiresome; the jokes, amusing on first or second hearing, are no longer funny the fifth or sixth time around. Perhaps the upcoming DVD of the concert (recorded in Febrary 2006) will make you feel more like you're at the concert (and, therefore, not so weary of the between-song stuff). Kids ages 5 through 10 will most appreciate the album. You can listen to Trout's music by going here and clicking on "Launch Trout Radio" or going to the usual online suspects to hear clips from the new CD. If you're a Trout fan, you'll enjoy this CD (unless of course they left off your favorite track). If you're not a Trout fan, you won't enjoy this CD -- there's nothing to convert you. If you're not sure about Trout, this is a decent place to start as it does pick tracks from throughout their family music career. My Best Day is, for better and occasionally worse, a good representation of a Trout Fishing in America concert.