Review: Play - Various Artists (DeSoto Records)

PlayDesotoRecords.jpgMy general rule on albums is that one awesome song usually makes an acceptable album; two, pretty good; and three awesome songs makes for an excellent album worth getting excited about. Play, my friends, has three awesome songs. At least. The album is the first kids' compilation from DeSoto Records, best known for releasing albums from bands such as Jawbox and the Dismemberment Plan. Five years ago -- two years ago, even -- the idea that an indie/punk record label would release a kids' album would have gotten you laughed out of yor co-op preschool. But it's no longer a joke. In one sense, the songs collected here from both DC-area and Seattle-area bands meet the typical requirements of a kids' music compilation. Not one, but two movement songs, for example -- Anna Oxygen's slightly down-tempo "Born to Shake" and Mary Timony's "Clap Your Hands" (which is fine, but still no match for They Might Be Giants' song of the same name). Food plays an important role, too (see Mock Orange's "Holiday Dinner Song" and the Young Fresh Fellows' "Picnic"), as do animals (Georgie James' "Grizzly Jive," Sgt. Major's romping "Nellie the Elephant," who also gets hipster eyewear on the front cover). But it also differs from many kids comps. For example, rather than sticking the slow songs at the end of the album, it puts the two slowest songs right at the front. At the end instead is Visqueen's revved-up remake of John Fogerty's "Centerfield." It's not really a kids' song, but as a baseball fan and the parent of a daughter who whacks the snot out of an oversized plastic baseball, it warms my heart to hear a woman sing those lyrics. More importantly, there's a sense of energy and fun that sometimes is lacking from other kids' compilations -- rather than making kids' songs, the bands simply recorded songs that are totally kid-accessible. Georgie James' "Grizzly Jive" and the Young Fresh Fellows' "Picnic" are two of the best indie pop songs you'll hear all year anywhere. Soccer Team's "I'll Never Fear Ghosts Again" is an advice song whose sheer defiance and exuberance encourages kids to identify with the narrator and totally overcomes the resistance kids might normally have to that type of song. There are handclaps all over the place -- you can never have too many handclaps. Even the songs that are probably more enjoyable for the adults (Ben Davis & the Jetts' "Bouncin' Party" sounds like a cut from Daydream Nation if that album was actually Sonic Youth's kids' album) don't seem pitched at the adults -- they're adult songs that kids might actually groove to. There's a Mudhoney track here called "I Like to Make Noise and Break Things" whose title (and song) will appeal to the knowing adults, but many 4-year-olds will jump around to it, too. The tracks here will appeal primarily to kids ages 3 through 8. The 39-minute album will be released next week (April 17) via mailorder and iTunes. (The iTunes release will include a bonus track, "Snacktime," by ex-Dismemberment Plan co-founder Travis Morrison.) The in-store (and Amazon, etc.) release date is May 22. You can hear a couple tracks (including the awesome "Grizzly Jive") here. And if you're in the DC area, go check out Rock-N-Romp for more details on an April 22 record release party featuring Georgie James and the Cassettes. You can tell the artists collected here had fun recording their tracks, and that comes through clearly in the end result. It's early, but in all likelihood Play is the kids' music compilation of the year. Highly recommended.

Review Bundle: Stories In And With Songs

Once upon a time there lived a man with a kids' music website. The website was well-regarded, but even that had its downsides -- he received so many albums and artists worth discussing that to fully discuss them all would far exceed the time the man had available to him for his reviews. One day his wife, a wise and gracious woman, suggested that he might combine fairly brief reviews of albums with some merit into a small grouping, or "bundle," thereby accomplishing his desire of writing about the albums without overly taxing his time. And so the man was presented with three albums, all dealing with stories in and with songs. TrulyHairyFairyTales.jpgThe first album, Truly Hairy Fairy Tales, from New York musician Doug Waterman, most closely resembled the music the man typically reviewed. With a voice reminiscent of Jim Gill and a folky style and humor much like Jamie Barnett, Waterman retells familiar fairy tales like Jack and the Beanstalk and the Ugly Duckling. Most of the retellings are conventional and not very hairy at all, though some, like the amusing "Snow White and the Seven Dorks," earn the moniker. Sometimes Waterman puts a full band together with usually appealing results (the leadoff track "Big Bad Wolf" is a lot of fun, especially with its brass touches). Most likely to appeal to kids ages 5 through 10, you can hear some clips from the 51-minute album here. It's a bit long for listening in one sitting, but taken in limited doses (especially in teaching situations), there are some good songs here. MusicTales.jpgThe second album the man had was Music Tales, the debut CD from Florida-based Musicians Out of the Box. This CD generally combines familiar stories (Goldilocks, the Arabian Nights) with mostly-familiar classical music arranged for string quartet, which serve as musical counterpoint to the words. The musical selections are mostly appropriate ("Carmen" for "Ferdinand the Bull," "Scheherazade" for "The Arabian Nights") and are well-integrated with the expert story-telling. The world premiere of "The Mysteries of Harris Burdick" based on a Chris Van Allsburg is pretty good, but I was lost without additional text (at least some pictures are provided in the liner notes. Frost's "Stopping By Woods on a Snowy Evening" isn't well-served by a selection from Vivaldi's Four Seasons, but the album closer, "Goodnight Moon," set to "Claire de Lune," is well-nigh perfect. The stories are appropriate for kids ages 3 through 9 (and stories for kids older than that. You can hear samples from the 66-minute album here. The album is an excellent mixture of classical music and storytelling. TellMeAStory.jpgFinally, the most traditional story-telling album is Tell Me A Story, a collection of folk tales from around the world, collected by Amy Friedman with musical accompaniment written by Laura Hall. For the most part, the music on this 71-minute CD remains in the background, opening and closing pieces and typically serving as transitional interludes. It's good, but the focus is on the actors' voices who are performing the stories in monologue. Some stories contain a moral of sorts ("A Sense of Theft"), some are more silly ("Anansis and Turtle's Feast"), and some of a hint of sadness ("The Selkie Bride," which will be familiar to anyone who has seen John Sayles' classic movie The Secret of Roan Inish). The performances are compelling enough to have kept my daughter's attention. The stories are appropriate for kids ages 6 and up. You can hear samples here. The album will satisfy listeners looking for a high-quality storytelling experience. And with that, dear readers, the man ended his review, satisfied that he had conveyed to you the key points of these three albums. If forced to choose between the three albums, he might have had a slight preference for the Music Tales CD, but that is a story for another time and another place.

Review in Brief: ABC-sides - Uncle Widget

ABC-sides.jpgI like deadlines. Be it at work or trying to finish a review, it usually helps me to have a due date, however artificial, staring me in the face. The same principle underlies the RPM Challenge, which challenged musicians to "record an album in 28 days, just because you can." It was a response to the 2007 challenge that led South Carolina musician Bryan Murdaugh to complete his second Uncle Widget CD, ABC-sides. Murdaugh must work well faced with deadlines, too, because there are some pretty good cuts here. The leadoff track "Snack Time" has a nice Jack Johnson-goes-electronica feel while "Tickle Monster" relies on the riff from Golden Smog's "Corvette." The songs' themes will be familiar to any preschooler (or their parents) -- the titles alone ("Why," "Makin' a Mess," "Ready To Grow Up," for example) are a pretty clear indication of the concerns here. One downside of such a quick turnaround time is that there might not be enough time to polish up the songs. Murdaugh plays all the music on the album, including programming the keyboards, drum loops, and occasional bleeps and bloops. (The press release name-checking The Postal Service is dead-on.) Some of the tracks with a more minimalist feel, such as "Ready To Grow Up," work OK, but others, such as "Rockinghorse Cowboy" just sound underproduced. (And the two more obvious message songs on the CD, "I Need To Share" and "I Wanna Help" fall into this latter category, which makes the message harder to endure.) The downside of the RPM Challenge is that it precluded taking another month or two, which could have been used to polish these songs either lyrically or musically. Given the fairly direct topical aim at late-preschool-age kids, the 33-minute CD is most appropriate for kids ages 3 through 6. You can hear samples from all the tracks at the album's CD Baby page or "Makin' a Mess" at Uncle Widget's homepage. [And, for those who care, it currently comes produced on a CD-R. Not a big deal to some, but might be to a few.] While this is by no means a perfect CD, ABC-sides contains some really good songs. A lot of artists would be lucky to write and record that many good songs in a month. Given the opportunity to fine-tune his songs, Bryan Murdaugh's next Uncle Widget CD (the forthcoming Uncle Widget... Goes To First Grade) is probably one worth watching out for.

Review: If You Ever See An Owl - The Terrible Twos

IfYouEverSeeAnOwl.jpgI posted my review of If You Ever See An Owl from The Terrible Twos nearly a year ago. I've had a long time to think about the record, and given that time, I haven't changed my opinion one bit -- it's a fabulous record, a hoot (pun intended) for kids and adults alike. It's getting its long-awaited national release on Vagrant/Poquito Records next week so I thought this was a good time to reprint (and update) my review. ********* The Terrible Twos are a side project once removed. Singer-songwriter Matt Pryor, of the emo band the Get Up Kids, formed the New Amsterdams as a side project with a more alt-country sound. With The Terrible Twos (the New Amsterdams to a man), Pryor has shifted his subject matter back maybe 15 years, targeting the young nieces and nephews of the New Amsterdams fans. And with If You Ever See An Owl, Pryor and his band have crafted an album that will entertain those nieces and nephews along with their parents and aunts and uncles. Melodically, it's reminiscent of alt-country/Americana-pop artists like the Old 97s, Rhett Miller, and early Ryan Adams, with some Death Cab for Cutie and hints of Wilco thrown in for good measure. (Obviously, it's most like the New Amsterdams themselves.) Acoustic rock of tempos both fast and slow, melodies wrapping their way around your brain. The uptempo "When I Get To Eleven," about a boy's acceptance of growing older, makes counting to 11 a lot more fun than it has any right to be. The love song to a little girl named "Vivian" is worthy of lovesick Miller or Adams. And "A Rake, A Broom, A Mop, A Shovel," just like They Might Be Giants' "Violin" turns a very angular song into something enjoyable. Lyrically, the 32-minute album covers ground familiar to many kindergarteners -- math, burping and being polite, the problems of a birthday too close to Christmas ("Caroline, don't worry about birthday time / Don't think that on 22 / There's none for you / It's just not true" on the shiny "Caroline"). It's unclear if Barney was the inspiration for "We Can All Get Along With Dinosaurs," but a purple dinosaur stars in a treacle-free song about tolerance. Elsewhere the lyrics target the parents as much as the kids (the disappearing baby of "The Little Houdini," the kid in the driving "Pizza and Chocolate Milk" who says "Don't try to force me to eat vegetables I hate / You may think I'm kidding / That I won't win / If I keep screaming you'll cave in.") But throughout the album there runs a feeling of love and affection for the subject matter (and kids who serve as the inspiration) that distinguishes the album from many others. Kids aged 4 through 10 are most likely to enjoy the subject matter and the occasionally slow-paced song. The Terrible Twos' e-card lets you listen to "Ladybug," "When I Get To Eleven," and "We Can All Get Along With Dinosaurs," while their Myspace page has "Ladybug" and three more songs. (Oh, and you can listen to samples of all the songs here.) Due to unspecified release issues, the album was for a long time only available at New Amsterdams shows. I can only think of Wilco's troubles in getting their terrific album Yankee Hotel Foxtrot released after getting dropped by their own label. It took a great deal of effort before the album saw the light of day and attracted great praise, perhaps more than it otherwise would have. If You Ever See An Owl deserves not only a release but lots of fanfare to accompany that release, because this is an album that's going to make lots of kids and parents very happy. Now that it has the national release it richly deserves, let the happiness commence. Highly recommended.

DVD/CD Review: Gustafer Yellowgold's Wide Wild World

GustaferYellowgoldsWideWildWorld.jpgLittle Monster Records released Gustafer Yellowgold's Wide Wild World earlier this week. I originally reviewed the DVD nearly a year ago. I've updated the review below -- if you already have the earlier version of the DVD, go to the end of the review for my comments on this new version.

Review: Calling All Kids - CandyBand

CallingAllKids.jpgOne of the downsides to the recent increase in attention paid to kids' music -- what, there are downsides? -- is a proliferation of music that uses kids' songs as jokes, applying traditional songs to non-traditional song forms. The albums aren't so much for the kids as they are for the adults. CandyBand plays punk music for kids and their recently-released fourth album, Calling All Kids is a fine example of why this band rises above the kids-music-as-source-of-amusement genre to make kids' music worth listening to. To begin with, the Detroit-area band actually rocks. Paula Messner (or, er, "Almond Joy") has nifty guitar work throughout the album, particularly on songs like "Simon Says" and the "Eenie Meenie Song." And the rhythm section of Anita Kelly and Tammy Ristau, along with Daniela Burckhardt's vocals, are strong, too. None of which would matter if the songs weren't any fun or any good, but a lot of them are. For the most part, the band is writing its own songs at this point. While there might not be something as great previous CandyBand songs like "Ken Lost His Head" or "Get Up Already," families will definitely have fun with the bouncy "Octopus On My Head" (the chorus of "I've got an octopus on head / It's messing up my hair / It's sleeping in my ear / I've got an octopus on my head / And I hope it won't make breakfast of me" will live your head for a loooong time). "It's Your Birthday" is deservedly destined for many 5-year-old birthday party mix CDs. And the band re-records an older tune, "Monsters," except this time they go all "American Idiot" on us and add strings from the Detroit Symphony Civic Youth Ensembles. Kids ages 3 through 7 will probably enjoy the songs here the most. In true punk fashion, the album is brief, running through its 10 tracks in less than 22 minutes. You can hear the first couple tracks here. CandyBand is a great example of kids' artists who are melding their non-traditional kids' genres to kids' themes and songs in ways that respect kids while providing something for the parents to latch onto as well. If your family sits on the rock side of the pop-rock divide, you'll particularly enjoy Calling All Kids, but even if you don't have the complete Clash and Green Day discography, it's an album worth checking out. Recommended.