Review: Play! - Milkshake

Over the course of its two previous albums, the Baltimore-based band Milkshake has been content to mine a poppier seam of kids' music. While I wouldn't call them sentimental, their songs are usually sunny and optimistic -- there's little mischieviousness in their songs (at least lyrically. On their third album Play!, released this week, Milkshake doesn't veer much from the approach on their previous albums, but does simultaneously broaden their musical palette while narrowing the topical scope a little bit. Play! is, loosely defined, a concept album about the different ways kids play. From the opening track "We've Got a Band" (playing musical instruments) to the '80s power-poppy title track, Mikel Gehl and Lisa Matthews sing about the fun of play. There are songs about make-believe play (the Beatlesque "Imagination Nation," "Pirates," "Home on the Rang") to go along with songs about playing sports ("Bowling with You," or "Baseball," with a Cal Ripkin cameo). What saves the lyrics from being cloying to adult ears is the specificity -- it's one thing to sing about how much fun it is to spend time with your family, it's another thing entirely to make that song about bowling. It grounds the song in a reality that, while it might not apply to your family, is certainly relatable. Musically, Milkshake adds a few nice touches to their pop-rock approach. The Bacharach horns on "Okay to be Different," for example, or the sea chanty of "Pirates." While Milkshake's version of going wild ("Go Wild") is, well, more mild than wild, they don't completely abandon the rock -- the closing cut "My Best Friend," is a snappy slice of power-pop that starts at about 60 miles an hour, never lets up, and wraps up in less than 2 minutes. (In fact, I really like the last 5 tracks.) I think the album's geared right at kids ages 4 through 8. You can hear samples of the tracks at the album's CD Baby page or hear full tracks at the band's homepage. Milkshake is not everyone's cup of tea -- they're writing happy pop songs for happy kids. But they do this better than most of the kids' bands out there and Play! is their best album yet. Recommended, especially if you've enjoyed their other CDs.

Review: First Time for Everything - John Carlin

OK, let's get the cover out of the way. Yes, it's bizarre. No, I can't explain it. And, yes, the album inside is better. Now that I've got that out of the way, let's get to the album itself. First Time for Everything is the debut kids' CD from the New York-based musician John Carlin. Carlin, like many kids' artists, had a career as a musician for adults, then started teaching music classes for kids. And, like many of those artists, his debut album is a very DIY affair, with Carlin playing every instrument. What distinguishes Everything from many other DIY albums are the flourishes of musical diversity within. The album starts off with the guitar-pop of "Eliza" and "Run Around," the latter song about how good it feels just to, well, run around. "Bein' a Dog" borrows some of melodic riff from "Time Warp, while the title track is a sauntering number featuring loose raspy vocals from Carlin. While I liked the original cuts, perhaps the nicest touches are the reworkings of "Mary Had a Little Lamb" (featuring a musical interlude with acoustic guitar that's considerably different from, but very complimentary to, the original melody) and "This Little Light of Mine," which adds a small taste of a New Orleans brass band. The downside to the disk is that the production sometimes muddies the vocals (especially on Carlin's originals), making it difficult to understand them. It's something that certainly can be fixed on the next go-round. I'm gonna peg the 35-minute album as best for kids ages 3 through 7. You can hear clips of the songs here. By no means is First Time for Everything reinventing the kids' album. It's just an album with some nice new pop tunes with kid-appropriate lyrics and some old tunes presented with enough dash to make listening to the familiar melodies fresh. But if that's enough for you (and it's certainly enough for a lot of people), you could certainly do much worse. Recommended.

Review: All Together Now: Beatles Stuff For Kids of All Ages - Various Artists

Although it has signed very 21st century artists such as Gustafer Yellowgold and Robbert Bobbert (Robert Schneider), Little Monster Records, the new kids' music imprint from V2/Artemis Records has chosen to look back 40 years for its first release, All Together Now: Beatles Stuff For Kids of All Ages. If this first release is any indication, Little Monster releases will be designed to encourage parent-youth interaction. The release comes packaged with a storybook illustrated with kids' drawings, poems that are meant complement the lyrics, and Beatles facts which are probably familiar to the adults but won't be, of course, for the young'uns. And what exactly will you be sharing with those young'uns, musically? Thirty minutes of covers of well-chosen if familiar Beatles songs. Producer/guitarist Kevin Salem has assembled a talented backup band for the versions, which are sung by New York Doll Steve Conte along with some guest stars, including Marshall Crenshaw, Jason Lytle (ex-Grandaddy), and the Bangles (with Matthew Sweet joining Susanna Hoffs once more on a fun "Good Day Sunshine"). The songs also feature a chorus of kids who, refreshingly, are neither Broadway-trained nor pitch-corrected. They sound like, well, your elementary school or church choir, in a good way (see the simple "Love Me Do"). If you're going to put kids on record, this is the way to do it. As well-done as the whole package is, there's really nothing new here. The versions hew very closely to the originals. I realize that the idea behind the CD -- introducing the Beatles to another generation -- doesn't lend itself to massive reinterpretations of classic recordings, but there's little reason why your copies of the original Beatles CDs won't do just fine. Given the ages of kids singing (they sound like they might be in 2nd or 3rd grade, generally), I'm going to peg the age range here at ages 4 through 9, though obviously Beatles music is OK for just about any age. Three of the tracks are available here. For the moment, the CD is available only at Barnes & Noble, though that will end at some point next year. All Together Now is a nicely-assembled collection of Beatles tunes, attractively packaged and with nice thought put into it. As good as it is, I don't see it as being of great interest to people who already have some Beatles tunes in their collection. But I can't wait to see and hear what the team behind this album has up their sleeves when they turn their attention to some original songs.

Review: Here Comes the Band - Stephen Cohen

Based in Portland, Oregon Stephen Cohen has been making art of one sort or another for nearly 30 years. Creating music, musical instruments, and visual art, Cohen integrates these three into his performing career. This is exactly the kind of person that should be making kids' music. On his recently-released Here Comes The Band, Cohen gives reason to be optimistic for the future of music for families. A heady collection of multi-instrumental folk music, Cohen weaves together an album that flows seamlessly from start to finish. The opening title track serves as the prelude to the whole album, with a melody that pops up at least a couple more times later on in the album. It segues almost imperceptibly into "Give Me That Toy!," which, thankfully, doesn't tell the young listener to ask politely -- it's written from the child's perspective. And from there into the traditional children's rhyme "Mr. Knickerbocker," in which Cohen's distinctive voice (ever-so-slightly nasally and slightly-less-slightly raspy) repeats the phrase "bobbity, bobbity, bobbity-boo" until it gets lodged in your brain. Another favorite song of mine is "The Planetarium," which although is written from the point of the parent taking his son to the planetarium is written with the words of a child ("Then a baby cried and had to go outside / While we watched the lights / Stretch across the black dome sky.") To talk about the lyrics is to miss the album's chief allure, which is its music. As noted above, some of the musical transitions are seamless. Which isn't to say this is an entirely low-key album. "There Goes the Band" lists 13 people playing or singing on the track. "The Elephant Walk" sounds not a little bit like Fleetwood Mac's "Tusk." The lullabies at the end of the album are sweet as well. I can't review this album without noting the album packaging, which is one of the best I've seen this year. Lyrics, gorgeous illustrations by Christopher Shotola-Hardt, activities are in the liner notes, along with an explanation of what various people on the album (producer, engineer, visual artist) actually do. The album is most appropriate for kids ages 3 through 9, though it may create fans of parents who are 39. You can hear samples of 5 songs at the album's CD Baby page and hear "Baseball, Baseball" here. Stephen Cohen's album is a little bit like what might happen if Mr. David and Randy Newman decided to record a kids' album live on Prairie Home Companion. Here Comes the Band establishes a mood and a world that will draw in you and your kids. It may not be the album your family listens to every day for a month, but it will be one you listen to occasionally for many years. Recommended.

Review: Rockin' In the Forest With Farmer Jason - Farmer Jason (Jason Ringenberg)

There are those who, upon hearing Rockin' In the Forest With Farmer Jason, the recently-released second album from Farmer Jason, might wonder: Could this be the very same Jason Ringenberg who fronted "Jason and the Scorchers"? It sounds so... so... different. Those of us who have heard A Day at the Farm..., his first kids' album, know that it's definitely him. The hard part for older listeners to get used to when listening to Rockin' In the Forest is the sheer exuberance of the whole thing -- shiny, gleaming horns on the poppy leadoff track "The Forest Oh!" or the modern country production of the slightly mournful melody of "Arrowhead." The wellspring of exuberance, however, is Farmer Jason himself, who is just so darn enthusiastic that it might drive some parents nuts. Except that he goes so far beyond the line that there's that glimmer of "yes, I know this is all a little too much, but your kids are eating this up, aren't they?, so just play along." I love the deadpan way he says he's going to "sing a song about a moose on the loose called... 'He's a Moose... on the Loose.'" Ringenberg knows his way around a bunch of musical styles, from the spaghetti western stylings of "Ode to a Toad" to the Django Reinhardt violin noodlings of "A Butterfly Speaks" to smallest, simplest (and perhaps best) song on the whole disk, the virtually a cappella "Mrs. Mouse." He wraps the melodic nuggets around lyrics that introduce young listeners to different animals in the forest (natch). While the cover and liner note art suggest very anthropomorphized approaches (ugh -- did I just use the phrase "anthropomorphized approaches"?) to the subject, the actual lyrics play it straight for the most part. Kids ages 3 through 8 are the ones most likely to appreciate Jason's enthusiastic approach and lyrical focus here. You can hear samples wherever fine kids' music is sold (on the Internet, anyway). If you liked A Day at the Farm..., you'll also like this new album, as it's very similar in tone, maybe a little broader musically. I'm giving this album a "Recommended," but it's with the warning that you're going to have to detach that little parental "I'm too cool for this" monitor in your head -- if you can do that (your kids don't -- or shouldn't -- have one yet), you'll enjoy this just fine. Recommended.

Review: Not For Kids Only - David Grisman and Jerry Garcia

Not For Kids Only, the 1993 album from David Grisman and Jerry Garcia, is great idea for a kids' album. Two stellar musicians playing songs meant for singing along with, as the liner notes ask the listener to imagine hearing Grisman and Garcia playing songs after a large dinner gathering. (Can I be invited? I make a killer cranberry sauce.) In execution, this album meets the standard set by the idea. Grisman's and Garcia's mandolin and guitar playing, respectively, are sharp and they're backed by a set of rotating sidemen playing assorted percussion or other instruments. The song selection is a nice mixture of songs well-known ("Freight Train," "Teddy Bears' Picnic") and not-so-well-known ("Three Men Went A-Hunting" or "When First Unto This Country"). The songs are given primarily (though not exclusively) bluegrass/folk treatments -- appropriate, of course, for the material at hand. And despite all that, after repeatedly listens, the album itself is unlikely to make much of an impact on you or your family. It's just too... pleasant. There's no grit here, it's all so darn genial that while it'll make great "quiet time" music for lazy afternoons, there's little that will make you say, "listen to this!, my kids love this song!" Some of the songs, like the gently peppy "Hopalong Peter" or the slow Dixieland swing of "Teddy Bears' Picnic" do break out of the mold (and mood) of the rest of the album. But they're the exception, not the rule. I think kids ages 3 through 7 are most likely to enjoy the CD. The album itself is so old there's no website for it (can you believe it? do those albums even exist anymore?), so find yourself your favorite online retailer for music samples. I do want to make clear that Not For Kids Only is not a bad album. The musicianship is top-notch and the very idea that people should go ahead and sing for their own families is what inspired artists such as Dan Zanes. But it's not likely to be the first disk you or your kids reach for when you or they want to hear something that moves them.