Itty-Bitty Review: Music is... Awesome! (Yo Gabba Gabba!) - Various Artists

I am perhaps not the best person to judge a Yo Gabba Gabba compilation, as I've never seen a complete episode aside from the premiere I received on a screener DVD a few years back. (That's what a lack of cable will do.) A soundtrack album -- that's pitched at the true believers, not at the casual fans, right? So, if anything, I started listening expecting not to like it so much. Wrong. Even if you've never watched an episode and don't know your Brobee from your Muno, you and your preschoolers could definitely enjoy their new compilation Music is... Awesome!. For the most part, the disk alternates songs from the series with those from a list of artists with serious street cred; often they're set up as pairs. So a basic YGG song like "I Like to Dance" is followed up by Beastie Boys collaborator Money Mark doing a cool "Robo Dancing," an angular dance tune with lots of bleeps and bloops. "Don't Be Afraid" is followed by I'm From Barcelona's swirly pop on "Just Because It's Different Doesn't Mean Its Scary." Generally, the best songs are from the guest artists -- the Roots' incredible "Lovely, Love My Family" or Chromeo's funky ode to handwashing "Nice 'N' Clean" or the sunny "Hey, Won't Somebody Come and Play" from The Little Ones (a song which is destined to find its way onto a lot of hipster mix CDs yet is somehow totally appropriate for the 3-year-old in your life). But there are a few decent songs from the YGG folks, even if you're not a fan of the show (the cute "Party in my Tummy," or the shiny pop of "You Can't Always Get What You Want," credited to the Yo Dazzlers, but really just another YGG tune). You can find the 37-minute CD at the usual places, including Amazon and iTunes. Besides your hipster 30-year-old friend with the chunky eyeglass frames, the album's most appropriate for kids ages 2 through 5. I'd love to say that Music is... Awesome! is awesome. Unfortunately I can't pull the trigger on that obvious pull quote as some of the YGG tunes are just too dry to enjoy apart from the visuals. But a lot of the music is indeed awesome, which makes it the kids music compilation of the year. Definitely recommended.

DVD/CD Review: The Fine Friends Are Here - Dan Zanes & Friends

I've been watching a lot of kids music DVDs lately, and I've found that my appreciation of the individual DVDs is roughly commensurate with my appreciation of the artist. Or, to be all math-like, E(d) = E(a) * PQ. (Enjoyment of DVD equals enjoyment of artist multiplied by the production quality of the DVD.) So it's probably a safe assumption that I'll enjoy a Dan Zanes DVD, not just because it's, well, Dan Zanes, but also because he has the friends (and, frankly, the resources) to make sure it's a high-quality product. Unsurprisingly, then, I'm here to tell you that I like The Fine Friends Are Here, the brand new DVD from Dan Zanes and Friends. We can start out with the Dan Zanes portion of the equation. Zanes puts together a fairly eclectic setlist for the live show recorded at Brooklyn's Jalopy Theatre, drawing from all across his decades' worth of family music, playing both popular and more unfamiliar songs. There's a fair number of tunes from CDs released after the All Around the Kitchen DVD was released in 2005, but old chestnuts (but live staples) like "Water for the Elephants" and "Jump Up" get their turn, too. I will confess to missing Zanes' old band -- I still love hearing Barbara Brousal's and Cynthia Hopkins' voices on record. Father Goose brought a jolt to the stage whenever he went on. But that's a personal thing, I suppose, and there's no doubt his current band provides a much broader sound on stage than the old band did. Violin, harmonica, horns -- Zanes is able to energize old favorites without removing their essential core. (Colin Brooks, the only non-DZ holdover, continues to provide excellent percussive support.) "Cape Cod Girls," horns and all, is just about the rockingest track Zanes has ever recorded for families. "Colas" has even more propulsive energy than on record. (You may even prefer to get the album in mp3 rather than video format -- a possibility at Amazon and iTunes.) As for the production quality, it, too, is pretty high. Zanes got a couple guest artists (Caridad de la Luz AKA La Bruja, who sings, and David Alan AKA Cyclone, who dances) to join in and the concert features some nifty art design (the world's largest papier mache canary's head, for example). Throw in some costumes for the kids and adults to try on midway through the show, and while I'm not sure I completely felt the party watching at home, it does make for something more intriguing than a standard 3-camera concert video. The choice to mix the videos for "Pollito Chicken," "Wonder Wheel," and (my personal favorite) "Night Owl" in between the concert songs is a wise one, as it further mixes it up. As for the bonus audio CD, I think it'll be a popular addition for listeners, even though it's essentially Dan Zanes sans Friends. Zanes' duet with his daughter Anna on the Beatles' "I've Just Seen a Face" is sweet, and the rest of the songs ("Hush, Little Baby," "The Bells of Ireland," "Goodnight, Goodnight," or, on an Amazon mp3 exclusive "Summer Wind") are mellow tracks, mostly Zanes unaccompanied. I particularly liked "Hush, Little Baby," which sounds like Zanes channeling John Prine. As with just about all Dan Zanes albums, this one, too, is essentially all-ages. (OK, 3 on up.) You can listen to samples at the usual places. Dan Zanes can buy The Fine Friends Are Here assured in the fact that it delivers in conveying not a small amount of the energy of his live show with fine audio and video. In both song performance and presentation, it's a very good document of exactly why Zanes has been winning friends across the country and world with his all ages brand of music for more than a decade. Definitely recommended.

Itty-Bitty Review: Hello Night - Kesang Marstrand

Unlike any other lullaby album you'll hear this year, Hello Night is the creation of New York-based singer-songwriter Kesang Marstrand. It's buoyed by Marstrand's simple songs, spare accompaniment, and her delicate, beautiful voice. Especially her voice, which is clear and just about perfect for an album like this. Many of the songs -- all original -- on the album take inspiration from the natural world, from the opening tracks "Dandelion" and "Carry On Crickets" to songs like "Cocooned In My Blanket," in which the snuggled child thinks of becoming a butterfly. (I also particularly liked the placement of "All the Little Children," about all the adventures the not-yet-sleeping child could have with the singer, at the end of the album.) If you listen to the 37-minute album repeatedly in the light of day (an occupational hazard of reviewing music), you may tire of the relatively narrow range of song styling and guitar accompaniment. (One of the most welcome tracks is "Rest," which unlike the other songs, features Marstrand accompanying herself on kalimba instead of guitar.) But that's not a huge concern with lullaby albums, designed as they are to be listened to in the background (or subconsciously after falling asleep), for which radical changes in style are not to be wished for. The album is obviously most appropriate for kids age 0 through 4 and their weary caregivers. You can listen to samples here and here. Families who have found a spot in their record collection for the mellow music of Frances England and Renee & Jeremy should give Hello Night a spin. It's an album you could spend many nights with. Recommended.

Review in Brief: Greasy Kid Stuff 3: Even More Songs From Inside the Radio - Various Artists

Where would kids music be without Belinda Miller and Hova Najarian, the hosts of the Greasy Kid Stuff radio show? Oh, sure, the greater arc of kids music would be unchanged -- Laurie Berkner, Ralph's World, Justin Roberts, Dan Zanes -- those folks would still be popular had Greasy Kid Stuff not aired starting in 1995. Belinda and Hova were never against mainstream "kids music" -- they just didn't have as much interest in it. By not making those artists the focus of their show, what they've done is expand (or re-expand) the notion of what music for kids might mean. Greasy Kid Stuff 3: Even More Songs From Inside the Radio, just like its predecessor volumes 1 and 2 (review here) successfully mixes the rock with the silly, the (semi-)famous with the obscure, and produces another near-perfect mixtape. Just take the first three songs -- a theme song from fans They Might Be Giants to the incredible (and incredibly wordy) track from the late Logan Whitehurst "Happy Noodle vs. Sad Noodle" to Bubble's slightly off-kilter cover of "Pure Imagination." And so on. I hesitate to recommend specific songs because then you'll just go and download the best ones, and to appreciate what they're doing here you should listen to the whole thing. Really, I never would have thought that a cover (with new lyrics) of Burt Bacharach's theme for The Blob would make a good kids song, and I would've been totally wrong, because Guy Klucevsek's accordion-fueled version is perfect. Kids ages 4 through 10 (and really, a lot older) will appreciate the songs here. You can listen to samples from the 32-minute album here. If anything has changed in the five years since the last compilation came out it's that a lot more people are making more idiosyncratic kids music. So while you have a repeat appearance from TMBG, you also have Captain Bogg & Salty and Key Wilde & Mr. Clarke making appearances as do John Upchurch and Mark Greenberg, creators of the great John and Mark's Children's Album, albeit in their format guise as members of The Coctails. If Belinda and Hova are playing more "kids music" on their radio show these days, it's in part because kids music has moved in their direction. Greasy Kid Stuff 3 is a small sliver of this vibrant genre with a lot of other fun songs mixed in. Recommended.

Review: Worser - Duplex

There's this ice cream shop in San Francisco called Humphry Slocombe. I've never been there, but I'm definitely intrigued. “There’s a whole world beyond chocolate, strawberry, vanilla," the owner says. "Why can’t you make peanut butter–curry ice cream?” Indeed, take a look at the flavor list -- OK, they do have chocolate and vanilla, but foie gras? Pistachio-bacon? Strawberry.... candied jalapeno? But even if the flavors sound odd, they seem to be doing excellent business... Duplex is not for people who, to coin a phrase, are looking for vanilla kids music. It's for the families who'd like to try salt and pepper ice cream. The band is the brainchild of Vancouver musician Veda Hille, who amidst her many other musical projects put together the delightfully askew album Ablum (review) in 2005 with a crew of kids and adults. Four years later, Hille and her gang are back with Worser, which is, well, quite possibly odder than its predecessor. I don't want to suggest that Duplex makes deliberately obscure and unlistenable music. Because at its heart these are mostly pop songs that are, in fact, quite listenable. "That's How We Make a Sandwich" features horns, sha-la-las, and sings about, well, the various ways people make sandwiches. "Orange Popsicle" (listen here is a sweet cut of Beach Boys-esque pop about friendship. But much of the album sounds like nothing else you will hear in the kids music genre this year. Worser features not one, but two, science-related songs (take that!, They Might Be Giants) -- the over-the-top rocker "Noble Gases" (about, yes, the seven noble gases) and the gorgeous "Alive," about evolution (listen here). Heck, throw in "September Is My Favourite" and the British-Invasion-aping "Hibernation," and that's four science-related songs. There's also an ode to laziness (or possibly subtle criticism) in the zippy "That Sounds Like Work To Me." And the opening track "Salvador" features one of my favorite lines in kids music for a long time -- "Some people come to the party early / Some people never show up at all / Some stay late and they help clean up the dishes / Salvador stayed all night long" -- I could spend days unpacking all the meaning in those lines. Not all of it works, of course. Songs about divorce are rare in kids music and songs about divorce between couples who just happen to be the same sex are rarer still. While I appreciate the sentiment in the heartfelt "Daddy and I," the song doesn't have quite the verve of most of the rest of the tracks. And "Dog With A Sweater On" moves from funny to odd to annoying to very annoying to so bad it's good to something approaching head-shaking amazement. The 30-minute album is most appropriate for kids ages 4 through 9. For the moment it's available here. You can listen to additional tracks at the band's Myspace page. (The physical copy is silk-screened by band member Annie Wilkinson and is lovely to boot.) Since it doesn't sound like a lot of kids music, Worser probably isn't for everyone. But just like there are enough people who like pistachio-bacon ice cream, there are enough people who like their kids music a bit off-kilter. And even those folks like me who for whom the more chocolate associated with their ice cream, the better, want to try really good salt and pepper ice cream every once in a while. Definitely recommended.

Review: We Are The Not-Its! - The Not-Its

One of the signs of the maturation of the kids music genre is that there are more debut albums with a sense of confidence. Rather than tentative steps into what might be an unfamiliar world, more folks seem to have a very clear understanding of what their sound is and how their image might support it. Most confident perhaps are Seattle's The Not-Its, who almost from the beginning they burst onto the web had a clear idea of their sound (finely honed alterna-pop, generally), lyrical aim (generally direct though not without the occasional knowing adult aside), and look (women dresses, men shirts with ties). And nothing on their debut We Are the Not-Its! suggests they've had any second thoughts about those things. From the get-go, the band fires on all cylinders. Starting an album with your own "theme song" is often a dicey move, but "We Are The Not-Its" is one of the two or three best theme songs ever (bonus points for the nifty pun "It's only got one eye / And don't forget to dot it"). "When I'm Five" has a hook that could pull in Moby Dick; you'll probably want to play "Let's Birthday" more than just once a year. Though the songs tend toward alternative pop, they're perfectly willing to slow things down a bit, such as on the sweet "Helicopter" or the country "Dressin' Up." The voice of Sarah Shannon (who was the lead singer of '90s band Velocity Girl and who takes most of the lead vocals here) definitely is a big asset to the band as well. There are points at which I thought the lyrics veered somewhat oddly between the too simplistic and too aimed-at-the-parents. "When I'm Five" features the lines "When you're five / They say there's so much to know / But I'll stay sharp as a tack or a whip or whatever / Until I figure out the status quo" and "I love my school / My teachers rule." (Hey, I love that first line, but I'm thinkin' that goes waaaay over the head of a four-year-old.) I think my favorite songs are the ones that don't necessarily impart simple life lessons (sharing is good, baths are good) but are just stories, such as "Shadows." But it's probably a credit to the songs themselves that those simple life lesson songs are pretty darn listenable, too. The album is best for kids ages 3 through 7. You can hear the songs from the 30-minute album at their own page. So, yeah, this album rocks. Families who are fans of Ralph's World, Justin Roberts, Lunch Money, or the Hipwaders shouldn't hesitate to get We Are the Not-Its as its combination of crunchy guitar-filled hooks and very kid-focused lyrics should prove very popular with that set. And it's just their first album -- can't wait to hear what comes next. Definitely recommended.