Review in Brief: Somersault Season - Laura Freeman

SomersaultSeason.jpgLaura Freeman's Somersault Season arrives a couple years after its demos were completed and a full four years after its excellent predecessor, Color Wheel Cartwheel (review), an album which I still play around the house, no small feat given the constant influx of material. Like Cartwheel, Season is a concept album, except instead of colors, it's about the passing of the seasons. (TMBG can now cross Here Comes Seasons off their future sequels list.) Each season gets its own foreign-language introduction (a la the colors on Cartwheel) and three season-appropriate songs. As opposed to its predecessor, the songs here are more interactive, meaning that your kids (and you) will enjoy it more if you move. Stomp along with "My Brother's a Monster," shake along to "Can You Shake It?," or dance along with the western swing of "1, 2, 3, 4." Generally, the music takes a folk/bluegrass approach, aided especially by producer Mike West's mandolin and banjo work. Freeman's sly sense of humor is more prevalent live, but occasionally breaks through here on songs like the droll "Look in a Book." The songs here are targeted very much at the kindergarten-and-under crowd (ages 2-5). You can hear samples at the album's CD Baby page. I'd also recommend Freeman's notes on the lyrics and activities. Clearly my appreciation of Somersault Season is hampered somewhat by my affinity for Color Wheel Cartwheel, and while I'd recommend Cartwheel for an introduction to Laura Freeman over this new album (particularly as a pure listening experience), I like Somersault Season quite a bit, too. It's an especially good music-and-movement CD, heads and shoulders above most in that particular subgenre. Recommended.

Review (Updated): Easy - Secret Agent 23 Skidoo

Easy.jpgI originally reviewed Easy, the debut from Secret Agent 23 Skidoo last spring. As much as I liked it then, I think I still underestimated its ongoing appeal. With its re-mastered rerelease on Happiness Records and the addition of 3 new tracks, I thought I'd update the review... I know that the kids' music genre is flowering when less popular subgenres such as kids' hip-hop or kids' country are starting to bubble up. I especially know that that's the case when those genres start producing albums that aren't just "kids songs done in a [fill-in-genre-name] style," but fully realized albums on their own. Case in point: Easy, the debut kids' CD from Asheville, North Carolina's Secret Agent 23 Skidoo. He spends a lot of time rapping and playing with the music collective GFE as Agent 23, but who adopts the cool-kids name Secret Agent 23 Skidoo. From start to finish, the album is totally geared at kids in its subject matter but is not dumbed down one bit in the creativity of its beats and melody. On its strongest tracks (and there are a number of them), Skidoo blends smooth rapping with occasionally eclectic instrumentation ("Luck" features nice banjo work) and an all-positive message. Sometimes that message is a little more overt -- "Luck" raps about how we make our own luck by knowing what it is we want; "Gotta Be Me" is about how everyone should have their own style, and that's OK. If the message is a bit direct, it's delivered with precision and flowing words. (Even his 5-year-old daughter Saki (AKA MC Fireworks) gets in on the act, very smoothly trading lines with her dad on "Family Tree.") Perhaps even better are his songs that take a more imaginary bent. "Hot Lava" so completely nails the 7-year-old feeling of pretending on the fly (don't touch the floor! -- it's hot lava! -- jump from couch to couch!) that I'm not sure there is a better kids' song about the power of imagination. Songs about dragons, mermaids, and robots feature in the mix, too. It's very much story-telling with a compelling musical background. I'm going to peg the messages and stories here as geared primarily for kids ages 4 through 9. You can hear samples of a number of the songs at the album's CDBaby page or "Gotta Be Me" and "Luck" and "The Last Dragon" here. As for the re-release, it's been remastered with some new beats and tweaked artwork, but the chief reason to get the new album (or at least hit up iTunes) if you already have the original release are the new tracks. "Robots Can't Cry" is about the experience of being human in words that 6-year-olds will understand. "I Like Fruit" is so catchy it renders everyone within earshot incapable of not shouting "I like fruit" along with the chorus. (MC Fireworks and DJ Bootysattva fill in for Egg's Jeff Fuller on this version.) "Boogie Man," about mastering fears, might be my least favorite of the three new tracks, but that just means it's merely good. The list of really good kids' hip-hop albums is very short. Not only does Easy go to the top of that list, it deserves to find a lot of fans among people who don't consider themselves big hip-hop fans. It's a really good CD, period -- lots of fun and certainly worthy of repeated spins. A year later, the album still holds up, and the new songs just make it that much better. Highly recommended.

Review: Field Trip - Recess Monkey

FieldTrip.jpgIt's hard to write a review about Field Trip, the recently-released fifth album from Seattle's Recess Monkey. Not because it's bad, mind you, just the opposite -- it's just that the band's run of great albums and songs has been going on for so long now that it's getting more difficult to find new and interesting ways of saying "these guys are really good -- your family should listen to 'em." From the two-minute simple Beatles-esque "Fort" to the fanciful power-pop of "Marshmallow Farm" to the sweet "Sack Lunch" the album starts off with great pop tunes and doesn't really ever stop. "Sack Lunch" manages the odd trick of not only writing a song from the perspective of a kid's sack lunch but also making it stand as some sort of metaphor for a really powerful love. (It also does so with the Northwest Boychoir singing the phrase "sack lunch" chorally, which makes me smile every time.) On the album goes, through '80s dance of "Haven't Got a Pet Yet" and the funk of "Hot Chocolate." Recess Monkey has always been willing to approach the "novelty song" line much more than a lot of bands, and I can't say it always pays off -- the spaghetti western of "Ice Pack" is just OK and did the world need a song (no matter how catchy) about lice ("L.I.C.E.")? (The answer is no.) But that song is sandwiched between a tender love song ("Tiny Telephone") and the best kids song Elvis Costello never wrote -- "The Teens," which is ostensibly about difficulties in counting past ten but will get parents nodding about their kids' forthcoming teenaged years. The most exciting thing to the long-term listener of the band is that expansion of world view -- figuring out how to encompass more experiences of older listeners without sacrificing their core audience of young school-aged kids. The album is still primarily targeted at kids aged 4 through 9. You can listen to samples from the 41-minutes album here. So, yeah, Field Trip is another excellent string of songs from Recess Monkey. If you're a fan, you'll love it. If you're not a fan, though you'll probably be a bit mystified by the John Vanderslice bit at the very end, this is as good a place to start as any, as it's their best album yet. In the end, all I can say is that these guys are really good -- your family should listen to 'em. Highly recommended.

Itty-Bitty Review: Banjo To Beatbox - Cathy Fink & Marcy Marxer (with Christylez Bacon)

BanjoToBeatbox.jpgI hesitate to call the DC-area-based duo Cathy Fink & Marcy Marxer elder statesmen of the kids music genre because they're neither, you know, elderly nor male. But they've been doing the family music thing for about 25 years now. Which is why it's pretty great that their collaborator on their latest album Banjo to Beatbox is, well, not even 25 years old. Christylez Bacon is a DC-area hip hop artist; here, he adds his beatboxing and rhyming skills to Cathy & Marcy's banjo and folk stylings. On the album's best tracks, like the resetting of the traditional "Soup, Soup," the combination thrills, pointing the way to a 21st century folk music sound. That song, along with with "Hip Hop Humpty Dumpty," takes full advantage of the collaborators' strengths. The other songs here are enjoyable (I also quite like their take on "New River Train"), but those two are the standouts. You can listen to clips of the album (best probably for kids ages 4 through 9) here. (They're calling it an EP, but at 30 minutes, who knows what "EP" means any more.) I've always liked Fink and Marxer's wilingness to collaborate outside what somebody else might perceive to be their genre -- their collaboration with Texas polka group Brave Combo All Wound Up! is an excellent album. I don't think Banjo to Beatbox reaches those heights -- it seems a little more stylistically limited to me -- but I hope that Cathy Fink and Marcy Marxer continue to make music every now and then with Christylez Bacon because there are parts of this album that are pretty exhilerating. Recommended.

Review: John and Mark's Children's Record - John Upchurch and Mark Greenberg

JohnAndMarksChildrensAlbum.jpgAt the risk of over-simplification, I think there are five kinds of kids music albums: 1.  Explicitly educational music (for the most part, left undiscussed here), 2.  Renditions of traditional kids songs (e.g., Raffi, early Laurie Berkner), 3.  Rock/pop/folk songs with kid-focused lyrics (Ralph's World, Justin Roberts, later Laurie Berkner, tons more), 4.  Music geared at the whole family simultaneously (Dan Zanes, Elizabeth Mitchell). 5.... Well, the fifth type looks a bit askew at the kids music genre.  If it doesn't quite subvert the genre, it doesn't quite buy into it, either.  They Might Be Giants, who could easily fit into the rock/pop/folk category above, fit here, as do albums from folks like Duplex and the Quiet Two.  You can also lump in every album that attempts to fit the kids song peg into an adult hole (traditional kids songs... done in electronica!) or the adult peg into the kids music hole (ahem, I'm looking at you, Rockabye Baby).  I wouldn't want a kids music library consisting of nothing but albums from this category, but their quirkiness is a welcome change, even from nothing but excellent albums in the other categories. For those of you looking for an album in that fifth category, I can't commend John and Mark's Children's Record to you highly enough.  The album is the creation of John Upchurch and Mark Greenberg, who played together in the Coctails many years ago and now find themselves each father to three kids.  The album was inspired, of course, by life with their kids, but the result sounds like little else you will hear this year. "The Lawnmower" kicks off the album with a kid's lament that he might be trapped inside the house all summer long since the grass has grown so high before chugging into a country-folk tune which will have you humming "the lawnmower goes off / and the lawnmower goes on" and the killer couplet "I can rest well assured / of a lawn well-manicured."  It's the kids music album equivalent of "you had me at 'hello'."  From there the album moves into "A Counting Error," which beyond its lyrical subversion (to tell you more would ruin the surprise) has funky "Mahna Mahna"-style vocalizing, whistling, and sax interspersed.  I can't think of a more striking kids song all year. "Pat, the Alligator Lady" is an odd little song about a lady who, Greenberg says, ran a rescue shelter for odd animals in an 80-year-old Victorian house.  "The Elephant Leads the Way" is a poppy banjo-accented number followed up by "People Have Good Reasons," which sounds like it lost its way from another album made just for adults -- the spoken-word carousel tune is amusing, but it's the album's one false step as kids'll probably be mystified ("It is very VERY important / So precautions that they've taken are all warranted / And accepted / as a rule of law"). And on it goes.  I have no idea what the titular shoes are of "Honey Boots," and the lyrics consist primarily of "I've got my honey boots on," but that's one of the joys of this collection -- not everything is spelled out.  "Colors" is about, yes, colors, but it's as if Shel Silverstein wrote a poem about colors and asked Sufjan Stevens to write song to along with it.  The album mellows as it draws to a close, ending with a lullaby ("Until the Dawn") and a slow instrumental ("In My Blue House"). The album is about 35 minutes long and most appropriate for kids ages 2 through 7; you can download a couple tracks -- including the sublime "A Counting Error" -- here.  You can download the entire album from iTunes or eMusic.  But I should mention the album packaging (designed by former Coctail member Archer Prewitt) is beautiful and well worth the additional shipping cost (the album costs the same in physical format as through iTunes). As you can tell by now, I think this album is fabulous.  It is a bit odd perhaps, but I've figured out over time that what separates the great "odd" albums from the annoying ones is love -- that people love the genre and the kids in their lives and they're making music borne out of their own musical and personal experiences.  John and Mark's Children's Record reflects that love in spades.  It's one of my favorite albums of the year.  Highly recommended.

Review in Brief: Family Photograph - The Dreyer Family Band

FamlyPhotograph.jpgGiving Family Photograph, the first album from the bi-coastal Dreyer Family Band, a brief review is hard, because you're not likely to hear a kids music album more stuffed with so many feelings this year. The product of the families of Matt and Craig Dreyer, the album gives voice to all of the good times and bad times most families go through. In many ways, it's completely typical family music territory -- lots of songs about love and creativity and animals playing music ("Totem Party," the closest thing the album has to a traditional folk song on its collection of 17 originals). But a few other songs serve as counterweight to the lovey-dovey stuff, and make those songs' emotions feel earned. When was the last time you heard a song (from a kids' point of view) talk about wanting to hit someone, especially a sibling or a friend, but that's exactly what the Johnny Cash-styled "Mad" covers. Or the '60s soul of "You Get What You Get," which adds music to all those things parents say (or want to say) to their child on those highly-stressed days ("It's a get what I got hope you like it day / If you don't just keep it to yourself today"). The music covers a wide range of styles, but has its locus in funky soul music. It's like a long-lost kids album from 35 years ago. It felt a little long for my tastes, though if you asked me exactly which 4 songs I'd drop to make it a trim 33 minutes rather than the 43 minutes it actually is, I'd be at a loss to do so. The album will probably be most appreciated by kids ages 3 through 8, though the real target audience is those kids' parents -- if the kids like it, that's a bonus. You can hear some tracks at the band's website (click on "listen") or samples at the album's CD Baby page. Listening to Family Photograph feels a little bit like looking through a family album of highly personal photos; sometimes the photos are fuzzy or seem to have meaning that escapes the casual listener, but at times these snapshots have captured something magical. Recommended.