Review in Brief: Josh Levine for Kids - Josh Levine

When playing toddler standards, simplicity works wonders, but it's also nice to take a slightly different approach from the hundreds of recordings that have preceded you. Josh Levine for Kids, from New York City musician Josh Levine stands out from most by mixing in some Latin songs in with the English-language standards (and sometimes reworking those). For example, Levine turns the "Alphabet Song" and the "Hokey Pokey" into gentle mambos. (I liked the slight but snappy "I Am a Pumpkin," featuring the Venezuelan cuatro, in particular.) On the Latin side, the slinky "Tiburon" ("Shark") showcases Levine's keyboard work and "Mi Cuerpo Hace Musica" has nice percussion work from Levine and Guillermo Cardenas. Levine also lends his alto to his own music accompanying Edith Segal's "A Real Bouquet," a sweet song in praise of diversity. Though the album encourages movement on the part of the listener, in general it exudes the mellow vibe of a lazy, sun-drenched afternoon. I kept on having "Getz/Gilberto" flashbacks -- I wasn't expecting "The Girl from Ipanema," really, but there's a certain timelessness to the jazzy Latin rhythms that will keep it from aging. I think the 22-minute album's most appropriate for kids ages 2 through 7. You can hear samples at Josh's music for kids page. Whether you're looking for some slightly different takes on toddler favorites, to broaden your family's musical palette, or just for a nice, low-key 20-minute timeout, Josh Levine For Kids is a good place to start. Recommended.

Review: Hootenanny - Johnny Bregar

After hearing his debut kids' CD Stomp Yer Feet!, I saddled the Seattle-based musician Johnny Bregar with perhaps an unfortunate tag -- the next Raffi. I considered it a compliment, thinking of Bregar's gifted voice and occasionally soulful reinterpretation of preschooler classics, but there are enough people out there who have such a knee-jerk reaction to the mere mention of Raffi's name that I didn't expect it to be a marketing gold mine. On his second album for kids, the just-released Hootenanny, Bregar neatly escapes the "next Raffi" tag by pitching his songs at a slightly older crowd. Gone are toddler classics such as "If You're Happy and You Know It" or "I've Been Working on the Railroad," in are folk classics for a slightly older crowd -- the revved-up album opener "Old Dan Tucker" or the straight-up folk last track "Eastbound Freight Train." The younger kids aren't completely ignored -- somewhere Dr. John is crossing "Miss Mary Mack" off his songs-to-record list because Bregar's soulful version will work just as well -- but this time they're the exception and not the rule. I also like his gently bouncing version of "Don't Fence Me In," with an occasional kids' chorus that suggests the lyrics don't just apply to adult cowboys. Bregar puts a few more original songs on the new album, and for the most part, they're very good. Songs like "Best Friend" and "Airplane" speak to aspirations of five-year-olds. If there's a drawback to the songs, which sound great, is that they're all very Adult Album Alternative-sounding. As opposed to the goofiness of, say, "Pancakes" or "Blah de la" off Stomp Yer Feet!, the songs here are all very polished and may or may not capture kids' fancies. The album's musicianship is always first-rate, and Bregar has a great voice, one of those things you don't appreciate unless you've heard a lot of kids' music and realize that there aren't that many kids' musicians with great voices. He sounds ever so slightly like Bruce Springsteen and a lot like Justin Currie, the lead singer for the '90s pop band Del Amitri -- in fact, there's even a hint of Del Amitri's sound in the album. (Should I start the rumor that Bregar is actually Currie's alter ego?) The album's most appropriate for kids ages 3 through 8. You can hear clips from both of Bregar's albums here. Hootenanny is another strong album from Johnny Bregar, with many songs kids and their adults can enjoy. If it doesn't quite reach the heights of Stomp Yer Feet!, that's only because that album set the bar so high, and if you were scared by the "next Raffi" tag, it's OK to come back -- Bregar's now setting his own path worth following. Definitely recommended.

Review: Five Cent Piece - Randy Kaplan

Another week, another bluegrass-inflected album for kids from New York City. Unlike Astrograss' more esoteric approach, Randy Kaplan folds in more traditional approaches to bluegrass on his first kids' CD, Five Cent Piece, released in November. Which isn't to say there isn't some oddness of other kinds on the album. Kaplan has released five CDs for adults, but has also taught and played for kids often. His debut CD is a mix of well-chosen (and often reworked) covers and skewed originals. Artists covered include Jonathan Richman (the winsome "I'm A Little Dinosaur"), Arlo Guthrie ("Motorcycle Song"), and Elizabeth Cotton (the timeless "Freight Train") among others. One of the best tracks on the disk is "Grape Juice Hesitation Blues," his reworking of the traditional "Hesitation Blues," which features some great Don't Let the Pigeon Drive the Bus-style interplay between Kaplan and a ragged chorus of kids. The originals are a little odder, featuring songs about sharks in the bathtub (the spacy "Shampoo Me"), pesky mosquitos (the bluesy "Mosquito Song"), and, well, "Roaches," which features little squeally roachlike-sounds in the background. For the most part, Kaplan plays it straight and lets the music do the talking -- indeed, one of the best things about the album is the terrific musicianship, especially when they're playing traditional songs such as "Freight Train" or "Over the Rainbow." But Kaplan likes to tell stories, and so a number of songs include spoken word portions including... wait for it... "You Can't Always Get What You Want." Yes, my friends, the Stones cut has been put on a kids and family album, a decision so shocking that my wife, whose interest in music doesn't quite match mine, sputtered, "But, but, that's a classic!" For those who are worried, don't be, Kaplan has crafted a 10-minute story using only the occasional chorus for punctuation. As adventurous as the album is, it's not perfect. "Mostly Yellow (Big Bird's Song)" is a lovely but sad song about Big Bird's inner life that as amusing as it is for the parents, really doesn't fit on an album that regular (young) viewers of Sesame Street would listen to. And at a length of just under an hour, it's just too long -- the tracks aren't bad, but it's overwhelming when heard in one piece. "Mostly Yellow" aside, this is a good album for kids ages 3 through 8. You can hear samples at the album's CD Baby page. With his mixture of somewhat different arrangements traditional bluegrass and folk instrumentation, affinity for storytelling, and wide choice of covers, Randy Kaplan comes off as sort of a combination of Enzo Garcia, Bill Harley, and Elizabeth Mitchell. On Five Cent Piece, Kaplan has fashioned one of the more unusual kids and family albums of the year, good for chilly winter afternoons or late summer days. Recommended.

Review: Play! - Milkshake

Over the course of its two previous albums, the Baltimore-based band Milkshake has been content to mine a poppier seam of kids' music. While I wouldn't call them sentimental, their songs are usually sunny and optimistic -- there's little mischieviousness in their songs (at least lyrically. On their third album Play!, released this week, Milkshake doesn't veer much from the approach on their previous albums, but does simultaneously broaden their musical palette while narrowing the topical scope a little bit. Play! is, loosely defined, a concept album about the different ways kids play. From the opening track "We've Got a Band" (playing musical instruments) to the '80s power-poppy title track, Mikel Gehl and Lisa Matthews sing about the fun of play. There are songs about make-believe play (the Beatlesque "Imagination Nation," "Pirates," "Home on the Rang") to go along with songs about playing sports ("Bowling with You," or "Baseball," with a Cal Ripkin cameo). What saves the lyrics from being cloying to adult ears is the specificity -- it's one thing to sing about how much fun it is to spend time with your family, it's another thing entirely to make that song about bowling. It grounds the song in a reality that, while it might not apply to your family, is certainly relatable. Musically, Milkshake adds a few nice touches to their pop-rock approach. The Bacharach horns on "Okay to be Different," for example, or the sea chanty of "Pirates." While Milkshake's version of going wild ("Go Wild") is, well, more mild than wild, they don't completely abandon the rock -- the closing cut "My Best Friend," is a snappy slice of power-pop that starts at about 60 miles an hour, never lets up, and wraps up in less than 2 minutes. (In fact, I really like the last 5 tracks.) I think the album's geared right at kids ages 4 through 8. You can hear samples of the tracks at the album's CD Baby page or hear full tracks at the band's homepage. Milkshake is not everyone's cup of tea -- they're writing happy pop songs for happy kids. But they do this better than most of the kids' bands out there and Play! is their best album yet. Recommended, especially if you've enjoyed their other CDs.

Review: First Time for Everything - John Carlin

OK, let's get the cover out of the way. Yes, it's bizarre. No, I can't explain it. And, yes, the album inside is better. Now that I've got that out of the way, let's get to the album itself. First Time for Everything is the debut kids' CD from the New York-based musician John Carlin. Carlin, like many kids' artists, had a career as a musician for adults, then started teaching music classes for kids. And, like many of those artists, his debut album is a very DIY affair, with Carlin playing every instrument. What distinguishes Everything from many other DIY albums are the flourishes of musical diversity within. The album starts off with the guitar-pop of "Eliza" and "Run Around," the latter song about how good it feels just to, well, run around. "Bein' a Dog" borrows some of melodic riff from "Time Warp, while the title track is a sauntering number featuring loose raspy vocals from Carlin. While I liked the original cuts, perhaps the nicest touches are the reworkings of "Mary Had a Little Lamb" (featuring a musical interlude with acoustic guitar that's considerably different from, but very complimentary to, the original melody) and "This Little Light of Mine," which adds a small taste of a New Orleans brass band. The downside to the disk is that the production sometimes muddies the vocals (especially on Carlin's originals), making it difficult to understand them. It's something that certainly can be fixed on the next go-round. I'm gonna peg the 35-minute album as best for kids ages 3 through 7. You can hear clips of the songs here. By no means is First Time for Everything reinventing the kids' album. It's just an album with some nice new pop tunes with kid-appropriate lyrics and some old tunes presented with enough dash to make listening to the familiar melodies fresh. But if that's enough for you (and it's certainly enough for a lot of people), you could certainly do much worse. Recommended.

Review: All Together Now: Beatles Stuff For Kids of All Ages - Various Artists

Although it has signed very 21st century artists such as Gustafer Yellowgold and Robbert Bobbert (Robert Schneider), Little Monster Records, the new kids' music imprint from V2/Artemis Records has chosen to look back 40 years for its first release, All Together Now: Beatles Stuff For Kids of All Ages. If this first release is any indication, Little Monster releases will be designed to encourage parent-youth interaction. The release comes packaged with a storybook illustrated with kids' drawings, poems that are meant complement the lyrics, and Beatles facts which are probably familiar to the adults but won't be, of course, for the young'uns. And what exactly will you be sharing with those young'uns, musically? Thirty minutes of covers of well-chosen if familiar Beatles songs. Producer/guitarist Kevin Salem has assembled a talented backup band for the versions, which are sung by New York Doll Steve Conte along with some guest stars, including Marshall Crenshaw, Jason Lytle (ex-Grandaddy), and the Bangles (with Matthew Sweet joining Susanna Hoffs once more on a fun "Good Day Sunshine"). The songs also feature a chorus of kids who, refreshingly, are neither Broadway-trained nor pitch-corrected. They sound like, well, your elementary school or church choir, in a good way (see the simple "Love Me Do"). If you're going to put kids on record, this is the way to do it. As well-done as the whole package is, there's really nothing new here. The versions hew very closely to the originals. I realize that the idea behind the CD -- introducing the Beatles to another generation -- doesn't lend itself to massive reinterpretations of classic recordings, but there's little reason why your copies of the original Beatles CDs won't do just fine. Given the ages of kids singing (they sound like they might be in 2nd or 3rd grade, generally), I'm going to peg the age range here at ages 4 through 9, though obviously Beatles music is OK for just about any age. Three of the tracks are available here. For the moment, the CD is available only at Barnes & Noble, though that will end at some point next year. All Together Now is a nicely-assembled collection of Beatles tunes, attractively packaged and with nice thought put into it. As good as it is, I don't see it as being of great interest to people who already have some Beatles tunes in their collection. But I can't wait to see and hear what the team behind this album has up their sleeves when they turn their attention to some original songs.