I can't say that my initial expectations for
Colours Are Brighter, the kids' music compilation put together by Belle & Sebastian trumpeter/bassist Mick Cooke, were very high. Franz Ferdinand doing kids' music, along with a whole bunch of other bands, only a few of which were familiar to these American ears? The whole thing sounded nothing more than a quickie album thrown together to cash in on the sudden popularity of music for kids. (OK, a quickie album designed to raise money for Save The Children's
"Rewrite the Future" campaign, but still.)
Fear and misinformation are poor bases for making decisions on many things, and kids and family music albums are no different, my friends.
To begin with, Cooke has been putting together the compilation for a couple years, so it's not like Cooke read the
Billboard charts in March and thought, hey, I can do that. More importantly, the music's pretty good.
Franz Ferdinand might just do the best job on the entire disk of putting together a kids' song that's in the spirit of the adult band. With its tinkling piano and scuffling drums, "Jackie Jackson" has enough of the more muscular sound of their music for adults, but the song's chief attribute is singer Alex Kapranos' spirited vocal turn on the story of greedy boy who likes to eat too many cakes. (The boy meets an unsavory, Roald Dahl-like ending.) Another band familiar to some are Snow Patrol, who resurrect an old song, "I Am An Astronaut," which seems like a picture book come to life (or sound), using swirly Snow Patrol sounds. (And, yes, "The Monkeys Are Breaking Out the Zoo" returns Belle and Sebastian to their more twee-pop sounds.)
The less-familiar artists sound good here, too -- Rasputina sounds a bit like Bjork on the funky, angular "A Skeleton Bang" while The Barcelona Pavilion (who hail from Canada, I believe) turn in a post-punk "Tidy Up Tidy Up" that sounds They Might Be Giants-ian echoes. My favorite tracks? Four Tet (featuring Princess Watermelon) doing the dance-track "Go Go Ninja Dinosaur" and the Ivor Cutler Trio singing "Mud," a track that sounds like it was recorded 80 years ago, but was in fact recorded only 40 years ago.
Not everything works great -- The Kooks' "The King and I" would sound good on their recent debut album, but if there was something that distinguished the song here from the rest of their work, I couldn't hear it. And the Flaming Lips' track, "The Big Ol' Bug Is The New Baby Now" is a half-sung, half-spoken word track on which, unfortunately the spoken words are too difficult to understand.
There's nothing age-inappropriate here, but I'm guessing kids ages 3 through 9 are more likely to appreciate the music. If you want to hear the tracks, visit either the album's
website or its
Myspace page. The album is available as an import here Stateside, or you may want to go directly to
Amazon.co.uk or
CD-Wow.
Colours Are Brighter is subtitled "Songs for children and grown ups too," which isn't a bad description. The songs stretch across the spectrum from being targeted right at the younguns to being pretty much "starter songs" for the bands' adult work. It's not a perfect compilation and there's not much of a unifying theme, but there are enough decent songs that it's worth exploring, particularly if you're interested in hearing a cross-section of mostly British, mostly current, pop-rockers. Recommended.
Based in Portland, Oregon Stephen Cohen has been making art of one sort or another for nearly 30 years. Creating music, musical instruments, and visual art, Cohen integrates these three into his performing career.
This is exactly the kind of person that should be making kids' music.
On his recently-released Here Comes The Band, Cohen gives reason to be optimistic for the future of music for families. A heady collection of multi-instrumental folk music, Cohen weaves together an album that flows seamlessly from start to finish. The opening title track serves as the prelude to the whole album, with a melody that pops up at least a couple more times later on in the album. It segues almost imperceptibly into "Give Me That Toy!," which, thankfully, doesn't tell the young listener to ask politely -- it's written from the child's perspective. And from there into the traditional children's rhyme "Mr. Knickerbocker," in which Cohen's distinctive voice (ever-so-slightly nasally and slightly-less-slightly raspy) repeats the phrase "bobbity, bobbity, bobbity-boo" until it gets lodged in your brain. Another favorite song of mine is "The Planetarium," which although is written from the point of the parent taking his son to the planetarium is written with the words of a child ("Then a baby cried and had to go outside / While we watched the lights / Stretch across the black dome sky.")
To talk about the lyrics is to miss the album's chief allure, which is its music. As noted above, some of the musical transitions are seamless. Which isn't to say this is an entirely low-key album. "There Goes the Band" lists 13 people playing or singing on the track. "The Elephant Walk" sounds not a little bit like Fleetwood Mac's "Tusk." The lullabies at the end of the album are sweet as well.
I can't review this album without noting the album packaging, which is one of the best I've seen this year. Lyrics, gorgeous illustrations by Christopher Shotola-Hardt, activities are in the liner notes, along with an explanation of what various people on the album (producer, engineer, visual artist) actually do.
The album is most appropriate for kids ages 3 through 9, though it may create fans of parents who are 39. You can hear samples of 5 songs at the album's CD Baby page and hear "Baseball, Baseball" here.
Stephen Cohen's album is a little bit like what might happen if Mr. David and Randy Newman decided to record a kids' album live on Prairie Home Companion. Here Comes the Band establishes a mood and a world that will draw in you and your kids. It may not be the album your family listens to every day for a month, but it will be one you listen to occasionally for many years. Recommended.
There are those who, upon hearing Rockin' In the Forest With Farmer Jason, the recently-released second album from 
Not For Kids Only, the 1993 album from David Grisman and Jerry Garcia, is great idea for a kids' album. Two stellar musicians playing songs meant for singing along with, as the liner notes ask the listener to imagine hearing Grisman and Garcia playing songs after a large dinner gathering. (Can I be invited? I make a killer cranberry sauce.)
In execution, this album meets the standard set by the idea. Grisman's and Garcia's mandolin and guitar playing, respectively, are sharp and they're backed by a set of rotating sidemen playing assorted percussion or other instruments. The song selection is a nice mixture of songs well-known ("Freight Train," "Teddy Bears' Picnic") and not-so-well-known ("Three Men Went A-Hunting" or "When First Unto This Country"). The songs are given primarily (though not exclusively) bluegrass/folk treatments -- appropriate, of course, for the material at hand.
And despite all that, after repeatedly listens, the album itself is unlikely to make much of an impact on you or your family. It's just too... pleasant. There's no grit here, it's all so darn genial that while it'll make great "quiet time" music for lazy afternoons, there's little that will make you say, "listen to this!, my kids love this song!" Some of the songs, like the gently peppy "Hopalong Peter" or the slow Dixieland swing of "Teddy Bears' Picnic" do break out of the mold (and mood) of the rest of the album. But they're the exception, not the rule.
I think kids ages 3 through 7 are most likely to enjoy the CD. The album itself is so old there's no website for it (can you believe it? do those albums even exist anymore?), so find yourself your favorite online retailer for music samples.
I do want to make clear that Not For Kids Only is not a bad album. The musicianship is top-notch and the very idea that people should go ahead and sing for their own families is what inspired artists such as Dan Zanes. But it's not likely to be the first disk you or your kids reach for when you or they want to hear something that moves them.
dyspeptic, adj., or, causing, or having dyspepsia (impaired digestion; indigestion).
How you respond to Tummy Talk, the 2nd album from Florida-based musician 
Detroit is not afraid of you and will beat your... OK, this is a family website, but it's true.The Detroit Tigers are back in the World Series and if The Family Hootenanny is any indication, they can turn out kid-rock with the best of 'em.(Well, they can turn out Kid Rock, too, but that's for another set of music blogs altogether.)
Released earlier this year, the album is inspired by years of occasional Family Hootenanny concerts in which Detroit rockers let their hair down (or, as the promo materials put it, "pulled it from their faces") for family-oriented shows.While the word "hootenanny" implies a folk-centric approach, the CD collects artists from across the musical spectrum, from the punk of all-mom bands The Mydols ("Run Crazy Baby") and CandyBand (the previously released but totally awesome "Get Up Already") to the faithful cover of Schoolhouse Rock's "Interjections" by the Katzenjammer Kids.
I wouldn't have expected it, but the crazy melding of styles works, mostly because the songs are each great in their own way.The Go! (Jack White's old band) puts together the closest thing to a lead single with "Knock Knock Banana," which sounds like an incredibly skewed Saturday morning theme song from 1975.That song is followed by "Stuck in the Playpen (Again)" by Old Man Miller (Dan John Miller of Blanche), a country-blues with the lines "I wonder if my momma even loves me / In the pen you don't get nothin' to eat / Just some plastic blocks / Some dirty old socks / A bunch of books that I'm too young to read."(As Homer Simpson would say, it's funny 'cause it's true.)The two songs have no business being on the same disk except they're both fabulous songs.
And so on through punk, country, pop, Americana.For the most part, the songs are originals, but even the traditional songs are given vigorous new readings.Loretta Lucas (and the Larkspurs) turn in some great harmonies on "Down By the Bay" while the Saltminers' uptempo (and whoo-whoo-enhanced) "Freight Train" is energetic and, well, fun.
Kids between the ages of 3 and 9 will most appreciate the album.(Heck, Chloe Crawford -- age 5 -- sings on "A Peacock Day" with her two younger sisters.)You can hear 4 full tracks at the compilation's 
