Rocket Ship Beach was the first Dan Zanes album I ever heard. This was maybe 4 years ago or so. I liked it, but it didn't quite grab me at the time the way his 3 subsequent albums did. In going back to the album for the purposes of this review, I tried to figure out why.
Let's start out with the stuff I liked then, and still do. You wouldn't think that "Bushel and a Peck" from the Broadway musical "Guys and Dolls" would be a great fit for a chorus of elementary school children (whom I generally dislike hearing on record), but they sound great in the song. It's 180 degrees different from the Olive Oyl-stylings of Faith Prince in the Broadway revival from a few years ago, but lots of fun. My other favorite track on the record is Suzanne Vega's take on the "Erie Canal," which is... well, I don't want to say "eerie" (that would be too easy), but Vega's voice and Zanes' lap steel guitar blend together in a wonderful duet.
The rest of the album is... maybe it's just too folk- and bluegrass-based for an entire album for my tastes. Yes, Father Goose and the Sandy Girls make their appearances, as does Barbara Brousal, but the overall feel of the album is definitely more "folk festival" than the other Zanes and Friends CDs. Maybe part of that is that there's only one Zanes original ("Hello," on which Brousal duets). In any case, the album is less diverse musically (if no less technically and musically accomplished).
Don't get me wrong, I like the CD and I'm glad to have it in my collection, but I guess unless you're a big folk music fan, I would recommend one of Zanes' other CDs (probably "House Party") as an introduction to his stuff. The CD is best for kids ages 3 through 7 or 8, though like all of Zanes' work, it's definitely appropriate for people of all ages. Zanes' music is available in most stores with a children's music section. Recommended.
Review: Bottle of Sunshine - Milkshake
Children's artists can walk a fine line between sweet and sappy. Childhood is full of wonder, and trying to convey that can lead musicians into mushy-headedness.
For the most part, Milkshake avoids the Head of Mushy on their second album, Bottle of Sunshine. Milkshake, a duo from Baltimore, has two strong assets -- the sweet vocals of Lisa Mathews and the melodic and occasionally crunchy guitars of Mikel Gehl. Backed by a full band, Bottle contains a broad variety of children's pop, uptempo and down-, that does a good job of showcasing those assets.
The best songs on the album are the ones that stay away from mushiness. "Woo-woo" is a fun pop song leavened with humor about playing underwater ("If you find lost treasure on the ocean floor / please bring it back up to me.") "Boom Boom" is a country-tinged tune about dancing. And while "Book of Dreams" is a sweet pop song, elegantly produced, "Sleepytown" is a simple album-closer. (Is there some sort of union rule requiring closing a kids' music album with a slow, sleep-related song? Just wondering out loud here.)
As someone whose tolerance for mushy is perhaps lower than many, some tunes don't work as well for me. While I liked "Book of Dreams," "One Wish" reached too hard for the sense of wonder for my tastes and was fairly bland. And while I'm not against namechecking one's own band in song, which Milkshake does twice here, it has to be really catchy (paging Morningwood to the review, paging Morningwood to the review), which isn't quite the case here. (Still, I could see those two songs being fun for preschoolers in concert.)
The album is best for kids age 3 through 7. It's available at the usual online suspects. While I recommend the album, if you like me have a low tolerance for mushy, you may want to listen to some samples online before committing to the CD.
Review: Lullabies: A Songbook Companion - Baird, et a
Most lullaby CDs are a little bit painful for the parents to listen to. Cheesy instrumentation and American Idol-style over-emoting. Not to mention the same ten songs on each CD. There's only so many ways you can sing "All the Pretty Little Horses." (Or at least there are only so many ways I've heard.)
Thankfully the purpose of most lullaby CDs is such that we parents will not listen to them. But there are times, especially early on in a baby's life, when a little lullaby background music is nice for nursings or bottle-feedings.
So the collection from New York City's Metropolitan Museum of Art entitled Lullabies: A Songbook Companion came as a welcome relief from the other poor lullaby CDs I avidly bought before our first child's arrival. The album is a family affair -- parents Richard Kapp (piano) and Madeline Kapp (vocals) and daughters Julianne Baird (vocals) and Mela Tenenbaum (violin and viola). So you have classically-trained musicians playing real instruments and knowing when that over-emoting goes so far. (It's on here, but it's kept mostly in check.)
And when you have 35 tracks on the CD, clearly there will be a few tracks that will be new to you. The selection reaches across the globe ("Fais Dodo," "Suo Gan") and includes some classical instrumental tracks (such as Schumann's "Traumerei") that may very well be the most relaxing and sleep-inducing on the album.
The CD is available either on its own or accompanying a book with assorted child-related art from the Museum's collection and the sheet music. The book also gives the briefest of backgrounds on each song; such descriptions are omitted from the CD's liner notes. Both are available through the Museum itself or online retailers. If you're looking for a lullaby-related gift for parents-to-be, you need look no further than this CD. They may even be listening to it themselves long after their little one is sleeping through the night.
Review: More Singable Songs - Raffi
It is waaaay too easy to dismiss Raffi as the purveyor of bad children's music based purely on reputation.
That is, if you've never actually heard his early work. His first album, Singable Songs For The Very Young, is a landmark of the children's genre, a genre that arguably didn't exist in any meaningful way until Raffi came along. And his second album, More Singable Songs, while not earning any awards for album-title creativity, is no less vital.
The album title doesn't promise much variation from the first album, and the music bears that out, but in a good way. Raffi blends traditional kids' favorites ("Comin' Down the Chimney," "Six Little Ducks") with folk standards ("Workin' On the Railroad," "New River Train") and originals ("Shake My Sillies Out," "If I Had a Dinosaur"). There are very few "messages" in the songs, and even those are slid in ("Oh Me Oh My," which at the very end becomes as articulate an argument for self-sufficient singing as anything Dan Zanes has recorded). The instrumentation is generally simple, but bringing in, when the need arises, a tuba, say, or pedal steel guitar played by Daniel Lanois (or "Dan," as he was known in his pre-U2 and Emmylou Harris days).
The comments from my review of the first album apply here, too -- best for kids aged 2-6 and too short at less than 30 minutes. (I keep thinking that Rounder could make a lot of money by combining these two CDs into one CD and adding some bonus tracks for the completists. If there are Raffi completists, the notion of which strikes me as very odd.) This is another children's music classic. Available at the usual suspects online and off-.
Review: Night Time! - Dan Zanes
The idea of a concept children's album is probably a bit too difficult to pull off. There aren't many I'm familiar with (John McCutcheon's quartet of seasons-related CDs is an exception). Concept albums for 4-year olds are a little broader generally, and don't always work. (Do you want to listen to 12 songs about addition? Didn't think so.)
On his third family and children's music album, Night Time!, Dan Zanes wisely eschews an explicit "nighttime" conceit for a set of songs that sounds very similar to his other kids' music albums, just a little more... nighttimey. (Yes, I'm a critic and I'm allowed to make up words.) By "nighttimey," I basically mean "mellow and relaxed."
This isn't sleepy-time music -- the leadoff track "Night Owl" with Aimee Mann is all about staying up late. The second track (my favorite on the album) is the jagged sea shanty "Pay Me My Money Down." When I first heard the album, I thought a song mentioning bars and jails was an... atypical choice for a children's music album, but in his liner notes he mentions that it was kids' favorite song when he would play schoolrooms. Go figure. It's a blast.
While all the elements of a Dan Zanes album are there -- the beautiful Spanish duet with Barbara Brousal, the Sandy Girls folk song, Rankin' Don doin' his dancehall thang or whatever his thang is -- there is an element of looseness and relaxation that is emphasized more so on this album than on the other ones. Maybe it's just the subtle hints in the liner notes and pictures, but it's easier to picture this album being made (and listened to) as the sun sets long into the evening. The album's one false note, "What A Wonderful World" with Lou Reed and the Rubi Theater Company, fails precisely because it's the one song that doesn't sound like it just "happened." Aside from that, the concept, loose as it is, works.
As with all of Zanes' albums, the album is probably best for kids ages 3 through 8, but is perfectly OK for infants and grandparents and everyone in between. The CD is available through Zanes' website, online, and in what seems to be an increasing number of offline locations. Highly recommended.
Review: Jivin' in the Jungle - Barking Gorillas
Jivin' in the Jungle is the first CD from Barking Gorillas, a two-person band from New York. It's filled with upbeat and musically diverse songs targeted at toddlers and preschoolers -- songs about riding on the train ("Riding on the Train"), fire trucks ("The Fire Truck Song") and playing all day ("Play All Day," natch).
There are parts of the CD I was less than fully enamored of -- "Spinning" uses some sort of toy piano that sets me on edge, as does "Poopie Pants." And maybe this is a personal thing, but on some songs, the lead singer's voice annoyed me.
But there are also some very worthwhile songs on the album. For example, my personal favorite, "The Park," sounds like the result of the Dead Milkmen recording a kids' song, and I mean that as a compliment -- it has a very punky energy and is lots of fun. "The Fire Truck Song" doesn't do much more than sing about fire trucks, but does that very well. And the two slow songs placed in the middle and end of the CD, are sweet, speaking more to the parents than the kids. (And, for whatever, on those slow songs, I really liked the singer's voice.)
A lot of the songs -- even the ones I didn't particularly enjoy on CD -- I can envision being lots of fun in concert with lots of kids around. In the car with just you and your wee one(s), your mileage may vary. Still, this is a promising debut album, and I look forward to hearing their next go-round. (Just lose the toy piano, please.) The album is available from CD Baby.
