Itty-Bitty Review: The Little House Songs - Caroline Herring

TheLittleHouseSongs.jpgIt's not often ignorance can make for a better review, but it just might in this case. Selected ignorance, in any case. I was actually familiar with Caroline Herring's recording of The Little House Songs, an album (or musical, really) based on the 1942 book The Little House by Virginia Lee Burton. I also followed the Atlanta-based Herring as she financed the album via a successful Kickstarter campaign. But the book itself? Sorry, it's one of those Caldecott Medal winners I missed. (I had to check Wikipedia for the publication date.) So while I can't say whether the album adequately reimagines an obviously well-loved book, I can say whether it evokes a well-loved book, and on that score, it succeeds. In brief -- and I say this solely based on listening to the album (though I've now since seen the summary) -- a house is built in the country, an expanding city encroaches upon it, it falls into disrepair, a new owner falls in love with it and moves it into the country once again. Obviously there are themes of wistfulness and the passage of time, and Herring does a great job of conveying those themes musically, such as on the wistful "The City Grew Up Around Her" and "Shabby." But it's not entirely downbeat -- "Building of the Road" is an uptempo folk-rocker propulsively carried along by rhythm guitar and Herring's voice until it just slows down, while I loved the violin's mimicking of wheels on happy "House on Wheels." It's mostly folk, with some songs tending a little more country, all tastefully arranged. Kids ages 3 through 7 will most appreciate the 25-minute album. You can listen to all of "House on Wheels" here and other clips here and here. The Little House Songs is a simple little album, made with care, much as the book that inspired it was. (It's also made me want to read the book, which is always a good sign of the quality of an interpretation in a different medium.) Herring reportedly is interested in doing more of these albums based on children's books. Based on this first attempt, I am hoping she is true to her word. Recommended. Disclosure: I received a copy of the album in my registration bag at Kindiefest.

Live Video: "Bo Diddley" - Elizabeth Mitchell with Mates of State

Elizabeth Mitchell. Mates of State. In concert, together. Bill Childs has posted a few songs they performed together in concert this weekend on his YouTube channel, but this is the one that made me smile the most -- I love the energy in this one, the excellent tambourine-ing from MOS' Kori and Jason's eldest daughter, and the patty-cake at the end of the song by Mitchell and Storey. (Not to mention the Bow Wow Wow mashup, which I've actually heard before.) Elizabeth Mitchell with Mates of State - "Bo Diddley" [YouTube]

Video: "Bonne Nuit, Grenouille" - Alex the Seal

It's Friday, so I'm sure that your kids are getting ready to hit the clubs to dance the night away and... What's that? Your kids are too young to be hitting the club scene? Pshaw, says Alex the Seal, who's released Kids' Club which features, yes, a dance mix for kids. The album as a whole has a little too much AutoTune for my tastes, but one of my favorite tracks, even before seeing this video, is "Bonne Nuit, Grenouille." The song tells a bit of a story, and, well, the video does, too. It's a little sweet, even. Alex the Seal - "Bonne Nuit, Grenouille" [YouTube]

Review: A Trio of Sleepy Disks

Time once again for another stroll -- a long, langurous stroll we might not actually complete because we're so tired -- down lullaby lane. The last couple times I did this, I reviewed seven lullaby albums, but maybe because I'm only doing this a year after my last list, I only have three to add. Let's get started... you're probably tired anyway. InnocentWhenYouDream.jpgFirst up is my favorite of the trio, New England singer-songwriter Mark Erelli's Innocent When You Dream, originally released in 2007 and back in print once again. Like many lullaby disks these days, it's not a collection of traditional (or even standard) lullabies; rather, the album includes songs by "some of [Erelli's] favorite writers that have a certain tenderness to them," and even subtitles the album "Lullabies and Love Songs." Which is why you get folks like Tom Waits, Tom Petty, Wilco, and Shawn Colvin getting covered here. (I already said how much I liked Erelli's cover of Wilco's "My Darling"; the song is originally from this album.) They are songs of comfort and reassurance, so, yes, lullabies, if not ones with easy-to-remember lyrics. Sonically, the album is perfectly pitched, as if Erelli were sitting in the corner of your nursery or around the campfire, singing to you and/or your child, accompanying himself on guitar. It avoids the common lullaby album mistake of being so overwrought that it'll keep everyone awake. Listen to a couple tracks from the 30-minute album here. Innocent When You Dream is a lovely little album and will soothe all but the most savage beast. A couple more albums after the jump.

Video: "Share" - Renee & Jeremy

It's not often that a single song gets three different posts on this website, so I guess I must like "Share" from Renee & Jeremy. First was a link to a demo version of the song, next was the duo singing from a lovely couch, and now we have this, a fun, animated video from Jon Izen and Josh Hart. There aren't many videos that could feature a unicorn, even briefly, and still please me, but this one accomplishes just that. Well played, all. Renee & Jeremy - "Share" [YouTube]

Charting Kids' Musicians A Little Differently

There was a discussion on the KinDIY Facebook page the other day about the difficulty of quantifying family musicians album sales. It seems like anecdotally everybody has a story or two about how sales and popularity is increasing, but with the prohibitive cost of Soundscan self-registration (i.e., self-reporting sales at concerts, own websites, etc.) for all but the most successful of artists, concrete data is scarce. And I love myself some concrete data. So I'm going to propose a proxy. This is by no means perfect, it's a poor proxy for album sales and possibly for concert attendance, and it's a single data source. But it does, I believe, put artists in context to each other and to the broader music world around them, and has publicly available and most non-manipulatable data. Hello, Facebook. I know, theoretically all but the very oldest fans of the oldest-skewing kindie rockers shouldn't be even on Facebook. But I think that the number of parents who are on Facebook is a reasonable proxy for how many people might be willing to buy a CD for their family or take them to a show. And while Twitter is also popular, I think folks who are popular on Twitter are folks who are on Twitter a lot, which doesn't correlate as well with broad popularity. So what follows is a list of artists, covering the major stars of the genre, along with some less popular artists, all with the number of Facebook fans they have as of today. But before I begin, some context: 1) I know that the number of fans someone has on Facebook has nothing to with quality or talent or anything. Mostly. 2) I'm not trying to start any fights between artists. 3) As someone who considers how to bring artists in concert to a place that's not New York or DC where concerts happen weekly, the lack of hard data in evaluating an artist's popularity does not help. I can tell you exactly who I would bring in if attendance and cost were no object. But they are. So just this simple review was helpful for me...