I would make for a lousy missionary.
Talking to people one at a time, trying to convince them right then and there in the correctness of my position is not my strength -- proselytizing makes me blanch. I would rather spend time day after day, week after week, year after year, offering facts and sharing opinions, not to mention listening to others. If others come to my point of view, great. If not, it's not worth ramming my head into a wall repeatedly. And maybe I'll have my own mind changed.
My approach to kids music has been pretty much the same. I'm happy writing my opinions on my website and argue them with some vigor, but get me one-on-one with somebody about kids music, and I'm, like, "Uh, I kinda like Elizabeth Mitchell."
I know.
I should be a little more forceful (and, OK, that quote above's an exaggeration) but it's not an exaggeration to say that the person who talks most about Zooglobble locally isn't me -- it's one of my friends who's constantly asking for my business cards and giving them to people she meets.
So it was with some amusement that I read an article about Rani Arbo and her career with her band Daisy Mayhem. Her career navigates both the folk and kids music camps...
Rani Arbo is one of Middletown's biggest exports — hell, it wouldn't be a stretch to call her one of Connecticut's, considering her band's rigorous touring across the nation. She and Daisy Mayhem have the rare luxury of fitting into two niche markets, whereas most bands are lucky to fit into one. Since they use acoustic instruments (including drummer Scott Kessel's all-recycled kit — he uses cat food tins and a suitcase for a kick drum), they fit in handsomely with the folk, bluegrass and roots music circuit. And their versatility with both adult and children's songbooks allows them to tap into the kids' music fanbase, who Arbo (vocals/violin) describes as “messianic about things they like.”Uh-oh - she's got us.
It is hard to make an "Earth Day"-themed album.
Well, it's hard to make a good one, anyway, one whose musical enjoyment outweighs any "life lessons" the album hopes to teach (the teaching of which usually fails because the music fails.)
I'm happy to report, then, that
