Review Two-Fer: Greasy Kid Stuff (1 & 2) - Various Artists

Would I be here on the web without Greasy Kid Stuff? Yeah, probably. Would anybody care? Well, I'm not so sure. Way back in 1995, when Belinda Miller and Hova Najarian started their weekly Saturday-morning "Greasy Kid Stuff" broadcast on WFMU in the New York area, there may have been a number of kids' music shows on the radio, but none were doing what Belinda and Hova did. Sure, they played "kids' music" (cartoon theme songs, the Chipmunks, and a Sesame Street song made their appearance on a randomly-selected playlist from November 1997). But they also re-appropriated kids' songs played byadult artists (Elvis Presley, the Mr. T Experience and Tanya Donnelly/Juliana Hatfield on that same broadcast) and, even more subversively, artists and songs that had never been anywhere near a kids' show. It wasn't just Jonathan Richman -- it was the Phantom Surfers, the Go-Nuts, and Yo La Tengo.

In 2002, Belinda and Hova compiled their first Greasy Kid Stuff collection, filled with their broadcast's most popular songs from 7 years of Saturday-morning radio shows. This collection has a very goofy vibe to it that owes as much of its energy to Dr. Demento as it does 120 Minutes. Finding out from the liner notes that the very odd "There's a New Sound (The Sound of Worms)" was "without a doubt the most-requested song" on the show in the mid-'90s is a bracing tonic in thinking about what kids actually like to hear. Although I think the silly outweighs the rock, even the silly has a lot of rock to it (check out the surf "Ants in My Pants"), and the rock -- exemplified by the Mr. T Experience's cover of "Up and Down" from Schoolhouse Rock and the by-now-immortal "Jockey Monkey" from James Kochalka Superstar.

The sequel, released a couple years later, is more at the 120 Minutes-end of the GKS spectrum. With tracks from Cub, Supernova, and They Might Be Giants, the album has much more of an indie-rock feel. "Dictionary" is another great indie-rock track, done by Muckafurgason (two-thirds of which would later become the kids' band The Quiet Two. But the less-familiar names also turn in enjoyable tracks, most notably the surprisingly sweet (with pointed commentary near the end) "The Dinosaur Song," from Drew Farmer. Both albums are appropriate for kids of all ages (unless you think kids shouldn't hear the "Mission: Impossible" theme as performed by chickens, then stay away from the original). But I think kids ages 4 through 10 will probably get the most out of the CDs. Samples are available at many fine internet superstores. It's hard to choose between the two CDs (if, indeed, you have to choose between them), but I think my rough stereotyping above -- Dr. Demento or 120 Minutes is a reasonably fair one. There are some awesome tracks on both CDs and your family will like both, if for perhaps slightly different reasons. With news that a third collection is in the works, Belinda and Hova will get to share their many discoveries with a music world that's, well, finally, sort of, caught up with them. Recommended. Obligatory conflict-of-interest note, which I forgot to include when originally posting this last night: Belinda and Hova have just started a new Greasy Kid Stuff blog at Offsprung, which is where I post, too. I could've written this review many months ago, long before they even joined the fold, but thought you should know.

Review: The Rock 'N' Roll Coochicoo Revue - Various Artists

Another week, another collection of kids' songs from artists whose regular gigs usually occur well after the target audience for these compilations have gone to bed. It's easy to believe that some of these compilations are rushed to cash in on the current fad for kids' rock'n'roll, but in the case of the recently-released Rock 'N' Roll Coochicoo Revue, that's not the case. Four years in the planning by Tanya Donnelly (Breeders, Belly) and Chris Toppin (Fuzzy), it's filled with original tracks from Boston-area musicians and friends, some of whom might be familiar if you listened to your local alternative rock station in the '90s (you know, before it went all nu-metal). With the title of the CD, you might expect the CD to rock hard, but the heavy rockers are more the exception than the rule. The outstanding track here is the power-poppy "What Do You Like More?," which provides the listener with a bunch of kid-friendly choices ("lions... or tigers?... sneakers... or shoes?") set to a great hook and layered sounds. Toppin turns in a slightly-fuzzed-out "Ball, Ball, Ball, Ball" that's fun, too. Most of the tracks are gentler in nature. Donnelly lends her distinctive voice to the dreamlike (literally) "Laluna the Loon" while Buffalo Tom's Bill Janovitz turns in a very goofy "The Farm Where Everyone Does What They Want To Do." Kay Hanley, who once sang for Letters to Cleo, turns in the slightly nonsensical "Baby, Baby." In fact, I kept writing "silly" or "goofy" in my notes for many of these songs. They're gently goofy, not "Weird Al" goofy, but their tone prevails as opposed slightly more serious songs (the happy-yet-a-little-bit-sad "Funny Face," about a kid who hasn't smiled so much lately). Most of the songs are targeted at the kids, though Warren Zanes (part of a family who knows a thing or two about the kids and family music genre) sings very much from the parent's point of view in "In Need You, Knock! Knock!" There aren't any bad songs here, but some of them just sort of pass by in a way that makes me think kids would be less than enthused. Some of the songs skew a little younger, but it's most for kids ages four through eight. You can hear four of the tracks at the album's Myspace page, or samples from all of the tracks at its CDBaby page. Some of the album's proceeds will go towards Mark Sandman’s (the late Morphine singer-songwriter) Music Education Fund. One interesting thing for listeners of my generation is how a number of the alt-rock artists from our college days have settled down and are trying to fit their rock peg into the kids' music hole, if only on a one-time basis. The Rock 'N' Roll Coochicoo Revue isn't the first album that does so, but it's the one that puts the trend in sharpest relief. If it doesn't quite reach the kids-comp goldmine of the DeSoto Play! compilation or Bloodshot Records' The Bottle Let Me Down, no matter, there's enough good stuff here to please a whole host of families. Recommended.

Review: Animal Playground (Putumayo) - Various Artists

I’ve long believed that Putumayo’s strength -- at least in its kids’ music releases -- is compiling good, if not entirely challenging, mix CDs. They’re not trying to compile an anthology -- if they throw in a few good songs you’ve never heard of amidst the familiar ones, then they’ve succeeded in their modest goals. On that count alone, their new Animal Playground disk, released this week, is a typical Putumayo release, mixing some familiar animal-themed songs in with the unfamiliar in a combination that will make it easy for a parent to pop in the CD and for the kids to enjoy. On the familiar side is Asheba’s “No More Monkeys,” which I will admit to loathing. I like some of Asheba’s music, but there’s something about the slightly hyperactive rhythm of this particular track that sets me on edge and my finger for the skip button. I know, the kids love it (so much so, Putumayo’s included a video for the song on the disk), but I don’t. Somewhat less familiar (but more enjoyable to me) is the Wee Hairy Beasties’ “Animal Crackers,” a fun and bouncy leadoff track. I've also thought that Putumayo's popularity (as opposed to their strength) has a lot to do with flattering mostly white middle- to upper-middle class people that they have a funky, global perspective. (Putumayo may just have best CD covers in the record business in that regard.) But just because that might be true doesn't mean that Putumayo's not good at finding fun tracks from around the globe. They are, and this album is no exception. The Be Good Tanyas, a Vancouver band which had never really interested me before, gives the album its best track, a gently bopping song anchored by the chorus’ phrase “The littlest birds / Sing the sweetest songs.” (It’s the “Sheep” of this album, for those of you who recall Putumayo’s last Playground disk, Folk Playground, and its standout Zoe Lewis track.) The foreign-language tracks are fun, though, really, Putumayo could have put these songs on a future collection called, say, Robot Playground or Sports Playground and you or your child would never have known the difference. I doubt many parents will use Putumayo’s liner notes; Ze’ Renato’s swinging “Cantiga do Sapo” is Brazilian tune apparently about a frog, though it could just as well be about a dog, or rapid inflation in South American economies. A couple exceptions -- the 30-year-old track “Nella Vecchia Fattoria” from the Italian group Quartetto Cetra is unmistakably “Old MacDonald Had a Farm.” And Ladysmith Black Mambazo does a peaceful “Mbube,” better known here as “The Lion Sleeps Tonight.” They might be in foreign languages, but even your 3-year-old who’s limited to a 100 words of English will recognize and enjoy those tracks. Given the language barriers on many of these tracks, the 36-minute album is pretty much an all-ages affair, though the English-language tracks make it more of a disk for 2- to 7-year-olds. You can hear samples of the tracks here. Animal Playground is a decent collection of music and one that most families will listen to and find some favorites in. You might be able to make a better mix tape, but it’ll probably be in far fewer languages. That’s not a good reason to get this (or any) album, but it’s not a bad thing, either. Recommended.

Review Two-Fer: Collections from Smithsonian Folkways and Yazoo

There was a time where not every kids’ musician had a Myspace page or was prepping a music video. I’m talking, of course, about the late 1990s.

In the late 1990s, the only record company that seemed to anticipate the forthcoming resurgence of kids music was Smithsonian Folkways, which in 1998 issued the Smithsonian Folkways Children’s Music Collection, a 26-track CD culled from the venerable institution’s massive collection of children’s music recordings. How venerable is the collection? Well, you need look no further than the four artists leading off the set -- Woody Guthrie, Ella Jenkins, Pete Seeger, and Lead Belly, who represent the most important kids’ musicians of the first three-quarters of the 20th century, the 1927 Yankees of kids’ music. Their tracks here are representative of the artists’ work -- Jenkins’ take on “Mary Mack,” a song she made her own, includes enthusiastic children’s participation, and while Seeger lends his sweet, clear voice to “All Around the Kitchen.” There are other tracks here from Guthrie, Jenkins, and Seeger, but there are some other great tracks here from artists you’ve probably never heard, or even heard of. Lord Invader with the Calypso Orchestra turns in a rendition of “Merrily We Roll Along” guaranteed to get your family dancing around (or at least bobbing their heads). The Canadian folksinger Alan Mills has a gentle Animal Alphabet Song from the early 1970s. And “Hey, Coal Miner,” co-written by troubadour Larry Long and a 6th grade class in Alabama, combines both social history and fun chorus (“Hey… coal miner!”) into one infectious mix. While releases from the 1950s predominate, the album covers releases from the ‘60s all the way into the ‘90s. There are a mix of age ranges here, some songs appropriate for kids as young as 2, with the upper range easily heading into double digits. As is always the case with Smithsonian Folkways releases, the liner notes to the album are an essential component of the release. You can hear samples at many online stores or you can also visit this page and the "Children's Music" program (#16) for another audio introduction to the overall collection. This isn’t a perfect album to listen to straight through -- it’s more of an anthology than a mix tape, something you’d dip into occasionally, or to find some artist or song you want to explore further. Still, there is relatively little of the sense that you're listening to something "good for you" -- it's much more a sense of "fun for you." And there’s no better overview of 20th century children’s music than this album. Highly recommended.

Readers who find that the number of songs that they and their family enjoy off that album is fairly high may find themselves interested in another release of kids and family music which predates even the music on the Smithsonian Folkways collection. Yazoo Records’ The Story That The Crow Told Me, Vol 1, released in 2000, is a collection of rural American children’s songs recorded in the 1920s and ‘30s. Richard Nevins took 23 recordings from the original 78s and remastered them for the collection. There are some definite gems collected on the CD. One has to believe that Dan Zanes had listened to Chubby Parker’s version of “King Kong Kitchie Kitchie Ki-me-o” before recording his own take -- Parker’s version has its own swing. Fisher Hendley & His Aristocratic Pigs (yes, that was their name and isn’t it awesome?) do a fun western-style “Hop Along Peter.” And Lew Childre’s “Horsie Keep Your Tail Up” has its own bluesy charms. To me, the disk as a whole suffers somewhat from a certain sameness in musical approaches -- one song begins to blend into the next over its 67-minute runtime. I think the segment of fans who like the genre of music will really like this disk, maybe even more so than the Smithsonian disk, but it’s not going to be for everyone. I would note that the remastering is every bit Smithsonian's equal, but the liner notes are lacking, with only a few lyrical excerpts. The album’s appropriate for all ages, but kids ages 3 through 7 will probably appreciate it more than others. You can hear samples here. As you might gather from what’s already been written, if you’re just dipping your toes into kids music that was recorded, well, to be honest, before you were born, you’re better off starting out with the Smithsonian disk. But for its particular narrow genre, The Story That The Crow Told Me holds its own against the Smithsonian disk. The total audience may much less broad for this CD, but it's got its own charms. Recommended.

Review: For The Kids / For The Kids Too - Various Artists

Let’s return to a simpler time, shall we? The year? 2002, long before the words “Jack’s,” “Big,” “Music,” and “Show” had ever been strung together in a television programmer’s mind. What happened late that year? The record label Nettwerk had this crazy idea -- let’s have a kids’ music compilation! For charity! And so the record entitled For The Kids was born.

With nearly 5 years of hindsight, the record actually holds up pretty well. By far the most popular track is Cake’s singular rendition of “Mahna Mahna,” from The Muppet Show. It doesn’t quite sustain a younger kid’s attention for all of its three- minute runtime, but it comes close, and as a kids’ novelty hit, it’s perfect. Even more successful as a kids’ song is “The Hoppity Song” from John Ondrasik (Five For Fighting). Ondrasik throws himself completely into the song -- his deranged near-shouting of lines like “You can’t outhop / The Hoppity Song!” is one of the gleeful highlights of the disk. Indeed, the best songs here are the ones where the artists have fun -- the Barenaked Ladies’ snarky but earnest rendition of Joe Raposo’s Sesame Street song “La La La La Lemon” or Bleu’s “Snow Day.” Some people will find Sarah McLachlan’s rendition of “The Rainbow Connection” from The Muppet Movie gorgeous, and it is, but there’s something about Kermit’s earnestness and banjo that makes the original far superior. Maybe it’s just hard for me to buy a singer with as lovely a voice and face as McLachlan singing about longing at this point. But that’s the adult in me, not the kid. The slow stuff, like Darius Rucker’s “It’s Alright To Cry” and the version of “Twinkle Twinkle Little Star,” doesn’t come off nearly as well as the uptempo material.

Based on the success of the first album, Nettwerk released For The Kids Too! in 2004. Unlike the first disk, which counted on major stars like McLachlan, Ondrasik, and Rucker, the second disk’s biggest stars are Matthew Sweet and They Might Be Giants. But just as Poison Ivy swapped out Drew Barrymore for Alyssa Milano, sometimes being the low-budget sequel isn’t such a bad thing. The sequel relies on more new songs, and there are some very good ones here. Butterfly Boucher’s “I’m Different” has a bouncy chorus and a message of self-acceptance. Paper Moon’s “Your Attitude Towards Cuttlefish” is the “Hoppity Song” of this album, as the lyrics to this indie-pop slowly become ever more ridiculous in explaining the amazing abilities of the little-known fish. The slow songs here -- Robyn Hitchcock’s “I Often Dream of Trains,” for example, or Nada Surf’s gentle and skewed “Meow Meow Lullabye” -- are, as a whole, much stronger than the first disk, though Jason Mraz doesn’t do any better with “The Rainbow Connection” than McLachlan did. You can find samples of the tracks from the two 40-minute-or-so CDs at most major online stores or for the sequel here. More information on the charities supported by the two albums can be found here. In the end these are both good disks. For The Kids has a bright constellation of stars and some excellent tracks. For The Kids Too! has a less bright constellation and some excellent tracks, too. I have a slight preference for the sequel, but I could see just as many families opting for the original. For collections put together prior to the current boomlet in kids and family music, they both done good. Sometimes it’s possible to like both Drew Barrymore and Alyssa Milano. Recommended.

Review: Play - Various Artists (DeSoto Records)

My general rule on albums is that one awesome song usually makes an acceptable album; two, pretty good; and three awesome songs makes for an excellent album worth getting excited about. Play, my friends, has three awesome songs. At least. The album is the first kids' compilation from DeSoto Records, best known for releasing albums from bands such as Jawbox and the Dismemberment Plan. Five years ago -- two years ago, even -- the idea that an indie/punk record label would release a kids' album would have gotten you laughed out of yor co-op preschool. But it's no longer a joke. In one sense, the songs collected here from both DC-area and Seattle-area bands meet the typical requirements of a kids' music compilation. Not one, but two movement songs, for example -- Anna Oxygen's slightly down-tempo "Born to Shake" and Mary Timony's "Clap Your Hands" (which is fine, but still no match for They Might Be Giants' song of the same name). Food plays an important role, too (see Mock Orange's "Holiday Dinner Song" and the Young Fresh Fellows' "Picnic"), as do animals (Georgie James' "Grizzly Jive," Sgt. Major's romping "Nellie the Elephant," who also gets hipster eyewear on the front cover). But it also differs from many kids comps. For example, rather than sticking the slow songs at the end of the album, it puts the two slowest songs right at the front. At the end instead is Visqueen's revved-up remake of John Fogerty's "Centerfield." It's not really a kids' song, but as a baseball fan and the parent of a daughter who whacks the snot out of an oversized plastic baseball, it warms my heart to hear a woman sing those lyrics. More importantly, there's a sense of energy and fun that sometimes is lacking from other kids' compilations -- rather than making kids' songs, the bands simply recorded songs that are totally kid-accessible. Georgie James' "Grizzly Jive" and the Young Fresh Fellows' "Picnic" are two of the best indie pop songs you'll hear all year anywhere. Soccer Team's "I'll Never Fear Ghosts Again" is an advice song whose sheer defiance and exuberance encourages kids to identify with the narrator and totally overcomes the resistance kids might normally have to that type of song. There are handclaps all over the place -- you can never have too many handclaps. Even the songs that are probably more enjoyable for the adults (Ben Davis & the Jetts' "Bouncin' Party" sounds like a cut from Daydream Nation if that album was actually Sonic Youth's kids' album) don't seem pitched at the adults -- they're adult songs that kids might actually groove to. There's a Mudhoney track here called "I Like to Make Noise and Break Things" whose title (and song) will appeal to the knowing adults, but many 4-year-olds will jump around to it, too. The tracks here will appeal primarily to kids ages 3 through 8. The 39-minute album will be released next week (April 17) via mailorder and iTunes. (The iTunes release will include a bonus track, "Snacktime," by ex-Dismemberment Plan co-founder Travis Morrison.) The in-store (and Amazon, etc.) release date is May 22. You can hear a couple tracks (including the awesome "Grizzly Jive") here. And if you're in the DC area, go check out Rock-N-Romp for more details on an April 22 record release party featuring Georgie James and the Cassettes. You can tell the artists collected here had fun recording their tracks, and that comes through clearly in the end result. It's early, but in all likelihood Play is the kids' music compilation of the year. Highly recommended.