Itty-Bitty Review: "The Best of The Laurie Berkner Band" - The Laurie Berkner Band

Why such a tiny review for such a big superstar as Laurie Berkner? Because it's a greatest hits disk, the future of which is somewhat in doubt in the mp3 era. After all, if your family are superfans, you'll get it just for the three new-to-CD tracks, including rerecordings of "Pig on Her Head" and "Moon Moon Moon," both previously seen on video, and the new track "Open Your Heart." (There's a deluxe edition as well, featuring four videos, including a previously-unreleased one for "Mouse in My Toolbox," which is similar in scope to Berkner's other Nick videos. You superfans will probably want that version.) The rest of you? You might just download the extra tracks from the album you don't have (there are no more than four from any particular album). But that obscures just how important a songwriter and performer Berkner is for the pre-K set. As a whole, it's a solidly constructed disk, with no major omissions -- I personally would've included more tracks from her debut Whaddaya Think of That?, but all the big tracks are here. And over the roughly 15 years or so Berkner's been performing for kids she's compiled a catalog of songs that would be the envy of just about any kids' musician. "We Are the Dinosaurs" is a stone-cold kids' classic, for example, one that works equally well performed live by a band and performed by your preschooler's teacher. "Moon Moon Moon" is the only lullaby written in the past hundred years that I actually sing to my kids. And "Victor Vito" is cheesy, dorky, and stuck in your brain for the next week now that I've mentioned it. And so on. While other artists slowly slide up to the 4-to-8-year-old age range, Berkner's continued to make music -- darn good music -- for preschoolers. So while I'm not sure many regular readers actually need The Best of The Laure Berkner Band! given the relative lack of new songs, as a collection of some of the best original music for preschoolers of the past twenty years, it's highly recommended. (Disclosure: I was provided a copy of the regular edition of the album for possible review.)

Itty-Bitty Review: Funky Fresh and Sugar Free - Sugar Free Allstars

If you're going to title your second kids' CD Funky Fresh and Sugar Free, you better bring at least a modicum of funk, am I right? Luckily, Oklahoma's Sugar Free Allstars meet that test. The heart of the music is still Chris Wiser's Hammond B3 organ and Rob "Dr. Rock" Martin's drums, but they've opened up a little more on this disk, with Wiser occasionally playing sax or bass, and Dr. Rock pulling out the theremin. If there's nothing on the album as instantaneously memorable as "Bathtub Boy" from their debut, this new album is much more consistent -- heck, just better -- overall. "Rock Awesome!" is actually the least funky track on the disk (though kids may get into the call-and-response) and "The Train Beat Song" I think works much better live than it does on the album. But the eight songs in the middle are solid tracks -- I'm particularly fond of "Little Red Wagon" -- and Wiser's sense of humor is evident on the silly "SFA Disco Dance Party" and the stroll-down-memory-lane "6th Grade Band." (Note: not my memory lane. Sixth grade orchestra is muuuuuch less interesting.) With the aspirational exception of "6th Grade Band," kids ages 3 through 7 are most likely to enjoy the songs here. (You can stream the whole album using the player below.) Funky Fresh and Sugar Free is sweet, but your kids may even lose some calories overall dancing to the music. Recommended.

Disclosure: I was provided a copy of the album for possible review.

Review: "The Final Funktier" - Recess Monkey

If you go over the 3 1/2-year archival history regarding Seattle trio Recess Monkey on this website, you'll see a gradual progression from "hey, these guys put out a fun album" to, well, "the heart of kids music today." I said that because the band has worked its way into national exposure through talent, hard work, and a recognition that working together will get them further than going it alone. But it's also because over the past 4+ years, they've released 5 solid albums, the latest of which, The Final Funktier, was released this week. The guys all seem too nice to have sold their soul to the devil for the ability to write and record catchy, danceable, and just plain fun songs, but whatever they've done, they haven't lost their touch one bit on the new record. As you might guess from the title, it's a more danceable album than previous efforts -- "Moon Boots" and "Booster Seat" are just a couple of the songs that will probably get your kids and you up off the floor shaking your, er, boots. The band once drew their inspiration from the Beatles, but now their pop-rock confections are more diverse, source-wise. "The Galax Sea" throws in some strings, "Constellation Conga" is, well, a gentle little conga, and several songs sound like they were recorded by the secret love children of the Go-Go's and Devo. (I'd also note that the band's commitment to the kids music scene is pretty big, with no less than 7 different kids musicians or bands making appearances on the disk.) The album is also -- loosely -- space-based, though the album is less likely to inspire your kid to beg you for a telescope than it will to have them ask you for a stand-up microphone to practice their jokes. The lyric matter is right down the early elementary school alley -- little brothers ("My Brother is a Satellite"), robots ("How Do You Build a Robot?"), and aliens ("Ukulalien"). And everywhere it's leavened by a second-grade sense of humor that will make the kids giggle. (OK, maybe not "One Tiny Light," the sweet album closer.) The 34-minute album is most appropriate for kids ages 5 through 9. You can hear samples at the album's CD Baby page, or full tracks at the band's website. So, yeah, at this point Recess Monkey is a machine. A finely-tuned kids-music-hit-making machine. The Final Funktier is as good as anything they've done, maybe the best. They may not inspire the next generation of astronauts, but they may have a better chance than anyone else to inspire the next generation of kids musicians. Which I think is just as important. Highly recommended. Disclosure: The band provided me a copy of the album for possible review. And I streamed "Constellation Conga" as a world premiere.

Itty-Bitty Review: The Monkey Dance: All the Kids Are Doin' It! - The Sweet Colleens

Based in the Twin Cities, The Sweet Colleens normally play Celtic-flavored roots music for adults, but they've branched out on The Monkey Dance: All the Kids Are Doin' It!, their first album for kids. It's a hodge-podge of styles, from the more rockin' title track and the especially fun Cajun'-tinged "No Beans, No Brownie" (the chorus soon to come to a home near you), to the more traditional "The Terrible Twos Step" and "Who's My Pretty Baby?" (Covering Woody Guthrie will usually earn you bonus points 'round these parts.) Though the Minneapolis Youth Chorus sounds great on a number of the tracks, they also sound a little out of place on the album -- I'd've rather heard the band tear through another traditional roots piece to get the kids dancin'. The album will be most appropriate for kids ages 2 through 7. You can hear a few of the songs from the 41-minute album at the band's new Myspace page. For a first kids' album, The Monkey Dance is pretty decent -- some fun tunes, good musicianship, and a willingness to get playful. I'm recommending this for fans of roots rock. And I think if the band decides to record their second album for families and figures out what they really want to do, look out -- it could be seriously good.

Review: "Jungle Gym" - Justin Roberts

I know already did a review of Jungle Gym, the latest album from Justin Roberts on NPR's All Things Considered. That is my review of the album and if you haven't heard it, I encourage you to do so. (It was written with the musical interludes in mind -- it's much better on the air than on the page.) But.... with these NPR reviews, the time is limited and I can't go into as much detail as I would on the written page. So consider these the deleted scenes, perhaps. Just as good, just doesn't fit into 4 1/2 minutes. -- The first three tracks are as strong an opening set of songs as you'll hear on any kids pop/rock record anywhere. They're also probably as strong an opening set of songs as you'll hear on any pop/rock record anywhere. -- I can't quite express how much I love "Trick or Treat." I'm not the first person, but the ten or so seconds of music involved with the line "My brother stands on a chair 'cause he's shorter / Put every piece in alphabetical order" is so perfectly constructed that it is, without a doubt, my favorite musical bit this year. -- While Roberts has written some classic slower songs, I don't think they're quite as strong here. "2 x 4" is a sweet little album closer about a treehouse, and "Never Getting Lost" has a dramatic arc for both the child and adult listener, but "Sign My Cast" doesn't do a lot. They're not bad songs, they just don't quite have the power of the uptempo tracks. -- I would like Liam Davis to produce the next New Pornographers record. Thanks in advance, universe, for making this happen. -- The album will appeal thematically the most to kids agest 5 through 9. -- I go back and forth as to whether Jungle Gym or Meltdown! is my favorite Justin Roberts album. Which is sort of like trying to decide whether Exile on Main Street or Let It Bleed is your favorite Rolling Stones album. They're both classics... -- Highly recommended.

Review: The Kids Are All Id - Randy Kaplan

It's taken me a little time to fully appreciate Randy Kaplan for what he is -- one of family music's most inventive storytellers. There were times at which I thought songs like "Shampoo Me" were, though amusing, a little silly and not quite the Dan Zanes-like music I thought Kaplan could -- or maybe should -- make. I was wrong. It's songs like "Shampoo Me" that are what make Randy, Randy. The fanciful stories sprung from the conjoined heads of Shel Silverstein and Bob Dylan are Kaplan's calling card, and he's very, very good at them. His third album for kids, The Kids Are All Id, is to my mind, his most story-intensive collection yet. From the get-go, Kaplan tells inventive stories in folk songs about characters you haven't heard from -- "The Hebrew-Speaking Bear," an Elizabeth II-aping queen bee on "Little Bee," or his monkey Kqxhc, who makes a return appearance on "Is She a Girl or Is She a Monkey." Kaplan doesn't dig too deep into lessons -- his cover of "I Got Plenty o' Nuttin'" and his original "My Little Laugh," about laughing at situations that might otherwise make him cry are about as deep as he gets. The album is titled The Kids Are All Id on purpose -- there are lots of characters here who are somewhat exasperating -- Joe, of course, the title character in the folk-punk "The Kid Is All Id," Kaplan's younger self in his rreworking of "Don't You Leave Me Here," or the toddler who responds to every joke setup line with "This Guy." The first ten or so songs are, if not frenzied, at least active. As a result, the trio of Ezra Jack Keats-based songs about two-thirds of the way through the disk come like a soothing balm. "I Like Cacti" is a sweet, sweet song -- I can't get over the line "What attracts us / About a cactus?" Indeed, while I've been focusing on the words here, Kaplan writes some great musical bits (there's a part in "The Kid Is All Id," in which the adult supervisor breaks free with a plaintive, soaring chorus) and he and his producer Mike West give the album a natural, expansive sound. The 54-minute album will be most appreciated by kids aged 4 through 8. You can listen to 3 of the tracks at Randy's Myspace page. The Kids Are All Id is Randy Kaplan's best album yet, and shows Kaplan's greatest strength -- his ability to listen to and interact with the kids who are his audience and to turn that into stories in song. Instead of suggesting that Randy could be the next Dan Zanes, perhaps I should've suggested Bill Harley. Definitely recommended.