A Sleigh-Load of Christmas/Holiday CD Reviews

There's so much holiday music in the kids music genre that just listening to it all this year was a daunting task. I've got eight albums that grabbed my attention in one way or another; one of them is bound to please your family (unless you're looking for a solstice, Kwanzaa, or Festivus album). Let's start out with my 3 favorite albums of this particular season... KindieChristmas.jpgThe most ambitious kids music holiday album of the year comes courtesy of The Hipwaders, whose A Kindie Christmas isn't so much an album of Christmas music as much as it is a Christmas concept album, covering the emotions and anticipation of the season. It's a collection of all-original tunes, done in the Hipwaders power-pop/rock style. "It's Wintertime" is a great dance tune, and "Santa's Train" sounds like an outtake to a Johnny Cash Christmas album, but my favorite track here, maybe of the season, is "There's Too Much Good," a very affirming sentiment at this time of year. AndAHappyNewYear.jpgTo say that the collaboration of Danny Adlerman, Kevin Kameraad, and Yosi finally bridges the divide between Christian and Jewish holiday traditions makes ...And a Happy New Year sound a lot duller than it really is. In reality, the three kids rockers mostly take turns in providing songs, alternately deeply sincere ("Starlight" and "Two Sets of Footprints") and goofy (the "12 Days of Christmas" reworking "A Pickle for my Christmas Tree" and a cover of Tom Lehrer's "I'm Spending Hanukkah in Santa Monica"). Featuring the season's hardest-rocking tune, the trio's cover of "Frosty the Snowman," it's an interfaith collection worth exploring regardless of whether you light menorah or advent candles. ExpressYourElf.jpgRobert Burke Warren, AKA Uncle Rock, spent time in London's West End performing a Broadway show but also rocked in far earthier terms. On Express Your Elf, Warren taps into both of those performing personalities. On the one hand, he offers a crooning take on "The Most Wonderful Time of the Year" and a peaceful "My Favorite Things" (a perfect holiday song, when you think about it). Those tracks share space with the rootsy original long-lost nugget "Santa's Coming in a Whirlybird" and a cover of "Feliz Navidad" that neatly weaves "La Bamba" into the mix. It's a tough (and close) call, but it's my favorite kids music holiday disk of the year. There are others for your listening pleasure. Read on for more...

Review: Two Feet Tall - Dan Bern

TwoFeetTall.jpgDan Bern might not be the first person you'd think to release a kids music album -- a discography filled with socially and politically charged songs (sample: "Bush Must Be Defeated") isn't necessarily the typical precursor to singing songs about binkies. But Pete Seeger, Woody Guthrie, and Ella Jenkins didn't exactly hide behind their political convictions, so why shouldn't politically-minded contemporary folk musicians be any less free to sing for the preschool set? Having said that, if you're expecting you're expecting the just-released Two Feet Tall to be your toddler's introduction to progressive politics, you'll be disappointed. Instead, the album features amusing couplets like this in "Hen Party" -- "They'll be playing ball games / They'll be eating applesauce / One thing we know for sure is / They won't be playing an egg toss." The closest Bern really gets to being political is "Labor Day," and that's really just a celebration of walking outside with an infant. Instead, Bern's more interested in turning a simple story of putting on pants ("Trousers") into a digression on how pants became trousers (Jack Trousers, 1751, apparently -- strange how Wikipedia is oddly silent on that issue). Or a manic telling via lyrical couplets of the people behind Listerine or Kleenex or Schwinn bicycles ("Mister Lister"). Or telling a child she's too young to do things she wants to do with lyrics that will thankfully go over the 18-month-old's head ("If you came to me and said / I want to hold a shiny red purse and / Hang on the corner of Hollywood and Vine / I'd say / You're too, too, too young / You're too young for that / Why don't you sit on my lap / And we'll drink cookies and milk..."). And occasionally Bern comes up with classic kid-folk songs, like "Shoes" ("I like that you don't have a mortgage / I like that you don't have a mortgage / That's OK when you're old and gray / But today you can run and play / I like that you don't have a mortgage...") "Only a Mouse" lists all the things only a mouse knows -- the migratory patterns of cats, certain qualities of cheese, and mixing a sloe gin fizz, apparently, among other things. There are plenty of other tracks here, such as "Donkey to Brunch," "Secrets," and "Monkey and the Kangaroo" that could easily have been recorded on a Folkways album of fifty years ago. Bern's clearly in love with his kid, and that tenderness comes through loud and clear. Well, at least clear. Clocking in at 38 songs and about 70 minutes in length, the album could have been trimmed by at least a third, not because any of the songs are bad (OK, I'd be happy never to hear again the vibrating chair in "It Vibrates") but because there's relatively little variation in the arrangements, with whistling or bells occasionally offsetting Bern's sightly nasally voice and guitar (or ukulele) playing. (There's a reason I've been focusing on Bern's wordplay here.) The songs here are most appropriate for kids ages 0 through 4. You can purchase the album at Bern's store or hear samples through iTunes. As if he were the child of Kimya Dawson, Barry Louis Polisar, and Woody Guthrie, Dan Bern's put together a collection of gentle and witty lo-fi songs that wear their hearts on their sleeves and occasionally achieve transcendance. Two Feet Tall isn't for everyone, but if you know a relatively new parent (or are one yourself) and are looking for an album celebrating infant- and toddlerhood with some roughness around the edges, you might just adore this album. For those folks, it's recommended. Disclosure: I purchased this album. Is that a disclosure?

DVD/CD Review: "Readeez Volume Two" / "Songeez" - Readeez

ReadeezVol2lowres.jpgThere are 3 operative points of comparison when discussing Readeez, the creation of Atlanta-based Michael Rachap -- Baby Einstein, Schoolhouse Rock, and Sesame Street. Or, at least, those were the three I thought of as I listened to the latest Readeez products, the Readeez Volume Two DVD and the Songeez CD. Let's start with Schoolhouse Rock, famously created to try to educate kids via advertising techniques. Rachap used to work in the advertising industry, but rather than deliver educational nuggets via 3-minute pop songs, he typically does it in about 60 seconds. Which means his educational scope, such as it is, is a little circumscribed -- it's hard enough to describe conjunctions in 3 minutes and essentially impossible in 60 seconds. So the songs that have some educational content, such as "A Special Name for Twelve" or "Circle and Square" (from the first DVD, but also on the Songeez disk), cover much narrower ground, which is fine. But if you're expecting "learning" from these two items, it's much more on the level of TMBG's Here Come the 123s (with some Dial-A-Song mixed in) than Here Comes Science. Let's move, then, to TMBG's Disney label mates, Baby Einstein. I know that it's easy to slag on the series, but if you set aside their overhyped claims for the product, their later stuff is competently produced and offers a wide variety of visual stimulation for young'uns. For an independently produced DVD, Volume 2 looks great. (It's what made this headline -- Readeez Company Acquired by Disney" -- so great. Yes, it's on both disks.) The attention to detail at times even surpasses Einstein's (note the timing of the placement of periods at the end of "The Land of I Don't Know"). The comparison does, however, highlight one of Readeez' ("Readeez's"?) few shortcomings, and that's the relative monotony of the visuals on the DVD. I like the concept of displaying the words as you hear them, and the crisp, clean look of the background and text is balm for a "Dear Teacher"-font world gone awry. But I long for more visual variety, as the Einstein videos employ. The occasional use of pictures or non-white backgrounds to offset the charmingly illustrated Julian and Isabel Waters (or live-action Rachap) would go a long way. Which brings us to Sesame Street. Forty years down the line, they've had some great songs written for the show. The best songs don't feel like they were written with education in mind. And while the Volume One DVD often felt like the "education" aspect played a more important role, Volume Two has much less of that feel, and, as a result is a more enjoyable experience sonically. (Though Volume One is not without considerable charm.)

DVD Review: Field Trips with Recess Monkey

FieldTripsLowRes.jpg The advantage of Field Trips with Recess Monkey, the first DVD from Seattle's Recess Monkey, is that it does a good job of conveying the band's essential nature, that of kids music's funniest band. This is not to say they're "ha ha Weird Al" funny (usually), more that their joy and sense of humor is way up front, part and parcel of all they do. (For example, the band continues to put on their materials, "Unauthorized duplication or other use prohibited by law and by Mayor Monkey, our hand puppet band manager.") The DVD consists of 4 episodes, each roughly 23 minutes in length, containing some combination of videos (the band consistently makes good cheap but good-looking and effective videos), concert footage, field trips, and natterings from Mayor Monkey. (I have been on the record with my adoration for MayMo. "Natterings" is a term of love.) If you had to watch all the field trips (to Seattle institutions like Pike Place Market or the Fremont Bridge) in a row, it would make for dull viewing (as would the concert video), but all mixed together, it's a reasonably entertaining sequence. I particularly enjoyed the trip to illustrator Matt Hawk's studio (he did the art for Field Trip) and the "Yellow Trike Races." In all the segments, you can tell the band's having fun, joking around, sometimes for the kids' benefit, and occasionally for the parents'. This video will be of most interest to kids ages 3 through 7. You can purchase the video at Amazon and see assorted clips (the videos and concert stuff) at the band's YouTube channel. Hopefully the fact that the band's continuing to produce videos means that this isn't the last set of episodes. I can't expect that many readers of this review aren't familiar with Recess Monkey. If you're not familiar with the band, Field Trips with Recess Monkey is a decent introduction to the band's killer songwriting and sense of humor. And if you are familiar with the band, then you'll appreciate the whole package here. Even (and especially) Mayor Monkey. Recommended.

Itty-Bitty Review: Music is... Awesome! (Yo Gabba Gabba!) - Various Artists

MusicIsAwesome.jpgI am perhaps not the best person to judge a Yo Gabba Gabba compilation, as I've never seen a complete episode aside from the premiere I received on a screener DVD a few years back. (That's what a lack of cable will do.) A soundtrack album -- that's pitched at the true believers, not at the casual fans, right? So, if anything, I started listening expecting not to like it so much. Wrong. Even if you've never watched an episode and don't know your Brobee from your Muno, you and your preschoolers could definitely enjoy their new compilation Music is... Awesome!. For the most part, the disk alternates songs from the series with those from a list of artists with serious street cred; often they're set up as pairs. So a basic YGG song like "I Like to Dance" is followed up by Beastie Boys collaborator Money Mark doing a cool "Robo Dancing," an angular dance tune with lots of bleeps and bloops. "Don't Be Afraid" is followed by I'm From Barcelona's swirly pop on "Just Because It's Different Doesn't Mean Its Scary." Generally, the best songs are from the guest artists -- the Roots' incredible "Lovely, Love My Family" or Chromeo's funky ode to handwashing "Nice 'N' Clean" or the sunny "Hey, Won't Somebody Come and Play" from The Little Ones (a song which is destined to find its way onto a lot of hipster mix CDs yet is somehow totally appropriate for the 3-year-old in your life). But there are a few decent songs from the YGG folks, even if you're not a fan of the show (the cute "Party in my Tummy," or the shiny pop of "You Can't Always Get What You Want," credited to the Yo Dazzlers, but really just another YGG tune). You can find the 37-minute CD at the usual places, including Amazon and iTunes. Besides your hipster 30-year-old friend with the chunky eyeglass frames, the album's most appropriate for kids ages 2 through 5. I'd love to say that Music is... Awesome! is awesome. Unfortunately I can't pull the trigger on that obvious pull quote as some of the YGG tunes are just too dry to enjoy apart from the visuals. But a lot of the music is indeed awesome, which makes it the kids music compilation of the year. Definitely recommended.

DVD/CD Review: The Fine Friends Are Here - Dan Zanes & Friends

TheFineFriendAreHere.jpgI've been watching a lot of kids music DVDs lately, and I've found that my appreciation of the individual DVDs is roughly commensurate with my appreciation of the artist. Or, to be all math-like, E(d) = E(a) * PQ. (Enjoyment of DVD equals enjoyment of artist multiplied by the production quality of the DVD.) So it's probably a safe assumption that I'll enjoy a Dan Zanes DVD, not just because it's, well, Dan Zanes, but also because he has the friends (and, frankly, the resources) to make sure it's a high-quality product. Unsurprisingly, then, I'm here to tell you that I like The Fine Friends Are Here, the brand new DVD from Dan Zanes and Friends. We can start out with the Dan Zanes portion of the equation. Zanes puts together a fairly eclectic setlist for the live show recorded at Brooklyn's Jalopy Theatre, drawing from all across his decades' worth of family music, playing both popular and more unfamiliar songs. There's a fair number of tunes from CDs released after the All Around the Kitchen DVD was released in 2005, but old chestnuts (but live staples) like "Water for the Elephants" and "Jump Up" get their turn, too. I will confess to missing Zanes' old band -- I still love hearing Barbara Brousal's and Cynthia Hopkins' voices on record. Father Goose brought a jolt to the stage whenever he went on. But that's a personal thing, I suppose, and there's no doubt his current band provides a much broader sound on stage than the old band did. Violin, harmonica, horns -- Zanes is able to energize old favorites without removing their essential core. (Colin Brooks, the only non-DZ holdover, continues to provide excellent percussive support.) "Cape Cod Girls," horns and all, is just about the rockingest track Zanes has ever recorded for families. "Colas" has even more propulsive energy than on record. (You may even prefer to get the album in mp3 rather than video format -- a possibility at Amazon and iTunes.) As for the production quality, it, too, is pretty high. Zanes got a couple guest artists (Caridad de la Luz AKA La Bruja, who sings, and David Alan AKA Cyclone, who dances) to join in and the concert features some nifty art design (the world's largest papier mache canary's head, for example). Throw in some costumes for the kids and adults to try on midway through the show, and while I'm not sure I completely felt the party watching at home, it does make for something more intriguing than a standard 3-camera concert video. The choice to mix the videos for "Pollito Chicken," "Wonder Wheel," and (my personal favorite) "Night Owl" in between the concert songs is a wise one, as it further mixes it up. As for the bonus audio CD, I think it'll be a popular addition for listeners, even though it's essentially Dan Zanes sans Friends. Zanes' duet with his daughter Anna on the Beatles' "I've Just Seen a Face" is sweet, and the rest of the songs ("Hush, Little Baby," "The Bells of Ireland," "Goodnight, Goodnight," or, on an Amazon mp3 exclusive "Summer Wind") are mellow tracks, mostly Zanes unaccompanied. I particularly liked "Hush, Little Baby," which sounds like Zanes channeling John Prine. As with just about all Dan Zanes albums, this one, too, is essentially all-ages. (OK, 3 on up.) You can listen to samples at the usual places. Dan Zanes can buy The Fine Friends Are Here assured in the fact that it delivers in conveying not a small amount of the energy of his live show with fine audio and video. In both song performance and presentation, it's a very good document of exactly why Zanes has been winning friends across the country and world with his all ages brand of music for more than a decade. Definitely recommended.