Sometimes people hear kids' music and think, "Hey, I could do that!" Sometimes those people decide they'll try their hand at writing and recording kids music of their own. At which point they find out it's lot harder than it looks. (No, I'm not speaking from personal recording experience, just lots of personal listening experience.)
Occasionally, though, somebody makes it look, well, if not easy, at least not incredibly difficult, either.
Case in point: Bakersfield, California's Mr. Oscat and their debut CD, Mr. Oscat Says.... Inspired by watching Noggin and thinking "I can write songs like that," and by kiddie new wave artists like Dan Zanes and Farmer Jason, Olen Taylor went ahead and did just that. The resulting is a pleasing new CD by a family band in the best sense of the word. The name of the band reflects the initials of the first names of the Taylor family (Olen, his wife Susan, and kids Caitlin and Alison) plus "T" for Taylor, and all four contribute to the disk. Olen does the lion's share of the work, writing or co-writing all but one track, but Susan co-wrote some tracks, and the kids lend their vocals.
Olen Taylor used to lead a roots-rock band called the Wichitas, and that roots-rock sound certainly makes an appearance on the disk ("Ducks in a Row," the vaguely Key Wilde-esque "Big Dog," and the Bakersfieldian country swing of "All You Wanna Do Is Play"), but the best tracks have a more pop-rock sound. "Mama Wants You To Dress Up (But You Don't Want To)" has a great singalong chorus ("'Cuz everybody knooooowwwws / what mama says, goes!"). "What's That Smell?" is Postal Service-style techno for kids ("Maybe Daddy's cooking chicken / Maybe he'll let us sample some...") And the best track, "Mr. Oscat Says," melds power-pop, techno, and Americana. The 9 originals here are all well-written songs.
The downside of a home-produced CD, though, can be a less-than-fully-realized sound, and there are points here where I was left wishing that Taylor had left the midi samples and Garageband tinkering by the wayside and instead called in some of his old bandmates. In particular, the album's songs reminded me a little bit of Turn It Up, Mommy! from the DC-based band the RTTs, and I was left longing for how that album took a bunch of solidly-crafted songs and added the RTTs bar-band sound to great effect. The album sounds OK, and the vocals are good all around (really, this is one of the better albums out there for effective use of kids and friends), but could have sounded great with a few more instruments in the mix.
The songs here are going to be most pleasing to kids ages 3 through 8. You can hear samples at the album's CDBaby page or at the band's website.
For an album whose genesis, according to the liner notes, was that "two people challenged us to do this recording," Mr. Oscat Says... is going to be a pretty hard to top. ("We did it. And now we challenge back. Your turn. Make family music.") And while I wish the home-produced aspect of the recording hadn't been so apparent, that's just because the songs here are lots of fun and I think the CD could've approached something near awesome territory. Oh, well, there's always next time. I sure hope there's a next time, in any case, because this first time was pretty good. Recommended.
I've been trying without much luck to come up with an interesting hook for this review of Lucy's Parade, the debut CD from the LA-based band Jambo. Which really isn't fair to the band or this album, because both are pretty good.
The album is a straight-forward roots-rock album geared at the preschool/kindergarten set. Bandleader Steve Pierson, a blues guitarist, has a knack for writing the happiest blues-inflected tunes you'll ever hear. The standout track here is "Lady Bug Boogie," an infectious and rollicking boogie with ever-so-slightly silly lines like "I like all kinds of corn / But my favorite kind of corn / Is the candy corn." Other fun songs here are the "Where Do They Go?" (a bluesy and slightly fanciful song from the point of view of the preschool-aged child wondering what his parents do during the day) and the strutting title track. "Five Butterflies" is a slow track that doesn't sound a lot like the rest of the upbeat album, but it's a sweet counting song.
I should note that the band sounds really good. Pierson's got an appealing voice and plays a mean guitar. Pierson's wife Melinda McGraw deserves special mention here as her harmony vocals add a lot to the songs throughout the album, but the whole band just sounds like they're having fun.
Given its lyrical focus, the 38-minute album is targeted at kids ages 3 through 6. You can hear samples from the disk at its CDBaby page or listen/download a few track from their Myspace page.
So in the end, I still don't have a hook for this review, which maybe reflects that this Jambo's not breaking any new ground here. But what they've done is put together a solid group of songs, and that's enough for most of us (including me). Lucy's Parade is a well-done CD that's firmly for kids but with a rootsy musical approach that will appeal to a lot of parents. Recommended.
Uncle Rock -- AKA Robert Burke Warren -- comes from the roots-rock wing of the Kids New Wave, a wing which has a strong New York contingent -- Dan Zanes, Brady Rymer, Dog on Fleas. Released last month, Uncle Rock U is the third and most recent album from the New York-based artist. He's distinguished himself in a couple ways from these other musicians. First, his recordings have a very home-recorded feel, even looser than those artists who aren't polishing things to a pop sheen themselves. This is not necessarily a bad thing in that I think part of the Uncle Rock charm is the slightly rough-hewn lo-fi sound, accompanied by friends and family.
Second, Warren is a lot more willing to vary his approach -- taking on different characters and sounds in a way that many artists just don't attempt. It's not that they're not tackling different musical styles or song-narrative approaches -- just that they don't try it all at once. Here, Warren does.
At his best, Uncle Rock combines an understanding of a kids' viewpoint and sense of humor with catchy melodies and fun instrumentation. "The Elephant in the Room" is a mid-tempo folk-rocker that actually explains what that metaphor means, with, of course, a trumpet joining in. It's a great, great song. Other highlights are the James-Brown-meets-public-safety-announcement "It's Hot! (Don't Touch It!)," the roots-rocker "Play Outside Today" and the pun-filled "Polar Bear Over There."
There are points where Warren chooses to take different personas, which succeeds to varying degrees ("Predator Dinosaur," good; "Hippie Harvest Kitchen," not so good). And I'm not sure what sense the grumpity "Grumpy Gus" makes stuck between two lovely songs ("The Season of Light" and "Baby Loves the Moon") at the end of the album. It's not that these character songs are really bad -- some are pretty good -- just that they don't blend well with the other tracks. (I suspect they work better mixed into a live show.) It's like 14 extra minutes crammed into a really good 30-minute album.
I think kids ages 3 through 7 are going to enjoy the songs and characters here the most. You can hear full songs at the Uncle Rock Myspace page or samples at the album's CDBaby page.
On listening over and over to Uncle Rock U, I started to think of Uncle Rock as kids music's Ryan Adams, blessed with many song ideas, many of them wonderful, but maybe with need of an editor. This is a really good album and another album -- maybe even two really good albums -- mixed together with decent results. It's recommended, but your mileage may vary depending on how much you and your like your kids' CDs to be of a more unified whole.
I love what Enzo Garcia does, kids-musically. There are lots of kids' musicians who make great music for listening to, for dancing with, but it warms my heart knowing that flame of participatory kids music -- music that encourages singing along and interacting with the music and others -- still burns bright. Enzo Garcia is one of the best at keeping that fire going.
With his latest release, Field Trip with Enzo, his tenth album of original songs, the San Francisco-based Garcia combines his all-hands-clapping approach with an abiding interest in the natural world. Songs about raccoons, squirrels, monkeys, and frogs -- two times -- are found on the disk, blended with other concepts. "Raccoon" is a Garcia original that's a bluesy counting song, while "Monkey Motions" is, as you might guess, a movement song encouraging the mimicking of different animals. "Side of a Mountain Top" is a rollicking movement song.
This sounds a lot like prior Enzo disks -- folky, with an array of rustic instruments including banjo, accordion, jaw harp, slide flute, and, yes, the "enzotar." While almost all of the songs have some interactive component to them, there are a few tracks that sound sweet all by themselves -- Garcia's hypnotizing "Hand Over Hand" and the concluding lullaby "When the Sun Goes Down", and his duet with Erin "Mimi" Lucas on the traditional "The Green Grass Grows."
The album will appeal most to kids ages 3 to 7. For the moment, it's just available at the Pokey Pup (hear samples here), though I believe that will change soon. You can also hear "Monkey Motions" at Garcia's Myspace page. I should also mention that longtime Zooglobble reader Deb in SF gets a nice shout-out from Garcia in the liner notes.
As with all of Garcia's previous kids' CDs, Field Trip with Enzo will work best if you and your kids stand up and actually play along with the music. If you're not willing to do that, then this CD might not be for you (though I think it holds up OK even in that case). But if you're willing to follow Enzo on his trips, then I think you'll be pleased where you end up. Recommended.
I have come to think of Morgan Taylor, the creator of Gustafer Yellowgold, as the exemplar of the Kids New Wave, the term I have coined just now to encompass the genre and the artists responsible for its resurgence, especially in the past five years. A background in making music for adults, the unplanned shift into making music for kids, the occasional difficulty in figuring out where the distinction lies between the two -- the New York-based Taylor fits all of these categories. By no means is Taylor the only artist these apply to, but he's done a great job creating a musical path all his own, on his own terms.
Taylor's second foray into the world of Gustafer Yellowgold, the DVD/CD set Have You Never Been Yellow?, released this week, is every bit as wonderful as the debut Wide Wild World and shows that Taylor has a fabulous career ahead of him.
What distinguishes Taylor from many other talented kids' musicians is his visual artistic skills, which are obviously on prime display on the DVD. If you're not familiar with the Gustafer "animation," I can try to describe it, but it's easier to just show you. Here's the leadoff clip from the DVD/CD, "Pinecone Lovely"
As you can see, it's animated in only a minimal sense -- the camera pans and scans, zooms in and out, and various components of picture move around, and that's about it. But it's very absorbing to watch. Taylor does the drawings but does get some help with animation aspects. While the animation on Wide Wild World was fine, the pictures and animation here are crisper and sharper -- the difference is small but noticeable.
Of course, the animation could be done by Pixar and if the music (and images) were dull, you wouldn't care. Luckily, that isn't the case. As a group, I think the songs are stronger here than on the debut. "Pinecone Lovely," with its ode to nature ("Pinecone Lovely / To thee I sing") and sing-along chorus, I think finally fulfills the promise of the karaoke audio option that is once again present on the disk. "Beard For All Seasons" has a touch of Beatles to it while "The Bluebird Tree" gives Ralph Covert's "Hideaway" a run for its money for the title of "Best Song About Needing Time By Yourself." There are some tracks I think are only OK musically, but there's definitely no filler. Pop and power-pop, well-played, with some brass instruments providing some sonic boost, particularly on the closer, "Dream In Green."
And the images are strong, too. The aforementioned "Bluebird Tree" has some of the most stunning visuals (the title is literal) on the disk, while "The Mustard Slugs" pairs amusing images with the silly math story. And, yes, "Punching Cheese" is the sequel to Wide Wild World's "I Jump On Cake" and every bit as funny. In fact, the whole disk feels ever so slightly lighter than the original, if only because the videos here seem a little more like vignettes rather than part of a story (Wide Wild World has a slightly stronger narrative drive). That's neither good nor bad, just that if you're looking for something with a concrete beginning/middle/end, you'll be disappointed here.
I should also note that the DVD comes with, yes, an audio commentary. Morgan Taylor does the honors, of course, and it's definitely worth a listen for an adult Gustafer fan (or older child with the patience to listen to someone talking over the music for 30 minutes). Finding out which Steve Martin movie helped inspire "Aye, Aphid" or which '70s band "Dream In Green" apes was a cool bonus. Repeating spins probably aren't necessary, but it's worth at least one run-through.
Kids ages 2 through 7 are most likely to enjoy the animation (and songs) here. In addition to "Pinecone Lovely," you can also watch the clip for "Birds" here. (Gustafer's two YouTube pages are here and here.) Or listen to "Beard for All Seasons" and "The Mustard Slugs" at his Myspace page. For being from the sun, Gustafer's adapted quickly to our modern technological modes of communication, no?
Gustafer Yellowgold's Have You Never Been Yellow? is a fabulous DVD/CD set. Taylor has a gift for memorable images both visual and musical and I'm looking forward to many more images from him in the years to come. This set is highly recommended.
May as well get it out of the way -- yes, it's that Meredith Brooks.
But a decade after that big hit (and what seems like a lifetime ago) Meredith Brooks has released a kids album, If I Could Be... that is 100% kid-safe. The album has been out there since last year but got its formal release late last month. It's a sugary pop blend that might surprise those listeners who, like me, might have expected a slightly more rock approach based on our memory of that one song. (And who might not have followed Brooks as she continued to write and record over the past decade.)
Because Brooks is a parent of a preschool-aged son, it's not surprising that the tracks are primarily geared lyrically at that age group. Brooks succeeds best when she simplifies the lyrics -- "Dance, Shake, Wiggle!" spends a good 50% of the song repeating those words in the album's most infectious chorus. It will be difficult for kids to resist that one. "What's Your Name?" has a fun chorus, too, with lyrics designed for kids to shout their name.
If there's something that keeps Brooks from kicking Laurie Berkner off her perch at the top of the preschool musician pile, it's the lyrics. Brooks has a tendency to be too wordy for preschoolers, I think, sometimes forcing a line for the sake of a rhyme. Sometimes I felt she was writing for 3-year-olds using lyrics a 6-year-old would understand. "In My Chair" is an exception -- the more I listen to it, I think it's a very well-crafted song, though the line "I love my chair / And it loves me" cracks me up every time I hear it. (Y'know, it's not so unreasonable to think a preschooler might think of a chair in that way.) Regardless of my quibbles with lyrics, the music here is well-produced -- it's high-quality pop music, a step above the person-with-a-guitar-or-bad-keyboard production of a lot of music for this age.
I think the music here will be of most interest to kids ages 2 through 5. You can hear samples from the 38-minute album at its CDBaby page. For those of you looking for a rock-guitar-focused album, you will probably be disappointed by the CD. But this is a decent album of pop tunes with a number of fun cuts. Perhaps as Brooks' son grows up and Brooks experiences some not-so-easy times with her child, maybe we'll get another album with a harder edge. Recommended.
Sometimes people hear kids' music and think, "Hey, I could do that!" Sometimes those people decide they'll try their hand at writing and recording kids music of their own. At which point they find out it's lot harder than it looks. (No, I'm not speaking from personal recording experience, just lots of personal listening experience.)
Occasionally, though, somebody makes it look, well, if not easy, at least not incredibly difficult, either.
Case in point: Bakersfield, California's Mr. Oscat and their debut CD, Mr. Oscat Says.... Inspired by watching Noggin and thinking "I can write songs like that," and by kiddie new wave artists like Dan Zanes and Farmer Jason, Olen Taylor went ahead and did just that. The resulting is a pleasing new CD by a family band in the best sense of the word. The name of the band reflects the initials of the first names of the Taylor family (Olen, his wife Susan, and kids Caitlin and Alison) plus "T" for Taylor, and all four contribute to the disk. Olen does the lion's share of the work, writing or co-writing all but one track, but Susan co-wrote some tracks, and the kids lend their vocals.
Olen Taylor used to lead a roots-rock band called the Wichitas, and that roots-rock sound certainly makes an appearance on the disk ("Ducks in a Row," the vaguely Key Wilde-esque "Big Dog," and the Bakersfieldian country swing of "All You Wanna Do Is Play"), but the best tracks have a more pop-rock sound. "Mama Wants You To Dress Up (But You Don't Want To)" has a great singalong chorus ("'Cuz everybody knooooowwwws / what mama says, goes!"). "What's That Smell?" is Postal Service-style techno for kids ("Maybe Daddy's cooking chicken / Maybe he'll let us sample some...") And the best track, "Mr. Oscat Says," melds power-pop, techno, and Americana. The 9 originals here are all well-written songs.
The downside of a home-produced CD, though, can be a less-than-fully-realized sound, and there are points here where I was left wishing that Taylor had left the midi samples and Garageband tinkering by the wayside and instead called in some of his old bandmates. In particular, the album's songs reminded me a little bit of Turn It Up, Mommy! from the DC-based band the RTTs, and I was left longing for how that album took a bunch of solidly-crafted songs and added the RTTs bar-band sound to great effect. The album sounds OK, and the vocals are good all around (really, this is one of the better albums out there for effective use of kids and friends), but could have sounded great with a few more instruments in the mix.
The songs here are going to be most pleasing to kids ages 3 through 8. You can hear samples at the album's CDBaby page or at the band's website.
For an album whose genesis, according to the liner notes, was that "two people challenged us to do this recording," Mr. Oscat Says... is going to be a pretty hard to top. ("We did it. And now we challenge back. Your turn. Make family music.") And while I wish the home-produced aspect of the recording hadn't been so apparent, that's just because the songs here are lots of fun and I think the CD could've approached something near awesome territory. Oh, well, there's always next time. I sure hope there's a next time, in any case, because this first time was pretty good. Recommended.
I've been trying without much luck to come up with an interesting hook for this review of Lucy's Parade, the debut CD from the LA-based band 
I love what 
I have come to think of Morgan Taylor, the creator of 
May as well get it out of the way -- yes, it's 
