Review: Bright Spaces 2 - Various Artists (Dan Zanes)

BrightSpaces2.jpgThere are two basic approaches to putting together a genre-specific compilation of music, approaches which for brevity's and wit's sake, I call Putumayo vs. Rough Guides. The former approach may not necessarily be an exhaustive look at a genre, but it sure results in a pleasant thirty-to-sixty-minute mix of music to someone unfamiliar with the genre. The latter approach is as much history lesson as mixtape and while you might not listen to it often, unless your expertise is such that you might have been asked to compile one of these yourself, you're bound to find something new and something really fabulous. Bright Spaces 2 is Dan Zanes' Rough Guide to Family Folk Music. Zanes compiled this 2006 collection, released last week, on behalf of the Bright Horizons Foundation. The Foundation sponsors the "Bright Spaces" program, which puts playrooms in shelters for children in crisis situations. He calls this collection a "musical scrapbook," and like many a scrapbook, it's a collection of snapshots (in this case, songs) that have significance to Zanes. His scrapbook might not be your scrapbook, but he's certainly taken a lot of pictures of family folk music. Zanes pulls from artists young and old, famous and not. And unless your collection of family folk music is, oh, a thousand albums full, many of the tracks are likely to be new to you. Boston's Session Americana turns in a fabulously languid version of "Merzidotes," which is followed by "L'cha Dodi," a 16th century Jewish tune recorded by Craig Taubman. The Deighton Family, a real "family band" for whom Zanes has had many a good word, leads off the album with a happy "When You're Smilin'." And Zanes re-records his hit "Jump Up" with New York band Astrograss, putting a more muscular bluegrassy accompaniment to his tune -- I wouldn't buy the album just for that version, but it's good in its own right and different than the original. There are probably few tunes you already have in your collection -- Elizabeth Mitchell's version of "Little Sack of Sugar" and the Garcia/Grisman rendition of "Hopalong Peter" are the two most likely. If there's any downside to the collection is that it lacks some of the musical diversity that makes Zanes' own albums such adventures to listen to. The songs here fit more in the folk music mold, and if that's not your bag, you may be underwhelmed. As an album of family folk music, it's really appropriate for all ages, though the tiniest ones may not be too interested. Call it ages 2 through 10. You can purchase the album at Amazon as well as on this page. You can hear the Astrograss/Dan Zanes track here. In calling this the "Rough Guide to Family Folk Music," I've probably understated the mixtape qualities of Bright Spaces 2. There are good and excellent tracks collected here, and, if you have any affinity for Zanes' music-making, will without a doubt send you spinning off in at least one new direction you've not gone before. Recommended.

Review: Hot Air Balloon - Vanessa Trien

HotAirBalloon.jpgBoston-based folk-pop artist Vanessa Trien's debut kids' album, Hot Air Balloon (2006), is one of those albums for which your opinion depends upon your tolerance of earnestness in kids' music. There are plenty of adults dipping their toes into the ocean of kids' music for whom everything sounds like the old Simpsons group "Hooray For Everything" -- relentlessly peppy. And for those adults, their appreciation of this album may take awhile. Part of the reason for this is that Trien, who's also recorded for adults, has loaded the peppiest songs at the front of the CD. Sometimes the songs strike a nice balance -- the gorgeous leadoff pop ballad "Hello World," the bluegrass of "Good Morning!" And sometimes they veer over the line (or my line, at least), such as on the semi-rapped "Backward Alphabet Craze" or the cutesy reggae "Bluenanas and Bananaberries." But all of a sudden, on track 8, "Wyona Wide," Trien strings together four songs that seem to come from an entirely different album. It's as if the first seven tracks were for the four-year-olds (and 3 of them were indeed written for a Montessori school at which Trien taught) and the last four were written for seven-year-olds. They're a little less peppy, and include the strong bluegrass tune "End of the Line" (probably my favorite cut on the album, and the least kid-centric) and the sun-dappled pop tune "Island in the Sun." One constant, however, is the solid musicianship on the album -- it sounds fabulous. The 37-minute album is best for kids ages 3 through 8. You can listen to samples from the album here. Those of you who have an earnestness intolerance should stay away from the CD. But if you're looking for a folkier Milkshake, or for solidly-arranged and played folk-pop kids music, Hot Air Balloon is worth a spin.

Weird Al: Patron Saint of Nerdy Kids' Music

Elizabeth Mitchell's You Are My Flower may have been the first (good) kids' album I ever bought, but "Weird Al" Yankovic's second full-length album, 1984's Grammy Award-winning In 3-D was the first album I ever bought, period. The album was funny. But for a nerdy kid like me, it also introduced me to a bunch of music it would have taken me years to find otherwise. (Man, I gotta go back and find a copy of that...) More than 20 years later, Al's latest album, "Straight Outta Lynwood," his twelfth of original material, is being released next week. You can read a good interview with Al here (thanks to Stereogum for the link). I particularly liked this portion of the interview:
RS: R. Kelly’s “Trapped in the Closet” is almost a Weird Al song in itself. How did you come up with “Trapped in the Drive-Thru”? WA: I knew I couldn’t make my R. Kelly parody any more ridiculous or convoluted than the original, but I believed that I could make it more stupid. Because that’s where I really shine...
Anyone who listens to XMKiDS will tell you that Yankovic's popularity hasn't really waned with kids -- his "The Saga Begins" (mixing the two cultural touchstones of Don McLean's "American Pie" and Star Wars Ep. 1) is still in constant rotation. In other words, just as with They Might Be Giants fans who have been following them for 20 years, Yankovic has somehow managed to stay relevant with those fans' kids, if maybe not so much with the original fans. But go ahead -- watch the video "White and Nerdy" -- and tell me it doesn't at least make you chuckle. (And, for some of us, hit just a leeeetle too close to home.)

Review: The Bottle Let Me Down: Songs for Bumpy Wagon Rides - Various Artists

BottleLetMeDown.jpgChicago's Bloodshot Records is known for for their insurgent country, or some other name for music that sounds like country but sounds nothing like Nashville. With their 2002 compilation The Bottle Let Me Down: Songs for Bumpy Wagon Rides, Bloodshot could easily have staked their claim to "insurgent kids music." (Or, even more marbly-mouthed, "y'all-kid-ternative.") With a broad range of "adult" artists (from Alejandro Escovedo to Freakwater to Nora O'Connor and Steve Frisbie -- partner in Frisbie with Justin Roberts accomplice Liam Davis) and a collection of both kids' classics and originals, it's hard to summarize the 26-track, 63-minute album. But the one word that keeps coming back to me as I think of the CD is fun. On many kids' albums from "adult" artists, you get the feeling that the musicians are deigning to play this "kids' music," and it shows in a song that, well, isn't much fun to listen to. Not here -- the musicians are having fun playing these funds, and it shows. The Waco Brothers' spirited take on the folk classic, "The Fox," and the Asylum Street Spankers' punked-up bluegrass version of "I Am My Own Grandpa" shows no signs of "well, let's make a track for the kiddies." They're making tracks that any music fan would appreciate, kids not excluded. The Cornell Hurd Band's original "Don't Wipe Your Face On Your Shirt," is an amusing plea for respectability most parents will relate to, while Escovedo's live version of his "Sad & Dreamy (The Big 1-0)" (with the chorus of "I'm the big 1-0 / Candy just doesn't taste as sweet anymore") will ring bells with the tween set. Like you would expect from an album produced by an "insurgent country" record label, many of the tracks are not sanitized. Carolyn Mark's fun retelling of "The Three Billy Goats Gruff" doesn't sand off the rough edges of the story, for example, and Devil in a Woodpile's swampy cover of Mississippi John Hurd's "Funky Butt," is just what you might expect from the song title. And while most tracks stay safely on the parental side of appropriateness, Robbie Fulks' "Godfrey" (about an sickly, unemployed magician) and Freakwater's inneuendo-filled "Little Red Riding Hood" are probably way on that other side. The parents themselves will probably like those songs while thinking repeatedly, "Should I fast-forward? I should probably fast-forward. Right? Tell me I'm right." Some of the tracks are appropriate for kids as young as three, though the album is appropriate for kids who are as old as 10 as well. You can hear samples at any major online retailer. In the end, this is a solid album with no weak tracks. Your kids won't even know that they're being exposed to a great collection of bands and songs, they'll just love these energetic renditions. And so will you. It's probably the best compilation of adult-musicians-doing-kids-music out there; its status as a minor classic (or even a major one) is deserved. Highly recommended.

British Kids' Music Scene Not Much More Than Belle and Sebastian

While the old saw about the awfulness of British cuisine may no longer be valid, perhaps the new saw is the awfulness of British kids' music Well, according to one Times of London writer, who bemoans the state of British kids' music, while lavishing very evasive praise on the new Belle and Sebastian-curated compilation Colours Are Brighter. While I really don't like the goal of making sure he "can take pride in the songs [his] kids like," I love the idea of creating a "back-story" to certain non-kids' CDs to get them more interested in the albums. In addition to praising Elizabeth Mitchell fave Vashti Bunyan and giving a backhanded compliment to They Might Be Giants, he also puts The Sippy Cups on his Small Ages-esque mixtape for kids. Oh, and dude, "Furry Happy Monsters" is right here. I should also note that the Colours Are Brighter website is now offering a free "Go Go Ninja Dinosaur" mp3 along with a "Jackie Jackson" game (which proves to me how old I am, 'cause I failed miserably at it).

News: Stephin Merritt To Release Kids' Music CD, Tour

Someone who's both a reader and reviewee of this site pointed out this Pitchfork article from late yesterday which notes that Stephin Merritt (through his side project the Gothic Archies) will be releasing a CD to accompany the Lemony Snicket books. The Tragic Treasury: Songs from A Series of Unfortunate Events will be released Oct. 10 (not 13th as in the article) and include 13 tracks, one for each book in the series (previously released on the audiobooks), plus 2 new bonus tracks. Merritt and Snicket (who looks suspiciously like author Daniel Handler) will be making musical appearances in bookstores across the country in October and November. Merritt is a prolific artist (he's a man whose Magnetic Fields group once released a triple-CD album entitled 69 Love Songs -- the title described it perfectly), so I'm curious to see how he'll do with the discipline imposed by set texts. Follow-up: Link to Nonesuch's album page, stream of 3 songs from the album. More follow-up: Kelly at Big A little a has a link to an... odd Stephin Merritt - Lemony Snicket interview in the Guardian.