Review: Loquat Rooftop - Randy Kaplan

It is possible that Brooklyn-based Randy Kaplan could become, if he wanted to, the next Dan Zanes, playing for the moms and dads a mixture of blues and rock that works well for both the kids and adults. But on Loquat Rooftop, his second album for kids, Kaplan continues to follow his own idiosyncratic path that might not generate a deal with the Disney Channel next week, but shows off both his musical and storytelling chops. Those musical chops are certainly there, as Kaplan's voice, ever-so-slightly nasally and raspy, blends in perfectly with his song choices. A couple songs, such as producer Mike West's amusing "Clothes Dryer" (on which Kaplan dryly notes that he used to love doing laundry so much, he went to "laundry camp") and "The Ladybug Without Spots," employ a strolling New Orleans-jazz-style approach. "Mazal Mazal" is a punkish song about a little kid, while the title track is a gentle folk song. Kids are used as chorus and occasional counterpoint (and a kid named Joe does a great "Boogie Woogie Washer Woman") to good effect. Kaplan's choices of covers are well-selected -- Huddie Ledbetter's "Good Morning Blues" is a gentle blues which, as you might expect from the title, is more blues in 12-bar structure only. Hank Williams ("Move It On Over"), Lieber and Stoller ("Charlie Brown"), and the musical Annie ("Tomorrow") also make and appearance here, and one of Kaplan's strengths is making those songs sound fresh (and appropriate for kids). Finally, Kaplan comes from the stories-and-(and-in-)song wing of kids' music, as heard on the silly story about monkeys and ducks "No Nothing" or the sweet "(Don't Say) Anything At All," a message song about not using words as violence. It's the kind of song that, strung together a dozen times, would make most parents' eyes roll, but, as a single song interspersed all the other goofiness and gladness sounds just about perfect. With the exception of the "The Fire Engine," whose chorus "It's big / It's red / It's metal with water" is now unfortunately lodged in my brain, the 42-minute album is mostly targeted at kids ages 4 through 8. You can hear some tracks from the album (and its predecessor Five Cent Piece) at Kaplan's Myspace page for his kids stuff or at the album's CDBaby page. Perhaps Randy Kaplan won't be the next Dan Zanes -- his love of storytelling puts him more in the camp of Pete Seeger or Trout Fishing in America perhaps (not bad company there, either). But it would be nice to see a bit of Zanes' popularity rub off on Kaplan, because Loquat Rooftop's mixture of blues and folk-rock, laced with good humor and heart, will appeal to many kids and their adults. Definitely recommended.

Review: Ladybug One - The Harmonica Pocket

I hesitate to use the phrase "the most unusual kids' album you'll hear all year," because, I assure you, no matter how unusual a particular kids music album, I've heard odder ones (don't get me started). So let me describe Ladybug One, the second kids' CD from the Seattle-area Harmonica Pocket thusly: It's the most unusual good kids' album you'll hear all year. I hope that doesn't sound like damning with faint praise, because the album is quite good. But it's definitely not a collection of straightforward kids' pop, folk, rock, jazz, or anything else. Oh, sure, there are a few elements of that here -- the indie-pop "Spiders In My Breakfast," re-appropriated from the band's first album (for adults), and the soulful and jazzy take on "Twinkle Twinkle Little Star," for example, are fun tracks that don't sound too unfamiliar. "One Tree Said" sounds like a track from a future Decemberists kids' CD. But many of the other tracks veer into more challenging territory -- the psychedelic "I Love the ABCs" or the number of songs on which band mastermind Keeth Apgar explores Indian music. You might not think that "O Susanna" and sitar and tabla percussion would make a good fit, but it does, actually helping to hear the song fresh. In fact, one of the most successful things about the album is how the wide variety of instruments here (including didgeridoo, mbira, and saw, and quite possibly my favorite, hula hoop) serve the songs, not the other way round. The instruments aren't being used to show off -- they genuinely make sense within the context of the songs. And kids will enjoy the variety of songwriting approaches -- story, metaphor, humorous, counting. It makes "Mere Bacche Ke Liye Lori," a Hindi lullaby, which could potentially come off as pretentious, sound part of a whole. The album will be of most interest to kids ages 3 through 7. You can hear clips from the 55-minute album (many of which have been reworked from their first kids album) at the album's CDBaby page, or listen to four excellent tracks at the band's own music page. The Harmonica Pocket's Labybug One is unusual, but a couple spins of this low-key but well-crafted album should make many listeners aware of its numerous charms. Definitely recommended.

Review Two-Fer: Hank Hooper & Mr. Leebot

They Might Be Giants are probably an inspiration for a number of musicians, having not only figured out how to make music for more than 25 years now, but also managing to open up new audiences for their music -- fans both 34 years old and 4 years old. So it's not surprising that some kids musicians even sound a little bit like TMBG, or at least embrace their wide-ranging sound, and it's a couple of those musicians I'm going to talk about here.

The first, and most TMBG-like in sound, is Austin's Mr. Leebot, whose recently released debut Activate! sounds like all the tracks that were left off of TMBG's debut CD (or were heard on Dial-A-Song). Mr. Leebot (aka Lee Davila) has, as you might expect given the name, a very synthesized sound. "Good Bot" could have been part of Devo's kids' album, while "Brock Brock Chicky" is pretty much what I would expect a song about animals as created by a robot would sound like. But it's not totally synthesizer driven -- "I Want A Car" is early Green Day and "Dig Up the Roots" has an earthy, sun-tinged vibe. (Oh, and there's some Bob Wills-ian western swing in there, too.) The 25-minute album improves as it goes along, with "Power Up!" and "Come On Along" a couple of highlights -- fun tracks that will get kids bouncing along. You can listen to samples of all the tracks here or full tracks for a few songs at his Myspace page.

Now if Mr. Leebot sounds like TMBG from 20+ years ago, on his debut Playground Fortune Teller, the Bay Area's Hank Hooper (aka Dren McDonald) sounds a little bit like the band maybe 15 or 10 years ago, a little more adventurous. The soulful cry/yodel of the chorus "That's My Chicken," the rap-for-wordplay's sake of "Raptor Cracker Rap," the country-tinged "Fly Away Pie" -- they don't really sound alike. Sometimes it al coalesces, such as on one of the better kids' baseball songs you'll ever hear, "Hey! Batter!," with its litany of different baseball phrases. Other tracks, like "How Lucky Can You Get" or "Robot Man," have more of a synthesizer, early TMBG-pop sound. (And still other tracks, like "Look Ridiculous" sound like Dial-A-Song experimentation that could have been left off the album.) By comparing Hooper to TMBG, I'm emphasizing his willingness to try new styles of music, not in terms of, "OK, now I'm going to craft a perfect reggae song about brushing my teeth," but simply as avoiding being pigeonholed. The 41-minute album comes packaged with a short paperback picture book whose drawings and text can be seen here, or you can hear samples here or here, along with a few full tracks here. I don't think either album is the type of album that will appeal to every family. I've tried to give a sense, though, of who I think would appreciate these disks, both of which have a number of strong tracks and are often fun, rarely boring. (The targeted age range, by the way, is probably ages 3 through 8.) Beyond the sense of fun on both Activate! and Playground Fortune Teller, the albums are recommended to listeners who, even if they don't like They Might Be Giants, are looking for disks that don't sound much like a lot of other kids' music out right now.

Review: Meet the Squeegees - The Squeegees

Meet The SqueeGees, the first full-length CD from the Los Angeles-area band The SqueeGees, could offer me a chance to be exceedingly lazy and simply copy the review from their debut EP, The SqueeGees. Well, maybe half the review. Because half of the CD was originally found on that debut EP. Now, that's not a bad thing, perhaps, because that means the bubbly tiny nugget of a song, "Apples Oranges & Peaches," is back, as is "Nala the Chihuahua," with its snaky melodic line and harmonies. And "The Ol' WWW," which really isn't a kids song (though it's totally kid-safe) is back to amuse the parents. Just as with the EP, the Squeegees are at their best when they're not as concerned with the point of the song, such as the dreamy "Bubbles." "I-D-E-A," a song encouraging more environmentally conscious thinking, almost overdoes it with the hitting-over-the-head. (More amusing is the Queen-esque breakdown that starts "So you think that you would like to drive a big car? / Have you seen the gas prices today?" and ends, of course, with "I like to ride my bicycle / I like to ride my bike...") In fact, what struck me the most on listening to the full-length CD is how much care and craft has gone into these tunes, musically speaking. The SqueeGees generally play folk-rock, but there's a lot of interesting bits squeezed in here, like in the song above, or the harmonies in "Nala the Chihuahua." Along with Samantha Tobey's clear voice, they make the most of the songs here. I'll peg the album as most appropriate for ages 2 through 7. You can hear some tracks from the CD at the band's Myspace page. There's a lot to recommend in Meet the SqueeGees. I like the quirky ones more than the standard ones, but that might be personal taste. In either case, there's a high attention to sonic detail that kids musicians thinking of recording debuts could do well to emulate. Recommended.

Review Four-Fer: Jazz Albums For Kids and Families

A while back, I wondered, "why are there not more great jazz albums for kids?" I could have substituted the word "good" for "great" and it still would have been a legitimate question. Still, the kids music jazz subgenre has picked up some steam since I wrote those words and with the recent appearance of a definitely great jazz album for kids, I thought it worthwhile to highlight some other new disks worth further exploration if you're looking to broaden the jazz section on your family's CD shelf (or whatever the iPod equivalent of that is).

Thirty Tigers' Jazz and Swing For Kids applies a big band (or at least one that approaches double digits) to 10 familiar kids' tunes. A glance at some of the titles, however, shows that they're mixing things up a little bit -- "Diddle Diddle Swing," for example, or the "Old MacDonald Jazz Remix" (a boogie-woogie which throws in a snippet of "Choo Choo Ch'Boogie" for good measure). Strong vocals ("Here Comes the Rain Itsy" gets turned into a Little Richard rave-up) and a sense of playfulness are the strong points on this 33-minute CD.

The Doug Beavers Rovira Jazz Orchestra's Jazz, Baby! is, in many ways, a similar album. All 10 songs here are traditional ("Twinkle Twinkle," "Shortnin' Bread," "Working' On the Railroad"), and the vocals take center stage. If there is any difference it's that the arrangements are stronger, with strong versions of "Twinkle Twinkle" and "Itsy Bitsy Spider" that take full-advantage of a 20+ member big band being two highlights. "She'll Be Comin' Round the Mountain" is done in a fun cha-cha style. It's a polished recording, and while it's not targeted at adult listeners, those listeners who listen with their kids certainly won't begrudge time spent in its company. (Listen to several tracks from the 33-minute album here.) While those two CDs certainly have much to recommend them, by sticking to traditional and familiar early childhood songs, they don't necessarily lend themselves to repeated listening over a long period of time -- they're CDs you might dip into occasionally. Are there CDs worth more than an occasional dip? Well...

CD/DVD Review: Here Come the 123s - They Might Be Giants

Here it is, the most eagerly anticipated kids music release of the year. They Might Be Giants' Here Come the 123s, to be released this Tuesday, February 5. Almost exactly three years after the release of Here Come the ABCs, was this release worth the wait? Most definitely. Unlike many CDs, especially in the kids' field, the songs and videos here have had a decent airing thanks to the band's popular iTunes video podcast. So assiduous surfers have had the chance to hear and see more than a half-dozen songs. Those songs are a good guide to the rest of the CD/DVD set in a number of ways. "One Dozen Monkeys," for example, features lead vocals of TMBG associate Dan Levine's nephew Hannah Levine, indicative of how in general kids' voices are heard much more than on the previous disks. John Linnell's son Henry has some spoken parts in the funky, horn-assisted and Dust Brothers-produced "Seven" (a highlight of the album). They serve as a counterpoint to the music and the absurd story about sevens crashing a party. "Even Numbers" is the loveliest animation on the DVD, but there are several other beautiful or distinctive videos that haven't yet been seen. It's where TMBG's attraction to animators and Disney's deep pockets pay huge dividends. Matthew Canale's "One Everything" has the friendliest and most anthropomorphic planet Earth ever seen. Hine Mizushima's "The Secret Life of Six" uses stop-motion photography to animate a mid-tempo look into six's secret life (it's like a numerical version of "D and W"). The Brothers Chaps of Homestar Runner fame are responsible for the rocking "Figure Eight." David Cowles directs a number of videos here. In other words, this is probably the best collection of animation the general public is likely to see this year. It's like a Sesame Street best-of. Finally, "Nonagon" and "Apartment 4" are two really good songs, but they're by far not the only good ones. My wife didn't think there was anything quite as instantaneously distinctive as "Alphabet of Nations," but I think there are a number of excellent very memorable songs here -- the aforementioned "Seven," for example, plus the very danceable "Nonagon" and swirly "Apartment 4." "Figure Eight" rocks and has the awesome line "If you take a zero in your hands / And twist it / That's an eight." John Flansburgh's giddy vocals on "I Can Add" mimic the exuberance kids feel when they master something. ("I don't even know Spanish," Flansburgh shouts between verses, "but I'm gonna sing it in Spanish!") As a whole, I think the songs are better here than on Here Come the ABCs. They won't teach your kids how to add, but they'll probably at least get your kids more familiar with numbers if they're not already. (And the songs dealing with concepts -- "Zeroes," "One Everything," "Nonagon," for example -- do so fairly well.) Two other comments: I don't think the three Disney-related songs at the end of the CD and DVD really fit in very well (nor are they quite as good, though "Heart of the Band" is fun), but I'm also the parent of a girl who was obsessed with the Higglytown Heroes theme at the end of the last album, so I realize that many kids won't care. Also, the clunky and user-unfriendly DVD menu from the last DVD has been much improved so that you can watch individual songs, just the songs, or the whole thing, including the occasional interstitials featuring the knitted John and John puppets, whose bits are every bit as loopy and improvised as their podcast appearances (probably because they were clearly filmed at the same time). Any band with a fan base as broad, age-wise, as TMBG sort of mocks the idea of an age range, but I'll peg the targeted age range at ages 2 through 7. This album (about 45 minutes in length) will be found just about everywhere, including Amazon, which features extra tracks. ("One Two Three Four" is an OK song and video, but not an essential addition to your collection if you're trying to decide where to order the album. I haven't heard the live tracks yet.) In case it's not obvious, I think Here Come the 123s is an excellent collection. It's a worthy successor to Here Come the ABCs and in many ways even exceeds that fine album. Fans of They Might Be Giants in general or that album in particular will thoroughly enjoy Here Come the 123s. It's a strong batch of songs and the best set of videos you'll see all year. Highly recommended.