Zooglobble

Next month sees the release of Putumayo's latest kid-friendly release, Jazz Playground, and to promote the disk, they're offering a free download (well, free except for giving up an e-mail address) of the swingin' minor-key "Little Lamb Jam" by Oran Etkin with Charenee Wade on vocals -- go here directly to sign up.

You can also click on the Jazz Playground link above to hear the first 3 tracks from the album, including one of my favorite jazz-for-kids artists, gypsy jazz swing man Lewis Franco & The Missing Cats (see my review of his disk from a couple years ago here). Chris McKhool's take on "Spider-Man" is pretty cool, and it's hard to go wrong with the Cuban jazz of Jose Conde "Cumbamba."

Full track listing after the jump

Continue reading "Share: "Little Lamb Jam" - Oran Etkin with Charenee Wade" »

Posted by SAShepherd at 06:40 PM | Permalink | Comments (0)

There's so much holiday music in the kids music genre that just listening to it all this year was a daunting task. I've got eight albums that grabbed my attention in one way or another; one of them is bound to please your family (unless you're looking for a solstice, Kwanzaa, or Festivus album).

Let's start out with my 3 favorite albums of this particular season...

The most ambitious kids music holiday album of the year comes courtesy of The Hipwaders, whose A Kindie Christmas isn't so much an album of Christmas music as much as it is a Christmas concept album, covering the emotions and anticipation of the season. It's a collection of all-original tunes, done in the Hipwaders power-pop/rock style. "It's Wintertime" is a great dance tune, and "Santa's Train" sounds like an outtake to a Johnny Cash Christmas album, but my favorite track here, maybe of the season, is "There's Too Much Good," a very affirming sentiment at this time of year.

To say that the collaboration of Danny Adlerman, Kevin Kameraad, and Yosi finally bridges the divide between Christian and Jewish holiday traditions makes ...And a Happy New Year sound a lot duller than it really is. In reality, the three kids rockers mostly take turns in providing songs, alternately deeply sincere ("Starlight" and "Two Sets of Footprints") and goofy (the "12 Days of Christmas" reworking "A Pickle for my Christmas Tree" and a cover of Tom Lehrer's "I'm Spending Hanukkah in Santa Monica"). Featuring the season's hardest-rocking tune, the trio's cover of "Frosty the Snowman," it's an interfaith collection worth exploring regardless of whether you light menorah or advent candles.

Robert Burke Warren, AKA Uncle Rock, spent time in London's West End performing a Broadway show but also rocked in far earthier terms. On Express Your Elf, Warren taps into both of those performing personalities. On the one hand, he offers a crooning take on "The Most Wonderful Time of the Year" and a peaceful "My Favorite Things" (a perfect holiday song, when you think about it). Those tracks share space with the rootsy original long-lost nugget "Santa's Coming in a Whirlybird" and a cover of "Feliz Navidad" that neatly weaves "La Bamba" into the mix. It's a tough (and close) call, but it's my favorite kids music holiday disk of the year.

There are others for your listening pleasure. Read on for more...

Continue reading "A Sleigh-Load of Christmas/Holiday CD Reviews" »

Posted by SAShepherd at 05:25 AM | Permalink | Comments (2)

Well, if you have a mandolin, anyway. Want to learn the mandolin licks on Johnny Bregar's cool jazz-folk rendition of "Santa Claus Is Coming To Town" found on the new Putumayo Family Christmas album? Bregar is at your service. You have four weeks -- that ought to be sufficient. Unless you need to buy a mandolin.

Posted by SAShepherd at 03:16 PM | Permalink | Comments (0)

The latest album from Putumayo Kids, Picnic Playground, is a fun collection of food-related tunes from folks close to home (Johnny Bregar, Asheba) and far away. And now Putumayo's giving you a chance to win the CD. All you have to do is be one of the first two folks to submit a recipe in their Picnic Playground Recipe Contest. They're looking for your favorite picnic recipe, and the winners will get the whole Putumayo Kids collection of albums. But if you're one of the first two entries that mention Zooglobble at the start of your entry, you'll automatically win the Picnic Playground disk.

Even if you don't win, you can sign up to get a free download from the album here or see if the tour's coming to your city here.

The rules for winning the overall contest are here. Entries are due August 25th, but speed is of the essence if you want to be the winner of this disk, natch.

Posted by SAShepherd at 09:17 PM | Permalink | Comments (0)

Last month the energetic Putumayo Kids label released its latest globally-flavored CD, European Playground. Last week we chatted with Farmer Jason about life as a North American artist breaking into the European kids music scene. This week I thought it would be interesting to get a more European perspective on the kids music scene, so I talked with Teresa Georgi, who's the manager for Putumayo Kids Europe. She was born in America but has lived in Europe for a number of years now. Read on to find out the good parts about the kids music scene, the bad parts, and about the next Putumayo disk.

Zooglobble: What music did you listen to growing up?
Teresa Georgi: My mother loves the blues so we grew up listening to Bo Diddley, Howlin' Wolf, Elmore James, John Lee Hooker… When she wasn’t playing the blues we listened to the Stones, Bob Dylan, Al Green and Janis Joplin – I was lucky; there was always great music at our house.

My first 45 was "Puff the Magic Dragon" by Peter, Paul and Mary. My mother finally had to take it away from me though as the lyrics always made me cry. My next 45 was "‘I Want To Hold Your Hand’ by the Beatles (I think "Can’t Buy Me Love" was on the flip side) and as far as I was concerned this was music nirvana. I couldn’t wait until I was a teenager! I was about 5 at the time.

How did you end up working for Putumayo in Amsterdam?
I’ve known the founder and CEO, Dan Storper, for over 20 years. In 2005 we met in a restaurant in Amsterdam by chance (the European headquarters are in Holland) and started talking and sharing ideas; when he told me about the fledgling kids division it immediately captured my imagination.

I’ve always loved the brand and its socially-conscious profile and jumped at the opportunity to help grow the kids market in Europe. I really believe that our CDs are exceptional, not only are they fun and engaging but music helps children express themselves, and our music helps make children aware that there’s a whole world of kids out there that are fundamentally just like them. It’s a unique concept that takes children and their families on a journey around the world and helps them to become global citizens.

There's obviously been a resurgence of interest in family music from both the public and musicians here in the States. What's the status of the genre in Europe?

Continue reading "Interview: Teresa Georgi (Putumayo Kids Europe)" »

Posted by SAShepherd at 12:02 PM | Permalink | Comments (0)

I've already given you a list of recess-friendly disks, but what if you're not near a playground? Well, thanks to the folks at Putumayo Kids, you now have a chance for a little monkey bar time of your own -- we're hosting a contest to win a couple disks from Putumayo.

Putumayo's Playground is celebrating its tenth anniversary this year, as World Playground was released ten years ago. It's now a dozen albums strong, and there's more on its way -- European Playground will be released in May and Picnic Playground - featuring Johnny Bregar, Asheba and others - will be released in July, accompanied by a summer concert tour.

Putumayo will give copies World Playground and Folk Playground to a lucky reader. Just list your (and/or your kids') favorite playground activities in the comments below. I'll pick one reader at random. One comment per family, please; all entries due by Thursday 11 PM East Coast / 8 PM West Coast time. Thanks and good luck!

Posted by SAShepherd at 02:20 PM | Permalink | Comments (7)

I know. It's dorky, the lip-syncing is problematic, and there's lots of silly costumes.

Still, this video, from England's Herbie Treehead, from his album Sleepy Songs and Not Very Sleepy Songs is not without its charms. (I'm a sucker for a good kazoo break.) The song will appear on European Playground, the next release in the "Playground" series from Putumayo Kids. The album's out May 19th.

Herbie Treehead - "The Change Song"

Continue reading "Video: "The Change Song" - Herbie Treehead" »

Posted by SAShepherd at 08:04 PM | Permalink | Comments (1)

Sesame Street Playground, the latest globetrotting collection of kids music from cultural omnivores Putumayo, solves the problem of "what region do we tackle next?" by moving on to children's television. Sesame Street is broadcast all around the world, of course, and this collection culls a sample set of songs from some of those local versions.

The downside of the collection is that unlike a lot of the Putumayo compilations, the overall quality of the songs isn't as compelling. Sesame Street has such a rich musical history here in the U.S. that it almost seems unfair to limit it to just Elmo's Song, "Sing," and a Chinese-language rendition of "Rubber Duckie." It's not that the songs are bad (I like the India show opening "Galli Galli Sim Sim" and "Ricas Frutas" from Mexico), just that it casts such a wide net that there isn't the cohesion your hear on the other, more sonically focused collections. On the other hand, the disk also includes a DVD with videos for five of the songs on the album. It's the visual that gives a lot of context to the songs. On video, the point of the songs is clear, even without the captions that are provided. (And Putumayo's liner notes are, as usual, very strong.)

The album will be of most interest to kids ages 3 through 6; you can listen to clips and watch all the videos here. I don't think Sesame Street Playground has quite the repeat playability a lot of their albums has. But a lot of the songs are enjoyable and the videos serve as an easy introduction to cultures (or, at least, muppets) from around the world. If your kids enjoy Sesame Street, they may find this album an interesting side trip.

Posted by SAShepherd at 07:17 AM | Permalink | Comments (0)

I get lots of CDs, of course, and just like sometimes you'll see a whole of TV shows suddenly appear with the same theme, earlier this year I got a raft of lullaby/sleeptime CDs. I've collected some of the more interesting ones from that rush, plus a few slightly older ones that got overlooked the first time around.

That's right, folks, seven CDs. At least one of them's gonna put you (or your kid) to sleep but in, like, a good way. The list starts after the jump.

Continue reading "Seven Sleepy CDs: A Whole Bunch of Lullaby Reviews" »

Posted by SAShepherd at 08:22 PM | Permalink | Comments (0)

Again, proof that kid-friendly videos don't need to have high production values. This one, for Gui Taveres' "Pancada," off Putumayo's Brazilian Playground CD, combines live-action and animation and subtitles -- how many times do you see that in kids music videos? -- for something that, while not classic, will probably keep kids interested for 3 or 4 minutes.

I dig the translation "He's always eyeing up the motorbikes."

Gui Tavares - "Pancada"

Gui Tavares - Pancada from Putumayo World Music on Vimeo.

Posted by SAShepherd at 09:40 AM | Permalink | Comments (1)

I don't often pass along benefit news because if I did, I'd end up doing nothing but that. I thought the following item of sufficient interest, however, to mention here. We'll get back to regularly-scheduled slightly snarky comments soon.

From June 9th to June 23rd participating Gymboree sites across the world will be hosting Kids Helping Kids play parties, with all proceeds going to Mercy Corps to help efforts in China's Sichuan province impacted by the recent earthquake. Besides, you know, playing, each participating site will create an original friendship quilt, personalized by Gymboree children and sent to China offer. Putumayo World Music is helping out, too -- all of the Putumayo music you'll hear featured at the party will be available for purchase with proceeds going to China through Mercy Corps.

Go here to learn about Mercy Corps' efforts in China.

Posted by SAShepherd at 12:27 PM | Permalink | Comments (0)

Yes, Putumayo Kids has a very full release schedule, with African Dreamland the next CD scheduled for release in March.

But it's their next CD that really has me jazzed.

In a recent interview Putumayo Kids director Mona Kayhan reveals what's to come:

"It's our first collaboration with Sesame Street — we're calling it Sesame Street Playground, and it has all their songs from all around the world. For example, you've got the "Rubber Ducky" song in Chinese or the opening song in Dutch."

Sound unheard, I wonder whether this is a better idea in concept than as an actual album, but if done properly, I think it'd be a pretty great global introduction for a lot of families.

Update: Apparently the Sesame Street CD's been pushed back to September. Just so you know...

Y'know, the obvious YouTube clip here is the Sesame Street theme song (seeing as Sesame Workshop's new video player doesn't have a clip available), but given the international flavor of this post, I thought I'd post Ozomatli's energetic reworking of the melody and the 2007 South by Southwest Festival.

Ozomatli - "Sesame Street Theme Song"

Posted by SAShepherd at 07:07 AM | Permalink | Comments (1)

Another month, another breezy mix CD from Putumayo Kids. This time it's Hawaiian Playground, which will be released tomorrow, January 22nd.

As with other Putumayo Kids collections, the strength of this CD lies in its well-considered blend of modern and traditional sounds, silly and serious songs. I'm not sure too many other collections of Hawaiian music would have the nerve to kick things off with a song from a New York City band, but the Moonlighters play expert Hawaiian steel guitar music, and their jazzy cover of Sam Koki's "Right On" is lots of fun. Joe McDermott's well-produced Hawaiian pastiche "Come to Hawaii" is the most accessible song for kids here, all about using one's imagination about visiting the far-off state. The other artists here are from the islands, and the songs show how diverse the state's musical culture has become. With a number of traditional-sounding albums in my own collection, I preferred the more traditional sounds of Raiatea's "Po La'ila'i" or Keali'i Reichel's "Toad Song." But Hawaiian music today also includes styles such as "Jawaiian" (a mixture of traditional Hawaiian music and Jamaican reggae, as heard on Robi Kahakalau's "Pi'i Mai Ka Nalu").

The collection is typically all-ages, but I think kids ages 3 through 7 might enjoy talking about Hawaii via these songs (and liner notes) the most. You can hear samples of the half-hour disk at most internet shops. Hawaiian Playground isn't an introduction to the history of Hawaiian music; it is, for the most part, a sampling of what Hawaiian kids and families might listen to today. For those families looking for a brief audio vacation to the islands, this album will be the ticket. Recommended.

Posted by SAShepherd at 08:02 AM | Permalink | Comments (0)

When you release as many albums on a regular basis as Putumayo Kids does, it makes it hard for the reviewer to come up with new things to say about the CDs. Celtic Dreamland, released in November 2007, continues Putumayo's run of artfully-produced disks. It's the third in its "Dreamland" series, and even the 4-year-old in your family could figure out that it's an album designed for sleepy-time. You may want to explain to your kids how Celtic music -- typically music with Irish or Scottish lineage -- is distinguished from other musical styles, but Putumayo's typically descriptive liner notes may help in that regard.

The music is definitely relaxing, although it may be a bit too sunny in parts for it to be a perfect lullaby album. (I actuallly prefer Ellipsis Arts' collections when it comes to pure lullaby CDs.) There are a number of traditional (Celtic) lullabies here, but as is the case with many Putumayo disks, the foreign language (in this case, Gaelic) in which a number of the songs are sung helps mask those cases where the song isn't really a lullaby. If I had to pick a favorite (or most lullaby-ish) song in the collection, it'd be Susan McKeown's rendition of the traditional Irish lullaby "A Phluirin Mhilis," McKeown's voice and acoustic guitar a lovely combination. (The last 3 tracks, led off by McKeown, are probably the best here.)

As a putative lullaby album, I'd put the age range here at ages 0 through 5, though as with most Putumayo Kids disks, there really isn't an age range. You can hear samples of the 32-minute disk at the album's webpage. Putumayo's still working its way toward an excellent album of pure lullabies, but Celtic Dreamland is a good collection that serves its purpose as a mellow-time introduction to the genre of Celtic music. Recommended.

Posted by SAShepherd at 08:32 AM | Permalink | Comments (2)

The latest in Putumayo Kids' "Playground" series, Brazilian Playground continues Putumayo's tradition of selecting appealing tracks from cultures near and far and mixing them together for families' enjoyment.

A stroll through Putumayo's typically well-done liner notes reveals that many of the songs weren't written with kids in mind -- songs about love or dancing until dawn. Of course, the foreign-language nature of the songs allow parents to use themes as a jumping-off point and the music as a dancing-off point. Claudio Jorge's "Coco Sacudido" ("Shaken Coconut") is about a Brazilian religion with a lot of rituals and ceremonies -- your kids won't care, they'll just be dancing to the big band. For the kids who've been raised on their parents' Bebel Gilberto CDs, Marissa's brief electronica bossa nova "Alo Alo" ("Hello, Hello") will sound familiar. One warning about the disk, though -- the CD's description of the tracks as "lively" is somewhat generous -- the two tracks above are among the more shimmering and vibrant of the tracks here. Which isn't to say that the rest of the CD is bad, just that the overall vibe is a bit more subdued than I'd expected. More 4 PM (if not quite 4 AM) than 9 AM...

Musically, the 36-minute CD is appropriate for kids of all ages, though kids ages 3 through 7 will probably respond to the kids' voices in some of the songs. You can hear samples (and download a teaching guide) at Putumayo's page for the CD (released a couple weeks ago), or hear samples elsewhere on the web. If your family has enjoyed Putumayo's previous Playground releases, they will enjoy this one, too. It's another good compilation. Recommended.

Posted by SAShepherd at 08:45 AM | Permalink | Comments (0)

There are at least a couple videos for songs off the latest Putumayo collection for kids, Animal Playground (review).

The first is for Asheba's "No More Monkeys," a song which I freely admit that I don't like (and that, frankly, is putting it mildly. Which I do a lot.) The video is not without its charms, however, and I think it's fun for kids.

Now, the true discovery on the disk is the Be Good Tanyas' "The Littlest Birds," which was the leadoff track on their debut Blue Horse. This video, while kid-appropriate, isn't the most exciting in the world. But the song -- that song is great.

So here's the deal -- tell them you'll let 'em watch "No More Monkeys" if they watch "The Littlest Birds."

Because parenting is all about compromise.

(Thanks to Z Recommends for the heads-up on the Be Good Tanyas video.)

Posted by SAShepherd at 05:14 PM | Permalink | Comments (2)

I’ve long believed that Putumayo’s strength -- at least in its kids’ music releases -- is compiling good, if not entirely challenging, mix CDs. They’re not trying to compile an anthology -- if they throw in a few good songs you’ve never heard of amidst the familiar ones, then they’ve succeeded in their modest goals. On that count alone, their new Animal Playground disk, released this week, is a typical Putumayo release, mixing some familiar animal-themed songs in with the unfamiliar in a combination that will make it easy for a parent to pop in the CD and for the kids to enjoy.

On the familiar side is Asheba’s “No More Monkeys,” which I will admit to loathing. I like some of Asheba’s music, but there’s something about the slightly hyperactive rhythm of this particular track that sets me on edge and my finger for the skip button. I know, the kids love it (so much so, Putumayo’s included a video for the song on the disk), but I don’t. Somewhat less familiar (but more enjoyable to me) is the Wee Hairy Beasties’ “Animal Crackers,” a fun and bouncy leadoff track.

I've also thought that Putumayo's popularity (as opposed to their strength) has a lot to do with flattering mostly white middle- to upper-middle class people that they have a funky, global perspective. (Putumayo may just have best CD covers in the record business in that regard.) But just because that might be true doesn't mean that Putumayo's not good at finding fun tracks from around the globe. They are, and this album is no exception. The Be Good Tanyas, a Vancouver band which had never really interested me before, gives the album its best track, a gently bopping song anchored by the chorus’ phrase “The littlest birds / Sing the sweetest songs.” (It’s the “Sheep” of this album, for those of you who recall Putumayo’s last Playground disk, Folk Playground, and its standout Zoe Lewis track.)

The foreign-language tracks are fun, though, really, Putumayo could have put these songs on a future collection called, say, Robot Playground or Sports Playground and you or your child would never have known the difference. I doubt many parents will use Putumayo’s liner notes; Ze’ Renato’s swinging “Cantiga do Sapo” is Brazilian tune apparently about a frog, though it could just as well be about a dog, or rapid inflation in South American economies. A couple exceptions -- the 30-year-old track “Nella Vecchia Fattoria” from the Italian group Quartetto Cetra is unmistakably “Old MacDonald Had a Farm.” And Ladysmith Black Mambazo does a peaceful “Mbube,” better known here as “The Lion Sleeps Tonight.” They might be in foreign languages, but even your 3-year-old who’s limited to a 100 words of English will recognize and enjoy those tracks.

Given the language barriers on many of these tracks, the 36-minute album is pretty much an all-ages affair, though the English-language tracks make it more of a disk for 2- to 7-year-olds. You can hear samples of the tracks here.

Animal Playground is a decent collection of music and one that most families will listen to and find some favorites in. You might be able to make a better mix tape, but it’ll probably be in far fewer languages. That’s not a good reason to get this (or any) album, but it’s not a bad thing, either. Recommended.

Posted by SAShepherd at 05:00 PM | Permalink | Comments (0)

The first region-specific release in its Dreamland series, Putumayo's Asian Dreamland collection was released earlier this month with, yes, a collection of lullabies from Asia. Coincidence or not, it's one of the few areas of the world that Ellipsis Arts hasn't covered in its collections of world lullabies.

Although I keep an open set of ears when it comes to music, after more than three decades of listening to it, I've certainly developed some preferences, and one of those is a general indifference to music from Asia. I think it's perhaps the stringed instruments found in many Asian melodies, which may be relaxing to some, but not to me. So it came as little surprise to me that my favorite tracks on this 32-minute disk were those that downplayed the stringed instruments, such as "Cradle Song," from the Tatarstan artis Zulya, or "Aka Tonbo," a Japanese lullaby sung by Aiko Shimada and Elizabeth Falconer. Instrumentals like "Asadoya Yunta," which features a shamisen, a 3-stringed instrument similar to a banjo, were less pleasant to me. As slow as the instrumentals were, they would definitely keep me awak.

But one of the advantages of youth is that the ears of the young haven't developed their prejudices like their stick-in-the-mud dads, and so it's possible your kids will be incredibly relaxed by this collection. At the very least, it's a user-friendly collection of traditional Asian tracks supplemented by Putumayo's always helpful liner notes (you think I could identify a shamisen by myself?) A collection of lullabies, it's most appropriate for kids ages 0 through 6, though I'm sure older kids interested in traditional Asian music would find this a useful starter. Listen to Real Player samples here. Again, this collection is not for everyone, but if you're willing to try something new, Putumayo as usual offers you a good place to start.

Posted by SAShepherd at 07:38 PM | Permalink | Comments (1)

To those of you visiting here from Melissa Block's post on CDs her family's been enjoying, welcome. You'll find over 140 reviews of CDs here (all accessible from the artist links on the right-hand side of the page), plus news and interviews squeezed in whenever I can find the time.

For what it's worth, you can follow the links below to my reviews of the albums Melissa lists...

-- Catch That Train! - Dan Zanes and Friends (review / interview)
-- You Are My Little Bird - Elizabeth Mitchell (review)
-- New Orleans Playground - Various Artists / Putumayo (review)
-- Alphabet Songs - Steve Weeks (Vol. 2 review, Vol. 3 review)
-- The Johnny Cash Children's Album - Johnny Cash (review)
-- Whoever Shall Have Some Good Peanuts - Sam Hinton (review)

And thanks for stopping by!

Posted by SAShepherd at 09:31 AM | Permalink | Comments (2)

As we slide into November and December, the number of new releases is typically scaled back because there's, like, a bajillion different things going on. Setting aside the daylight-to-task ratio, which is at its lowest point of the year, who wants to compete against the hundreds, nay, thousands of Christmas-related CDs flooding the market? ("On the first day of Christmas / My auntie gave to me / A Christmas album from Kenny G.")

Having said that, there are a few releases coming out here over the next couple months:

Nov. 7: All Together Now - V/A (a Beatles covers album with a kids' chorus)
Nov. 14: Play! - Milkshake
Nov. 14: We Wanna Rock - Thaddeus Rex
Nov. ??: Hey You Kids! - The Jellydots
Dec. 5: Asian Dreamland - V/A (Putumayo)
Dec. ??: Ernie & Neal - Rock the House

Which of these should be on your gift list for the winter-based gift-giving holiday of your choice (or on the purchase list of your favorite local library)? Tune in... find out...

Posted by SAShepherd at 05:33 PM | Permalink | Comments (2)

It's safe to say that the fine folks at Putumayo Kids aren't putting together a collection called, say, "Phoenix Playground," or even "Chicago Playground." Phoenix has a decent musical history for a city so young, and Chicago's musical history is tremendous, but New Orleans is probably the only American city with a musical background robust enough to provide so many songs to choose from while offering a distinct-enough sound to make the mix-tape at which Putumayo excels sound good.

While touching on many strains in New Orleans music, New Orleans Playground (to be released on Tuesday) relies most heavily on the side of rhythm and blues. With a number of classic songs on the collection (most notably Lee Dorsey's "Ya Ya" and Fats Domino's "Whole Lotta Lovin'"), the adults may be forgiven for thinking that they've accidentally turned on the radio and "KOOL 97, Classic Oldies!" (See also Dr. John's bouncy-yet-mellow "Row Row Row Your Boat" and Buckwheat Zydeco's massive reworking of "Skip To My Lou" into "Skip To My Blues" for familiar voices.) But there are enough much less familiar artists and songs to make the collection not feel stale. I particularly liked Charmaine Neville's "Second Line," a fun tribute about New Orleans' brass band tradition. Credit goes to Putumayo for not always picking an obvious artist -- it was nice not to hear a more-famous Neville brother on the collection, and they chose the unknown-to-me Hack Bartholomew for a rendition of "When The Saints Go Marching In." It's too bad, however, that the collection mostly ignores New Orleans' strong jazz tradition -- while it's hinted at on some of the more brassy tracks, this collection needed a jazz track from the birthplace of jazz.

If you didn't have the familiar Putumayo illustrations, you wouldn't necessarily know that this collection was targeted at kids (only one or two tracks are really kid-focused), but let's say that kids ages 3 through 9 are most likely to enjoy it. You can hear some samples at Putumayo's album page.

This collection is a gentle if incomplete introduction to New Orleans music. Expertly compiled and arranged, both parents and kids will enjoy it. Recommended.

Posted by SAShepherd at 01:30 PM | Permalink | Comments (0)

"Folk Playground is neither 'folk' nor 'playground' -- discuss."

The Putumayo label got its start a number of years ago putting together mix tapes for use in its clothing store. They have since abandoned the clothing store, focusing solely on music, and have developed a kids' music label, Putumayo Kids. The latest entry in the Putumayo Kids series of CDs is the 2006 release of Folk Playground, to be released on Tuesday.

The 33-minute CD may confuse folk purists while also confusing some parents new to the children's music scene. The key component in the definition of "folk" seems to have been whether or not acoustic guitar was included on the track. The "playground" songs -- "This Old Man," "Froggie Went A Courtin'," -- aren't necessarily "folk music" in execution (or, if they are, it sort of stretches the definition.) The term "Folk Playground" is marketing and stretches the definition of what's actually on here.

Now, if you are a devoted children's music listener, you may already have half the songs (or at least half the artists) already in your collection. The problem with the selections from the more familiar artists is twofold. In some cases, the selections are not very representative of the artist's work (Justin Roberts' "Roller in the Coaster," while a nice little song, is a less common type of song for him, compared to the rave-ups; Laurie Berkner has made a name for herself for her originals, not covers. Neither would be considered folk artists.) In other cases, the songs are more representative of the artists' overall work, but not necessarily a highlight from their catalog (Dan Zanes' "Hop Up Ladies," Trout Fishing in America's "Fill It Up," Elizabeth Mitchell's "Crawdad"). These songs are perfectly fine, but I could probably have come up with a half-dozen songs each that I'd've preferred to see on here. (I do think Brady Rymer's "It's All How You Look At It" is pretty good, though.)

Of the less familiar artists (kids' related -- Leon Redbone is hardly an unfamiliar artist), the clear standout song on the CD is Zoe Lewis' "Sheep," about her musings while seeing sheep from far above in an airplane ("I wonder what are you thinking as your little pink lips go round and round and chew / Does night time bring you dreams of spring, mutton, mint sauce, leg of lamb or stew? / (Sorry, sheep)"). It's a sprightly melody, sung with whimsy, and mixed with tin whistle, among other instruments. Forget about the less familiar artists -- it's the best song on the CD, period.

The album is probably most appropriate for kids age 2 through 8. You can download lyrics and listen to sound samples at Putumayo's page for the release.

In the end, after listing all my criticisms, you might be surprised to read that I like the CD. It's a case where the whole is greater than the sum of its parts. Putumayo's history as a mix-tape creator serves it very well here as Folk Playground is a CD which will serve as a very pleasant soundtrack to a session of coloring or game-playing. While there are few standout tracks here, the overall listening experience is nice.

Posted by SAShepherd at 07:54 AM | Permalink | Comments (0)