This song's been floating around for awhile now, but never in quite such a blogger-friendly form. It's "Mary the Fairy" from Key Wilde & Mr. Clarke, and Little Monster Records has offered it for sale, either by itself or in some other combinations. They also note that it'll be part of Little Monster's Magical Creatures, Musical Pets compilation, available "next year." Of course, the compilation has been promised for so long that I wonder if it isn't as mythical as the creatures supposedly sung about within. (I kid because I love.)

Posted by SAShepherd at 07:49 PM | Permalink | Comments (0)

I think the first time I became aware of the Topspin media widget was a couple years ago when David Bryne and Brian Eno promoted their new album Everything That Happens Will Happen Today using it. As someone who writes a website, the content-filled nature of the widget appealed to me, but it appealed to me as a fan as well. Sure, from a listener perspective, it's just a way to give an e-mail address to get an mp3, but it did it in such an elegant and well-designed way that it typically was the only type of widget that I'd actually respond to.

In time I realized that kids musicians were starting to use the widget, too. At this point enough of them are using the platform that I thought it'd be worth asking the users what they thought of it and its good (and bad) points. Among the artists who responded were Debbie Cavalier, Jeremy Toback, and Kevin Salem from Little Monster Records, along with one of his artists, Key Wilde. I also talked some with Mike King from Berkleemusic -- if you need an overview of Topspin, you could do far worse than checking out the videos King made with Topspin CEO Ian Rogers.

What made you interested in working with Topspin?
Most artists came to Topspin via some personal connection -- Debbie Cavalier first heard about Topspin nearly two years ago when, as the Dean of Continuing Education at Berklee, they started to plan the development of the “Marketing Music with Topsin” course. Jeremy Tobck knew Topspin cofounder Shamal Ranasinghe when he was developing the idea for Topspin, and was "super intrigued" by his idea of deepening the direct relationship between artists and fans. Toback says that Ranasinghe, dug Renee & Jeremy, wanted then to be beta users, and "helped convince us that we had built enough on our own to benefit" from the platform.

As for Kevin Salem, he says that Robert Schneider’s manager told him about it, though he "was slow to respond." (Robert Schneider is another Topspin artist, both for the Apples in Stereo as well as his Little Monster Robbert Bobbert project.) But the Topspin representative was an "old acquaintance" from Salem's time as a solo artist after giving him a quick tutorial, Salem thought it could "help plug the considerable holes in [his] physical distribution network." He also says he thought it could help create "unique products" for the fans and "shift the ratio of physical-to-digital sales in our genre." [I'd note that at Kindiefest, Salem noted that the next Little Monster release, a compilation, will be entirely digitally distributed.]

Continue reading "Topspin and the Kindie Artist" »

Posted by SAShepherd at 05:39 PM | Permalink | Comments (1)

I have two words for this, the video for "We R Super Heroes," from Robert Schneider's debut Robbert Bobbert and the Bubble Machine album.

TOTALLY. AWESOME.

No, scratch that -- it challenged "totally awesome" to a 100-yard dash and crossed the finish line before "totally awesome" got out of the blocks.

Robbert Bobbert and the Bubble Machine - "We R Super Heroes" [Spinner]

Posted by SAShepherd at 07:39 PM | Permalink | Comments (1)

One of the cool parts of doing the kids music website thing is that folks let slip all sorts of interesting news via Facebook or in e-mails to me. News about shows, albums, collaborations, etc.

Of course, unless somebody specifically says, "run with that" I don't actually mention it on the site. If I don't have something public to cite, then, well, I don't post.

So I'm glad that I finally -- finally! -- get to announce, like, three different bits of news I've known for a some time now. Four, maybe -- depends how you're counting.

First, and most importantly, the great duo Key Wilde & Mr. Clarke have signed with Little Monster Records. That's the cover for the album -- Rise and Shine! -- that'll be coming out later this spring at the top. If you haven't heard their stuff, I highly recommend that you get on over to their site and listen to some older versions of the tracks on the CD (all the tracks have been subsequently modified in some way for the album).

But that's not all...

Continue reading "Key Wilde, Mr. Clarke, and a Greasy Little Monster" »

Posted by SAShepherd at 07:34 PM | Permalink | Comments (0)

Despite the fact that jazz is one of the great American art forms, its current popularity among the population is not exactly mass-market. As a result, I'm hesitant to call Let's Go Everywhere, the first kids music CD from the popular modern jazz trio Medeski Martin & Wood, a good kids' jazz CD. Because if I did so, I'm afraid that a lot of people that would otherwise enjoy the CD would just tune me out.

Take the insanely catchy title track, which, unlike MMW's previous discography, features vocals (by Tim Ingham) and lyrics that beg for singalongs. The track, which echoes Johnny Cash's "I've Been Everywhere," features throwaway lines like "Tijuana, Grand Bahama, don't forget to call your mama." It's propulsive, hand-clappy, and a poppy hit -- it certainly won't sound like jazz to most people. Or one of the better songs begging for kid-interaction I've heard, "Where's the Music?," a funky jam that breaks down every now and then only to be started up by gleeful kids begging, nay, shouting, "Where's the music?!?"

That's not all. "Pat a Cake," a punky rap featuring a number of kids -- a quick track which, judging by the number of e-mails about it I received after my recent NPR chat, will be heard in a lot of households this spring. John Lurie's spoken-word piece "The Squalb" features gentle musical accompaniment and manages to be mysterious and reassuring all at once -- if you need 3 minutes and 17 seconds of silence via rapt attention in the car, play this track.

I don't mean to give the tracks which do sound more jazzy short shrift, because those are excellent, too. "The Cat Creeps" has a funky, slinky bass line and tinkly piano that absolutely sounds like a cat creeping. "Let's Go" sounds like it could've been recorded 45 years ago in some West Coast studio (except for the kids occasionally shouting "Let's go!" in the background). And for those of you looking for a little deconstruction of classic tunes, "Old Paint" (on which the trio channels the Vince Guaraldi Trio) and a nearly unrecognizable (but fun in its own way) "All Around the Kitchen" will fit the bill.

Out tomorrow, the 40-minute album will appeal mostly to kids ages 4 through 9, but if you're not listening to this and having fun, I don't know what to say. You can listen to four tracks at the album's Myspace page and a couple here.

In the liner notes, both the band and Tim Ingham sound almost surprised at how well the album turned out. The band says "the best part was collaborating, improvising and making new friends. Who this was going to be one of our favorite records." Mine too. That sense of fun and wonder comes through loud and clear on every track. So rather than calling Let's Go Everywhere a good kids' jazz CD, let's call it what it really is -- a great CD. Period. Saying this when the year is barely a week old sounds like damning with faint praise, but it's true -- Let's Go Everywhere is the first great kids' CD of 2008. Highly recommended.

Posted by SAShepherd at 07:49 PM | Permalink | Comments (3)

One of my favorite songs from the 1990s was the soaring alterna-rocker "Lighthouse Keeper," by a musician by the name of Kevin Salem. Fast-forward a decade, and in this brave new world of kids and family music, I was surprised and, well, pleased to hear that Salem had started up Little Monster Records, a label just for kids' music. Salem, who spends much of his time now producing others' records rather than recording his own, along with his wife Kate Hyams, who spent many years as a label executive, have put together an exciting roster of artists who show every sign of releasing music that is definitely not the typical kids' music fare.

Kevin Salem recently took the time to answer a few questions. Read on for how views on kids in the recording studio have changed over the year, his vision for the label, how his least favorite baseball team inspired his label's latest record, and future projects...

Zooglobble: What music did you listen to growing up?
Kevin Salem: There were a few different sources for me growing up. My parents were Arabic and played a lot of Arabic music and I grew up in a small coal and steel town where there was a lot of rootsy music, so that stuff was always in the air. My dad was a jazz singer and trumpeter, so the first songs I sang were things like ‘Fly Me to the Moon’ and ‘Sunny Side of the Street.’ I lived with two sisters and my cousins who are quite a bit older than me and turned me on to a lot of the things I have loved all my life -- the Beatles and Stones, Dylan, Motown, Neil Young... all things countercultural. I remember watching the Beatles at shea stadium on TV and wondering what was wrong with all the teenage girls in my family. When I was 5, some teenagers from my family’s church had a cover band called ‘Grapes of Wrath.’ I saw them play 'Little Bit of Soul’ at a church picnic and decided on the spot that I was gonna be a rock and roll guitarist. It was the best decision I ever made.

Continue reading "Interview: Kevin Salem (Little Monster Records)" »

Posted by SAShepherd at 12:45 PM | Permalink | Comments (2)

So with the collapse of V2 Records, one might be wondering what the future of Little Monster Records is.

I have word that Little Monster Records will be announcing a new home soon, which I'm very excited about, because even though I found their Beatles release underwhelming, I'm increasingly excited about the rest of their release schedule.

To wit: yesterday's WNYC Soundcheck, which included Little Monster's Kevin Salem. About 10 minutes in they play a portion of the title track to their upcoming Let's Go Everywhere CD, and it's nothing less than what would you get if you combined Johnny Cash (specifically "I've Been Everywhere") and jazz funk. In a good way. In an awesome way. Folks, John Lurie is performing on the album -- this is going to be interesting at the very least and could be great.

To wit, part deux: Well, sadly, I don't have a part deux, because Ralph and Ralph have deleted a blog post where they talked about their goals for the new album. But now it's gone (or they've deleted their old myspace page with the post) and I can't really say anything other than "I read it, and it made me excited to hear even more tracks than what's on their myspace page. Knew I should've posted it at the time...

Posted by SAShepherd at 06:37 PM | Permalink | Comments (0)

More music from Little Monster Records recording artists Ralph & Ralph, this time at their new Myspace site.

Four songs, one for each member of Ralph & Ralph.

Yeah, that's what I said.

There are actually 4 members of the band, two of 'em women.

In any case, while I really like "Ralph and Ralph's Song" (previously available), "Supposed to Cry" is also pretty good.

All sorts of crazy instruments from that band. "Sounds like: nothin' else!"

Indeed. Can't wait to hear the full-length CD.

Posted by SAShepherd at 08:14 PM | Permalink | Comments (0)

Remember the other day when I talked about Little Monster Records and wondered who the mysterious "Ralph & Ralph" were?

You don't? Really?

Oh, well, you're probably not getting enough sleep.

Anyway, I still don't know who they are, but maybe some of the eagle-eared readers out there can identify voices from the new Ralph & Ralph track posted on their "Sounds" page. "Ralph and Ralph's Song" is a slow, loping song that Randy Newman might write and includes the following couplet, which is either a 1) biting meta-commentary on the digital music distribution process or 2) feel-good life lesson.

"A record costs money / but a song is for free."

Indeed.

Posted by SAShepherd at 05:37 PM | Permalink | Comments (1)

The new website for the Little Monster Records label isn't quite ready for prime time, with more "under construction" signs than Berlin in the 1990s. (Yes, I realize that Berlin wouldn't literally have "under construction" signs. Work with me here, folks -- I've never seen so many cranes in a city.)

But probably due to the low-key nature of this website, we don't really care as long as the content's good, and in this case, with mp3s from All Together Now (the recently-released Beatles tribute CD) and upcoming Little Monster releases from Robbert Bobbert, Gustafer Yellowgold, Soulville, and Medeski, Martin & Wood, the content's good. The Robbert Bobbert and Gustafer tracks can also be heard on their myspace pages, but the Soulville and MMW tracks are new to me. MMW's "Where's the Music?" is funky and amusing, and I like both Soulville tracks, too.

No, I have no idea who "Ralph & Ralph" are.

Posted by SAShepherd at 05:16 PM | Permalink | Comments (2)

Although it has signed very 21st century artists such as Gustafer Yellowgold and Robbert Bobbert (Robert Schneider), Little Monster Records, the new kids' music imprint from V2/Artemis Records has chosen to look back 40 years for its first release, All Together Now: Beatles Stuff For Kids of All Ages. If this first release is any indication, Little Monster releases will be designed to encourage parent-youth interaction.

The release comes packaged with a storybook illustrated with kids' drawings, poems that are meant complement the lyrics, and Beatles facts which are probably familiar to the adults but won't be, of course, for the young'uns.

And what exactly will you be sharing with those young'uns, musically? Thirty minutes of covers of well-chosen if familiar Beatles songs. Producer/guitarist Kevin Salem has assembled a talented backup band for the versions, which are sung by New York Doll Steve Conte along with some guest stars, including Marshall Crenshaw, Jason Lytle (ex-Grandaddy), and the Bangles (with Matthew Sweet joining Susanna Hoffs once more on a fun "Good Day Sunshine"). The songs also feature a chorus of kids who, refreshingly, are neither Broadway-trained nor pitch-corrected. They sound like, well, your elementary school or church choir, in a good way (see the simple "Love Me Do"). If you're going to put kids on record, this is the way to do it.

As well-done as the whole package is, there's really nothing new here. The versions hew very closely to the originals. I realize that the idea behind the CD -- introducing the Beatles to another generation -- doesn't lend itself to massive reinterpretations of classic recordings, but there's little reason why your copies of the original Beatles CDs won't do just fine.

Given the ages of kids singing (they sound like they might be in 2nd or 3rd grade, generally), I'm going to peg the age range here at ages 4 through 9, though obviously Beatles music is OK for just about any age. Three of the tracks are available here. For the moment, the CD is available only at Barnes & Noble, though that will end at some point next year.

All Together Now is a nicely-assembled collection of Beatles tunes, attractively packaged and with nice thought put into it. As good as it is, I don't see it as being of great interest to people who already have some Beatles tunes in their collection. But I can't wait to see and hear what the team behind this album has up their sleeves when they turn their attention to some original songs.

Posted by SAShepherd at 08:36 PM | Permalink | Comments (2)

As we slide into November and December, the number of new releases is typically scaled back because there's, like, a bajillion different things going on. Setting aside the daylight-to-task ratio, which is at its lowest point of the year, who wants to compete against the hundreds, nay, thousands of Christmas-related CDs flooding the market? ("On the first day of Christmas / My auntie gave to me / A Christmas album from Kenny G.")

Having said that, there are a few releases coming out here over the next couple months:

Nov. 7: All Together Now - V/A (a Beatles covers album with a kids' chorus)
Nov. 14: Play! - Milkshake
Nov. 14: We Wanna Rock - Thaddeus Rex
Nov. ??: Hey You Kids! - The Jellydots
Dec. 5: Asian Dreamland - V/A (Putumayo)
Dec. ??: Ernie & Neal - Rock the House

Which of these should be on your gift list for the winter-based gift-giving holiday of your choice (or on the purchase list of your favorite local library)? Tune in... find out...

Posted by SAShepherd at 05:33 PM | Permalink | Comments (2)

"Well, then, pick up your CDs, dear."

On the eve of Gustafer Yellowgold's and Robbert Bobbert's CMJ-related appearance at Joe's Pub on Saturday, I thought I'd note that their new label, Little Monster Records, has put together quite the diverse lineup of kids' releases. A Beatles tribute album, All Together Now, featuring members of the Bangles, Grandaddy, among others, will be released next week. A Medeski, Martin & Wood kids' album will be released next year along with Soulville, a collection of R&B and soul tunes that includes a kids chorus. (And then there are releases from Gustafer and Robbert Bobbert.) I can't imagine many families buying all 5 releases, but unless they're all awful, I can't imagine many families not finding something appealing in at least one of them.

I've often thought that there was room for kids-focused boutique labels. Frankly, even with Little Monster's creation (along with a re-energized Kid Rhino and ever-expanding Rounder Records), I think there's room for even more. Maybe not labels in the traditional sense (in which the labels often own the recordings), but labels as management companies, serving as filters and helping with distribution, production, and promotion.

Posted by SAShepherd at 01:06 PM | Permalink | Comments (1)

I don't know whether Robert Schneider's kids' music album to be released by Little Monster Records in early 2007 under his Robbert Bobbert alter ego will be any good.

But if the tunes on his Myspace page are any indication of what'll be on the album, it'll be one of the oddest albums to come down the pike in some time.

"I Love the Animals" is a catchy New Wave/Beach Boys, Casio-accompanied tune which would be somewhat odd in its own right were it not accompanied by "Fee Fi Fo," which I can only describe as "The Chipmunks meets 50 Cent." It's a rap song from a mouse.

All I can say is, go listen for yourself.

Posted by SAShepherd at 08:41 PM | Permalink | Comments (1)

News that Gustafer Yellowgold, or at least his nifty creator Morgan Taylor, has been signed to V2's new kids' imprint Little Monster Records comes amid changes at Gustafer's Myspace page.

That's right, folks, he now has 710 friends, the most important of which seem to be from "Sesame Street," primarily.

Oh, and there are a couple new tracks streaming there for your listening pleasure. "Cooler World" is sort of an introductory song, OK, but nothing special. "Birds," however, is a blast of Beatles-ian (or, if you're younger and/or hipper, XTC-ian) pop confection. ("Rocket Shoes" is also new, but has been streaming on the site for many months now.) Could "Mellow Fever" be the working title for the next DVD or CD following the rerelease of Wide Wild World?

In addition, there's an amusing video promo for Gustafer which includes news that Taylor's working on the next DVD (Have You (N)ever Been Yellow) -- which I think I knew, or maybe that was just a falling-on-cake-inspired reverie -- and an illustrated book (natch) called The Inifinity Sock, which was news to me. (Love that title, in spite of or perhaps because it makes no sense whatsoever.)

But the best part is that the first half of the video is done as if it were a preview for some awful Michael Bay flick.

"Part yellow, part gold... all Gustafer." I'm still chuckling.

Posted by SAShepherd at 12:32 PM | Permalink | Comments (0)

News is slowly trickling out about V2/Artemis Records' new kids music imprint, Little Monster Records. And so far, they're batting 1.000. (See? It's baseball playoff time, and I made a baseball reference? Get it? Yeah, OK.)

Not only have they signed up Gustafer Yellowgold, as previously rumored (they'll be re-releasing Gustafer Yellowgold's Wide Wild World DVD in March), they've also signed Robert Schneider, leader of the indie rock band The Apples in Stereo. Schneider's alter ego Robbert Bobbert and the Bubble Machine (with the year's best PR line -- "If the number of B's in a name represented fun, Robbert Bobbert & The Bubble Machine have cornered the market!") will release an album for Little Monster in spring 2007.

They'll be performing together at Joe's Pub in New York City on Saturday, Nov. 4. Should be a blast -- if you're in NYC, go.

Posted by SAShepherd at 08:37 PM | Permalink | Comments (1)