Excellent, even. That's a festival lineup for you: Laurie Berkner Band, Dan Zanes and Friends, and They Might Be Giants. Not to mention The Sippy Cups. (Unless, of course, the "Dane Zanes & Friends" text isn't a joke and it's just a Dan Zanes tribute band.)

What lineup? It's for the Life Is Good Festival 2010, a charitable event to be held Sept. 11 and 12, 2010 in suburban Boston. Here's the kids lineup. Man, if that's the kids lineup, I shudder to think what the adult stages would be. (U2, Bruce Springsteen, and Beyonce?) No details yet on ticket prices, schedule, etc.

Posted by SAShepherd at 04:30 PM | Permalink | Comments (0)

The Bay Area's Sippy Cups have been running a series of video podcasts this fall and winter on their website, iTunes, and YouTube. They're not always music-based, and the one below ("Hair Professor Meets the Flower Tower," #7 of a planned 13) isn't really, either. But the moment at about 2:26 into the podcast made smile a big grin.

Posted by SAShepherd at 12:21 PM | Permalink | Comments (0)

You know, if Bob Dylan can record a Christmas album, why can't Lou Reed?

What's that? He hasn't released a Christmas album? But I swear, this sounds just like Lou Reed!

Oh, it's just the Bay Area's Sippy Cups, returning to their song-parody roots by reworking "I'm Waiting For the Man" into "Waiting For My Man (The Santa Claus Mix)." And it's free for the downloading or streaming here. (What, "The Gift" wasn't appropriate enough?)

Photo credit: Peter Ellenby

Posted by SAShepherd at 12:37 PM | Permalink | Comments (2)

The kids music resurgence has been relatively brief, and so we haven't necessarily had the time to watch too many bands mature and change their sounds over time. An exception is the Bay Area band The Sippy Cups. They started out doing nothing but covers, primarily of '60s and '70s psychedelic tunes. They then moved to mostly original '60s and '70s-sounding psychedelic tunes. It's only been on their last couple albums that they've developed a fuller sound (and added some skits to the mix).

All of which has been to the good. Their latest album The Time Machine is at times both their most conventional-sounding and also their most adventurous. Although it's not quite a concept album, there a number of songs about about growing up (hence the title). As a result, based on subject matter alone, this definitely their most typical "kids album." Of course, I happen to like some of those songs the best. The power-poppy "My Angry Voice" describes anger in easily accessible phrases ("Breathing fast / My heart is racing / I won't look you in the eyes / What's that sound? / It's someone shouting / That sounds like me / What a surprise") while "Don't Remove the Groove" ameliorates whatever preachiness a song about environmental warming might contain by being, well, groovy and turning it into a "freeze dance" song. "Seven Is The New 14" will likely go over heads of the 14-, er, 7-year-olds the song is targeted at, but its amusing spin on "age is nothing but a number" will draw chuckles from the parents.

For those of you originally drawn to the band for its original more psychedelic sounds won't be disappointed -- the title track and concluding track "Awake" (the latter clocking in at 6 minutes) are definitely could've been recorded 35 or 40 years ago, while "One Day Soon" is an excellent pastiche of Sgt. Pepper's-era Beatles. If there's a downside to the songwriting here it's that at times I felt like they were relying too heavily on the metaphorical imagery to the detriment of more sharply describing the experience of growing up. The worst tracks here are still better than 60% of the songs in the genre, but their excellent songs make the just adequate ones stand out. (As for the skits, I like 'em, and I typically haaaate skits, but I realize that your mileage may vary.)

The 44-minute album is most appropriate for kids ages 5 through 9. You can listen to some tracks here or samples at the album's CDBaby page.

The Sippy Cups have developed into one of the most adventurous kids bands on today's scene. With a strong catalog of songs and an energetic live show, they seem set to be around making music for years to come. The Time Machine is, appropriately enough, evidence of their continuing evolution, and shows that growing up is usually a pretty good thing. Definitely recommended.

Posted by SAShepherd at 09:14 PM | Permalink | Comments (0)

I post plenty of heads ups on free mp3s, but this one is a bigger deal. The Bay Area's The Sippy Cups have managed to get themselves the first free iTunes download in the Children's Music category. For the next week, iTunes users can go here to download "Seven is the New 14," one of the better (and funnier) tracks from their new album The Time Machine. ("Three and three? Not seven.") I expect a lot of clueless comments on iTunes from folks who aren't really part of the kids music demographic, but I think most readers here are going to like it. The Time Machine is out today as an iTunes exclusive, next week everywhere.

Posted by SAShepherd at 09:28 AM | Permalink | Comments (1)

Today it's time for contests in the Pete Seeger Region of KidVid Tournament 2009. In this contest we have the top seed, The Sippy Cups' "The Day After Halloween" from their One Day Soon EP matched up against "Circle and Square" from the Readeez Volume One DVD.

Feel free to leave your thoughts in the comments below, but the official results are based on the poll at the bottom of the page. One vote per person, please. Votes due by midnight tonight (Wednesday) East Coast time. And, as always, play nice!

The Sippy Cups - "The Day After Halloween"

Readeez - "Circle and Square"

Posted by SAShepherd at 08:20 AM | Permalink | Comments (3)

Word from the Bay Area band The Sippy Cups that their next full-length album, The Time Machine, will be out June 16. That's, like, exactly three months from today. Unfortunately there is no time machine you can use to transport yourself forward to that date, but according to the press materials, the title is more, well metaphorical than my cheap joke:

"What kid doesn't love the idea of a time machine? But in the case of The Sippy Cups, the time machine they are referring to is not some tricked-out Delorean, but our own bodies, which are constantly growing and changing and moving us through time. They wanted to convey to children and parents how magical that journey through time can be, and how precious the milestones are along the way. "

Track listing for The Time Machine is as follows:

Continue reading "New Sippy Cups Album "The Time Machine" Out June 16" »

Posted by SAShepherd at 08:20 AM | Permalink | Comments (0)

With the release today of their One Day Soon EP, San Francisco's The Sippy Cups have followed the lead of other, more adult-oriented bands, who consider EPs an integral part of their musical release pattern. The five songs here were recorded as part of the band's sessions for their upcoming 2009 release, and is the first new album from the band since October 2006.

So are the songs worth the wait? Well, mostly yes. "One Day Soon" kicks off the album, a mid-tempo number about growing up (or at least older) that would have fit perfectly on the generally more rocking Electric Storyland. So would have "Ladybug Beat," at least if it had been plugged in (it's acoustic here). I've already talked a little bit about "The Day After Halloween,", which is a bit of departure from the Sippys' normal metaphor-filled and fanciful songwriting. Its melancholy nature is a perfect fit for fall -- it's a Halloween song that isn't just for Halloween, and is my favorite track here. "Listen With Your Eyes" is a sweet lullaby (though there's a bit too much going on for it to be effectively used an actual lullaby). The only false step is "Effervescing Elephant." Ironically for a band which started out primarily playing covers of '60s era psychedelic songs, this Syd Barrett cover falls flat. It's supposedly a live staple of the band, but this off-the-cuff version just doesn't have any oomph.

The album will appeal mostly to kids ages 4 through 10. The album is about 14 minutes long and, perhaps most interestingly, is available only as an iTunes download. At $3.99 for the whole album, it's pretty cheap. It's a small but decent collection of tracks which can only serve to heighten anticipation for their upcoming full-length. Newcomers to the band can probably wait (or go back to Electric Storyland forthwith), but fans will definitely enjoy this, too. Recommended.

Posted by SAShepherd at 09:02 PM | Permalink | Comments (0)

San Francisco's The Sippy Cups have a new EP, One Day Soon, coming out today on iTunes, and to celebrate they've posted a video for the EP's most timely song, "The Day After Halloween." The song is a bit of a departure from a lot of Sippy Cups songs as it's pretty straightforward in its narrative structure. It's not a departure in that it has a not small amount of humor, and the accompanying video, about a kid who refuses to take off his ghost costume the next day, has got some amusing visuals.

7 + 5 = CANDY. Has that ghost been taking math lessons from my daughter?

The Sippy Cups - "The Day After Halloween"

Posted by SAShepherd at 12:43 PM | Permalink | Comments (0)

It's been a little while since I talked about the Bay Area's The Sippy Cups (last time: Austin Kiddie Limits 2007), but they announced last week that they'll be releasing an iTunes EP entitled One Day Soon, which will feature (among other things) a couple songs from their 2009 album The Time Machine. "More acoustic, intimate, and gentle," they promise, which makes it sound like it'll be a dead ringer for Nirvana's MTV Unplugged in New York.

Anyway, if you're looking for some more recent visual input regarding the band (they're a very visual band), you can check out this slideshow from Sippy Paul, which includes a lot of photos from their sojourn out East, including pictures with Joan Osborne.

Posted by SAShepherd at 08:21 AM | Permalink | Comments (0)

The "For the Kids" series was kids' music before kids' music was cool. Or at least really cool. Its first two compilations, released in 2002 and 2004, were earnest and enjoyable collections of, for the most part, adult artists tackling kid-friendly tunes. The first disk had a few more heavy hitters (Sarah McLachlan, Tom Waits), while the second had a bit more of an underdog feeling (Robyn Hitchcock, Nada Surf).

How, then, to describe this third installment, which will be released by Nettwerk tomorrow?

Well, let me put it this way -- it's the first kids' music compilation where I almost feel too old. Now, you might be thinking, "Ummm.... it's a CD of music for kids... you're supposed to feel too old." True, but in this case I'm talking about the bands -- some of them aren't in my core demographic.

For example, Of Montreal, who leads off the disk with "I Want To Have Fun," is a darling of the Pitchfork crowd, and while I don't say that pejoratively -- I'm a member of the Pitchfork crowd -- I also realize that the sub-crowd of parents who are members of the Pitchfork crowd is a small crowd indeed. So it matters little that, against my expectations, the song is pretty good, because I'm not sure the people in my child-rearing crowd (a considerably larger one) would care. Same goes for the Format, who turn in a slightly odd and operatic "Does Your Car Have a Mustache?" or Blitzen Trapper, who add the zippy "New Shoes" to the mix. Good bands, not quite in the my demographic.

One of the hallmarks of the series has been its relative lack of interest in musicians who make their living playing for kids, and that holds true even more here. Only one band, the Sippy Cups, get a slot here, and that's with a cover of a non-kids' song, "I'm a Believer." There are a few traditional songs on the CD -- O.A.R. do a brief reggae-tinged "Itsy Bitsy Spider" and while Steve Lee-compatriot Kyle Andrews and the Submariens turn in a peppy "Wheels on the Bus" and trip-hoppy "My Darling Clementine," respectively.

There are some other good tracks here (the awesome "See You on the Moon," from another compilation, by the Great Lake Swimmers; "James Taylor's "Jellyman Kelly," done appealingly raggedly by Mates of States), but there are three tracks here that are key for me. The first two are songs that are decent enough and will probably have everyone talking. Over the Rhine's "The Poopsmith Song" is a song that illustrates, in repeated detail, where one should and should not poop ("Not on your arm / not on your leg / not on your toast / not on the eggs"). The transgressionary nature of the Seussian tale (yes, I just used the phrase "transgressionary nature" in talking about kids music) might be too cute by half if I didn't hear kids (probably the bands' own kids) singing -- it probably was a song written to help them use the toilet. MC Lars' "The Lint Song" is another one of those "too cute by half" songs that's probably more amusing to the parents than the kids, but there will probably be some 8-year-old older siblings who find the rap about, well, lint the funniest thing ever.

And then, finally, there's the Barenaked Ladies. A band which, if I'm any indication, has probably almost fallen off the radar screens of many of the purchasers of this CD. Cassettes of Gordon lost, the CDs of Stunt simply disappeared as the band pursued other, more serious songs. After a listen to their previously-released (though new to me) rendition of the traditional "The Other Day I Met a Bear," I wondered aloud, "Why has this band not recorded a kids' CD?" The track is my favorite on the CD, which is saying something, considering "See You on the Moon" is on here, too. The tune (originally released on a Simple Life-branded collection, for goodness' sake!) is energetic and with the band sounding like they're having a ton of fun -- listen to them chant "Ten Feet!" with ever-increasing loudness. It may no longer be cool to listen or like the Barenaked Ladies, but this track is just too much fun to let those silly notions carry.

The songs here are most appropriate for kids ages 3 through 9. The 56-minute album, like its predecessors, will serve as a benefit in the US for the VH1 Save the Music Foundation. (In Canada it'll benefit the Sarah McLachlan Outreach Project.) You can check out the tracks at various internet retailers, and Blitzen Trapper's "New Shoes" here.

For the Kids Three! is a solid collection of songs for kids, songs for parents, and, well, songs for those somewhere in between. It doesn't always hit all the sweet spots at the same time, but everyone will find something to like here, especially given the collection's broad range of indie-rock styles. And for those of you who loved the first two compilations, but are wondering just who these bands are scattered amongst Moby and the Barenaked Ladies, I encourage you to take the plunge -- your kids might find a new favorite song, while you might find a new favorite band. Definitely recommended.

Posted by SAShepherd at 08:49 PM | Permalink | Comments (2)

OK. It's 11:15 AM Sunday, and I'm in the press tent. I am -- of course -- sweating like a really sweaty dog. The kid-band We Go To 11 start in about 15 minutes, and I'm probably about a 14-minute walk from the AKL stage, so, uh, I'm going to be brief. (Well, probably not, but briefer than I otherwise would be.)

Miss Mary Mack and I had a leisurely morning on Saturday. Since the Bummkinn Band and Jambo were playing the first two sets on Saturday and we'd seen 'em on Friday, we took a pass. (The fact that we'd be watching music until 9 PM thanks to the Family Music Meltdown also, uh, played a role in the decision here.) So we got to the Austin Kiddie Limits stage a little into the Sippy Cups' first set of the day.

The Sippys had the most impressive stage setup of the day. Banners on the side and bright day-glo costumes to rival Bjork's for long-distance visibility. The crowd was definitely bigger today than on Friday. Must be something about that whole school is on Friday thing. Their first set was mostly covers, finishing with their reworking of "I Wanna Be Sedated," changed into "I Wanna Be Elated." Can you call it a mosh pit if nobody's actually bouncing off one another, just bouncing up and down?

Continue reading "ACL Fest (Austin Kiddie Limits) 2007: Day 2 Report" »

Posted by SAShepherd at 09:13 AM | Permalink | Comments (0)

OK, you already know how great I think the DeSoto kids' comp Play is.

But Pitchfork reports today that Nettwerk, headquartered in Canada, and who've already released a couple decent kids music comps in their For The Kids series, is compiling a third installment, to be released October 2nd. The original Billboard.com article has the track listing, which would have to put it in competition with Play on the basis of the artist listing alone: Blitzen Trapper, Mates of State, Hem, Jolie Holland, and others. Of Montreal strikes me as either an inspired or an insane choice -- we shall see. The album nicks the Great Lake Swimmers' awesome "See You On the Moon," from the 2006 Paper Bag Records kids comp of the same name (that would be last year's Canadian kids comp).

These compilations have never really depended heavily on artists working primarily in the kids' music genre for material, and this edition is no exception. The sole kids' music group? The Sippy Cups, who lend their version of "I'm A Believer" off of their Kids Rock For Peas! for the CD.

Tracklisting after the jump. (Yeah, I'm gonna make you click. I'm so mean.)

Continue reading "Kids' Compilation of the Year Race Heats Up: For The Kids 3 To Be Released Oct. 2nd" »

Posted by SAShepherd at 02:27 PM | Permalink | Comments (1)

Another week, another piece of mine on Education.com. This time it's "Five Great Kids' CDs You've Probably Never Heard." Regular readers probably have heard all of these CDs (heck, a couple of the bands listed have been discussed here in the past couple weeks), but if your kids' music diet has been limited to intakes of Jack (the music show, not the bourbon), Disney, or NPR, or assorted award-giving sites, here are five CDs you should get to know ASAP. Go forth and enjoy.

Posted by SAShepherd at 12:54 PM | Permalink | Comments (0)

Word from the Sippy Cups that they'll be included in a feature on Neal Pollack on ABC's Nightline tonight (Thursday). Or maybe tomorrow. Watch the piece and be bombarded, I'm sure, with your quota of the phrase "hipster parent" for the month/year/lifetime.

Given that our son is currently enjoying waking up before 5 AM on a not-irregular basis and that, Luddites as we are, we don't have TiVo, I'm really hoping that videoplayer in the upper-right-hand corner will have this new segment on tomorrow.

Posted by SAShepherd at 12:49 PM | Permalink | Comments (0)

I'm not sure that Pink Floyd and Jimi Hendrix are the best artists to show off the future of kids music, but you blog with the YouTube video you have, not the YouTube video you need.

See what an intrigued parent chose to upload to YouTube after the break.

Continue reading "Sippy Cups / Daddy-A-Go-Go LIVE at SXSW" »

Posted by SAShepherd at 12:51 PM | Permalink | Comments (0)

The tentative showcase list for the 2007 South by Southwest Music Festival has been posted, and a brief perusal of the 1,300 (yes, you read that right) bands indicates at least 3 artists whose primary medium is kids' music: Daddy-A-Go-Go, Gustafer Yellowgold, and The Sippy Cups. The Sippy Cups' newsletter from Tuesday night indicated that they'd be headlining a free family concert at Auditorium Shores, so I wonder if the three bands are on a (pretty cool) triple bill...

Oh, and there might be a couple other bands in that list worth seeing.

Posted by SAShepherd at 07:22 AM | Permalink | Comments (0)

My grand plan to list a bunch of Christmas songs this December kinda fell apart under the typical rush of December activities, but I didn't want to forget the Sippy Cups' slightly-slowed down version of "Jingle Bell Rock," now available at their Myspace page.

(Thanks, by the way, to Gwyneth, who first pointed out the song at the Sippy Cups' own website. If you're not reading Gwyneth's site on a daily basis, you're missing out on some great roundups of news.)

Posted by SAShepherd at 01:41 PM | Permalink | Comments (0)

A tip of the hat to San Francisco's Sippy Cups, who got themselves a full-page article in the Los Angeles Times last week. It has a nice description of the spectacle of the Cups' stage show, which the band reports on its Myspace blog drew 750 people to LA's House of Blues.

All that in spite of the fact that their new bassist intrigued the band because he said he owned a cow suit. Or perhaps because of the fact that their new bassist intrigued the band because he said he owned a cow suit.

(For the unitiated, a review of the Electric Storyland CD here.)

Posted by SAShepherd at 05:28 PM | Permalink | Comments (0)

Sad about the closure of CBGB's? Have no fear, The Sippy Cups are here with Electric Storyland.

On their first album, 2005's Kids Rock For Peas, the San Francisco-based band took a bunch of '60s and '70s-era tunes (some famous, some less so), tweaked them as necessary to make them kid-friendly, and played them live in front of an appreciative audience of preschoolers, grade-schoolers, and their parents. Making the album and band more than just a one-off joke ("I Wanna Be Elated," get it? Ha!) was the band's energy, enthusiasm, and sense of humor (pitched at both kids and adults). What could have become very old very quickly was given fresh life.

Electric Storyland takes a slightly different approach, eschewing cover songs for a set of 14 original songs. But the album has every bit of the debut's energy, enthusiasm, and humor, with songs that draw inspiration from the '60s and '70s, but are definitely original. Take "Use Your Words," one of very few tracks that have anything remotely resembling a "message," about how articulating feelings rather than simply acting on them is a preferred way of dealing with frustration ("The world will be greater / If you use your words"). It's a fun, uptempo song that has the faintest echoes of, say, Steppenwolf's "Magic Carpet Ride." But most songs are content to paint pictures, such as the Jimi Hendrix-esque sounds of "Drinking From the Sky" or what I'm assuming is an early Floyd tribute (as indicated by the "Money"-esque clinking of change at song's start) in "How To Build A Dog." And lest you think the Cups are stuck in the music of 30 years ago, a couple songs (the excellent "Springtime Fantastic" and "Flower Tower") have hints of the Replacements and the Gin Blossoms and guitar power-pop less than 30 years old.

I can't think of too many downsides. The album did feel a bit long at 51 minutes, but that's a minor quibble -- the songs are all pretty good. I'm one of those people who doesn't like skits with my music, but the characters here (familiar to those who've heard the band's first two CDs, plus a new one, "Major Minor") are amusing and their skits brief.

The album is pitched at a slightly older crowd perhaps than the first CD, think ages 4 through 10. You can listen to sound clips and buy the album at its CDBaby page or at its iTunes page.

Electric Storyland is a strong step forward for The Sippy Cups -- it's a winning album retaining the spirit of music from 30 years ago or more but giving it its own youthful energy. Instead of bemoaning CBGB's demise, listen to the Sippy Cups. Definitely recommended.

Posted by SAShepherd at 08:00 AM | Permalink | Comments (0)

Well, it's not like Oct. 3rd isn't already busy enough as it is, CD-release-wise -- new stuff from Beck, the Decemberists, the Hold Steady, even the Killers (though their new album is getting absolutely miserable reviews). But, hey, even in the kids' music segment we got a new (sort of) Ralph's World. Not to mention a bunch of other stuff to look forward to.

So here we go:

Oct. 1: AudraRox - I Can Do It By Myself
Oct. 3: Ralph's World - Welcome To Ralph's World
Oct. 8: The Sippy Cups - Electric Storyland
Oct. 10: Gothic Archies (Stephin Merritt) - The Tragic Treasury: Songs from a Series of Unfortunate Events
Oct. 16: V/A - Colours Are Brighter
Oct. 17: V/A - New Orleans Playground (Putumayo)
Oct. 24: Wee Hairy Beasties (Jon Langford, Sally Timms, Kelly Hogan, Devil in a Woodpile) - Animal Crackers
Oct. 24: V/A - Old Town School of Folk Music Songbook Vol. 1

Posted by SAShepherd at 04:42 PM | Permalink | Comments (3)

While the old saw about the awfulness of British cuisine may no longer be valid, perhaps the new saw is the awfulness of British kids' music

Well, according to one Times of London writer, who bemoans the state of British kids' music, while lavishing very evasive praise on the new Belle and Sebastian-curated compilation Colours Are Brighter.

While I really don't like the goal of making sure he "can take pride in the songs [his] kids like," I love the idea of creating a "back-story" to certain non-kids' CDs to get them more interested in the albums. In addition to praising Elizabeth Mitchell fave Vashti Bunyan and giving a backhanded compliment to They Might Be Giants, he also puts The Sippy Cups on his Small Ages-esque mixtape for kids.

Oh, and dude, "Furry Happy Monsters" is right here.

I should also note that the Colours Are Brighter website is now offering a free "Go Go Ninja Dinosaur" mp3 along with a "Jackie Jackson" game (which proves to me how old I am, 'cause I failed miserably at it).

Posted by SAShepherd at 09:21 PM | Permalink | Comments (0)

Review: A Play in One Act
With three characters: Dude 1, Dude 2, and Mr. Roommate:

Dude 1: Whoa, dude, that Sippy Cups song is deep!
Dude 2: Totally, dude!
Dude 1: I mean, it's about, like, life.
Dude 2: Totally.
Dude 1: It's like... a... uh... simile!
Dude 2: Simile? It is so not a simile, dude.
Dude 1: No, dude?
Dude 2: No, dude. It's a metaphor.
Dude 1: I'm not sure I agree with you, there, dude
Dude 2: Why not?
Dude 1: Well, look, there's this song, and it's about "Magic Toast," right?
Dude 2: Right.
Dude 1: And it sounds just like the Mamas and the Papas, maybe, or some psychedelic band from the late '60s, right?
Dude 2: Right.
Dude 1: So when they're talking about the magic toast and how it gives the boy a "lift," they're clearly making the analogy that breakfast is like life. And the toast is, you know...
Dude 2: Yeah, but what you're describing is a metaphor, dude. They're not using the word "like" or anything.
Dude 1: Hey, what you know about grammar, dude, could fit inside my...

Dude 1's Roommate, dressed as always in suit and tie, walks into the room.

Roommate: Oh, it's you again... dude.
Dude 2: Hey, man, what's your problem? You're always bringin' me down!
Roommate: Well, every time I come home from... what's that place called... oh, yeah, work, you two guys are sitting here eating grilled cheese sandwiches and having these abstract philosophical discussions.
Dude 1: We were not!
Roommate: Oh, really?
Dude 2: Yeah! We were having an abstract grammatical discussion.
Roommate: I don't believe it. What were you guys discussing?

Dude 1 explains the crux of the dilemma.

Roommate: Much as it pains me to say it, dude, your friend is correct. A simile is a figure of speech that expresses a resemblance between things of different kinds and is usually formed with "like" or "as." A metaphor, on the other hand, is a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity.
Dude 1: Ah. Righteous, dude. You bring clarity.
Roommate: What I can't figure out is why you're spending the evening listening -- repeatedly -- to an album that is targeted to kids aged 2 through 7. I know, I know, it's appealing to a lot of adults, and the band's from San Francisco, but "Magic Toast" is neither simile nor metaphor... it's about TOAST! And while that song is OK (I confess to a weakness for the kazoos) and the "Snail Song" has a pretty awesome power pop finale, that's all the EP is. Two original tracks with the other two tracks just being the first two tracks overlaid with spoken word narrative.
Dude 2: Dude, you're just cheap.
Roommate: Uhhh... maybe you're right. Pass the grilled cheese sandwiches.
Dudes 1 and 2: Right on, dude.

Posted by SAShepherd at 11:13 PM | Permalink | Comments (0)

How best to describe the San Francisco-based The Sippy Cups? Perhaps they're what would happen if your favorite '70s cover band decided they just wanted to play for preschoolers. And added puppets and jugglers. On their 2005 debut album Kids Rock For Peas!, the seven-member ensemble (recorded live at the Rickshaw Stop in San Francisco) cover a wide range of '60s and '70s songs on the 47-minute disc, from the Beatles ("Dear Prudence") to the Velvet Underground ("Who Loves the Sun") to the Ramones, mostly ("I Wanna Be Elated"). You might ask, you know, those are pretty darn good songs -- in the original -- why in the world would I want to buy cover versions? Well, not that the Sippy Cups' versions are better than the originals, but the vigorous renditions of the songs and the occasional alterations to make them child-friendly (or child-friendlier) give them value in their own right. (They single-handedly rescue War's "Low Rider" from the clutches of beer commercials and "Jungle Boogie" from the clutches of Quentin Tarantino.) If the occasional song seems out-of-place ("Bennie and the Jets") or the live banter just slows the pace down, that's the risk one takes with a live package. (The presence of "Super Guy" will probably bring a smile to the parents' faces.) The songs are probably best for kids ages 2 through 6, though obviously any album covering the Beatles, Rolling Stones, and Neil Diamond will probably find fans whose ages reached double-digits long ago. You can check out some video clips here. Recommended, unless for some weird reason you think Lennon/McCartney (or, er, McCartney/Lennon) wasn't that great of a song-writing duo.

Posted by SAShepherd at 11:24 PM | Permalink | Comments (0)