Zooglobble

Although the Baltimore band Milkshake has always claimed to have a bit of an edge, I've never really heard it in their music. Maybe their music, shiny guitars and all, retained a bit of alternative rock, but their lyrics have been safe, safe, safe. Which is fine for some families, but I know others would find the band too sentimental for their tastes.

With that context, when I say that on their latest album Great Day the band roughs things up a bit, I mean that as a compliment. Some of the roughing up comes courtesy of the sound. It's still got a gleaming pop sound, but there's more depth this go-round. From the funky piano on "Statue of Me" to Cathy Fink guesting on banjo on "When I'm Old" (Marcy Marxer pops up on "Travel Far") to the "Day in the Life"-aping title track which ends the disk and everywhere in better, there's a bit of scruffiness to the sound and a little more stylistic diversity. Is that the doing of producer Tor Hyams? Who knows, but the band's got six members, and they're beginning to use that to their advantage.

More significantly, I think, the band's now tackling some more difficult territory. The album's best track, "Enemies," one of my favorite kids songs of the year, captures the weird feeling of occasionally getting really mad at your best friend while sounding a bit like a cover of some lost kids song from the Police. "Happy Place" talks about days that are anything but happy. There are still points where I think Milkshake retreats to safety lyrically ("Happy Place" includes the couplet "Reach out and hit somebody / But I can't cause that would be naughty") and your opinion (and that of your kids) will depend on whether you (and they) find comfort in that safety or dismiss it. But I'm glad that Lisa Mathews (who writes or co-writes every song here) is willing to explore emotions and situations that kids who might actually be in double-digits would find familiar.

The 37-minute album is most appropriate for kids ages 5 through 10. You can hear 5 of the songs (including "Happy Place" and "Enemies") here. Great Day has some of the band's strongest songwriting and the band sounds better than ever. While I think some families may still find the band too earnest, I think this album shrinks that population considerably. Recommended.

Posted by SAShepherd at 09:06 PM | Permalink | Comments (2)

So I've talked a lot about Austin Kiddie Limits and the 2009 Austin City Limits Music Festival generally. (Need proof? Here's Day 1, part 1, Day 1, part 2, Day 2, and Day 3.)

I thought I'd wrap up my coverage with a few final thoughts and suggestions for improvement about the AKL stage, plus add a few pictures.

1. The revised stage configuration of this year's AKL stage was an improvement. Less sound bleeding from the Xbox 360 stage next door meant that the AKL artists were never drowned out. Yay! And maybe it was just my imagination (or possibly the cooler weather), but the new layout seemed blessed with more shade.

2. It's still too loud between sets. Lord knows we're big fans of Romeo and his BBoy City crew (quite possibly Miss Mary Mack's favorite part of the festival this year), but they're forced to crank the volume to a point that it drives all the families away from the stage. Perhaps next year they can swap the dance stage and the pottery/kefia tents so that it's pretty close to the stage and the volume can be reduced.

3. There are probably points where the sound on the AKL stage during sets can be reduced -- I could hear 23 Skidoo's set close to half a mile away as we were crossing Lady Bird Lake.

4. Moving on to the weather -- I will gladly take a chance of (or actual) rain in return for cooler weather. I'm so glad that the festival's been gradually pushed back into October and am happy to see it further pushed back to the second week of October (Oct. 8-10, 2010) next year.

5. The guest sets have been really cool, and I'd love to see them used even more to drive families to see bands they wouldn't have seen otherwise. That was the case for me with K'Naan on Friday. I also got a chance to meet Ben Sollee backstage briefly on Sunday before heading back to Arizona, and based on this clip of Sollee covering "Wild World" later that day, I have a feeling that if I'd seen him at the AKL stage playing his cello, I'd have been sure to see him later that day on a bigger stage. (Though it should be noted, I did see him playing with Abigail Washburn the year before.)

6. The fact that the AKL stage hosted both K'Naan and Ben Sollee, both Mr. Leebot and Secret Agent 23 Skidoo, speaks to the fact that the stage can handle a fair amount of diversity, which is somewhat reflective of the ACL Festival as a whole. There's obviously only so much diversity you can have when you've got just 8-10 acts playing a set or two, but I encourage Tor to continue mixing it up as much as possible.

7. Can these festivals really be done with families? Well, it's definitely hard work, but if you're willing to sacrifice some of your own needs (sorry, Karen O, maybe next time), you can definitely see a lot. I'm conflicted because I have to balance my own musical tastes with that of my kids with my need to cover the festival (and the AKL stage in particular) on the press pass with the fact that my family lives in Austin and I want to see them, too. Sometimes I felt like I did none of those things well. But the AKL stage is situated about as well as it can be to serve as a base station for families exploring the festival. (And, hey, there's always babysitters.)

8. Finally, thanks to everyone at C3, particularly Tor, for making the AKL stage (and the press area) run so smoothly. Hope everyone reading got a good sense of the weekend of fun... Pictures after the jump...

Continue reading "Austin Kiddie Limits (ACL Fest) 2009: Final Thoughts" »

Posted by SAShepherd at 08:58 PM | Permalink | Comments (2)

I know, I know -- I was so diligent about posting my thoughts about Day 1 of the Austin City Limits Festival 2009 (or at least the Austin Kiddie Limits portion thereof).

And now it's a full 48 hours later after Saturday's Day 2 mudfest, and I still haven't posted my thoughts. So let's get moving, eh?

We did get an earlier start on Saturday morning, and found a parking spot fairly quickly, but even so, we pretty much only caught the last 2 songs of Mr. Leebot's AKL debut. Lee was energetic, trying to get the rained-upon crowd moving.

Did I forget to mention it was raining? That it rained for, oh, most of Saturday? That I would still prefer my music festivals rainy and cool than hot and dry? Well, I would.

Mr. Leebot - "Robot Dance"

As I noted to Lee later that weekend, although it was raining for his set, nobody was flinging mud at him a la Green Day circa Woodstock '94.

Then it was time to get lunch, so we moved out to the Food Court (mmmm... cones from Hudson's on the Bend) and, desirous to get out of the rain, after we ate we went to the Wildflower Center stage, which besides having a really good set of artists has a solid roof. We enjoyed 30 minutes of a (not literally) roof-raising set from the Gospel group the Soul Stirrers (Sam Cooke's old band), then made our way back to the AKL stage.

Walking back to the AKL stage from behind the stage, you would have been forgiven if you thought that it was a guest artist set. The music from Quinn Sullivan did not sound like it should be coming from someone who could have gotten in free with a paying adult. Not kids music, but pretty amazing. Packed crowd, and when Sullivan said, "This was cool -- I hope I get to do this next year," I'm sure I'm not the only one who thought, "Yeah, on one of the other, bigger stages."

Then we stuck around for Secret Agent 23 Skidoo, who I was eager to see. Skidoo brought a full compliment for the show including his daughter Saki, performing on stage and not fazed in the least by the crowd out there. Good set, though I'm wondering if maybe the bass was a bit loud -- as we left after the set early so that my wife and the kids could go home early with the Official Brother of Zooglobble, we could hear "Gotta Be Me"... from about a third of a mile away.

Secret Agent 23 Skidoo - "I Like Fruit"

Secret Agent 23 Skidoo - "Sleepover"

After I came back across the bridge after dropping off my family with my brother, I was hoping to see more, but Lunch Money's set had started late, and between that and the rain, traipsing off throughout the rest of the festival seemed more of a pain than was worthwhile considering I had to leave shortly for another engagement.

Lunch Money worked harder than probably any other band at working through the "this is what you do in this song to be interactive" motions. Here they solicited foods that did the kids wrong, right, and had never been tried. You sort of take for granted that people know how to act at concerts, but those are learned traits, and it's just as important to learn the rock show rules of the road than the children's theatre rules of the road.

Lunch Money - "Ate Too Much of My Favorite Food"

If I have one regret from the Lunch Money sets it's that I didn't hear them play many of their quieter songs. Having said that, live, the band rocks harder than on record. Watch out Rush, the band's looking to claim your power trio crown.

Sad to have missed Milkshake's second set (though I did hear a song as I dashed back at one point to collect our stuff) and Ralph's World first set. Not to worry, though, Ralph was playing Sunday....

Posted by SAShepherd at 08:56 PM | Permalink | Comments (4)

Day 1 of the 2009 Austin City Limits Music Festival is in the books, and what did we learn? Apparently leaving a little later, great weather, and threats of rain for the rest of the weekend makes parking in downtown Austin a lot harder to find. As opposed to getting downtown around 11 AM, we got there around 12:30 PM, and it took us a good 20 minutes to find parking. By the time we actually found a spot, walked to Republic Park, took the shuttle, got our wristbands, and found our bearings in the media tent, it was 2:00 PM. So, sorry, Stoosh! Our bad, Paul Green School of Rock All Stars (I've seen you plenty, though)! And really sorry to have missed The Telephone Company. Maybe Sunday, guys!

But even with missing half of Friday's Austin Kiddie Limits stage, we still had a good time. They've changed the layout this year, so that the stage is on the east end of the area, facing (north)west, and the whole layout seems shadier. Or maybe it was just the 74-degree weather. Anyway, we got there in plenty of time to see Milkshake take the stage. They put on a good 25-minute-or-so set, mostly stuff from their new album Great Day, along with some older material.

One of the things I like about AKL (and ACL in general) is that artists do feel the need to step up their game a bit. So I don't know if Milkshake normally brings a couple dozen inflatable baseball beach balls for "Baseball" (they probably do), or if the band brings graying wigs for "When I'm Old," but it just shows the band's trying. Also, Milkshake in particular, with six folks in the band, sounds good live on stage. Kids on the ground seemed to enjoy it.

Milkshake - "When I'm Old" (Live)

Milkshake - "Enemies" (Live)

After Milkshake was a brief set from K'naan, which I couldn't pay full attention to because I was shuttling Little Boy Blue from activity to activity (including green punk hairdo), but I really liked.

K'naan - "Take a Minute" (Live) (for what it's worth, there were a fair number of kids, despite what the uploader says)

Then Lunch Money. It's OK, guys, you do indeed rock. Lots of dancing and a good-sized crowd (for AKL, anyway). They're also getting really good at incorporating crowd participation into their songs. Here's a new(-ish) song, with a couple more familiar ones to follow:

Lunch Money - "Spicy Kids" (Live)

Lunch Money - "Are You a Rabbit?" (Live)

Lunch Money - "Roller Coaster" (Live)

OK, there's more to talk about, but it's time to head back to Zilker Park before the skies open up.

Posted by SAShepherd at 08:03 AM | Permalink | Comments (2)

You know, I had this cover for Great Day, the upcoming album from Baltimore-based band Milkshake, but didn't yet have the tracklisting. On the other hand, I've had My Trampoline, the next album from Peter Himmelman, for awhile now (for a few more details from six months ago, go here). Neither item by itself was probably sufficient for a post. (I do have standards, you know, hard as that may be to believe sometimes.) But I've found the link, folks.

Both albums are coming out on August 25. See? That justifies this, right?

Oh, anyway, the tracklisting for My Trampoline and some other intriguing Himmelman-related news after the jump.

Continue reading "Peter Himmelman and Milkshake Team Up, Sort Of." »

Posted by SAShepherd at 04:51 PM | Permalink | Comments (0)

It's been awhile since the 2007 release of Play! the last full-length from Baltimore band Milkshake. Which isn't to say they haven't been keeping busy doing various things (I, for one, was amused by the Milkshake comic book they put out), but, y'know, living on the other side of the country as I do, I tend to be less interested in the live shows.

But in their latest newsletter the band says they've been "hard at work writing and rehearsing as we prepare to record our fourth CD next month." They say that the CD will focus on and by "inspired by all kinds of things 6 - 9 year-old kids might find themselves thinking about." Most intriguingly is the news that the CD will be produced by music veteran Tor Hyams. The selection of Hyams, who we recently noted was working on producing the Paul Green School of Rock album promises to give the release a little bit of an edge. Although the band has many charms, few would accuse them of being particularly far along the "edgy" spectrum.

For those of you interested in one of their songs for the under-6 crowd, here's what might be my favorite video off their Screen Play DVD:

Continue reading "New Milkshake Album Will Arrive. Once They Start Working On It." »

Posted by SAShepherd at 09:07 PM | Permalink | Comments (0)

Over the course of its two previous albums, the Baltimore-based band Milkshake has been content to mine a poppier seam of kids' music. While I wouldn't call them sentimental, their songs are usually sunny and optimistic -- there's little mischieviousness in their songs (at least lyrically.

On their third album Play!, released this week, Milkshake doesn't veer much from the approach on their previous albums, but does simultaneously broaden their musical palette while narrowing the topical scope a little bit. Play! is, loosely defined, a concept album about the different ways kids play. From the opening track "We've Got a Band" (playing musical instruments) to the '80s power-poppy title track, Mikel Gehl and Lisa Matthews sing about the fun of play. There are songs about make-believe play (the Beatlesque "Imagination Nation," "Pirates," "Home on the Rang") to go along with songs about playing sports ("Bowling with You," or "Baseball," with a Cal Ripkin cameo). What saves the lyrics from being cloying to adult ears is the specificity -- it's one thing to sing about how much fun it is to spend time with your family, it's another thing entirely to make that song about bowling. It grounds the song in a reality that, while it might not apply to your family, is certainly relatable.

Musically, Milkshake adds a few nice touches to their pop-rock approach. The Bacharach horns on "Okay to be Different," for example, or the sea chanty of "Pirates." While Milkshake's version of going wild ("Go Wild") is, well, more mild than wild, they don't completely abandon the rock -- the closing cut "My Best Friend," is a snappy slice of power-pop that starts at about 60 miles an hour, never lets up, and wraps up in less than 2 minutes. (In fact, I really like the last 5 tracks.)

I think the album's geared right at kids ages 4 through 8. You can hear samples of the tracks at the album's CD Baby page or hear full tracks at the band's homepage.

Milkshake is not everyone's cup of tea -- they're writing happy pop songs for happy kids. But they do this better than most of the kids' bands out there and Play! is their best album yet. Recommended, especially if you've enjoyed their other CDs.

Posted by SAShepherd at 08:02 PM | Permalink | Comments (1)

As we slide into November and December, the number of new releases is typically scaled back because there's, like, a bajillion different things going on. Setting aside the daylight-to-task ratio, which is at its lowest point of the year, who wants to compete against the hundreds, nay, thousands of Christmas-related CDs flooding the market? ("On the first day of Christmas / My auntie gave to me / A Christmas album from Kenny G.")

Having said that, there are a few releases coming out here over the next couple months:

Nov. 7: All Together Now - V/A (a Beatles covers album with a kids' chorus)
Nov. 14: Play! - Milkshake
Nov. 14: We Wanna Rock - Thaddeus Rex
Nov. ??: Hey You Kids! - The Jellydots
Dec. 5: Asian Dreamland - V/A (Putumayo)
Dec. ??: Ernie & Neal - Rock the House

Which of these should be on your gift list for the winter-based gift-giving holiday of your choice (or on the purchase list of your favorite local library)? Tune in... find out...

Posted by SAShepherd at 05:33 PM | Permalink | Comments (2)

It's late, and thanks to a monsoon thunderstorm wreaking havoc with the internet connection, it's later than I wanted this to be, so I'll be brief...

First, I have two posts coming up early this week that I'm very excited about. One involves virtually no work on my part (no, that's not why I'm excited about it) and is a sequel of sorts to a prior post. The other involves quite a bit of work on my part and, well, I don't want to spoil it. Just don't miss it.

Second, I wanted to make sure I highlighted some stuff around the web I've been meaning to link to...
1. Reader Gwyneth has started a Kids in Atlanta website highlighting kids-related musical events in Atlanta. It's very thorough, and I think it's a great example of what people can do to make it easy for the public to find out about kids' musicians.
2. Reader Suzanne (I thiiiiink) Gwyneth also is now operating a "Live365" radio station entitled "Gooney Bird Radio" , playing some artists familiar to this website, along with the occasional foreign language and poetry.
3. Thanks to The Lovely Mrs. Davis, who mentioned this site to Christopher Noxon, author of Rejuvenile and its associated blog, and thanks to Noxon for noticing. (Go back to the old site, and you can find the reviews for Gwendolyn and the Good Time Gang and Captain Bogg and Salty, both of which draw mention in Noxon's book. They'll get posted here soon, too. Really.) You can read Mrs. Davis' review of the book here.

And finally, thanks to both Charity and the JAMband and Joe McDermott, who both linked here recently. McDermott, incidentally, just won the Children's section of the John Lennon Songwriting Contest for "Great Big World" (no, not the Hoodwinked version) and will have a new album coming out soon.

OK, and really finally, Milkshake and Rebecca Frezza videos for PBS Kids here.

There. That oughta hold ya. Come back soon, though, I promise it'll be worth it.

Posted by SAShepherd at 10:03 PM | Permalink | Comments (2)

Go ahead, Jamarama Live. Tour the East Coast. See if I care. Tour with Buck Howdy, Ralph's World, Milkshake. (Oh, and LazyTown and a whole of bunch weird characters that I'm sure I would recognize if we had cable.) Ignore us fine folks in Phoenix. Fifth Largest City in America. Hmph.

Posted by SAShepherd at 11:23 AM | Permalink | Comments (0)

... don't mean they're not after you.

Or, as Nirvana might say, had they turned their attention to a kids' music blog instead, just because information is in a ever-so-slightly-over-hyped press release or newsletter, doesn't mean that it's not actually news.

Here, then, some recent PR news. For each artist, you decide which statements are true and which are false.

Justin Roberts: With a spiffy new website (including the Willy Was a Whale video from Noggin), why wouldn't the Today invite him and the Not Ready for Naptime Players to play on Aug. 22nd? (That's, uh, tomorrow!) Katie Couric's coming back just to see him!

Laurie Berkner: With a spiffy new website (not including the Willy Was a Whale video from Noggin), why wouldn't Good Morning America invite her and the Band to play on Aug. 26th? (That's, uh, Saturday!). And she's going to be on the Fisher Price float in Macy's Thanksgiving Day Parade. And there's going to be a 65-foot inflatable Laurie in the parade, too!

Milkshake: Will be seen on PBS Kids and Discovery World ("ToddWorld") with new videos and new music. They will also be appearing on C-SPAN2 providing musical commentary on U.S. Senate coverage.

Rebecca Frezza and Big Truck: Will also be appearing on PBS KIDS with new videos. Christopher Walken will appear in their next video.

(C'mon, I'd pay to see Christopher Walken in a video for "It Wasn't Me!")

Posted by SAShepherd at 07:48 PM | Permalink | Comments (0)

I skipped July, didn't I? Slacker. Well, it would've been a short list (at the time, anyway). But August? August is shaping up as a little more crowded...

August 1: Go Baby Go - Baby Loves Jazz (Various Artists)
August 1: If I Could Be... - Meredith Brooks
August 8: A World of Music - Toucan Jam
August 8: What's Eatin' Yosi? - Yosi (national release)
August 22: Marvelous Day - Stevesongs (re-release on Rounder Records -- say that three times fast)
August 29: You Are My Little Bird - Elizabeth Mitchell (on Smithsonian Folkways)

But wait, there's more!

September will see the release of new stuff from Trout Fishing in America and ScribbleMonster (maybe).

And then there's October, October 3rd in particular, which is shaping up to be a very crowded release date. The third album from Milkshake, Play. [Edit: I've been told the album may come out just a leeeetle bit later.] The third album from The Sippy Cups, which has, hands-down, the best kids' music album name of the year, Electric Storyland. And the DVD/CD release from Ralph's World, Welcome to Ralph's World. Actually, I've seen that listed on various e-tailers' sites as both 10/3 and 10/10, so it could be either. We shall see...

Posted by SAShepherd at 11:48 AM | Permalink | Comments (0)

In the off-chance you're home today (or your TiVo has been taken over by your kids), you can see 3 new videos by the kids' music band Milkshake on PBS today. For more details, see this press release or, as I think they still say, check your local listings.

Posted by SAShepherd at 07:29 AM | Permalink | Comments (0)

Welcome to those of you finding us because of the Salon article on "kindie rockers". (Welcome also, as always, to people looking for downloads of and lyrics to "Great Big World," from Hoodwinked. I still can't help you with those, despite your insistent pleas.) Thanks, Salon, for the link, and for posting some fabulous mp3s from said rockers. (Scott Lamb's article is worth sitting through the Honda ad non-subscribers will have to watch in order to read the article -- it's a nice summing up of the current state of kids' music.)

If you're new to the site, I encourage you to look around -- links to other kids'-music-related blogs as well as to every full album review (including Justin Roberts, Dan Zanes, Laurie Berkner, and Milkshake) can be found on the right. If you're wondering what to get that 4-year-old nephew for his birthday, check out my page of album recommendations by age. I treat kids' music the way any parent who really likes music would -- with my own set of interests but with an understanding that perhaps not every song off Spoon's Gimme Fiction is going to appeal to my 5-year-old (let alone my 1-year-old).

There's so much great kids' music being made, and not just by the rockers mentioned in the article who have made their way to kids' TV screens. Dig in -- you're bound to find something you and the kids in your life will really like.

Saturday AM edit: You know, I could actually help readers "dig in" if I specifically mentioned a few artists and albums that readers might not be familiar with if they're only sticking to the TV/Noggin crowd. No disrespect meant to the Noggin crowd -- Zanes, Roberts, and TMBG, in particular, are all among my favorites kids' artists -- but these four albums are tremendous, too.
Silly Reflection, by Lunch Money (review)
If You Ever See An Owl, by the Terrible Twos (review)
Fascinating Creatures, by Francis England (review)
Gustafer Yellowgold's Wide Wild World DVD, by Morgan Taylor (review)

Posted by SAShepherd at 11:27 PM | Permalink | Comments (0)

This week: Baseball, handclaps, mandolins, and parental philosophies. In song! (Dan Zanes only in passing.) Come back and see what I mean.

Also, those Milkshake music videos on PBS Friday? They're now available here. Musically, they sound like typical Milkshake (pop-rock, more pop than rock). Lyrically, they're pretty prescriptive (as one would expect for an Earth-Day-related song). Visually, there's lots of kids and the presence of your favorite (or not) PBS characters. Of the three songs, I think "Washing Machine" is the best...

Posted by SAShepherd at 06:32 AM | Permalink | Comments (0)

We cover the waterfront here at Zooglobble, news-wise. There is no expiration date for news here -- a week old, a year old -- if I haven't seen it before, I'm willing to pass it on.

I'm especially happy with these two bits of information, because they involve bands/artists in which women play major roles. My wife is happy, too -- upon hearing recently that we'd soon be getting a female-fronted CD -- she said, "About time!" (Or words to that effect.) Guess our female children's artists' section needs beefing up.

Aaaaanyway, the first bit of news comes from PBS Kids, which announces its Earth Day broadcast plans, including:

"the world premiere of three Earth Day-themed music videos from Milkshake, the
award-winning kids' rock band fronted by Lisa Mathews and Mikel Gehl that has
captured the ears – and the hearts - of kids and parents alike. The music
videos, which focus on taking care of the Earth and keeping it clean, were
written exclusively for PBS KIDS Share the Earth Day."

The second bit of news comes from an old article recently posted (and written) by John Mitchell about an Elizabeth Mitchell concert in June 2005. The whole article is a nice piece on Mitchell (Elizabeth, not John), but I'm particularly interested in the information below (emphasis added):

"Mitchell went on to release two more CDs, one with Lisa Loeb, and is now
working on another one. She has begun writing songs specifically for children,
but remains committed to unearthing lost musical treasures."

Posted by SAShepherd at 06:22 AM | Permalink | Comments (0)

Clea's post on attending Jamarama over the weekend reminded me of something I wanted to do...

I've received a fair amount of website hits from people looking for Jamarama Live reviews. So I decided to see what I could find for myself. And the answer was clear: the reason I'm getting all these hits is because there really aren't any reviews out there.

So rather than rail on the mainstream media, I went to the real power, people! The BLOGS, man!

Jamarama Reviews Out The Wazoo(s) (West Coast Edition)

Small Ages: The good (Dan Zanes), the not-so-good (Milkshake), and the ugly (the Ohmies) (this past weekend...)
Buzzville: See above. Also, apparently Dan signs T-shirts! (Santa Barbara)
Winters on the web: "It was sweet and treacly and nauseating. 70 minutes of my life I will never get back but worth it to see my son happy!" So at least we know it's 70 minutes long. (Santa Barbara)
Gavin: All you ever wanted to know about sound for the show. And it wasn't that crowded. (Long Beach)

Posted by SAShepherd at 09:55 PM | Permalink | Comments (0)

Children's artists can walk a fine line between sweet and sappy. Childhood is full of wonder, and trying to convey that can lead musicians into mushy-headedness.

For the most part, Milkshake avoids the Head of Mushy on their second album, Bottle of Sunshine. Milkshake, a duo from Baltimore, has two strong assets -- the sweet vocals of Lisa Mathews and the melodic and occasionally crunchy guitars of Mikel Gehl. Backed by a full band, Bottle contains a broad variety of children's pop, uptempo and down-, that does a good job of showcasing those assets.

The best songs on the album are the ones that stay away from mushiness. "Woo-woo" is a fun pop song leavened with humor about playing underwater ("If you find lost treasure on the ocean floor / please bring it back up to me.") "Boom Boom" is a country-tinged tune about dancing. And while "Book of Dreams" is a sweet pop song, elegantly produced, "Sleepytown" is a simple album-closer. (Is there some sort of union rule requiring closing a kids' music album with a slow, sleep-related song? Just wondering out loud here.)

As someone whose tolerance for mushy is perhaps lower than many, some tunes don't work as well for me. While I liked "Book of Dreams," "One Wish" reached too hard for the sense of wonder for my tastes and was fairly bland. And while I'm not against namechecking one's own band in song, which Milkshake does twice here, it has to be really catchy (paging Morningwood to the review, paging Morningwood to the review), which isn't quite the case here. (Still, I could see those two songs being fun for preschoolers in concert.)

The album is best for kids age 3 through 7. It's available at the usual online suspects. While I recommend the album, if you like me have a low tolerance for mushy, you may want to listen to some samples online before committing to the CD.

Posted by SAShepherd at 10:02 PM | Permalink | Comments (0)