Itty-Bitty Review: If We Must We Must - The Good Ms. Padgett


As kindie music families go, the Littletons are talented.  There's Daniel Littleton, an integral part of You Are My Flower, AKA Elizabeth Mitchell (Littleton's wife), not to mention their daughter Storey, who also appears on their albums.  There's also Daniel's brother Miggy, an integral part of The Good Ms. Padgett along with Anna Padgett (Littleton's partner) and 7-year-old daughter Penelope Littleton.

Of course, in both cases, the women are the ones in front singing and writing the songs.  And on The Good Ms. Padgett's third album If We Must We Must, Padgett takes a page out her sister-in-law's playbook by mixing in some choice covers amidst her originals.  Compared to the folksier and often hushed Mitchell, however, Padgett cranks up the volume, if not to 11, at least to 8 or 9 on a few tracks.  It's hard to go wrong with Jonathan Richman, and her take on his "Hey There Little Insect" is nicely crunchy.  "Mommy's Lips," a reimagined version of the Vaselines' "Molly's Lips" (made famous via a Nirvana cover), is sweet and swirly and indie-poppy.  Padgett's originals can be roughly divided into two camps -- rocking songs like the title track and "Tattle to the Turtle" that tend to have a lesson to share, and mellower songs like "Beach House" and "I Love Your Heart" that tend toward the more atmospheric and simple.  I tend to prefer the latter, but the energetic and organic sound of the band (which also includes Daniel Littleton on a number of instruments, Elizabeth Mitchell on vocals and "poncho coordination," Jean Cook on violin, and Tara Jane O'Neil on "ecstatic tambourine") makes those tracks listenable for far longer than those types of "teaching" songs usually are.  (Side note: LOVE the cover, designed by Tae Won Yu.)

You can stream the 33-minute album, most appropriate for kids ages 3 through 6, here.    If I had to choose between the two bands, I'd still pick You Are My Flower (hey, we've been listening for more than a decade), but If We Must We Must is The Good Ms. Padgett's best album yet, and it stands up entirely on its own.  Recommended.

Review: Sing As We Go! - Charlie Hope


Singer-songwriting Charlie Hope has a bright, clear voice that appeals to many ears.  In attitude, temperament, and vocal quality, I've previously compared her to Raffi, and I think the analogy still holds.

On her recent release, Sing As We Go!, Hope continues with the formula that has won her fans on both sides of the Canadian-United States border.  Take a batch traditional songs, mix in a handful of poppy folk originals, add a dash of kindie royalty, and stir.  Hope's voice and producer Dean Jones' unfussy musical choices give a fresh spin to the traditionals.  A simple touch like the toy piano on the old camp chestnut "I Love the Mountains" helps give the song new life to the adult listener who may have heard the song more times than they probably should.  While some of the titles like "When the Ice Worm Nests Again" and "Little Rooster" might not sound familiar, the melodies probably will, with Hope occasionally writing some new lyrics for the songs.

The originals here are lovely -- from the lost '70s AM-radio tune "With You" (co-written and performed by Hope and Gustafer Yellowgold's Morgan Taylor) to Jones' "Harmony" (a duet between Hope and Elizabeth Mitchell) and Hope's own gentle ode to the parent-child bond "From You" -- and feel just as timeless as the actual classics they're next to.  (And speaking of kindie royalty, Molly Ledford, Randy Kaplan, and Chris Ballew aka Caspar Babypants also appear on the album.)

The album is most appropriate for kids ages 3 through 7.  You can listen to extended clips from each song on the album here.  Also, I happen to find the album art here particularly delightful, an artful mix of hand-drawn, computer-drawn, and knitted illustration from Zooglobble favorite Charlotte Blacker.

I first listened to this album months ago, set it aside as real life took over, and when I came back to it recently in preparation for writing this review, I was struck by just how delightful this is.  It's traditional but not musty, sweet but not cloying, engaging but not pandering.  It's a gem of an album, definitely worthy of a comparison to Raffi.  Highly recommended.

My Favorite Kids Music Videos of 2013

It's been a couple years since I last tackled the kids music video world.  After years of organizing KidVid Tournaments, I think I just needed a break.  Plus I was organizing a talk on great kids music videos and my video curation energies went there last spring.

That doesn't mean, however, that I've lost interest in finding great videos to share with your family, friends, and strangers in line at the grocery store.  In fact, I went back and looked -- across the site, I featured nearly 100 new videos.

It's a new year now and with that I have a little extra energy to give you a brand new list -- my favorite kids music videos of 2013 (-ish).  Let's define the video year as I have in the past -- new videos featured on the site between March 1 of the prior year and February 28 of the current year.  (So, March 1, 2013 through February 1, 2014.)  Let's also say only one video per artist (though there were a handful of artists I considered breaking that rule for).  As always, I'm interested in visual creativity, a decent level of post-production values (which doesn't necessarily mean expensive), and a really good song.

PS: Miss the KidVid Tournament?  Then I might just have something up my sleeve for you.  Stay tuned.

Without further ado, then, in alphabetical order by artist, my 25 favorite kids music videos of 2013.  Whether this is the first time you've seen some or all of these, or the tenth, please enjoy.

"Similes and Metaphors" - The Bazillions

"Stump Hotel" - Caspar Babypants

"Thingamajig" - Lucky Diaz and the Family Jam Band

(Oddly enough, removed from YouTube for violating its Terms of Service.  I've had similar problems with YouTube regarding videos I've had specific permission to upload.  I can imagine how frustrating it is for an artist.)

"Bunny in the Moon" - DidiPop

"Palindrome" - Dog on Fleas / Readeez

"Brussels Sprout Shout" - Duke Otherwise

"Midnight Sun" - Elska

"Day You Were Born" - Frances England

"Cakenstein" - Gustafer Yellowgold

"How Big" - Eric Herman

"Dinosaur" - Lori Henriques

"From You" - Charlie Hope

"End of a Summer Storm" - Alison Krauss (via Sandra Boynton)

"Spicy Kid" - Lunch Money

"Cocodrilo" - Mister G

"When I Get Bald" - Alastair Moock

"Snow Day" - Zak Morgan

"Skateboard" - The Not-Its

"Tambourine Submarine" - Recess Monkey

"Recess" - Justin Roberts

"Bigga Bagga" - Key Wilde & Mr. Clarke

"Turn! Turn! Turn!" - Dan Zanes & Elizabeth Mitchell

In Memoriam: Pete Seeger (1919-2014)


Pete Seeger, the American folksinger whose clear voice entertained and inspired millions, died on Monday night at the age of 94.  Seeger's grandson, Kitama Cahill-Jackson, reported that he died of natural causes at New York-Presbyterian Hospital.

I cannot hope to write an appropriate tribute to Seeger, a man with a tremendously long career who made many, many friends and lived his life with a sense of dignity and principle that I could only hope to live up to.  And, reading the obituaries that have been published since last night, most of them touch upon his work making music for families only briefly.

But with Seeger, distinctions between "kids music" and whatever you want to call music that wasn't "kids music" didn't exist.  He sang for audiences of all ages drawing upon the deep well of folk music of America and around the world.  His viewed his folk music as a way of communicating his ideals of community -- and if you were going to sing of a world where everyone was pulling with the same oar -- why wouldn't you want to reach the kids in addition to his parents?

Seeger was a prolific recording musician -- he recorded 38 albums for Folkways just between 1950 and 1964, for example.  He one one Grammy for his children's music, for 2010's Tomorrow's Children, but that was not his best work.  And while his Smithsonian Folkways work is essential, if I had to pick just one Pete Seeger family album to recommend to you, it would be his 1963 album for Columbia, Children's Concert at Town Hall (affiliate link). It's Pete at the prime of his career, a fine banjo player and his amazing voice (THAT VOICE!), all in service of bring an entire audience together in song.  It's joyous, and I wouldn't hesitate to recommend it to someone of any age.

It is not hyperbole to say that without Seeger we wouldn't quite have "kindie" as we do today.  Set aside the artists such as Dan Zanes and Elizabeth Mitchell whose debts to Seeger are much more obvious and you'd still have countless others in genres often far afield from folk who carry on the idea that music can and often should be made for listeners of all ages.  We've lost a powerful voice with Pete's passing, but I think he'd expect us to pick up the melody and pass it along.

Weekly Summary (1/13/14 - 1/19/14)

Best Kids Music of 2013: Top 25 Albums

If there was a theme to 2013, it was that of collaboration.  Most of the news I was excited about revolved around kindie artists reaching out.  Oh, sure, I've been talking about collaborations for a while now, but it seemed like every week news of a new partnership was announced -- Dan Zanes and Elizabeth Mitchell, for example, or Todd McHatton and, well, everybody in the kindie world.  And it wasn't limited to fellow musicians.  Laurie Berkner, Lunch Money, and Melissa Levis (AKA Moey) made musicals; Alison Levy is working on one and Justin Roberts might be.  Recess Monkey finished their second circus show.  And there are plenty of kids musicians who are still seeking that brass ring of TV.

To me, that's a sign of a couple things, one slightly worrisome, one not.  The worrisome thing is the sense that people are worried about making a living just from music.  Not those particular artists necessarily, but if artists in this age of Spotify are worried about making a living from selling their music to just their fans, then one way to respond is to sell their music to (hopefully) a broader audience.  Or to bring their music to different audiences altogether.  Given the risk of not making their money back after investing in an album (why do you think Kickstarter and other crowdfunding sites hit a tipping point in the kindie world this year?), artists are looking to diversify and spread that risk around.

The non-worrisome thing is that artists are looking for different challenges to keep themselves interested and their creative juices flowing.  That sort of risk-taking may not (heck, will not) succeed every time artistically and commercially, but for an ecosystem as a whole, that's a good thing.

In the end, though, no matter how many different people musicians reach out to, as a listener I'm still focused on the music itself.  This year's list of top albums was every bit as hard to select as in prior years.  Looking back at calendar year 2013 (which is different from the year that I've defined for this exercise -- Nov. 1, 2012 through Sept. 30, 2013, to match Fids & Kamily), I reviewed more than 80 albums and I would guess that that reflects barely a quarter and certainly less than one-third of what I received.  So that means these albums reflect the top 10%, maybe even less, of what I heard this year.

In talking with someone the other day, I said that I didn't necessarily think the very top albums -- the top 5 or 10, perhaps -- were significantly better in quality than the same albums 5 or even 10 years ago.  It's the depth the "bench," so to speak -- the 25th best album of the year is better than the 25th best album probably 5 and definitely 10 years ago.

With all that said, it's time to list my 25 favorite kids music albums of the year.  These are listed in preference order, starting with my very favorite, though as you'll see, my interest in making fine distinctions was… diminished from prior years.  Thanks to these artists (and many others) who made music for families worth sharing this past year.  Onward to 2014!

In filling out my Fids and Kamily ballot, I couldn't decide between my two favorite albums of the year. Luckily, that's totally OK, you can have ties on the ballot.  So these albums are tied for #1.


Justin Roberts


Review - "Many of Roberts' songwriting hallmarks are on display in Recess, starting with the irresistible title track.  Child narrator with enthusiasm on full display?  Check.  Internal rhymes?  Check.  Spelling?  Check.  (OK, I wouldn't necessarily suggest that spelling is one of Roberts' hallmarks.)  All that wrapped in powerpop that seems that seems like it can't get any more powerpoppy until he finds the amp that goes to 11."


Key Wilde & Mr. Clarke

Pleased To Meet You

Review - "Pleased To Meet You is fabulous, an energetic blend of Americana and punk, of empathy and third-grade snark."

In a fit of indecision, I ranked the other eight albums on my F&K ballot as tied.  Seems like it would be a bit generous to rank them all as tied for third, but we're generous people around here.  So, alphabetically, here is the rest of my Top 10:


Frances England

Blink of an Eye

Review - "Many of the songs are fleeting glimpses -- memories -- of family life and parenthood.  "Blink of an Eye" is the most obvious, but it's the dreamy "Salt Water Spin" and "Look How the Light Dances with Trees" that feel like England telling herself -- and by extension her family and us, the listeners -- 'Don't. Forget. This.'"


Billy Kelly


Review - "AGAIN! is an album that had me smiling throughout much of it, and it's not just because it's funny.  It's because Kelly's joy in his song's characters comes through crystal clear."


Lesley and the Flying Foxes

A Day in the Life of a Boogaleeboo

Review - "It's like a cabaret show for kids -- seriously, this needs to happen -- and the comparisons to artists like Regina Spektor and Nellie McKay in their wide-ranging musical approach are apropos."


The Not-Its!


Review - "There's something to said for the methodic steps the band's taken, because KidQuake is their best album yet, a blast of fresh air, and a ton of fun."


Recess Monkey

Deep Sea Diver

Review - "All the qualities that have endeared Recess Monkey to thousands of families nationally from their Pacific Northwest perch are in ample display on their brand new album Deep Sea Diver . Humor (the wry look at those scavenging birds in the mellow Beatles-esque "Seagull" or the punny title of "Choral Reef"), kid-focused topics (disco-dancing with "Walkie Talkies" and complaining about being short in "Shrimp"), and, yes, hooks galore."


Justin Roberts


Review - "For the follow-up to his masterful album Jungle Gym, Roberts didn't choose to write another album of perfect pop and power-pop songs...  Instead, kindie's finest songwriter stretched in a slightly different direction, writing an entire album of, well, if not exactly lullabies, then at least songs for downtime."


Dan Zanes and Elizabeth Mitchell with You Are My Flower

Turn Turn Turn

Review - "There are a handful of dance songs for fans of Zanes' dance parties and some songs that showcase Mitchell's warm yet crystalline voice.  But the album's biggest strength is that this album of two of kindie's biggest stars features those musicians getting together to play songs humbly and joyfully."

The next 5 albums listed alphabetically below are the ones I hated to have to leave off my Fids & Kamily ballot/Top 10 list.  They're the albums that, in a different mood, on a different day, might have appeared on that list.


Chris Doud, Willy Tea Taylor, and more

Color This Album

Review - "There's the country bluegrass of "Larry the Frog," the Woody Guthrie absurdity of "Hop in the Car," and the bluesy lament "Lullaby to Stellaouise."  Or perhaps you'd prefer Bob Dylan-in-silly-mode "Crayons," the bluegrass raveup "Thirteen Bears" (it's the number of bears on the shirt, in case you're wondering), and the stone-cold classic of parental frustration/unconditional love 'Take You Into My Arms.'"


Lori Henriques

The World Is a Curious Place To Live

Review - "Lori Henriques clearly practices what she sings, offering up celebrations of the world outside of ourselves.  Her jazzy-pop-by-way-of-Broadway-and-Carnegie-Hall is still unique in the world of kids music and worth being curious about."


Alastair Moock

Singing Our Way Through: Songs for the World's Bravest Kids

Review - "Singing Our Way Through might not be the first album a family thinks of to purchase for their own family, assuming that their family hasn't been struck with a serious disease.  And the first couple tracks, "I Am the Light" and "When I Get Bald," deal with cancer head-on.  But once you get past that, the songs just deal with tough times and humor in those tough times."


Shine and the Moonbeams

Shine and the Moonbeams

Review - "While it's the songs that deal with real-life social issues like bullying and self-respect that could give this album a long shelf life with schools and families, I'm also looking forward to sillier, groovier, jazzier songs along the lines of "Do You Ever Stop" and "Shake for Eight."  Lots of fun, lets hope the success of this one makes the follow-up come out faster."


Heidi Swedberg

My Cup of Tea

Review - "You can appreciate My Cup of Tea  as a straight-up album of music from folk and world traditions played with verve and imaginatively arranged.  But I think you'll get more out of it if you think of it as a variety show without the banter, skits, and sponsor thanks."

The next 5 albums (again, alphabetically by artist and, if you're keeping score at home, albums 16 through 20) are definitely top 20 material.


Lloyd Miller

S.S. Brooklyn

Review - "Interspersed with [the] familiar songs are some newer songs, more intimate to the neighborhood -- personal history rather than history writ large."


Cat Doorman (aka Julianna Bright)

Cat Doorman Songbook

Review - "But even more important to the album than a spirit of peace and love is the celebration of do-it-yourself and individual expression.  Songs like "Oh, the Inspiration!" and "Yeah!," as different as they are sonically, speak of the spark that drives people to create and express themselves."


Underbirds (aka Todd McHatton and Morgan Taylor)


Review - "But few of these pop gems sound like they were crafted with your local 5-year-old front-of-mind.  Rather, they're songs about friendship and daring and love and (especially) nature that happen to be kid-friendly."


Dean Jones

When the World Was New

Review - "When the World Was New is an intimate album inspired by big questions -- why are we here? what are we doing? where are we going to? -- but never feels like a boring textbook.  Instead, Jones' album is a series of (musical) essays that might prompt a few questions in the listeners' own minds, young and old."


Paul Spring

Home of Song

Review - "Home of Song is an ode to books and stories, and to the families who nurture them. I don't know if the family who reads and sings together stays together, but albums like this one make a convincing argument."

Finally, as I was trying to narrow down the final 5, I realized I just couldn't, and after all these other times of stopping at an arbitrarily-defined round number, I decided I'd stop at an arbitrarily-defined unround number. Here, then, are the final 7 albums in my Top 25, er, 27 albums of 2013


Sandra Boynton

Frog Trouble

Review - "On Frog Trouble, Boynton and her musical partner, the arranger Michael Ford, offer up another dozen songs of often surreal and animal-based nature... But a number of the songs, some of them the album's strongest, play it mostly straight -- Alison Krauss' lovely take on "End of Summer Storm" and Ryan Adams performing "When Pigs Fly," which takes that absurd premise and turns it into something beautiful."


Caspar Babypants

Baby Beatles

Review - "I don't think any Beatles cover album is essential -- just listen to the originals -- but Baby Beatles is just different enough to hold the listeners' attention far more than they would for some random (often Muzak-inspired) cover."


Lucky Diaz and the Family Jam Band


Review - " By marrying his bubbly pop songs to a new language, he's given the songs new life and suggested an alternative route to non-English music for kids."


Moona Luna

Vamos, Let's Go

Review - "Velasquez also turns lots of... basic preschooler and early-elementary school topics -- writing letters, telling time, the seasons -- into tightly-written songs that mimic the distinctive keyboards, rhythms, and vocal harmonies of post-Bill Haley rock-n-roll."


Pointed Man Band

Swordfish Tango

Review - "Let's put it this way - it's an album that besides featuring a song about an invisible duck and Western Washington witches, it includes a song about dancing without pants -- in French.  (Plus, of course, the title song, in 3 parts.)"


The Verve Pipe

Are We There Yet?

Review - "The band fully embraces its role of class clown with songs that will put smiles on the faces of all but the most curmudgeonly of listeners.  Fans of A Family Album  will find this every bit as winning..."


The Watson Twins

Pioneer Lane

Review - "This new album moves their folk/rock/alt-country sound out of the sanctuary and into a barn somewhere for a late-afternoon picnic that stretches into a moonlight night.  The whole effect is mesmerizing, the sisters' harmonies reverberating on both the slow and uptempo tracks."